Items where Division is "Bath School of Art, Film and Media" and Year is 2019

Addison, J and Kidd, N (2019) 'Regulation, resistance, readiness and care: what can be learnt by performing the peripheral behaviours of artists?' In: Campbell, L, ed. Leap into action: critical performative pedagogies in art & design education. Peter Lang, New York, NY. ISBN 9781433166402

Allen, D (2019) Absent Figure series (2015) & Nurture (2018). In: Korean International Ceramic Biennale 2019, Icheon World Ceramics Center, Gyeonggi, South Korea, 27 September - 24 November 2019.

Allen, D (2019) The absent figure: an analysis of the relationship between artist, material, viewer and artwork. PhD thesis, Bath Spa University.

Bonnell, M (2019) Moth & Jasmine flowers. In: 25th Anniversary: Celebrating Our Collectors​, One Off Contemporary, Nairobi, Kenya, 15 May - 16 June 2019.

Bonnell, M and Horstman, F (2019) Bethany Grasses. In: Special Editions, Eagle Gallery EMH Arts, London, UK, 28 March – 20 April 2019.

Brown, A, Cocker, E, Dutton, S, Hock, K, Mackenna, T, Maier, D, Pepper, A, Reynolds, E and Sprawson, D (2019) No Telos. BEAM Editions, Nottingham.

Brown, A, Cocker, E, Hock, K, Maier, D, Reynolds, E, Dutton, S, Mackenna, T, Pepper, A and Sprawson, D (2019) No Telos. In: Convocation: On Expanded Language-Based Practices, as part of the Venice Bienniale 2019, Sala del Camino, Venice, Italy, 16 – 18 June 2019.

Brown, A.R (2019) 'From class disgust to indie art-house accolade and fan celebrity: the strange cultural journey of 'Heavy Metal Parking Lot'.' In: Bayer, G, ed. Heavy metal at the movies. Routledge, Abingdon. ISBN 9781138571594

Clarke, R (2019) Broomhill spinning sculpture. In: National Sculpture Prize Summer Exhibition, Broomhill Sculpture Garden, Barnstaple, UK, Summer 2019.

Dalwood, D (2019) Fernand Léger: New Times, New Pleasures. Tate Liverpool [exhibition review]. The Burlington Magazine, 1392 (161).

Dalwood, D (2019) What Is Really Happening. Simon Lee Gallery, London, UK, 1 - 30 March 2019. ISBN 9781999965624

Dalwood, D (2019) What is Really Happening. Simon Lee Gallery, London, 1 March - 30 March 2019.

Dalwood, D (2019) What is really happening. Dostoyevsky Wannabe / Simon Lee Gallery, London. ISBN 978199996562

Dalwood, D (2019) 'What is the history in contemporary history painting?' In: Phillips, M.S and Bear, J, eds. What was history painting and what is it now? McGill-Queens University Press, Montreal, Canada, pp. 204-214. ISBN 9780773558960

Dillon, B and Harrison, K (2019) Ecstatic Material. Touring performance, February 2019.

Dutton, S (2019) Documents, Alternatives #2 [group exhibition]. Verge Gallery, Sydney, Australia, 18 January - 24 February 2018.

Dutton, S (2019) 'Erase the background noise, prepare the ground for the performance.' Soanyway, 2 (2).

Dutton, S (2019) Que Sera.

Dutton, S, Xu, A, Liu, C, Xu, F, Xiaohong, Z and Hongtao, Z (2019) A Share of a Future [curators]. China University of Mining and Technology, Beijing, China, 9 March - 30 April 2019. Please click the title to check availability.

Eikhof, D.R, Williams, C and Marsden, S (2019) From diversity policy to practice: the case of the UK screen industries. In: 35th EGOS Colloquium, July 2019, Edinburgh, UK.

Feasey, R (2019) '‘Grease’, late teens and the twentysomething audience today.' In: Gruner, O and Krämer, P, eds. Grease is the word: exploring a cultural phenomenon. Anthem Press, London. ISBN 9781785271106

Feasey, R (2019) Infertility and non-traditional family building: from assisted reproduction to adoption in the media. Palgrave Macmillan. ISBN 9783030177867

Feasey, R (2019) Just another celebrity confessional? Famous faces, recognisable voices and mental health in the media [blog post]. In Media Res.

Feasey, R (2019) 'Male factor infertility and the media: masculinity and the hegemonic hierarchy.' Viewfinder, 112. Please click the title to check availability.

Feasey, R (2019) Pregnancy age shaming: fertility and the Royal pregnancy. In: Oxford Brookes University Symposium: Meghan Markle and the British Royal Family, 15 November 2019, Conway Hall, London, UK.

