Items where Division is "Bath School of Art, Film and Media" and Year is 2022

Crawley, G, Critchley, E and Neudecker, M (2022) 'Imaginaries: art, film, and the scenography of oceanic worlds.' In: Peters, K, Anderson, J, Davies, A and Steinberg, P, eds. The Routledge handbook of ocean space. Routledge, Abingdon, pp. 277-297. ISBN 9781138084803

Dunseath, J and Squires, K (2022) Touch Type. Skelf [online], 4 May 2022 - 1 October 2022. Please click the title to check availability.

Feasey, R (2022) 'Celebrity miscarriage listicles: the help and heartache of mothers talking about pregnancy loss.' Feminist Media Studies, 22 (6). pp. 1429-1446.

Feasey, R (2022) 'Conforming to or confounding the beauty myth: femininity, diversity and chromosomal disorders.' Journal of Literary & Cultural Disability Studies, 16 (4). pp. 423-438.

Feasey, R (2022) 'From 'The One' to 'John Wick': Keanu Reeves and the action genre.' In: Gerrard, S and Middlemost, R, eds. Gender and action films 1980-2000: beauty in motion. Emerald, London, pp. 199-212. ISBN 9781801175074

Feasey, R (2022) 'Meghan Markle and the royal pregnancy announcement: media mis/reporting of advanced maternal age.' Journal of Gender Studies, 31 (5). pp. 547-559.

Feasey, R (2022) 'Tomboys, 'Annedroids' and the new normal.' In: Dymond, E.J, Harrison, J and Wells, H, eds. Reclaiming the tomboy: the body, representation, and identity. Lexington Books, Lanham, pp. 135-158. ISBN 9781793622945

Feasey, R (2022) Why media representations matter: motherhood, infertility and loss. In: Motherhoods on Screen: Global Perspectives, 23 - 24 September 2022, Maynooth University, Ireland.

Freeman, M (2022) 'Marketing virtual reality experiences… without the headset: watching, playing and fearing Anagram’s 'Goliath'.' Media Practice and Education, 23 (1). pp. 20-36.

Halcrow, L (2022) A thousand intertwinings: an exploration of embodied artistic processes made in collaboration with an estuarine landscape and its vibrant matter. PhD thesis, Bath Spa University. doi: 10.17870/bathspa.00014657

Harrison, K (2022) Resistor (2001). In: A Matter of Life and Death, Thomas Dane Gallery, Naples, Italy, 29 March – 28 May 2022.

Holmes, L.M (2022) Anime in the UK: the history, cultural context, and evolution of UK anime fandom. M.Phil thesis, Bath Spa University. doi: 10.17870/bathspa.00014677

Hong, Y (2022) Meta-hierarchical exercise. In: Scoring the Words, Seoul Museum of Art, Seoul, South Korea, 1 September - 20 November 2022.

Hong, Y (2022) Prayers no.1-39. In: Scoring the Words, Seoul Museum of Art, Seoul, South Korea, 1 September - 20 November 2022.

Hong, Y (2022) We Where. PKM Gallery, Seoul, South Korea, 19 January - 26 February 2022.

Kelham, J (2022) Super Duper St. Anne's F.C. St. Anne's House, Brislington, Bristol, 14 - 30 April 2022.

Lamont, B.R (2022) 'From raped childhood to ruined childhood: developing an aesthetic of childhood trauma in digital culture from 2001 to 2018.' First Monday, 27 (6).

Lamont, B.R (2022) 'Unseeable abuse: the impossible act of visualising childhood sexual abuse in digital cultures and technology.' In: Choe, S, ed. The Palgrave handbook of violence in film and media. Palgrave Macmillan, Cham, pp. 379-394. ISBN 9783031053894

Lucas, A (2022) Drawing In [group exhibition]. An Tobar, Tobermory, Isle of Mull, UK, 3 December 2022 - 16 April 2023.

Lucas, A and Walton, A (2022) Conformist 1970.

Luzar, R (2022) 'Drawing and performativity [editorial].' Drawing: Research, Theory, Practice, 7 (1). pp. 3-15. Please click the title to check availability.

Luzar, R (2022) My revolution is working out. In: Drawing Symposium, Complutense University, Madrid, Spain, 4 April 2022.

