Luzar, R (2021) Sanded steps, standing over stones (2017, 2018) [REF2021 collection].
| Item Type: | Artefact |
|---|---|
| Creators: | Luzar, R |
| Abstract: | Sanded Steps, Standing Over Stones is a live art work that rethinks ‘trace’ and ‘event’ in historical––and ongoing aporetic––situations that become self-effacing and unhappening. It uses self-effacing gestures such as the sweeping of sand, and audience participation in enunciating found-words from texts and slogans, to trace cultural revolutions and social demonstrations from May ’68 to Occupy––and asks whether such events insist or desist in happening today. This collection contains a 300-word Statement outlining the research project; a Research Timeline and set of Research Questions; photographic documentation of the Bath 2017 iteration of the artwork and information relating to the Embodied Cartographies Symposium; photographic documentation and video footage of the Montreal 2018 iteration of the artwork and documentation relating to Resting, Walking, Place-Making: How Do We Talk About Invisible, Liminal Spaces in Art?; a journal article by Luzar; and a bibliography of works cited. |
| Official URL: | https://doi.org/10.17870/bathspa.c.4990484 |
| Date: | 2021 |
| Note: | This Collection is a collation of research disseminated over the period 2017-2018, included in the REF2021 submission. |
| Divisions: | Bath School of Art, Film and Media |
| Research Centres and Groups: | Art Research Centre |
| UoA: | Art & Design |
| Date Deposited: | 04 Feb 2021 12:43 |
| Last Modified: | 03 Feb 2023 18:37 |
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