Sadang B (2019) [multi-component output with contextualising information]

Hong, Y (2021) Sadang B (2019) [multi-component output with contextualising information]. Online.

Item Type: Performance
Creators: Hong, Y
Abstract: Sadang B (2019) is an exhibition project comprised of three newly commissioned projects, Un-Splitting (Performance), The White Mask (Music performance) and To Paint A Portrait of a Bird (Installation).This interdisciplinary project questions the normalisation of extreme nationalism and social inequality by exploring the human-animal boundary through the lens of those socially marginalised in South Korea. Sadang B is suggested as a site where these enquiries can take place. This multi-component output Collection documents the above research project, providing evidence of the performance, music performances, and museum gallery, installation, with additional contextualising content in the form of a 300 word statement of research, research timeline, research questions, and an item documenting methods and processes towards the various components of the work.
Official URL: https://doi.org/10.17870/bathspa.c.5223329.v1
Date: 2021
Event Location: Online
Note:

This Collection is a collation of research disseminated in 2019, included in the REF2021 submission.

Keywords: becoming, nationalism, Deleuze, boundaries between animal and human, post war Korea, domestic female labour, low wage female textile workers
Divisions: Bath School of Art
Date Deposited: 02 Oct 2020 13:29
Last Modified: 19 Apr 2021 14:15
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