Feasey, R (2019) Reassurance, fearmongering or cautionary tales: what television teaches young women about motherhood [blog post]. In Media Res.

Flavel, S and Luzar, R (2019) 'Drawing the Dao: reflections on the application of Daoist theory of action in contemporary drawing practice.' Drawing: Research, Theory, Practice, 4 (1). pp. 11-27.

Freeman, M (2019) 'Re-building transmedia 'Star Wars': strategies of branding and un-branding a galaxy far, far away.' In: Proctor, W and McCullough, R, eds. Disney’s Star Wars: forces of production, promotion and reception. University of Iowa Press, Iowa City, pp. 23-38. ISBN 9781609386436 Please click the title to check availability.

Freeman, M (2019) 'Transmedia historiography as educational practice: narrativising Colombian cultural memory.' The International Journal of Creative Media Research, 1.

Freeman, M (2019) '“We don’t get to stay the same way we started”: 'The walking dead', augmented television, and sociological character-building.' Frontiers of Narrative Studies, 5 (2). pp. 287-304.

Freeman, M (2019) The world of The Walking Dead. Routledge, London. ISBN 9781138303379

Harris, H (2019) Inland. In: Royal Photographic Society (Western Region) Day, 13 October 2019, Bath, UK.

Harris, H (2019) Inland workshop. In: Schools Without Walls, 13 June 2019, St Andrew’s Primary School, Bath, UK.

Harris, H (2019) Marine memory. In: Wells Art Contemporary Installations, Wells Cathedral, Wells, UK, 20 July - 11 August 2019.

Harrison, K (2019) Bloom. God’s House Tower, Southampton, UK, 16 November 2019 – 16 January 2020.

Harrison, K (2019) Conductor | 8 movements. Preston Bus Station, Preston, UK, 14 July 2019.

Harrison, K (2019) Conductor | 8 movements. In: Beautiful and Brutal: 50 years in the life of Preston Bus Station, Harris Museum, Art Gallery and Library, Preston, UK, 21 September – 24 November 2019.

Harrison, K (2019) Keith Harrison & LOW PROFILE. In: Artists Talks, 9 October 2019, Harris Museum, Art Gallery and Library, Preston, UK.

Harrison, K and Crow, D (2019) Keith Harrison in conversation and performative event. In: Art Events, 12 December 2019, God's House Tower, Southampton, UK.

Hong, Y (2019) Let us dance. In: Still I Rise, Arnolfini, Bristol, UK, 14 September - 15 December 2019.

Hong, Y (2019) Sadang B. In: Korea Artist Prize 2019, National Museum of Modern and Contemporary Art, Seoul, South Korea, 11 Oct 2019 - 1 March 2020.

Hong, Y (2019) Silent drum (2014) & Still life parade (2015). In: What is Contemporary Art?, Daegu Art Factory, Daegu, South Korea, 20 March - 6 September 2019. ISBN 9791195767083

Hong, Y (2019) Theater without sound, without actors, without anything (2007). In: Pick Me, Gyeonggi Museum of Modern Art, Ansan, South Korea, 8 October 2019 - 2 February 2020.

Kovats, T (2019) Drawing water. In: Thinking Drawing 1960 to Now: A Symposium on Contemporary Drawing, 10 May 2019, Courtauld Institute of Art, London, UK.

Kovats, T (2019) Head to Mouth. The Gymnasium Gallery, Berwick upon Tweed, UK, 15 June - 8 September 2019.

Kovats, T (2019) Ocean bowls, Pacific, Indian [2015]. In: John Ruskin: Art and Wonder, Millennium Gallery, Sheffield, UK, 29 May - 15 September 2019.

Kovats, T (2019) Opening night performative reading. In: The Other Place, 12 April - 15 September 2019, KØS - Museum of Art in Public Spaces, Køge, Denmark.

Kovats, T (2019) Parallel Lines: Drawing and Sculpture [group exhibition]. The Lightbox, Woking, UK, 22 June - 25 August 2019.

Kovats, T (2019) Something against nothing. In: Tania Kovats: Drawing Water, 22 February 2019, City Gallery, Wellington, New Zealand.

Kovats, T (2019) Well. In: Design Exhibition Scotland, Lyon & Turnbull, Edinburgh, UK, 28 June - 2 July 2019.

Kovats, T (2019) The importance of drawing. In: Drawing NE Symposium, 5 April 2019, The Biscuit Factory, Newcastle, UK.

Kovats, T (2019) The space of reading.

