Items where Subject is "AM Museums (General). Collectors and collecting (General)"

Collins, J, Collins, P and Hems, A (2015) Understanding commercial performance in museums: research and development report.

De Angeli, D, Scott, L and Finnegan, D.J (2018) Umschlagplatz '43 [serious game]. Please click the title to check availability.

Dunseath, J (2014) Collaborating with Caro [conference report]. Henry Moore Institute Newsletter, 116 (Nov.).

Heuer, K, Traut, N, de Sousa, A.A ORCID: 0000-0003-2379-3894, Valk, S.L, Clavel, J and Toro, R (2023) 'Diversity and evolution of cerebellar folding in mammals.' eLife, 12. e85907.

Morton, S (2020) 'Inside the human remains store: the impact of repatriation on museum practice in the United Kingdom.' In: Fforde, C, Keeler, H and McKeown, T, eds. The Routledge companion to indigenous repatriation: return, reconcile, renew. Routledge, Abingdon, pp. 902-917. ISBN 9781138303584

Morton, S (2018) Materiality, memory and mourning: the material and symbolic agency of repatriated human remains. In: All Things Considered… Material Culture and Memory, 9 - 10 November 2018, University College Cork, Ireland.

Morton, S (2018) Multiple and mobile: mapping the repatriation archive. In: Digital Dilemma, 6 October 2018, University College London, UK.

Morton, S (2016) Museums deathscapes: geographies of the human remains store. In: RGS-IBG Annual International Conference, 30 August - 2 September 2016, Royal Geographical Society, London, UK.

Morton, S (2018) Place, practice and meaning: the museum as a deathscape. In: Skeletons, Stories and Social Bodies Conference, 20 - 22 March 2018, University of Southampton, UK.

Morton, S (2016) Practicing respect: the display of foetal and infant remains at Royal College of Surgeons of England. In: The Ethics of Display: Exhibiting Vulnerable Bodies, 21 March 2016, University of Warwick, UK.

Morton, S (2017) Travelling bones: understanding the process of repatriation. In: Nordic Geographers Meeting: Geographies of Inequalities, 18 - 21 June 2017, University of Stockholm, Sweden.

Morton, S (2018) The legacies of the repatriation of human remains from the Royal College of Surgeons of England. PhD thesis, University of Oxford.

Morton, S and Plumbe, R (2018) Life after death: the post excavation biography of the Lowbury Hill skeleton. In: Object Biographies: II International Artefacta Conference, 2 - 3 March 2018, House of Science and Letters, Helsinki, Finland.

Slade, C (1998) 'Find the poles in "Blue poles".' Analytic Teaching, 17 (2). pp. 49-56.

Taylor, A, Cockayne, A, Kidd, N and Nicol, G (2014) Artists, makers, and museums in the 21st century. In: Futurkammer, 7 - 15 June 2014, The Holburne Museum, Bath.

Todorov, O.S and de Sousa, A.A ORCID: 0000-0003-2379-3894 (2017) 'Evolution of the occipital lobe.' In: Bruner, E, Ogihara, N and Tanabe, H, eds. Digital endocasts. Springer, Tokyo, pp. 259-273. ISBN 9784431565802

Tooby, M (2011) 'Home and away: collections abroad.' Engage, 28.

Tooby, M (2014) 'Many-roomed mansion to theatre of memories: thoughts on artists and museums.' In: Nicol, G, ed. Inspired by: your guide to art and the museum. Shrewsbury Museum and Art Gallery, pp. 54-57. ISBN 9780993014208

Tooby, M (2009) 'More than skin deep: the new Art Gallery of Ontario.' Museum Practice, 45. pp. 18-23.

Tooby, M (1993) Tate Gallery St. Ives, Barbara Hepworth Museum and Sculpture Garden : an illustrated companion. Tate Gallery Publications, London. ISBN 9781854371188

Tooby, M (2012) When forms become attitude: a consideration of the adoption by an artist of ceramic display as narrative device and symbolic landscape [online essay]. Ceramics in the Expanded Field: Behind the Scenes at the Museum.

Tooby, M (2006) 'Where does the museum end?' In: Lang, C, Reeve, J and Woollard, V, eds. The responsive museum : working with audiences in the twenty-first century. Ashgate Publishing Limited, pp. 137-150. ISBN 9780754645603

Tooby, M and Shalev, D (1995) Tate Gallery St Ives: the building. Tate Publishing, London. ISBN 9781854371614

Withers, R (2015) Roman Signer's Library of Marvels. The Rose Lipman Building, London, UK, 4 March - 31 May 2015.