Dickinson, J (2015) Pastorale-mechanical: imagined landscapes, between determinate systems and poetic fantasy. In: INTIME Symposium : Landscapes and Environments: Experimentation and Transformation in Sound and Music, 24 -25 October 2015, Coventry University, UK.

Official URL: http://www.coventry.ac.uk/PageFiles/136735/INTIME%...


This paper presents an intermedial approach to the analysis of two musical works, both of which seek to create a sonic analogue of the same Paul Klee painting: 'The Twittering Machine'(1922). Andrew May's electroacoustic composition 'Twittering Machine(after Paul Klee)' (1998), and Harrison Birtwistle's avant-garde piece 'Carmen Arcadie Mechanicae Perpetuum'(1977).

Item Type: Conference or Workshop Item (Paper)
Subjects: M Music and Books on Music > M Music
N Fine Arts > ND Painting
Divisions: College of Liberal Arts
Date Deposited: 21 Sep 2015 12:34
Last Modified: 29 Apr 2016 14:06
Request a change to this item or report an issue Request a change to this item or report an issue
Update item (repository staff only) Update item (repository staff only)