Items where Division is "Bath School of Music & Performing Arts" and Year is 2017

Up a level
Export as [feed] RSS
Group by: Creators | Item Type | No Grouping
Jump to: A | B | C | D | H | J | K | L | M | N | P | R | S
Number of items: 52.

A

Alexander, K and Kampe, T (2017) 'Bodily undoing: somatics as practices of critique.' Journal of Dance & Somatic Practices, 9 (1). pp. 3-12. ISSN 1757-1871

Alexander, S (2017) Women, know your place! [choreographer]. In: Tree, The Mission Theatre, Bath, UK, 16 December 2017.

B

Bayley, A (2017) Crossing musical bridges: composers, performers and intercultural encounters. In: Professorial Lecture Series 2016-17, 22 February 2017, Bath Spa University, Bath, UK.

Bayley, A (2017) Researching cross-cultural collaborations. In: International Symposium of Ethnographies of Musical Heritage, 21 - 24 November 2017, Federal University of Pelotas, Pelotas, Brazil.

Bayley, A and Heyde, N (2017) 'Communicating through notation: Michael Finnissy’s Second String Quartet from composition to performance.' Music Performance Research, 8. pp. 80-97. ISSN 1755-9219

Bayley, A and Nooshin, L (2017) Whose difference? Whose 'multiculturalism'? In: British Forum for Ethnomusicology One-Day Conference: 'Listening to Difference' - Music and Multiculturalism, 21 October 2017, University of Cambridge, Cambridge, UK.

Breel, A, Newman, H and Wilson, R (2017) 'Forum on the Art of Participation: a curated collection of reflections, explorations, and instructions.' PARtake: The Journal of Performance as Research, 1 (2). pp. 1-59.

C

Calvert-Ennals, S (2017) The Depraved Appetite of Tarrare the Freak. Tobacco Factory Theatre, Bristol, UK, 25 - 28 January 2017.

Cassidy, G (2017) 'In good company: the authorial process of Anthony Neilson.' In: Reid, T, ed. The theatre of Anthony Neilson. Bloomsbury, London, pp. 159-170. ISBN 9781472570307

D

Demetriou, P.A (2017) 'Crossing contested borders: Quid Pro Quo (2011) – a performance act embodying the conceptual and material significance of women’s experience of the divide.' Platform: Journal of Theatre and Performing Arts, 10 (2). pp. 51-73. ISSN 1751- 0171 Please click the title to check availability.

Demetriou, P.A (2017) 'Remembering performance through the practice of oral history.' In: Sant, T, ed. Documenting performance: the context and processes of digital curation and archiving. Bloomsbury, London, pp. 83-92. ISBN 9781472588203

Demetriou, P.A, Pappas, O and Kampylis, S (2017) 'Love Letters: Wearing Stories Told - a performance-technology provocation for interactive storytelling.' Body, Space & Technology Journal, 16. ISSN 1470-9120 Please click the title to check availability.

H

Hooper, E (2017) 'Do the stars know why they shine? An argument for including cultural theory on popular music programmes.' In: Smith, G.D, Moir, Z, Brennan, M, Rambarran, S and Kirkman, P, eds. The Routledge research companion to popular music education. Routledge, Abingdon, pp. 153-165. ISBN 9781472464989

Hooper, E (2017) 'How to (almost) never play a bad gig again: a simple way to approach performing professionally.' In: Williams, J and Williams, K, eds. The singer-songwriter handbook. Bloomsbury, London. ISBN 9781628920291

Hooper, E and Honan, N (2017) The World is Listening: Brighton residency [organisers]. In: The World is Listening: Brighton residency, 25-26 March 2017, The Rosehill, Brighton, UK.

Hooper, E and Honan, N (2017) The world is listening: panel discussion, interviews and workshops. In: Shambala Festival, 25 - 27 August 2017, Northamptonshire, UK.

J

Jebanasam, P (2017) Cycλomorphia. In: Parallax, Berliner Philharmonie, Berlin, Germany, 29 September 2017.

K

Kampe, T (2017) Creative beginnings – dancing with Feldenkrais. In: New Beginnings - Beginning Again: the Feldenkrais Method in Creative Practice, 11 March 2017, University of West London, UK.

Kampe, T (2017) 'Entangled histories, part 2: releasing the de-generate body.' Journal of Dance & Somatic Practices, 9 (1). pp. 75-93. ISSN 1757-1871

Kampe, T (2017) Releasing Her Archive.

