Items where Division is "Bath School of Music and Performing Arts" and Year is 2012

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Number of items: 98.

A

Atkinson, N (2012) 'For those in peril: music, Melville, and Charles Olson.' In: Cockayne, A and Hoare, P, eds. Dominion A Whale Symposium. Wunderkammer Press, Bath. ISBN 9780956646248

B

Bayley, A (2012) Mapping a composer's intentions from composition to performance. In: New Music in Britain Conference, 10-12 May 2012, Canterbury Christ Church University, Canterbury, UK.

Bennett, J (2012) 'All you gotta do is sing.' Total Guitar (225). p. 38. ISSN 1355-5049

Bennett, J (2012) 'Come to steal your song away?' Total Guitar (229). p. 36. ISSN 1355-5049

Bennett, J (2012) 'Constraint, collaboration and creativity in popular songwriting teams.' In: Collins, D, ed. The act of musical composition: studies in the creative process. Ashgate, Farnham, pp. 139-169. ISBN 9781409434252

Bennett, J (2012) 'Don't bore us...write a chorus!' Total Guitar (227). p. 38. ISSN 1355-5049

Bennett, J (2012) 'Getting started with intros.' Total Guitar (223). p. 38. ISSN 1355-5049

Bennett, J (2012) 'Melody - getting in shape.' Total Guitar (224). p. 40. ISSN 1355-5049

Bennett, J (2012) 'What's in a name?' Total Guitar (222). p. 34. ISSN 1355-5049

Bennett, J (2012) 'You can’t teach songwriting...!' Total Guitar (231). p. 34. ISSN 1355-5049

Bennett, J (2012) 'You got a friend? Co-write a song!' Total Guitar (230). p. 36. ISSN 1355-5049

Bennett, J (2012) 'Your lyrics - reason for rhyme.' Total Guitar (226). p. 38. ISSN 1355-5049

Bennett, J (2012) 'The song remains the same - why?' Total Guitar (228). p. 34. ISSN 1355-5049

C

D

Demetriou, P.A (2012) An Exhibition of Hidden Stories: The Lives of Others. Wickham Theatre, University of Bristol, Bristol, UK, 20 November 2012.

Demetriou, P.A (2012) An Exhibition of Hidden Stories: research into methods of staging oral history archive. In: Interdisciplinary Approaches to Documenting Performance, 24 March 2012, University of Hull, Scarborough, UK.

Demetriou, P.A (2012) Love Letters. In: Performance and Live Art Platform, Foundation of Cultural Creativity for Children and Young People, Larnaca, Cyprus, 21 - 22 July 2012.

Demetriou, P.A (2012) Verbatim theatre or oral history theatre? In: CADRE Research Student Conference 2012: On Performativity, 14 - 15 June 2012, University of Wolverhampton, Wolverhampton, UK.

Dickinson, J (2012) Building the Imperfect Beast. In: Leeds International Songwriting Conference (LISC 2012), 8-9 March 2012, Leeds College of Music, Leeds, UK.

E

Ehrenberg, S (2012) 'A Contemporary Dancer’s Kinaesthetic Experiences with her Dancing Self-Image.' In: Ravn, S, ed. Spacing Dance(s) - Dancing Space(s). Proceedings of the 10th NOFOD Conference, Odense, Denmark, January 27-30 2011. Nordic Forum for Dance Research and University of Southern Denmark, Odense. ISBN 9788792646231

Ehrenberg, S, Jola, C and Reynolds, D (2012) 'The experience of watching dance: phenomenological-neuroscience duets.' Phenomenology and the Cognitive Sciences, 11 (1). pp. 17-37. ISSN 1568-7759

Enright, H (2012) Under pressure. Belltable Arts Centre, Limerick, Ireland, 16 September 2012.

Enright, H and Beck, J (2012) The Exeter blitz project. The Bike Shed Theatre, Exeter, UK, 1 - 19 May 2012.

