Parry-Williams, T (2010) Future craft research exposition. Duncan of Jordanstone College of Art and Design, Dundee, UK, 26 March - 24 April 2010.

Luzar, R (2016) Four steps for lighting balls and chords. In: Draw to Perform 3, Crows Nest Gallery, London, UK, 30 - 31 July 2016.

Kidd, N, Dunseath, J, Addison, J and Large, K (2024) Pauses - Inventory of Behaviours. In: Doing Together 2024, 4 - 5 April 2024, Bath Spa University, Bath, UK.

Steadman, M (2014) Küsse [artistic director]. In: Küsse, Exeter Ignite, Exeter Phoenix Theatre, Exeter, UK, 2-3 June 2014.

Luzar, R (2017) Untitled & A-lighting steps, balls and chords. In: Gesture, Trace, Performance, Herbert Read Gallery, London, UK, 18 November - 15 December 2017.

Luzar, R and Gagliardi, F (2016) Two seen, one un-seeing. In: Duration and Dialogue: Performance Art Festival/Symposium, Katzman Contemporary, Toronto, Canada, 29 - 31 January 2016.

Waterworth, D and Wilson, C (2019) About the Heads [curators]. Old Royal Naval College, University of Greenwich, London, UK, 18 April - 24 May 2019.

Dalwood, D (2015) Gwen John to Lucian Freud: Home and the World: Dexter Dalwood Selects from the Swindon Collection [curator]. Holburne Museum, Bath, 28 February-7 June 2015.

Sowden, T (2016) Shelfware [group exhibition]. Line Gallery, Stroud, UK, 5 - 27 August 2016.

Galpin, P (2016) Ceramics and the haptic - a case study sited in Worcester Cathedral. PhD thesis, Bath Spa University.

Dunseath, J (2016) Artist Boss: Pool [curator and exhibitor]. The Cut, Halesworth, UK, 3 September - 6 October 2016.

Vyner, T (2022) The FIFA World Cup, Russia (2018). In: Art of the Terraces, Walker Art Gallery, Liverpool, UK, 5 November 2022 – 12 March 2023.