At 'We Where', Hong attends to the subject of “communities” that become forgotten in contemporary society. She recognises the loss of a communal space that premodern folks believed to be real, i.e., sacred areas in which the spirits of living organisms including animals, humans, and plants could communicate through a natural connection, and wishes for the recovery of such relationships of equality. Furthermore, the artist critiques the reductive and exclusive bent and the hierarchical social system of the contemporary era.