Enright, H, Beck, J and Carfrea, A (2012) Tin girls. The Bike Shed Theatre, Exeter, UK, 8 -10 March 2012.

H

Heaton, R (2012) 'Contemporary performance practice and tradition.' Music Performance Research, 5 (Spec). pp. 96-104. ISSN 1755-9219

Heaton, R (2012) 'Instrumental performance in the twentieth century and beyond.' In: Lawson, C and Stowell, R, eds. The Cambridge history of musical performance. Cambridge University Press, Cambridge, pp. 778-797. ISBN 9780521896115

Heaton, R (2012) Titanic (forma). In: The Sinking of the Titanic - Centenary Project, Birmingham Town Hall, 13 April 2012.

Heaton, R, Woodrow, J and Riley, A (2012) The sinking of the Titanic and ensemble works. .

Hooper, E (2012) Ankylosaur.

Hooper, E (2012) 'Hear me: how intratextual musical association develops literary characters.' Interdisciplinary Literary Studies, 14 (2). pp. 180-196. ISSN 1524-8429

Hugill, A (2012) 'Musicianship in the digital age.' In: Brown, A, ed. Sound Musicianship: Understanding the Crafts of Music. Cambridge Scholars. ISBN 9781443839129

Hugill, A (2012) Pataphysics: a useless guide. MIT Press. ISBN 9780262017794

Hugill, A (2012) The digital musician. 2nd ed. Routledge, Abingdon. ISBN 9780415806596

Hyde, J (2012) Hidden Fields. Arnolfini, Bristol, UK, 21 July 2012.

Hyde, J (2012) Me and my shadow. National Theatre, London, UK, 9 - 26 June 2012.

Hyde, J (2012) The Scores of Oskar Fischinger: a musical approach to a visual music pioneer. In: Third International Symposium on Music/Sonic Art: Practices and Theories (MuSA 2012), 7-8 July 2012, Institut für Musikwissenschaft und Musikinformatik (IMWI), Karlsruhe, Germany.

Hyde, J and Glowacki, D. R. (2012) danceroom Spectroscopy. In: Shambala Arts Festival, Northamptonshire, UK, 27 - 28 August 2011.

K

Kampe, T (2012) Die Mühle/The Mill. Kunstmühle Braunschweig, Germany, 5 & 11 May, 23 & 24 November 2012.

Kampe, T (2012) The Secret Listeners. Trent Park Mansion, London, UK, 22 - 23 July 2012.

Kampe, T (2012) 'Spinning the web.' In: Kohn, K.G, ed. Die Mühle = The mill. Luftschiff, Brauschweig, pp. 12-15. ISBN 9783942792127 Please click the title to check availability.

Karantonis, P (2012) 'Acoustic interculturalism – listening to performance' by Marcus Cheng Chye Tan [book review]. Studies in Musical Theatre, 6 (3). pp. 369-370. ISSN 1750-3159

Karantonis, P (2012) New voices, sustainable futures: music and theatre in the 21st century [panel convenor]. In: Performance Studies International PSi #18, 24 June - 1 July 2012, University of Leeds, Leeds, UK.

Karantonis, P (2012) 'Old enough to sing Tosca: the paradox of age and femininity and the opera diva.' In: Dolan, J and Tincknell, E, eds. Aging femininities: troubling representations. Cambridge Scholars Press, Newcastle upon Tyne, pp. 171-182. ISBN 9781443838832

Karantonis, P (2012) 'Travelling light': moving sound - theorising music's power in a live stage work on the silent film era. In: Sound and Performance, 4 - 7 October 2012, University of Bayreuth, Bayreuth, Germany.

L

Lewis-Smith, C (2012) Inside the Looking Glass. In: 8th Annual TaPRA Conference, 5-7 September 2012, University of Kent, Canterbury, UK.

Lewis-Smith, C (2012) This is the Place.

Lundskaer-Nielsen, M (2012) The curse of global success? An exploration of new musical theatre development in Britain. In: Song, stage and screen VII: The musical's global conquest, 2-5 July 2012, University of Groningen, Holland..