Luzar, R (2022) My revolution is working out. In: Live Art and Performance Group (LAPER) Event, Oxford, UK, 5 May 2022.

Luzar, R and Lohrum, M (2022) Tens-tact. In: Acción Spring(t), Complutense University, Madrid, Spain, 4 - 6 April 2022.

Neudecker, M (2022) Designated design: a plastics collection of national importance [group exhibition]. Museum of Design in Plastics, Arts University Bournemouth, Bournemouth, UK, 28 October 2022 - 22 December 2022.

Neudecker, M (2022) Earth: digging deep in British art 1781 - 2022 [group exhibition]. Royal West of England Academy, Bristol, UK, 9 July - 11 September 2022.

Neudecker, M (2022) Eternal ice [group exhibition]. Museum Sinclair-Haus, Stiftung Kunst und Natur, Bad Homburg, Germany, 25 September 2022 - 12 February 2023.

Neudecker, M (2022) Joyce, Beuys and a (dark) blue sky [group exhibition]. Wanantaka Art Collection, Wanantaka Manor, Finland, 19 October 2022 - 15 August 2023.

Neudecker, M (2022) Lindisfarne Gospels [group exhibition]. Laing Art Gallery, Newcastle Upon Tyne, UK, 17 September - 4 December 2022.

Neudecker, M (2022) Subterranean [group exhibition]. Amos Rex, Helsinki, Finland, 2 April - 21 August 2022.

Neudecker, M (2022) Transports of delight [group exhibition]. Danielle Arnaud, London, UK, 14 October - 12 November 2022.

Neudecker, M (2022) The magic forest [group exhibition]. Palais des Beaux-Arts, Lille, France, 13 May 2022 - 19 September 2022.

Neudecker, M (2022) The myth of the forest: the whisper of the leaves [group exhibition]. Kunsthalle Emden, Emden, Germany, 25 June - 31 October 2022.

Parry, B (2022) The Wastemakers on Cornucopia Street [group exhibition]. Newhaven Art Space, Newhaven, UK, 3 - 19 November 2022.

Pennington, M.J (2022) Authentic-lite rhetoric: the curation of historical interpretations in 'Hearts of Iron IV'. PhD thesis, Bath Spa University. doi: 10.17870/bathspa.00014679

Steele, J (2022) 'Gazing on Pas-de-Calais: the romance and nostalgia of "the tourist’s gaze" in 'Pas son genre' (Lucas Belvaux, 2014).' InMedia: The French Journal of Media Studies, 9 (1). Please click the title to check availability.

Sutherland, J (2022) Engaging curators: curator perspectives on audiences and developing postcolonial ethics in the small museum. PhD thesis, Bath Spa University. doi: 10.17870/bathspa.00015028

White, R (2022) 'Walking-with, re-membering the Holocaust: 'Forced Walks: Honouring Esther', a case study of somatic and digital creative practice.' Holocaust Studies, 28 (3). pp. 302-330.

Williams, C (2022) Writing voices: writing fiction as silenced cultural work. In: MeCCSA Conference, September 2022, Aberdeen, UK.

Wilson, C (2022) Drive in (2022) & Mirage (2018) & Thresholds (2016). In: Saint Nicholas, Meakin + Parsons x Hannah Payne, Oxford, UK, 3 - 20 December 2022.

Wood, J and Harrison, P (2022) 10 signs for a park. In: Frieze Sculpture 2022, Regent's Park, London, UK, 14 September - 13 November 2022.

Wood, J and Harrison, P (2022) Building Things. In: Times Square Arts' Midnight Moment, Times Square, New York, NY, USA, 1 - 31 January 2022 | Nightly 11:57pm – 12am.

Wood, J and Harrison, P (2022) Night and day (2008). In: Making Fun, Cultuurhuis de Warande, Turnhout, Belgium, 15 May - 14 August 2022.

Wood, J and Harrison, P (2022) One more kilometre (2009) & Headstand (1995). In: Overdose, Design Museum, Holon, Israel, 25 April - 13 August 2022.

Wood, J and Harrison, P (2022) We wrote a master plan, on a piece of paper, but we lost it. In: Berlage Design Masterclass, 7 - 18 November 2022, Delft University of Technology, Delft, Netherlands.