Items where Division is "Bath School of Music and Performing Arts" and Year is 2017

Bennett, J (2017) 'Towards a framework for creativity in popular music degrees.' In: Smith, G.D, Moir, Z, Brennan, M, Kirkman, P and Rambarran, S, eds. The Routledge research companion to popular music education. Routledge, Abingdon, pp. 285-297. ISBN 9781472464989

Boehm, J.D and Glen, N (2017) 'Converging lines: Apple's iPad and active learning in higher education.' In: Baab, B.F, Bansavich, J, Souleles, N and Loizides, F, eds. Proceedings of the 2nd International Conference on the Use of iPads in Higher Education. Cambridge Scholars, Cambridge, pp. 63-77. ISBN 9781443899734

Cassidy, G (2017) 'In good company: the authorial process of Anthony Neilson.' In: Reid, T, ed. The theatre of Anthony Neilson. Bloomsbury, London, pp. 159-170. ISBN 9781472570307

Demetriou, P.A (2017) 'Remembering performance through the practice of oral history.' In: Sant, T, ed. Documenting performance: the context and processes of digital curation and archiving. Bloomsbury, London, pp. 83-92. ISBN 9781472588203

Hooper, E (2017) 'Do the stars know why they shine? An argument for including cultural theory on popular music programmes.' In: Smith, G.D, Moir, Z, Brennan, M, Rambarran, S and Kirkman, P, eds. The Routledge research companion to popular music education. Routledge, Abingdon, pp. 153-165. ISBN 9781472464989

Hooper, E (2017) 'How to (almost) never play a bad gig again: a simple way to approach performing professionally.' In: Williams, J and Williams, K, eds. The singer-songwriter handbook. Bloomsbury, London. ISBN 9781628920291

Hooper, E (2017) 'This everything.' In: McSweeney's Issue 51. McSweeney's Quarterly Concern, San Francisco, CA, USA, pp. 245-272. ISBN 9781944211448

Lundskaer-Nielsen, M (2017) 'Cameron Mackintosh: control, collaboration and the creative producer.' In: Gordon, R and Jubin, O, eds. The Oxford handbook of the British musical. Oxford University Press, Oxford, pp. 537-560. ISBN 9780199988747 Please click the title to check availability.

Lundskaer-Nielsen, M (2017) '“In this England, in these times” : redefining the British musical from 1970-present.' In: Everett, W.A and Laird, P.R, eds. The Cambridge companion to the musical. 3rd ed. Cambridge University Press, Cambridge, pp. 323-338. ISBN 9781107535299 Please click the title to check availability.

Strange, S ORCID: 0000-0003-4055-3665 (2017) 'What lessons can higher popular music education learn from art school pedagogy?' In: Merrill, J, ed. Popular music studies today. Springer, Wiesbaden, pp. 271-280. ISBN 9783658177393

Alexander, K and Kampe, T (2017) 'Bodily undoing: somatics as practices of critique.' Journal of Dance & Somatic Practices, 9 (1). pp. 3-12.

Batson, G and Sentler, S (2017) 'How visual and kinaesthetic imagery shape movement improvisation: a pilot study.' Journal of Dance & Somatic Practices, 9 (2). pp. 195-212.

Bayley, A and Heyde, N (2017) 'Communicating through notation: Michael Finnissy’s Second String Quartet from composition to performance.' Music Performance Research, 8. pp. 80-97.

Breel, A ORCID: 0000-0001-6262-7413, Newman, H and Wilson, R (2017) 'Forum on the Art of Participation: a curated collection of reflections, explorations, and instructions.' PARtake: The Journal of Performance as Research, 1 (2). pp. 1-59.

Demetriou, P.A (2017) 'Crossing contested borders: Quid Pro Quo (2011) – a performance act embodying the conceptual and material significance of women’s experience of the divide.' Platform: Journal of Theatre and Performing Arts, 10 (2). pp. 51-73. Please click the title to check availability.

Demetriou, P.A, Pappas, O and Kampylis, S (2017) 'Love Letters: Wearing Stories Told - a performance-technology provocation for interactive storytelling.' Body, Space & Technology, 16. Please click the title to check availability.

Kampe, T (2017) 'Entangled histories, part 2: releasing the de-generate body.' Journal of Dance & Somatic Practices, 9 (1). pp. 75-93.

Krauthaker, M and Connolly, R (2017) 'Gazing at Medusa: adaptation as phallocentric appropriation in 'Blue is the warmest color'.' European Comic Art, 10 (1). pp. 24-40.

Purcell-Gates, L (2017) 'Automata and bêtise: contamination anxieties in late nineteenth-century French mime.' Popular Entertainment Studies, 8 (1). pp. 21-35.

Purcell-Gates, L (2017) 'Puppet bodies: reflections and revisions of marionette movement theories in Philippe Gaulier’s Neutral Mask pedagogy.' Theatre, Dance and Performance Training, 8 (1). pp. 46-60.

Purcell-Gates, L and Fisher, E (2017) 'Puppetry as reinforcement or rupture of cultural perceptions of the disabled body.' Research in Drama Education: The Journal of Applied Theatre and Performance, 22 (3). pp. 363-372.

Spring, M (2017) 'Beyond the choreography - social dance in context in Georgian Bath.' Choreologica, 8 (1). pp. 41-62.

