 ORCID: 0009-0009-6395-0744
  
(2025)
'Beyond representation: a conversation with Jummy Faruq on decentring puppetry practice and design.'
	
    
      In: Mello, A, Richards, P and Purcell-Gates, L, eds. 
      Race, gender and disability in puppetry and material performance.
    
    
    Routledge, Abingdon.
    
  
   (Forthcoming)
	
      
      
       Please click the title to check availability.
ORCID: 0009-0009-6395-0744
  
(2025)
'Beyond representation: a conversation with Jummy Faruq on decentring puppetry practice and design.'
	
    
      In: Mello, A, Richards, P and Purcell-Gates, L, eds. 
      Race, gender and disability in puppetry and material performance.
    
    
    Routledge, Abingdon.
    
  
   (Forthcoming)
	
      
      
       Please click the title to check availability.
	
 ORCID: 0009-0009-6395-0744
  
(2025)
'Critical puppetry and the boundaries of the human in Edwin Salas’ '7 Deadly Sins in the Border'.'
	
    
      In: Ladrón de Guevara, V, Mock, R and Young, H, eds. 
      Routledge companion to bodies in performance.
    
    
    Routledge, Abingdon.
    
  
   (Forthcoming)
	
      
      
       Please click the title to check availability.
ORCID: 0009-0009-6395-0744
  
(2025)
'Critical puppetry and the boundaries of the human in Edwin Salas’ '7 Deadly Sins in the Border'.'
	
    
      In: Ladrón de Guevara, V, Mock, R and Young, H, eds. 
      Routledge companion to bodies in performance.
    
    
    Routledge, Abingdon.
    
  
   (Forthcoming)
	
      
      
       Please click the title to check availability.
	
 ORCID: 0009-0009-6395-0744
  
(2025)
'A real American wife, a Japanese object: critical puppetry and the construction of the Orient in Anthony Minghella’s Madam Butterfly.'
	
    
      In: Mello, A, Richards, P and Purcell-Gates, L, eds. 
      Race, gender, and disability in puppetry and material performance.
    
    
    Routledge, Abingdon.
    
  
   (Forthcoming)
	
      
      
       Please click the title to check availability.
ORCID: 0009-0009-6395-0744
  
(2025)
'A real American wife, a Japanese object: critical puppetry and the construction of the Orient in Anthony Minghella’s Madam Butterfly.'
	
    
      In: Mello, A, Richards, P and Purcell-Gates, L, eds. 
      Race, gender, and disability in puppetry and material performance.
    
    
    Routledge, Abingdon.
    
  
   (Forthcoming)
	
      
      
       Please click the title to check availability.
	
 ORCID: 0009-0009-6395-0744
  
(2024)
      The Lonesome Death of Eng Bunker [creator, performer].
    
  
      Omnibus Theatre, London, UK, 17 - 27 September 2024.
ORCID: 0009-0009-6395-0744
  
(2024)
      The Lonesome Death of Eng Bunker [creator, performer].
    
  
      Omnibus Theatre, London, UK, 17 - 27 September 2024.
    
  
  
  
	
      
      
      
	
 ORCID: 0009-0009-6395-0744, Ladrón de Guevara, V, Stanton, T and Tahsili, N
  
(2024)
'Decolonisation and solidarity roundtable discussion.'
	
    Studies in Theatre and Performance, 44 (1).
     pp. 155-164.
ORCID: 0009-0009-6395-0744, Ladrón de Guevara, V, Stanton, T and Tahsili, N
  
(2024)
'Decolonisation and solidarity roundtable discussion.'
	
    Studies in Theatre and Performance, 44 (1).
     pp. 155-164.
  
  
      
      
      
	
 ORCID: 0009-0009-6395-0744
  
(2024)
'If you call for papers, the papers call back at you: some thoughts on CfP and selection processes.'
	
