Browse by Authors

Karantonis, P (2018) The Female Voice - the Twentieth Century in Extremis(m). In: The Female Voice in the Twentieth Century: Material, Symbolic and Aesthetic Dimensions, 16 - 18 March 2018, Fondazione Cini, Venice, Italy.

Karantonis, P (2017) The voice as radically-embodied personae. In: Bodily Undoing: Somatic Activism and Performance Cultures as Practices of Critique, 16 -17 September 2017, Bath Spa University, Bath, UK.

Karantonis, P (2017) "Not just any voice; this is the human voice": the remediation of Jean Cocteau’s 'La voix humaine' in the English-language film adaptation 'The human voice' (1966). In: American Comparative Literature Association Annual Congress, 9 July 2017, University of Utrecht, Utrecht, Netherlands.

Karantonis, P (2017) Postopera: reinventing the voice-body, Jelena Novak [book review]. Studies in Musical Theatre, 10 (2). pp. 265-267.

Karantonis, P (2016) La Voix Humaine [staging and acting consultant]. Renehan Hall, Maynooth University, Ireland, 21 July 2016.

Karantonis, P (2015) '"Punk’s dead, Michael": artifice, independence and authenticity in Leigh Bowery’s self-fashioned post-punk performative.' Punk & Post Punk, 4 (2-3). pp. 205-222.

Karantonis, P (2015) 'Transcribing vocality: voice at the border of music after modernism.' In: Thomaidis, K and Macpherson, B, eds. Voice studies: critical approaches to process, performance and experience. Routledge, Abingdon, pp. 162-176. ISBN 9781138809345 Please click the title to check availability.

Karantonis, P (2014) The land of Oz – lost and found in the colonial imaginarium of 'The Wizard of Oz'. In: The Wizard of Oz and the Cultural Imagination, 21-22 November 2014, University of Brighton.

Karantonis, P (2014) "The drama of the impostor": unmasking performance in Leigh Bowery’s acts of self-fashioning. In: Research Cluster Event: Performance, Practice & Interactivity, 14 November 2014, National University of Ireland, Maynooth.

Karantonis, P (2014) New Vocalities [director and performer]. Bath Spa University, Bath, UK, October 2014.

Karantonis, P (2014) 'Cathy Berberian and the performative art of voice.' In: Karantonis, P, Placanica, F, Sivuoja-Kauppala, A and Verstraete, P, eds. Cathy Berberian: pioneer of contemporary vocality. Ashgate, Farnham, pp. 151-168. ISBN 9781409469834

Karantonis, P, Placanica, F, Sivuoja-Kauppala, A and Verstraete, P, eds. (2014) Cathy Berberian: pioneer of contemporary vocality. Ashgate, Farnham. ISBN 9781409469834 Please click the title to check availability.

Karantonis, P (2014) The future of feminist performance and staging gender. In: Symposium 2014 - Here, There, Everywhere: Making Connections Through Global Exchange, 10 April 2014, Rose Bruford College of Theatre and Performance, Sidcup, UK.

Karantonis, P and Langley, M (2014) Dialect, dialectics and vocal poetics: envoicing the other and transforming the self in/as actor training. In: The Voice of Training: Performer Training Working Group Interim Event (TaPRA), 7 May 2014, University of Portsmouth.

Karantonis, P (2014) 'Introduction/overture.' In: Karantonis, P, Placanica, F, Sivuoja-Kauppala, A and Verstraete, P, eds. Cathy Berberian: pioneer of contemporary vocality. Ashgate, Farnham. ISBN 9781409469834

Karantonis, P (2014) 'Special transcript - Cathy’s solo talk show.' In: Karantonis, P, Placanica, F, Sivuoja-Kauppala, A and Verstraete, P, eds. Cathy Berberian: pioneer of contemporary vocality. Ashgate, Farnham. ISBN 9781409469834

Karantonis, P (2013) Cathy Berberian: pioneer of contemporary vocality. In: Interdisciplinary Voice Studies Inaugural Symposium: Philosophy and Praxis of Voice, 21 September 2013, University College, London, UK.

Karantonis, P (2013) Transcribing vocality. In: Re-Routing Performance: Conference of the International Federation for Theatre Research (IFTR), 22 - 26 July 2013, Institute del Theatre, Barcelona, Spain.

Symonds, D and Karantonis, P (2013) 'Empty houses, booming voices.' In: Symonds, D and Karantonis, P, eds. The legacy of opera: reading music theatre as experience and performance. Rodopi Press, Amsterdam/New York, pp. 11-24. ISBN 9789042036918

Symonds, D and Karantonis, P, eds. (2013) The legacy of opera: reading music theatre as experience and performance. Rodopi Press, Amsterdam/New York. ISBN 9789042036918

Karantonis, P (2013) 'The tenor in decline? Narratives of nostalgia and the performativity of the operatic tenor.' In: Symonds, D and Karantonis, P, eds. The legacy of opera: reading music theatre as experience and performance. Rodopi Press, Amsterdam/New York, pp. 119-130. ISBN 9789042036918

Karantonis, P (2012) 'Travelling light': moving sound - theorising music's power in a live stage work on the silent film era. In: Sound and Performance, 4 - 7 October 2012, University of Bayreuth, Bayreuth, Germany.

