Items where Division is "Bath School of Music and Performing Arts" and Year is 2014

Karantonis, P, Placanica, F, Sivuoja-Kauppala, A and Verstraete, P, eds. (2014) Cathy Berberian: pioneer of contemporary vocality. Ashgate, Farnham. ISBN 9781409469834 Please click the title to check availability.

Hyde, J, Mitchell, T and Glowacki, D.R (2014) 'Molecular music: repurposing a mixed quantum-classical atomic dynamics model as an audiovisual instrument.' In: Soddu, C and Colabella, E, eds. Proceedings of XVII Generative Art Conference. Domus Argenia, Milan, pp. 169-187. ISBN 9788896610305

Kampe, T (2014) 'From the field: community dance and emerging values.' In: Proceedings of international symposium 'Inquiry into Community Dance - Art of the Public Dance Activity. Korean National University of The Arts, Seoul, Korea, pp. 5-26. Please click the title to check availability.

Karantonis, P (2014) 'Cathy Berberian and the performative art of voice.' In: Karantonis, P, Placanica, F, Sivuoja-Kauppala, A and Verstraete, P, eds. Cathy Berberian: pioneer of contemporary vocality. Ashgate, Farnham, pp. 151-168. ISBN 9781409469834

Karantonis, P (2014) 'Introduction/overture.' In: Karantonis, P, Placanica, F, Sivuoja-Kauppala, A and Verstraete, P, eds. Cathy Berberian: pioneer of contemporary vocality. Ashgate, Farnham. ISBN 9781409469834

Karantonis, P (2014) 'Special transcript - Cathy’s solo talk show.' In: Karantonis, P, Placanica, F, Sivuoja-Kauppala, A and Verstraete, P, eds. Cathy Berberian: pioneer of contemporary vocality. Ashgate, Farnham. ISBN 9781409469834

Lundskaer-Nielsen, M (2014) 'The Prince-Sondheim legacy.' In: Gordon, R, ed. The Oxford handbook of Sondheim studies. Oxford University Press, Oxford, pp. 97-116. ISBN 9780195391374

Bennett, J (2014) 'Conference review: popMAC 2013.' Popular Music, 33 (2). pp. 341-342. ISSN 0261-1430

Biggs, A (2014) 'Jazz as individual expression: an analysis of 'The Fabulous Baker Boys' soundtrack.' The Soundtrack, 6 (1-2). pp. 21-32. ISSN 1751-4207

Demetriou, P.A (2014) 'An Exhibition of Hidden Stories: the Young Voices Soundscape: examining sound and silence as a collective experience in sound art installation.' HARTS & Minds: The Journal of Humanities and Arts, 1 (4). pp. 1-18. ISSN 2053-1109

Glowacki, D.R, O'Connor, M, Calabró, G, Price, J, Tew, P, Mitchell, T, Hyde, J, Tew, D.P, Coughtrie, D.J and McIntosh-Smith, S (2014) 'A GPU-accelerated immersive audio-visual framework for interaction with molecular dynamics using consumer depth sensors.' Faraday Discussions, 169. pp. 63-87. ISSN 1359-6640

Hooper, E (2014) 'My superbrain is all binary: nostalgic futurism as Robyn's feminist super-persona.' Journal of Popular Music Studies, 26 (4). pp. 445-464. ISSN 1524-2226

Hooper, E (2014) 'Why are novelists obsessed with music?' Publishers Weekly, 261 (42). p. 28. ISSN 0000-0019

Hyde, J (2014) 'Editorial [guest editor].' eContact!, 15 (4). ISSN 1910-4650

Kampe, T (2014) 'Moving after Auschwitz: the Feldenkrais Method as a soma-critique.' The Journal of Dance Society for Documentation & History, 33 (6). pp. 237-258. ISSN 2383-5214

Beale, R (2014) Reflections on musicianship in action in Truro, Cornwall. In: Musicians in the Community: Musicianship in Action, 11 November 2014, UCL Institute of Education, London, UK.

Bennett, J (2014) Where is creativity? Locating intellectual property in collaborative songwriting and production processes. In: International Association for the Study of Popular Music (IASPM) UK & Ireland Biennial Conference, 12-14 September 2014, Cork, Ireland.

Bennett, J (2014) Who writes the songs? Creative practice and intellectual property in popular music’s digital production chain. In: Creativity, Circulation and Copyright: Sonic and Visual Media in the Digital Age, 28­‐29 March 2014, Cambridge, United Kingdom.

