Items where Division is "Bath School of Music and Performing Arts" and Year is 2008

Atkinson, N and Fearns, R (2008) Off the map.

Bardsley, G and Parry, B (2008) The highwayman - a musical.

Bayley, A ORCID: 0000-0002-2114-5917 and Clarke, M (2008) Interactive strategies for analysing music. In: Eighth Congress of the Gesellschaft für Musiktheorie (GMTH), Music Theory and Interdisciplinarity, 9-12 October 2008, University of Music and the Dramatic Arts, Graz, Austria.

Bayley, A ORCID: 0000-0002-2114-5917 and Clarke, M (2008) Interactive strategies for analysing musical structure. In: Fourth International Conference on Interdisciplinary Musicology, 2-6 July 2008, Aristotle University of Thessaloniki, Thessaloniki, Greece.

Dickinson, J (2008) Kane Cunningham and Jim Dickinson collaboration. Triton Gallery, Sledmere House, Driffield, UK, 2008.

Duddell, J (2008) Azalea Fragments.

Duddell, J (2008) Nightswimming, for piano trio.

Elliott, M ORCID: 0009-0009-7641-7092 (2008) We want you to watch us. The Nightingale Theatre, Brighton, UK, 2008.

Gates, L ORCID: 0000-0002-9632-2391 (2008) Pedagogy of proposals: devising as a tactic for individual and group identity reconciliation. In: Researching Applied Drama, Theatre and Performance Conference, 2-5 April 2008, University of Exeter.

Gates, L ORCID: 0000-0002-9632-2391 (2008) Tout bouge: the (re)construction of the body in Lecoq-based performance pedagogy. In: Theatre and Performance Research Association (TaPRA) Conference, 3-5 September 2008, University of Leeds.

Heaton, R (2008) Small ensemble a. .

Hyde, J (2008) The Autopsy Project. Korzo Theater, Den Haag, The Netherlands, 2008.

Irvine, K and Edwards, B (2008) Research and the performing arts industry. In: Creativity and Employment Conference, 26-28 March 2008, Liverpool Institute for the Performing Arts, Liverpool, UK.

Karantonis, P (2008) '‘Leave No Trace’: the art of wasted space – the People’s Republic of Stokes Croft.' Performance Paradigm, 4.

Karantonis, P (2008) 'Staged photography and the performance of autofacture: cross-genre impersonation in Cindy Sherman’s self-portraits.' International Journal of the Arts in Society, 3 (2). pp. 37-44. Please click the title to check availability.

Karantonis, P (2008) The impersonal in performance: negotiating subjects in presentational performance cultures. In: Engaging Objects - Workshop of the Amsterdam School of Cultural Analysis, 26 March 2008, University of Amsterdam, Amsterdam, Netherlands.

Keep, A (2008) Responsive performance strategies with electronic feedback: shaping intrinsic behaviours. PhD thesis, Bath Spa University. doi: 10.17870/bathspa.00001470

Lewis-Smith, C (2008) The little look back. Pavilion Theatre, Bournemouth, UK, 2011.

Lundskaer-Nielsen, M (2008) Directors and the new musical drama: British and American musical theatre in the 1980s and 90s. Palgrave Macmillan, New York; Basingstoke. ISBN 9780230601291

Parfitt, R (2008) Enough love, Oh boy.

Pollock, R (2008) Deadstock. In: Shady Dolls Theatre Company, The Barn Theatre, Rose Bruford College, Sidcup, UK, 2008.

Power, T (2008) Feminist methods, masculine performances: women staging gender as big daddy. In: Ending International Feminist Futures?, 24-25 October 2008, University of Aberdeen, UK.

Saunders, J (2008) #211007.

Saunders, J (2008) 'Confined spaces: a portrait of Bryn Harrison.' In: Huddersfield Contemporary Music Festival Programme Book. hcmf, Huddersfield.

Saunders, J (2008) 'Modular music.' Perspectives of New Music, 46 (1). pp. 152-193.

Saunders, J (2008) Rebecca Saunders' piano music [Liner notes for 'Rebecca Saunders: Choler; Crimson; Miniata'].

Steadman, M and Price, A (2008) Performing in the zone: a site of terror and desire. In: TaPRA Conference, 3-5 September 2008, Leeds, UK.

Turnbull, O (2008) Bringing down the house: the crisis in England's regional theatres. Intellect Books, Bristol. ISBN 9781841502083

Turnbull, O (2008) Shunting bodies through space: shunt collectives re-siting of performance. In: TaPRA Conference 2008, 3 - 5 September 2008, Leeds University.