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Recorded music: performance, culture and technology

Bayley, A (2010) Recorded music: performance, culture and technology. Cambridge University Press, Cambridge. ISBN 9780521863094

Abstract

Research in the area of recorded music is becoming increasingly diverse. Contributions from a variety of fields, including music performance, composition and production, cultural studies and philosophy, are drawn together here, for the contrasting perspectives they bring to a range of music genres. Discourses in jazz, ethnomusicology and popular music - whose histories and practices have evolved principally from recordings - are presented alongside those of Western classical music, where analysis of recordings is a relatively recent development. Different methodologies have evolved in each of these subdisciplines where recordings have been contextualised variously as tools, texts, or processes, reflective of social practices. This book promotes the sharing of such differences of approach. Attitudes of performers are considered alongside developments in technology, changing listening practices, and social contexts, to explore the ways in which recordings influence the study of music performance and the nature of musical experience

Item Type: Book
Additional Information:

Book edited by Amanda Bayley.

Keywords: Sound recordings — Social aspects. Music — Social aspects. Ethnomusicology. Schallaufzeichnung. Musik. Sound recordings in musicology. Music — History and criticism. Musical analysis. Sound recordings — Production and direction.
Subjects: M Music and Books on Music > ML Literature of music
Divisions: College of Liberal Arts
Date Deposited: 20 Feb 2013 10:19
Last Modified: 29 Apr 2016 14:06
URI: http://researchspace.bathspa.ac.uk/id/eprint/1051
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