Karantonis, P (2012) 'Acoustic interculturalism – listening to performance' by Marcus Cheng Chye Tan [book review]. Studies in Musical Theatre, 6 (3). pp. 369-370.

Karantonis, P (2012) New voices, sustainable futures: music and theatre in the 21st century [panel convenor]. In: Performance Studies International PSi #18, 24 June - 1 July 2012, University of Leeds, Leeds, UK.

Karantonis, P (2012) 'Old enough to sing Tosca: the paradox of age and femininity and the opera diva.' In: Dolan, J and Tincknell, E, eds. Aging femininities: troubling representations. Cambridge Scholars Press, Newcastle upon Tyne, pp. 171-182. ISBN 9781443838832

Karantonis, P (2011) A 21st century festival of indigenous opera? Dismantling the hierarchies of opera-making to build new audiences. In: Building Reconciliation and Social Cohesion through Indigenous Festival Performance: European Research Council Symposium, 18 November 2011, University College London Institute, Paris, France.

Karantonis, P (2011) The global science of voice and the vocal school of nationhood – towards a model of understanding or refuting ‘national schools of singing’ in opera. In: Tradition, Innovation, Community: International Federation for Theatre Research Annual Conference, 9 August 2011, University of Osaka, Osaka, Japan.

Karantonis, P (2011) Opera as masterful nation building – the case of early 20th century Greece. In: Performance Studies International PSi #17, 27 May 2011, University of Utrecht, Utrecht, Netherlands.

Karantonis, P and Robinson, D (2011) 'Introduction.' In: Karantonis, P and Robinson, D, eds. Opera indigene: re/presenting first nations and indigenous cultures. Ashgate, Farnham, pp. 1-14. ISBN 9780754669890

Karantonis, P and Robinson, D, eds. (2011) Opera indigene: re/presenting first nations and indigenous cultures. Ashgate, Farnham. ISBN 9780754669890

Cheetham, D, Browning, D and Karantonis, P (2011) ''Pecan summer': the process of making new indigenous opera in Australia.' In: Karantonis, P and Robinson, D, eds. Opera indigene: re/presenting first nations and indigenous cultures. Ashgate, Farnham, pp. 325-336. ISBN 9780754669890

Karantonis, P (2011) 'Performativity, mimesis and indigenous opera.' In: Karantonis, P and Robinson, D, eds. Opera indigene: re/presenting first nations and indigenous cultures. Ashgate, Farnham, pp. 73-91. ISBN 9780754669890

Karantonis, P (2009) Opera as activism – the case of indigenous Australia. In: The Politics of Opera - Centre and Periphery: Conceptualizing Music, Voice and Nation, European Humanities Research Council Colloquium, 9 October 2009, Oxford University, Oxford, UK.

Karantonis, P (2008) The impersonal in performance: negotiating subjects in presentational performance cultures. In: Engaging Objects - Workshop of the Amsterdam School of Cultural Analysis, 26 March 2008, University of Amsterdam, Amsterdam, Netherlands.

Karantonis, P (2008) '‘Leave No Trace’: the art of wasted space – the People’s Republic of Stokes Croft.' Performance Paradigm, 4.

Karantonis, P (2008) 'Staged photography and the performance of autofacture: cross-genre impersonation in Cindy Sherman’s self-portraits.' International Journal of the Arts in Society, 3 (2). pp. 37-44. Please click the title to check availability.

Karantonis, P (2007) 'Takarazuka is burning: music theatre and the performance of sexual and gender identities in modern Japan.' Studies in Musical Theatre, 1 (2). pp. 153-165.

Karantonis, P (2007) The politics of indigeneity and the limits of opera as activism: the case of Black River and the Royal Commission into Australian Aboriginal Deaths in Custody. In: Song, Stage and Screen II Conference, 24 April 2007, University of Leeds, Leeds, UK.

Karantonis, P (2007) 'Singing opera in Germany – a practical guide' by Marita Knobel and Brigitte Steinert [book review]. Studies in Musical Theatre, 1 (1). pp. 109-110.

Karantonis, P (2006) The tenor in decline? Narratives of nostalgia and the performativity of the operatic tenor. In: Song, Stage and Screen Inaugural Conference, 30 April 2006, University of Portsmouth, Portsmouth, UK.

Karantonis, P (2005) Citizen artist — theatre, culture and community [conference review]. Research in Drama Education: The Journal of Applied Theatre and Performance, 11 (1). pp. 123-130.