Bennett, J (2014) The death of the songwriter: attribution of creative ownership in popular music production. In: The 9th Art of Record Production Conference: Record Production in the Internet Age, 4-6 December 2014, University of Oslo, Norway.

Enright, H (2014) Staging testimony: extending beyond the bounds of performance. In: Learning Together International Conference: Museums and Cities of Culture for All, 11 -13 September 2014, Absolute Hotel, Limerick, Ireland.

Enright, H (2014) Turning qualitative enquiry into theatre. In: 8th Keele Counselling Conference: Daring to Make an Impact - Dynamic Qualitative Research, 22 -23 March 2014, Keele University, Keele, UK.

Hooper, E (2014) My superbrain is all binary: nostalgic futurism as Robyn's feminist super-persona. In: IASPM UK & Ireland Conference, 11-14 September 2014, Cork, Ireland.

Hugill, A (2014) Pataphysics and computing. In: Philadelphia à la Pataphysique, March 21st - 23rd 2014, University of Pennsylvania.

Hyde, J, Mitchell, T and Glowacki, D.R (2014) Molecular music: repurposing a mixed quantum-classical atomic dynamics model as an audiovisual instrument. In: XVII Generative Art Conference, 10 - 15 December 2014, Il Tempio di Adriano, Rome, Italy.

Hyde, J and Stamp, R (2014) Seeing Sound salon: McLaren the musician. In: McClaren the Musician, 20 September 2014, Arnolfini, Bristol.

Karantonis, P (2014) "The drama of the impostor": unmasking performance in Leigh Bowery’s acts of self-fashioning. In: Research Cluster Event: Performance, Practice & Interactivity, 14 November 2014, National University of Ireland, Maynooth.

Karantonis, P (2014) The future of feminist performance and staging gender. In: Symposium 2014 - Here, There, Everywhere: Making Connections Through Global Exchange, 10 April 2014, Rose Bruford College of Theatre and Performance, Sidcup, UK.

Karantonis, P (2014) The land of Oz – lost and found in the colonial imaginarium of 'The Wizard of Oz'. In: The Wizard of Oz and the Cultural Imagination, 21-22 November 2014, University of Brighton.

Karantonis, P and Langley, M (2014) Dialect, dialectics and vocal poetics: envoicing the other and transforming the self in/as actor training. In: The Voice of Training: Performer Training Working Group Interim Event (TaPRA), 7 May 2014, University of Portsmouth.

Lundskaer-Nielsen, M (2014) Cameron Mackintosh – control, collaboration and the creative producer. In: Song, Stage and Screen IX: The Art of Collaboration in Musical Theatre, 24-26 June 2014, Sheridan College, Oakville, Canada.

Nixon, E (2014) The Threepenny Opera: experiencing intersections Bertolt Brecht and Jacques Lecoq. In: Intersections: Colloquium of Performance Research, 16-17 January 2014, Royal Central School of Speech and Drama, London, UK.

Parfitt, R (2014) No guru, no method, no teacher. In: Teaching, Learning & Assessing Songwriting in Higher Education, 10 January 2014, Liverpool Institute for the Performing Arts, Liverpool, UK.

Parfitt, R (2014) Scary monsters. In: Heroes and monsters: extraordinary tales of learning and teaching in the Arts and Humanities, 2-4 June 2014, Salford Quays, Manchester, UK.

Parfitt, R (2014) Songwriter as seeker. In: International Association for the Study of Popular Music (UK & Ireland) Biennial Conference, 12-14 September 2014, University College Cork , Cork, Ireland.

Purcell-Gates, L (2014) Monstrous bodies: using puppetry to engage with perceptions of disability. In: Association for Theatre in Higher Education (ATHE) Conference - Dream Acts: Performance as Refuge, Resistance, and Renewal, 24-27 July 2014, Scottsdale, AZ, US.

Purcell-Gates, L (2014) Performing medical monstrosity: an autopsy of The Depraved Appetite of Tarrare the Freak. In: Performing Science: Dialogues Across Cultures, 24-26 April 2014, University of Lincoln, UK.

Purcell-Gates, L (2014) Puppetry workshop / Demo and discussion. In: Performing the Freak: a Dialogue Between Theatre and Science About Monstrosity, 29 March 2014 & 13 June 2014, Tobacco Factory Theatres, Bristol, UK.

Purcell-Gates, L (2014) ‘The history of this monster’: puppetry as intervention in disability stratification. In: International Federation of Theatre Research World Congress 'Theatre and Stratification', 26 July - 2 August 2014, University of Warwick, UK.

