Items where Division is "Bath School of Music and Performing Arts" and Year is 2020

Dickinson, J (2020) 'Mechanical – magical: the shared creative vision of Harrison Birtwistle and Paul Klee.' In: Gartmann, T, ed. Von der Fuge in Rot bis zur Zwischermaschine: Klee und die Musik. Schwabe, Basel, pp. 123-139. ISBN 9783796542558 Please click the title to check availability.

Hunter, V (2020) 'Dancing-walking with trees.' In: Billinghurst, H, Hind, C and Smith, P, eds. Walking bodies: papers, provocations, actions from Walking’s New Movements, the conference. Triarchy Press, Charmouth. ISBN 9781913743093

Hyde, J (2020) 'The new analogue: media archaeology as creative practice in 21st century audiovisual art.' In: Knight-Hill, A, ed. Sound and image: aesthetics and practices. Routledge, Abingdon, pp. 188-205. ISBN 9780367271466 Please click the title to check availability.

Kampe, T and Batson, G (2020) 'Dancing critical somatics – an emancipatory education for the future?' In: David, A.R, Huxley, M and Whatley, S, eds. Dance fields: staking a claim for dance studies in the twenty-first century. Dance Books, Binsted, pp. 154-184. ISBN 9781852731816 Please click the title to check availability.

Mitchell, T.J, Jones, A.J, O'Connor, M.B, Wonnacott, M.D, Glowacki, D.R and Hyde, J (2020) 'Towards molecular musical instruments: interactive sonifications of 17-alanine, graphene and carbon nanotubes.' In: Groß-Vogt, K and Höldrich, R, eds. AM '20: proceedings of the 15th International Conference on Audio Mostly. Association for Computing Machinery, New York, NY, pp. 214-221. ISBN 9781450375634

Purcell-Gates, L (2020) 'Spectacular bodies, unsettling objects: material performance as intervention in stereotypes of refugees.' In: Meerzon, Y, Dean, D and McNeil, D, eds. Migration and stereotypes in performance and culture. Palgrave Macmillan, Cham, pp. 39-55. ISBN 9783030399146

Regan, J (2020) 'Three pronged attack: the pincer movement of gender allies, tempered radicals and pioneers.' In: Hepworth-Sawyer, R, Hodgson, J, King, L and Marrington, M, eds. Gender in music production. Routledge, New York, NY, pp. 187-198. ISBN 9781138613362

Semerciyan, S (2020) 'Witches can't be burned.' In: National Theatre Connections 2020: plays for young people. Methuen Drama, London. ISBN 9781350161009

Sentler, S and Batson, G (2020) 'Human Origami: uncovering meta-levels of corporeal embodiment through movement improvisation.' In: Burridge, S, ed. Embodied performativity in southeast Asia: multidisciplinary corporealities. Routledge, Abingdon. ISBN 9780367820473

Astles, C, Fisher, E, Purcell-Gates, L and Sextou, P (2020) 'Editorial - Applied puppetry in health.' Journal of Applied Arts and Health, 11 (1 & 2). pp. 3-13.

Lovett, M ORCID: 0000-0003-3599-7886 (2020) 'Directions in music: stakeholder perspectives on blockchain innovations in music streaming.' Frontiers in Blockchain, 3. e506721.

McCormack, J (2020) 'Dancing diffraction: many bodies make light work in Sasha Milavic Davies and Lucy Railton's 'everything that rises must dance' (2018).' Performance Research, 25 (5). pp. 77-83.

Moya Pellitero, A.M and Hunter, V (2020) 'Somatic landscapes and urban identities: mapping emotional engagements through site, dance and body connections in Raval, Barcelona, a case study.' Athens Journal of Architecture, 6 (3). pp. 249-272.

Poster-Su, T (2020) 'A grotesque act of ventriloquism: raising and objectifying the dead on stage.' Applied Theatre Research, 8 (1). pp. 45-56. Please click the title to check availability.

Purcell-Gates, L and Smith, M (2020) 'Applied puppetry: communities, identities, transgressions.' Applied Theatre Research, 8 (1). pp. 3-11.

Timmers, R, Arthurs, Y and Crook, H (2020) 'Stream segregation revisited: dynamic listening and influences of emotional context on stream perception and attention.' Consciousness and Cognition, 85. e103027.

Ward, S and Connolly, R (2020) 'The play is a prison: the discourse of Prison Shakespeare.' Studies in Theatre and Performance, 40 (2). pp. 128-144.

Xu, Z ORCID: 0000-0002-7819-4517 (2020) 'Choreography of sonic chopsticks and intervention of digital technology with dancing bodies.' Body, Space & Technology, 19 (1). pp. 56-75.

Beale, R (2020) Lockdown unlocking change in music education practice. In: Annual EdD Conference: Sculpting Change, 20 June 2020, University of Cambridge, UK [online].

Xu, Z ORCID: 0000-0002-7819-4517 (2020) Cultural identity and intangible cultural heritage of Yangge in techno-choreography. In: Performance Knowledges: Transmission, Composition, Praxis, 11 - 13 March 2020, University of Malta, Msida, Malta.

Yakubov, D (2020) The wandering song of the Nogais: contemporary interpretations of an epic tradition. M.Phil thesis, Bath Spa University.

d'Heudières, L.P.M.L (2020) Scores in time: exploring the use of sound as a medium for notation in musical composition. PhD thesis, Bath Spa University.

Kampe, T, Pascal, J, Goldstein, S, Kozokaro, R, Kraft Levene, S, Mijit, S, Emeny, M, Beech, N, Sassoon, A and Morris, F (2020) ONE LOST STONE.

Saunders, J (2020) conversation with activities.

Saunders, J (2020) sequence studies.

Saunders, J (2020) things to do.

Semerciyan, S (2020) Witches can't be burned. In: National Theatre Connections Festival, Royal & Derngate, Northampton, UK [online], February - March 2020.

Hooper, E, Moure, E, Pato, C, Panforreteiro, M and Veres Gesto, A (2020) Almorfe Ottawa.

Hooper, E (2020) Quartet for the end of time.

Beale, R (2020) Lockdown unlocking change in music education practice [blog post]. Incorporated Society of Musicians.