    Studies in Theatre and Performance, 44 (1).
     pp. 142-145.
ORCID: 0009-0009-6395-0744
  
(2024)
'If you call for papers, the papers call back at you: some thoughts on CfP and selection processes.'
	
    Studies in Theatre and Performance, 44 (1).
     pp. 142-145.
  
  
      
      
      
	
 ORCID: 0009-0009-6395-0744
  
(2023)
'Der persönliche Standpunkt von Puppenspieler*innen und die Konstruktion von „Race“ in „Chang and Eng and Me (and Me)“.'
	
    Double, 47.
ORCID: 0009-0009-6395-0744
  
(2023)
'Der persönliche Standpunkt von Puppenspieler*innen und die Konstruktion von „Race“ in „Chang and Eng and Me (and Me)“.'
	
    Double, 47.
    
  
  
      
      
      
	
 ORCID: 0009-0009-6395-0744
  
(2023)
'A real American wife, a Japanese object: puppetry and the 
Orient in Minghella’s 'Madam Butterfly'.'
	
    
      In: Bell, J, Cohen, M.I and Song, J, eds. 
      Representing alterity through puppetry and performing objects.
    
    
    University Of Connecticut, Storrs.
ORCID: 0009-0009-6395-0744
  
(2023)
'A real American wife, a Japanese object: puppetry and the 
Orient in Minghella’s 'Madam Butterfly'.'
	
    
      In: Bell, J, Cohen, M.I and Song, J, eds. 
      Representing alterity through puppetry and performing objects.
    
    
    University Of Connecticut, Storrs.
    
  
  
	
      
      
      
	
 ORCID: 0009-0009-6395-0744
  
(2022)
      My Neighbour Totoro [puppetry captain, puppeteer].
    
  
      The Barbican, London, UK, 8 October 2022 – 21 January 2023.
ORCID: 0009-0009-6395-0744
  
(2022)
      My Neighbour Totoro [puppetry captain, puppeteer].
    
  
      The Barbican, London, UK, 8 October 2022 – 21 January 2023.
    
  
  
  
	
      
      
      
	
 ORCID: 0009-0009-6395-0744
  
(2021)
'Sculpting China: critical puppetry and the formation of diasporic identity in 'Chang and Eng and Me (and Me)'.'
	
    Critical Stages/Scènes critiques, 24.
ORCID: 0009-0009-6395-0744
  
(2021)
'Sculpting China: critical puppetry and the formation of diasporic identity in 'Chang and Eng and Me (and Me)'.'
	
    Critical Stages/Scènes critiques, 24.
    
  
  
      
      
      
	
 ORCID: 0009-0009-6395-0744
  
(2021)
      Casting Fu Manchu by Eelyn Lee [performance review].
    
    Theatre Journal, 73 (2).
     pp. 247-249.
ORCID: 0009-0009-6395-0744
  
(2021)
      Casting Fu Manchu by Eelyn Lee [performance review].
    
    Theatre Journal, 73 (2).
     pp. 247-249.
  
  
      
      
      
	
 ORCID: 0009-0009-6395-0744
  
(2021)
      Chang and Eng and Me (and Me) [creator, performer].
    
  
      Online, 8 February 2021.
ORCID: 0009-0009-6395-0744
  
(2021)
      Chang and Eng and Me (and Me) [creator, performer].
    
  
      Online, 8 February 2021.
    
  
  
  
	
      
      
      
	
 ORCID: 0009-0009-6395-0744
  
(2020)
'A grotesque act of ventriloquism: raising and objectifying the dead on stage.'
	
    Applied Theatre Research, 8 (1).
     pp. 45-56.
  
  
      
      
       Please click the title to check availability.
ORCID: 0009-0009-6395-0744
  
(2020)
'A grotesque act of ventriloquism: raising and objectifying the dead on stage.'
	
    Applied Theatre Research, 8 (1).
     pp. 45-56.
  
  
      
      
       Please click the title to check availability.