Lack, J, Bell, S, Wood, J, Harrison, Paul and Williams, B (2019) Panel discussion. In: Making a Mockery: Exploring Humour and Satire in ArtPanel, 10 July 2019, Royal Academy, London, UK.

Lamont, B.R (2019) Sad Girl Cinema. In: Matchbox Cineclub, BFI Film Feels Season, 21 July 2019, CCA Theatre, Glasgow, Scotland.

Lamont, B.R (2019) 'The memetic molester: creating and characterising the child sex abuser through digital humour and transgressive media through a close reading analysis of Pedobear.' First Monday, 24 (8).

Lax, A (2019) Radioactive Boglach. New Brewery Arts, Cirencester, UK, 30 March - 2 June 2019.

Lucas, A (2019) One Second Feature. The Gallery, De Montford University, Leicester, UK, 9 March – 27 April 2019.

Luzar, R (2019) Demonstrations. In: Roja Art Lab 2019, Roja, Latvia, 21 July - 3 August 2019.

Luzar, R (2019) Demonstrations. In: Restless Linings, Kosar Contemporary, Bristol, UK, 1 - 22 November 2019.

Luzar, R (2019) Tracing someone else's skin. In: Reversed, University of Bristol, Bristol, UK, 8 April 2019.

Luzar, R (2019) 'The multiplicity of (un-)thought: Badiou, Deleuze, event.' Comparative and Continental Philosophy, 11 (3). pp. 251-264.

Neudecker, M (2019) And then the world changed colour: breathing yellow. In: Harald Sohlberg: Painting Norway, Dulwich Picture Gallery, Dulwich, London, UK, 3 February - 2 June 2019.

Penrhyn Jones, S (2019) 'A crisis discipline: broadening understanding of environmental communication through theory and practice.' The International Journal of Creative Media Research, 2.

Reid-Maroney, N, Bell, A, Brooks, N, Otele, O and White, R (2019) 'From 'Uncle Tom’s Cabin' to “Countering Colston”: slavery and memory in a transatlantic undergraduate research project.' International Public History, 2 (1). 020190006.

Robertson, M (2019) BLURT [poster], RMT Productions, UK.

Robertson, M (2019) Bronchodilator' & 'Directory' & 'ire WA vaa' & 'Log. In: PO–EX Simposio Internacional de Poesía Experimental, Pontificia Universidad Católica de Chile, Santiago, Chile, 2 - 5 January 2019.

Robertson, M (2019) Log (August) [2018]. In: A Share of the Future, China University of Mining and Technology, Beijing, China, 2019.

Robertson, M (2019) Underground Lovers: A Left Turn [album cover design], Rubber Records, Australia.

Robertson, M (2019) 'Untitled.' ToCall, 4.

Robertson, M (2019) William points. JAB.

Snell, R (2019) And the Result was Catastrophic (2012) & Transpolar Drift (2015) & Isbrea 1 (2014) & Afternoon Storm (1998) & Bunkerkanonen (2011) & Known Unknowns (2015) & Grüne Hölle (2008). In: Landscapes, No 20 Arts, London, UK, 1 August - 1 September 2019.

Steele, J (2019) Francophone Belgian cinema. Edinburgh University Press, Edinburgh. ISBN 9781474420761

Strange, S ORCID: 0000-0003-4055-3665 (2019) 'Cybernetic systems of music creation.' Journal of Popular Music Education, 3 (2). pp. 261-276.

Taylor, A, Burraway, C and Kovats, T (2019) The Trinity Buoy Wharf Drawing Prize drawing discussion: lines of enquiry. In: Draw Art Fair London, 17-19 May 2019, Saatchi Gallery, London, UK.

Turk, G (2019) En Oeuf. Maruani Mercier Gallery, Brussels, Belgium, 14 January - 14 February 2019.

Turk, G (2019) Oi! [1998]. In: In My Shoes: Art & The Self Since the 1990s, an Arts Council Collection touring exhibition, 30 March - 22 September 2019.

Turk, G (2019) Portrait of an Egg. In: Photo London, Somerset House, London, UK, 16 - 19 May 2019.

Tweed, C (2019) 'Fiction Machines: Oporavak.' The International Journal of Creative Media Research, 1.

Tweed, C (2019) Re-writing the machinic anthropocene (2014-2017) [REF2021 collection].

Waterworth, D and Wilson, C (2019) About the Heads [curators]. Old Royal Naval College, University of Greenwich, London, UK, 18 April - 24 May 2019.

Whistler, D (2019) Man of the Sea [work-in-progress] & Shadows on the Western Front [1995]. In: The Plough Arts Centre Cinema Series, 27 January 2019, Torrington, Devon, UK.