M

Meinema, J (2012) Art is.

Meinema, J (2012) Great train robbers [trailer].

Meinema, J (2012) Worlds apart.

Moor, D (2012) Swarovski.

P

Parfitt, R (2012) Free Your Mind and Your Verse Will Follow. In: Leeds International Songwriting Conference (LISC 2012), 8-9 March 2012, Leeds College of Music, Leeds, UK.

Parfitt, R (2012) Sleepless in the New Seattle. In: International Association for the Study of Popular Music (UK & Ireland) 2012 conference. Imagining Communities Musically: Putting Popular Music in its Place, 5-7 September 2012, University of Salford, Manchester, UK.

Parry, B and Bardsley, G (2012) The Aldeburgh carol.

Parry, B and Bardsley, G (2012) Bright star.

Parry, B and Bardsley, G (2012) Career paths.

Parry, B and Bardsley, G (2012) Christmas cards.

Parry, B and Bardsley, G (2012) Christmas seen through children’s eyes.

Parry, B and Bardsley, G (2012) Flame.

Parry, B and Bardsley, G (2012) I wrote you a Christmas love song.

Parry, B and Bardsley, G (2012) Magi.

Parry, B and Bardsley, G (2012) Sing a cappella.

Parry, B and Bardsley, G (2012) Songs for girls of a certain age.

Parry, B and Bardsley, G (2012) Spring sonnets.

Parry, B and Bardsley, G (2012) Three angels.

Parry, B and Bardsley, G (2012) Veni emmanuel.

Parry, B and Bardsley, G (2012) What is Christmas without you by my side?

Parry, B and Bardsley, G (2012) Worcester introit / Now let us sing.

Power, T (2012) International Shakespeare's Audiences Project. In: Bristol Shakespeare Festival - Complete Reworks, Colston Hall, Bristol, UK, 7 July 2012.

Purcell-Gates, L (2012) The Depraved Appetite of Tarrare the Freak: A Chamber Opera for Puppets [work in progress]. In: Bristol Ferment, Bristol Old Vic, Bristol, UK, May-July 2012.

R

Ramsay, B (2012) Analysis of ‘Internal Clock’ by Monolake. The Online Repository for Electroacoustic Analysis. Please click the title to check availability.

Reading, K (2012) The tyranny of participation? In: TaPRA Conference, 5 - 7 September 2012, University of Kent, Canterbury, UK.

S

Saunders, J (2012) 'Rebecca Saunders, Still.' In: Dvorák, Rebecca Saunders, Tchaikovsky. BBC, London, pp. 6-8.

Saunders, J (2012) eight panels.

Saunders, J (2012) instruments with recordings.

Saunders, J (2012) object network.

Saunders, J (2012) overlay.

Saunders, J (2012) small template.

Saunders, J and Lely, J (2012) Word events: perspectives on verbal notation. Continuum, London. ISBN 9781441173102

Spring, M (2012) Catalan Christmas music. In: In Tune, BBC, London, 18 December 2012.

Spring, M (2012) The composition of the songs of Alonso Mudarra in the third book of 'Tres libros de musica en cifras para vihuela' (1546). In: Medren 2012, 8 July - 11 July 2012, University of Nottingham, Nottingham, England.

Spring, M (2012) 'The music and musicians of Bath’s eighteenth-century Proprietary Chapels.' CHOMBEC News (13). ISSN 1751-3308

Steadman, M (2012) The Traffic of Clothes. In: Les Fêtes Internationales du Théâtre, Valleyfield QC, Canada, 16-22 April 2012.

Steadman, M (2012) Trailer/trash. The Hen and Chickens Theatre, London, UK, October-November 2012.

Steadman, M (2012) Trying to be Tom Waits. In: The Oxjam Bedford Takeover, Bedford Theatre, Bedford, UK, October 2012.

Steadman, M and Price, A (2012) Divine nights. In: Famous and Divine, The Bierkeller Theatre, Bristol, UK, March 2012.

W

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