Herrema, R (2021) Code as Prosthesis (2020) [REF2021 collection].
| Item Type: | Artefact |
|---|---|
| Creators: | Herrema, R |
| Abstract: | Code as Prosthesis is a practice-led research project which aims to understand how generating music by means of computer algorithms relates to the traditional and inescapable materialities of musical practice. The research was funded by means of an Automation Fellowship awarded by the Southwest Creative Technology Network (SWCTN). Dissemination of the findings took place through the use of an innovative interactive website (codeasprosthesis.net), as well as through the International Journal of Creative Media Research (April, 2020). This Collection documents a single-component output with contextualising information. The items provide evidence of the output in the form of the link to the output website, and contextualising information is provided in the form of a 300-word statement, Research Timeline & Research Questions, and the link to the Journal Article in the International Journal of Media Studies. |
| Official URL: | https://doi.org/10.17870/bathspa.c.4962290 |
| Date: | 20 April 2021 |
| Note: | This Collection is a collation of research disseminated in 2020, included in the REF2021 submission. |
| Divisions: | Bath School of Design |
| Research Centres and Groups: | Centre for Media Research |
| UoA: | Music & Performing Arts |
| Date Deposited: | 17 Mar 2021 17:09 |
| Last Modified: | 16 May 2022 14:06 |
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