White, R (2019) Phantoms walking: introduction to performative walking practice. In: Phantoms of the Past: Recovering and Uncovering Transatlantic Narratives of Race, 21 March 2019, Huron University College, Ontario, Canada.

White, R (2019) Seeing whiteness, hearing dead silence, sensing legacies of slave-ownership: an iteration of walking-with. In: Embodied Learning: Moving Creativity and Agency, 19 - 20 October 2019, Bath Spa University, Bath, UK.

White, R (2019) Sweet Waters: walking-with reluctant heritage. In: 7th EUGEO Congress in conjunction with the 51st Conference of Irish Geographers: Re-imagining Europe’s Future Society and Landscapes, 15 - 19 May 2019, National University of Ireland, Galway, Ireland.

White, R (2019) Untitled artwork. In: Confluence: Interconnectivity and Interdependency, Museum in the Park, Stroud, UK, 30 March - Sunday 28 April 2019.

White, R (2019) Walking-with whiteness: affect aliens, story carriers and reluctant heritage. In: Walking’s New Movements, 1 - 3 November 2021, University of Plymouth, UK.

White, R (2019) (dis)enchantments and perambulations: walking arts and reluctant heritage. Burdalls Yard, Bath, UK, 27 June 2019 & 18 - 23 July 2019.

White, R and Brunstein, L (2019) 7 films. In: After Auschwitz..., Hundred Years Gallery, London, UK, 5 - 8 September 2019.

Whiting, M (2019) Landandmybody drawing series. In: Loss and Lucidity, Fábrica Braço do Prata, Lisbon, Portugal, 8 September - 18 October 2019.

Williams, C (2019) (Not) imagining a writing future. In: CAMEo Conference, September 2019, Leicester, UK.

Wilson, C.J.R ORCID: 0000-0003-0084-2198 (2019) Concerning roundabouts.

Wilson, C.J.R ORCID: 0000-0003-0084-2198 (2019) 'Sculpture, modelling and pottery.' In: Wilcox, T, ed. James Tower: ceramics, sculpture and drawings. Arnoldsche, Stuttgart, pp. 56-59. ISBN 9783897905702

Wood, J and Harrison, P (2019) Blind/Spot (2007). In: Deep Deep Down, Far Far In (and Out), Fundação Leal Rios, Lisbon, Portugal, 15 May - 15 December 2019.

Wood, J and Harrison, P (2019) Board (1993) & Boat (1995) & Device (1996). In: Comment se Faire des Amis, DOC!, Paris, France, 19 April - 4 May 2019.

Wood, J and Harrison, P (2019) Considering collaboration. In: CONFESSIONS: Jerwood Collaborate!, 25 November 2019, Jerwood Arts, London, UK.

Wood, J and Harrison, P (2019) Fan/paper/fan (2007) & Drum and bass (2018) & This is a projection (2018) & The only other point (2005). In: Sense of Humor, 21_21 DESIGN SIGHT, Tokyo, Japan, 15 March - 30 June 2019.

Wood, J and Harrison, P (2019) Harry Houdini (1994). In: Being Human: An Exhibition of Modern Sculpture, Bristol Museum & Art Gallery, Bristol, UK, 5 October 2019 — 4 October 2020.

Wood, J and Harrison, P (2019) Semi automatic painting machine (2014). In: Fresh Window: Mudam Collection in the City, 45 Avenue de la Gare, Luxembourg City, Luxembourg, 30 April - 26 May 2019.

Wood, J and Harrison, P (2019) Six boxes (1997). In: Mere Constructions, KANAL - Centre Pompidou, Brussels, Belgium, 23 January - 30 June 2019.

Wood, J and Harrison, P (2019) Some things are hard to explain. In: Integrated 2019, 7 November 2019, deSingel International Arts Campus, Antwerp, Belgium.

Wood, J and Harrison, P (2019) This is a projection (2018). In: Inside Baseball, Cristin Tierney Gallery, New York, USA, April 26 – June 1, 2019.

Wood, J and Harrison, P (2019) This is a projection (2018). In: IndieLisboa, Casa do Cinema, Lisbon, Portugal, 2 - 12 May 2019.

Wood, J and Harrison, P (2019) This is a projection (2018). In: 16th International Festival for Short Film, Animation & Music Video, Museumsplatz, Vienna, Austria, 28 May - 2 June 2019.

Wood, J and Harrison, P (2019) Tree/Line (2014) & 13 Assassinations (2013) & other selected works. In: Action! Performing Drawing - Drawing Now Art Fair, Le Carreau du Temple, Paris, France, 27 - 31 March 2019.