Kampe, T and Batson, G (2017) ‘Somatics – an emancipatory education for the future?’. In: Dance Fields Conference, 20 April 2017, Roehampton University, London, UK.

Kampe, T, Brown, C, Scoones, R and Kasia, P (2017) LOST + FOUND [dances of exile]. In: Tempo Dance Festival NZ, Q-Theatre, Auckland, New Zealand, 7 October 2017.

Karantonis, P (2017) "Not just any voice; this is the human voice": the remediation of Jean Cocteau’s 'La voix humaine' in the English-language film adaptation 'The human voice' (1966). In: American Comparative Literature Association Annual Congress, 9 July 2017, University of Utrecht, Utrecht, Netherlands.

Karantonis, P (2017) Postopera: reinventing the voice-body, Jelena Novak [book review]. Studies in Musical Theatre, 10 (2). pp. 265-267. ISSN 1750-3159

Karantonis, P (2017) The voice as radically-embodied personae. In: Bodily Undoing: Somatic Activism and Performance Cultures as Practices of Critique, 16 -17 September 2017, Bath Spa University, Bath, UK.

Krauthaker, M and Connolly, R (2017) 'Gazing at Medusa: adaptation as phallocentric appropriation in 'Blue is the warmest color'.' European Comic Art, 10 (1). pp. 24-40. ISSN 1754-3797

L

Lundskaer-Nielsen, M (2017) 'Cameron Mackintosh: control, collaboration and the creative producer.' In: Gordon, R and Jubin, O, eds. The Oxford handbook of the British musical. Oxford University Press, Oxford, pp. 537-560. ISBN 9780199988747

Lundskaer-Nielsen, M (2017) '“In this England, in these times” : redefining the British musical from 1970-present.' In: Everett, W.A and Laird, P.R, eds. The Cambridge companion to the musical. 3rd ed. Cambridge University Press, Cambridge, pp. 323-338. ISBN 9781107535299

M

Moor, D and McKahey, W (2017) CousteauX Live at The 100 Club. The 100 Club, London, UK, 19 September 2017.

Moor, D and McKahey, W (2017) CousteauX live at Arcos De Valdavez, Portugal. Valdavez, Portugal, 28 October 2017.

Moor, D and McKahey, W (2017) The Innermost Light, CousteauX.

Moor, D and McKahey, W (2017) Spoiler EP by CousteauX.

Moor, D, McKahey, W, Lewis-Smith, C and Haughian, E (2017) BURMA by CousteauX.

Moor, D and McKahey, W. (2017) CousteauX.

N

P

Pigott, J (2017) Materials systems and autonomy in electromechanical sound art. PhD thesis, Bath Spa University.

Purcell-Gates, L (2017) 'Automata and bêtise: contamination anxieties in late nineteenth-century French mime.' Popular Entertainment Studies, 8 (1). pp. 21-35. ISSN 1837-9303

Purcell-Gates, L (2017) The Depraved Appetite of Tarrare the Freak. Tobacco Factory Theatre, Bristol, UK, 25 - 28 January 2017.

Purcell-Gates, L (2017) 'Puppet bodies: reflections and revisions of marionette movement theories in Philippe Gaulier’s Neutral Mask pedagogy.' Theatre, Dance and Performance Training, 8 (1). pp. 46-60. ISSN 1944-3927

Purcell-Gates, L (2017) Spectacular bodies, unsettling objects: material performance as intervention in stereotypes of refugees. In: Migration/Representation/Stereotypes, 28 - 30 April 2017, University of Ottawa, Canada. Please click the title to check availability.

Purcell-Gates, L and Fisher, E (2017) 'Puppetry as reinforcement or rupture of cultural perceptions of the disabled body.' Research in Drama Education: The Journal of Applied Theatre and Performance, 22 (3). pp. 363-372. ISSN 1470-112X

R

Rugman, K (2017) Organisational change: ‘developing a more empowered and collaborative individual’. In: Bodily Undoing: Somatic Activism and Performance Cultures as Practices of Critique, 16 -17 September 2017, Bath Spa University, Bath, UK.

S

Saunders, J (2017) all the things we make you do.

Spring, M (2017) 'Beyond the choreography - social dance in context in Georgian Bath.' Choreologica, 8 (1). pp. 41-62. ISSN 1746-5737

Strange, S (2017) 'What lessons can higher popular music education learn from art school pedagogy?' In: Merrill, J, ed. Popular music studies today. Springer, Wiesbaden, pp. 271-280. ISBN 9783658177393

This list was generated from ResearchSPAce on Tue Mar 31 20:16:25 2020 UTC.