Bayley, A (2017) Crossing musical bridges: composers, performers and intercultural encounters. In: Professorial Lecture Series 2016-17, 22 February 2017, Bath Spa University, Bath, UK.

Bayley, A (2017) Researching cross-cultural collaborations. In: International Symposium of Ethnographies of Musical Heritage, 21 - 24 November 2017, Federal University of Pelotas, Pelotas, Brazil.

Bayley, A and Nooshin, L (2017) Whose difference? Whose 'multiculturalism'? In: British Forum for Ethnomusicology One-Day Conference: 'Listening to Difference' - Music and Multiculturalism, 21 October 2017, University of Cambridge, Cambridge, UK.

Hooper, E and Honan, N (2017) The World is Listening: Brighton residency [organisers]. In: The World is Listening: Brighton residency, 25-26 March 2017, The Rosehill, Brighton, UK.

Hooper, E and Honan, N (2017) The world is listening: panel discussion, interviews and workshops. In: Shambala Festival, 25 - 27 August 2017, Northamptonshire, UK.

Karantonis, P (2017) "Not just any voice; this is the human voice": the remediation of Jean Cocteau’s 'La voix humaine' in the English-language film adaptation 'The human voice' (1966). In: American Comparative Literature Association Annual Congress, 9 July 2017, University of Utrecht, Utrecht, Netherlands.

Karantonis, P (2017) The voice as radically-embodied personae. In: Bodily Undoing: Somatic Activism and Performance Cultures as Practices of Critique, 16 -17 September 2017, Bath Spa University, Bath, UK.

Purcell-Gates, L (2017) Spectacular bodies, unsettling objects: material performance as intervention in stereotypes of refugees. In: Migration/Representation/Stereotypes, 28 - 30 April 2017, University of Ottawa, Canada. Please click the title to check availability.

Rugman, K (2017) Organisational change: ‘developing a more empowered and collaborative individual’. In: Bodily Undoing: Somatic Activism and Performance Cultures as Practices of Critique, 16 -17 September 2017, Bath Spa University, Bath, UK.

Nickel, L (2017) Living scores: a portfolio of orally-transmitted experimental music compositions. PhD thesis, Bath Spa University. doi: 10.17870/bathspa.00011594

Pigott, J (2017) Materials systems and autonomy in electromechanical sound art. PhD thesis, Bath Spa University. doi: 10.17870/bathspa.00011587

Reading, K (2017) Understanding the contemporary value of past methods of producing theatre: toward a tripartite approach to venue-performance-document. PhD thesis, Aberystywth University.

Lovett, M ORCID: 0000-0003-3599-7886 (2017) Moor / plastic. In: Mike Perry: Land / Sea (Tir / Môr), Plymouth Arts Centre, Plymouth, UK, 7 April - 17 June 2017.

White, R and Boehm, J.D (2017) Sweet Waters: Soundings. Saltford Brass Mill, Saltford, UK, 21 October 1017.

Saunders, J (2017) all the things we make you do.

Saunders, J (2017) alternate between attention and ease.

Saunders, J (2017) know that your actions reflect within the group.

Saunders, J (2017) sometimes we do what you say, but occasionally we don't.

Saunders, J (2017) we tell each other what to do but always listen to you.

Sergeant, M (2017) The velvet rage (for flute, voice, cello and electronics).

Alexander, S (2017) Women, know your place! [choreographer]. In: Tree, The Mission Theatre, Bath, UK, 16 December 2017.

Calvert-Ennals, S (2017) The Depraved Appetite of Tarrare the Freak. Tobacco Factory Theatre, Bristol, UK, 25 - 28 January 2017.

Jebanasam, P (2017) Cycλomorphia. In: Parallax, Berliner Philharmonie, Berlin, Germany, 29 September 2017.

Kampe, T, Brown, C, Scoones, R and Kasia, P (2017) LOST + FOUND [dances of exile]. In: Tempo Dance Festival NZ, Q-Theatre, Auckland, New Zealand, 7 October 2017.

Moor, D and McKahey, W (2017) CousteauX Live at The 100 Club. The 100 Club, London, UK, 19 September 2017.

Moor, D and McKahey, W (2017) CousteauX live at Arcos De Valdavez, Portugal. Valdavez, Portugal, 28 October 2017.

Purcell-Gates, L (2017) The Depraved Appetite of Tarrare the Freak. Tobacco Factory Theatre, Bristol, UK, 25 - 28 January 2017.

Semerciyan, S (2017) His peers. Bath Theatre Royal, Bath, UK, 13 - 15 July 2017.

Kampe, T (2017) Releasing Her Archive.

Kampe, T and Jara, M (2017) Displaced/Displayed: re-enacting dances of migration.

Meinema, J (2017) No Friends But The Mountains [sound design].

Moor, D and McKahey, W (2017) The Innermost Light, CousteauX.

Moor, D, McKahey, W, Lewis-Smith, C and Haughian, E (2017) BURMA by CousteauX.

Moor, D and McKahey, W (2017) Spoiler EP by CousteauX.

Moor, D and McKahey, W. (2017) CousteauX.

Karantonis, P (2017) Postopera: reinventing the voice-body, Jelena Novak [book review]. Studies in Musical Theatre, 10 (2). pp. 265-267.

Semerciyan, S (2017) A quest for Arthur.