Reading, K (2014) Emerging from the past: insights from re-constituted materials. In: STR New Researchers' Network Inaugural Symposium: "Emergence", 20 May 2014, The Theatres Trust, London, UK.

Reading, K (2014) Turning the key: unlocking the potential of the archive ​. In: TaPRA Postgraduate Conference, 2014, Manchester, UK.

Steadman, M (2014) Site of intimacy: space and corporality in Küsse. In: 5th Global Conference: Performance - Visual Aspects of Performance Practice, 7-9 November 2014, Prague, Czech Republic. Please click the title to check availability.

Woods, V, Osborne, N, Enright, H and Ó Conchúir, F (2014) The role of artist as citizen. In: Academy 20: Convocation Between the Poetic and the Practical, 14 -16 November 2014, Irish World Academy of Music and Dance, University of Limerick, Limerick, Ireland.

Bennett, J (2014) Constraint, creativity, copyright and collaboration in popular songwriting teams. PhD thesis, University of Surrey.

Ramsay, B (2014) Exploring compositional relationships between acousmatic music and electronica. PhD thesis, De Montfort University.

Plans, P, Clark, C, Hyde, J and Leonard, P (2014) Breathing Stone.

Enright, H (2014) Watermark [group exhibition]. In: Academy 20: Convocation Between the Poetic and the Practical, Irish World Academy of Music and Dance, University of Limerick, Limerick, Ireland, 14 - 16 November 2014.

Hyde, J (2014) Cloud chamber.

Saunders, J (2014) I decide what it is I am going to do.

Saunders, J (2014) I tell you what to do.

Saunders, J (2014) choose who tells you what to do.

Saunders, J (2014) everybody do this.

Saunders, J (2014) lots and lots for us to do.

Saunders, J (2014) on bare trees.

Saunders, J (2014) overlay (with transience).

Saunders, J (2014) positions in the sequence correctly recalled.

Saunders, J (2014) so many territories.

Saunders, J (2014) we do what you say and say what to do.

Saunders, J (2014) you say what to do.

Sergeant, M (2014) Kiss (for solo violin with twine bow).

Sergeant, M (2014) Shell (for unspecified voice).

Clayden, P (2014) Tarantino Cabaret. In: Shambala Festival, Northamptonshire, UK, 21-24 August 2014.

Demetriou, P.A (2014) An Exhibition of Hidden Stories: The Lives of Others. Wickham Theatre, University of Bristol, Bristol, UK, 2014.

Demetriou, P.A (2014) PSi Oral Histories: Performing the Memory of the Field. In: PSi #20: Avant-Garde, Tradition, Community, Shanghai Theatre Academy, Shanghai, China, 4 - 8 July 2014.

Enright, H (2014) The river. Custom House Quay, Limerick, Ireland, 13 August - 1 September 2014.

Honan, N, Wescott, E, Burgess, R, Martin, H, MacDonald, J, Hooper, E and Abel, S (2014) Death, treason, rhyme and reason. Bristol Old Vic, Bristol, 7-10 May 2014.

Hyde, J (2014) Molecular music. In: Bristol Proms, Bristol Old Vic, Bristol, UK, August 2014.

Karantonis, P (2014) New Vocalities [director and performer]. Bath Spa University, Bath, UK, October 2014.

Reading, K (2014) Turning the spotlight on the people. Camden People's Theatre, London, UK, 18 - 19 September 2014.

Semerciyan, S (2014) The tinderbox. Bristol Old Vic Theatre, Bristol, UK, 23 - 26 April 2014.

Semerciyan, S (2014) The window. Bristol Old Vic Theatre, Bristol, UK, 22 - 25 October 2014.

Steadman, M (2014) Küsse [artistic director]. In: Küsse, Exeter Ignite, Exeter Phoenix Theatre, Exeter, UK, 2-3 June 2014.

Lewis-Smith, C (2014) Six [director].

Regan, J and Hussey, W (2014) Madam G.

Heaton, R (2014) Pierre Boulez 'Domaines' [Liner notes for 'The inner time: contemporary music for clarinet'].

Hugill, A (2014) Théories de la composition musicale au xxe siècle (2 vols) edited by Nicolas Donin and Laurent Feneyrou [book review]. Tempo, 68 (270). pp. 105-107. ISSN 0040-2982

Hugill, A and Rieser, M (2014) RUR (Rossum's universal replicants).