Hong, Y (2021) Sadang B (2019) [REF2021 collection].
| Item Type: | Artefact |
|---|---|
| Creators: | Hong, Y |
| Abstract: | Sadang B (2019) is an exhibition project comprised of three newly commissioned projects, Un-Splitting (Performance), The White Mask (Music performance) and To Paint A Portrait of a Bird (Installation).This interdisciplinary project questions the normalisation of extreme nationalism and social inequality by exploring the human-animal boundary through the lens of those socially marginalised in South Korea. Sadang B is suggested as a site where these enquiries can take place. This multi-component output Collection documents the above research project, providing evidence of the performance, music performances, and museum gallery, installation, with additional contextualising content in the form of a 300 word statement of research, research timeline, research questions, and an item documenting methods and processes towards the various components of the work. |
| Official URL: | https://doi.org/10.17870/bathspa.c.5223329.v1 |
| Date: | 2021 |
| Note: | This Collection is a collation of research disseminated in 2019, included in the REF2021 submission. |
| Keywords: | becoming, nationalism, Deleuze, boundaries between animal and human, post war Korea, domestic female labour, low wage female textile workers |
| Divisions: | Bath School of Art, Film and Media |
| Research Centres and Groups: | Art Research Centre |
| UoA: | Art & Design |
| Date Deposited: | 02 Oct 2020 13:29 |
| Last Modified: | 03 Feb 2023 18:35 |
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