Dickinson, J (2015) Pastorale-mechanical: imagined landscapes, between determinate systems and poetic fantasy. In: INTIME Symposium : Landscapes and Environments: Experimentation and Transformation in Sound and Music, 24 -25 October 2015, Coventry University, UK.
This paper presents an intermedial approach to the analysis of two musical works, both of which seek to create a sonic analogue of the same Paul Klee painting: 'The Twittering Machine'(1922). Andrew May's electroacoustic composition 'Twittering Machine(after Paul Klee)' (1998), and Harrison Birtwistle's avant-garde piece 'Carmen Arcadie Mechanicae Perpetuum'(1977).
|Item Type:||Conference or Workshop Item (Paper)|
|Subjects:||M Music and Books on Music > M Music
N Fine Arts > ND Painting
|Divisions:||College of Liberal Arts|
|Date Deposited:||21 Sep 2015 12:34|
|Last Modified:||29 Apr 2016 14:06|
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