Items where Division is "Bath School of Music and Performing Arts" and Year is 2007

Bayley, A (2007) 'The nature of expressivity in Berio’s Sequenza VI for viola.' In: Halfyard, J, ed. Berio's Sequenzas: essays on performance, composition and analysis. Ashgate, Aldershot ; Burlington, VT, pp. 233-254. ISBN 9780754654452

Hugill, A (2007) 'The origins of electronic music.' In: Collins, N and d'Escrivan, J, eds. The Cambridge companion to electronic music. Cambridge University Press, Cambridge. ISBN 9780521688659

Saunders, J (2007) '#110605 (ensemble recherché, Freiburg) [sketch].' In: Waterman, A, Singer, D and Lyons, M, eds. Between thought and sound : graphic notation in contemporary music. The Kitchen, New York, p. 48.

Saunders, J (2007) '#271102 (apartment house, Huddersfield) [sketch].' In: Waterman, A, Singer, D and Lyons, M, eds. Between thought and sound : graphic notation in contemporary music. The Kitchen, New York, p. 49.

Saunders, J (2007) 'Modular structures in manufacturing and object art.' In: Waterman, A, ed. Agape. Miguel Abreu Gallery, New York, pp. 36-50.

Turnbull, O (2007) ''Paula Vogel', 'The Baltimore Waltz', 'John Patrick Shanley', 'Lanford Wilson', 'Fifth of July', 'Jose Rivera' and 'Albert Innaurato'.' In: Cody, G and Sprinchorn, E, eds. The Columbia encyclopedia of modern drama. Columbia University Press. ISBN 9780231140324

Karantonis, P (2007) 'Takarazuka is burning: music theatre and the performance of sexual and gender identities in modern Japan.' Studies in Musical Theatre, 1 (2). pp. 153-165.

Keep, A (2007) 'Audio Y connectors: my secret to instant guerrilla oscillators, raw synthesis and dirty cross modulations.' Leonardo Music Journal, 17.

Power, T (2007) 'Sonic trans-dressing: somewhere in between.' Voice and Speech Review, 5 (1).

Saunders, J (2007) 'The Dictaphone in my life.' Leonardo Music Journal, 17. pp. 33-34.

Bayley, A (2007) Documenting the creative process: recordings as research tools. In: CHARM/RMA annual conference on Musicology and Recordings, 13-15 September 2007, University of London, London, UK.

Bayley, A (2007) The relationship between notation and performance practice in Michael Finnissy’s Second String Quartet. In: Sixth European Music Analysis Conference on Interpretation, 11-14 October 2007, Hochschule für Musik and the Albert-Ludwigs-Universität, Freiburg, Germany.

Beaham-Powell, N (2007) The economic challenges facing European collecting societies. In: CIAM (Confederation Internation des Auteurs), September 2007, Warsaw.

Enright, H (2007) Breaking the silence and bearing witness to domestic violence through theatre of testimony. In: ISTR Conference, 13 -14 April 2007, Queen’s University Belfast, Belfast, Northern Ireland.

Irvine, K (2007) Practice as research: a lifeline for the theatre industry. In: Practice as Research Today: Practical and Theoretical Implications, October 2007, Manchester University, Manchester, UK.

Irvine, K (2007) The new entrepreneur. In: Artist Anonymous Self Help Conference, 7 July 2007, Middlesex University, London, UK.

Karantonis, P (2007) The politics of indigeneity and the limits of opera as activism: the case of Black River and the Royal Commission into Australian Aboriginal Deaths in Custody. In: Song, Stage and Screen II Conference, 24 April 2007, University of Leeds, Leeds, UK.

Keep, A (2007) Behaviour - teaching electroacoustic improvisation through referent strategies. In: Improvisation Continuums Conference, 12-14 April 2007, Royal Welsh College of Music and Drama, Cardiff, UK.

Nixon, E (2007) Risk-taking and its implications for an acting course: a pedagogical approach. In: Learning and Teaching Conference, July 2007, The Arts Institute at Bournemouth, Bournemouth, UK.

Purcell-Gates, L (2007) Critical discourse analysis of the body workshop. In: Pedagogy and Theatre of the Oppressed (PTO) Conference, 31 May-3 June 2007, University of Minnesota, Minneapolis, USA.

Rugman, K (2007) Tapping into internal resources: an introduction to some of the key elements of somatic practice. In: Body Perspectives: Internal and External Considerations of the Body in Process and in Performance, 14 June 2007, University Theatre, Bath Spa University, Bath, UK.

Steadman, M (2007) Remembering forgotten acts. In: Improvisation Continuums Conference, April 2007, Cardiff, UK.

Steadman, M (2007) The ambiguity of memory. In: TaPRA Conference, 5-7 September 2007, Unviversity of Birmingham, Birmingham, UK.

Turnbull, O (2007) Were virtually there: blast theorys dramatic trust games in cyberspace. In: TaPRA Conference 2007, 5 - 7 September 2007, University of Birmingham.

Hyde, J (2007) Solidsound.

Saunders, J (2007) assigned #1.

Enright, H (2007) Walking away. Belltable Arts Centre, Limerick, Ireland, February 2007.

Kampe, T (2007) The Merchant of Venice. Arcola Theatre, London, UK, 2007.

Lewis-Smith, C (2007) Bodmin Whale. .

Lewis-Smith, C (2007) Invisible. Bath Spa University, Bath, UK.

Pollock, R (2007) The spoils. In: Shady Dolls Theatre Company, Edinburgh Festival, Edinburgh, UK, 2007.

Lewis-Smith, C (2007) Watergate Bay.

Biggs, A, Groenevelt, B and Brian, R (2007) Love unknown.

Saunders, J (2007) #[unassigned].

Bennett, J (2007) Joe Bennett: musicology, songwriting, teaching, writing & research [website].

Karantonis, P (2007) 'Singing opera in Germany – a practical guide' by Marita Knobel and Brigitte Steinert [book review]. Studies in Musical Theatre, 1 (1). pp. 109-110.