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Number of items: 40.

Book

Bayley, A

, ed. (2010) Recorded music: performance, culture and technology. Cambridge University Press, Cambridge. ISBN 9780521863094

Bayley, A

(2001) The Cambridge companion to Bartók. Cambridge Companions to Music . Cambridge University Press, Cambridge. ISBN 9780521669580

Book Chapter or Section

Bayley, A

(2025) 'Understanding interculturalism in music education, community and creative practice.' In: King, E and Desbruslais, S, eds. Music and interculturalism: perspectives in education, community and creative practice. Routledge, Abingdon. (Forthcoming) Please click the title to check availability.

Bayley, A

(2018) 'Cross-cultural collaborations with the Kronos Quartet.' In: Clarke, E and Doffman, M, eds. Distributed creativity: collaboration and improvisation in contemporary music. Oxford University Press, New York, NY, pp. 93-113. ISBN 9780199355914

Bayley, A

and Dutiro, C (2016) 'Developing dialogues in intercultural music-making.' In: Burnard, P, Mackinlay, E and Powell, K, eds. The Routledge international handbook of intercultural arts research. Routledge, Abingdon, pp. 391-403. ISBN 9781138909939

Bayley, A

and Heyde, N (2013) 'Interpreting indeterminancy: filming Lutoslawski's String Quartet.' In: Polish music since 1945. Musica Iagellonica, Krakow, pp. 228-243. ISBN 9788370991852

Bayley, A

and Clarke, M (2010) 'Analysing Michael Finnissy’s Second String Quartet: a multimedia interactive approach.' In: Utz, C, ed. Music theory and interdisciplinarity: 8th Congress of the Gesellschaft für Musiktheorie Graz 2008. Musik theorien der gegenwart (4). Pfau, Saarbrücken. ISBN 9783897274488

Bayley, A

(2010) 'Multiple takes: using recordings to document creative process.' In: Bayley, A

, ed. Recorded music: performance, culture and technology. Cambridge University Press, Cambridge, pp. 206-224. ISBN 9780521863094

Bayley, A

(2007) 'The nature of expressivity in Berio’s Sequenza VI for viola.' In: Halfyard, J, ed. Berio's Sequenzas: essays on performance, composition and analysis. Ashgate, Aldershot ; Burlington, VT, pp. 233-254. ISBN 9780754654452

Bayley, A

(2001) 'The string quartets and works for chamber orchestra.' In: Bayley, A

, ed. The Cambridge companion to Bartók. Cambridge companions to music . Cambridge University Press, Cambridge, pp. 151-174. ISBN 9780521669580

Article

Bayley, A

, Clough, N, Dirwai, C, Manatsa, P and Tarr, J (2025) 'Community engagement in forest restoration in rural Zimbabwe through intercultural dialogue and participatory action research.' Journal of Sustainable Development in Africa. (Forthcoming)

Thornhill, I, Bayley, A

, Collins, T, Goto, R, Hinde, K, Hunter, V

, Kang, J, Kim, H, Kim, J, Kim, J.G, Lawfull, S, Lee, T, O'Brien, L, Rabiey, M, Shin, W.S, Sochaka, A, Walton, S, Wishart, S and Yu, J (2025) 'Natural soundscapes as a disciplinary bridge in pursuit of sustainability: research themes and priorities.' Ecosystems and People. (Forthcoming)

Bayley, A

and Parsons, J (2024) '"Listening to nature" – the rewards of an eco-creative curriculum.' Teaching Times, 23 (4).

Hughes, D and Bayley, A

(2024) 'Pedagogical considerations: facilitating agency in the vocal recording of early career singer-songwriters.' Journal of Popular Music Education, 8 (2). pp. 179-196.

Bayley, A

and Heyde, N (2017) 'Communicating through notation: Michael Finnissy’s Second String Quartet from composition to performance.' Music Performance Research, 8. pp. 80-97.

Bayley, A

and Lizée, N (2016) 'Creative layers and continuities: a case study of Nicole Lizée and the Kronos Quartet.' Musicae Scientiae, 20 (3). pp. 392-412. Please click the title to check availability.

Bayley, A

(2011) 'Ethnographic research into contemporary string quartet rehearsal.' Ethnomusicology Forum, 20 (3). pp. 385-411.

Bayley, A

(2010) 'Enquête sur la genèse du Deuxième quatuor à cordes de Michael Finnissy.' Genesis: Revue Internationale de Critique Génétique, 31. pp. 37-54.

Bayley, A

and Clarke, M (2009) 'Analytical representations of creative processes in Michael Finnissy’s Second String Quartet.' Journal of Interdisciplinary Music Studies, 3 (1&2). pp. 139-157.

Bayley, A

(2000) 'Bartók's String Quartet No. 4/III: a new interpretative approach.' Music Analysis, 19 (3). pp. 353-382.

Conference or Workshop Item

Bayley, A

(2017) Researching cross-cultural collaborations. In: International Symposium of Ethnographies of Musical Heritage, 21 - 24 November 2017, Federal University of Pelotas, Pelotas, Brazil.

Bayley, A

and Nooshin, L (2017) Whose difference? Whose 'multiculturalism'? In: British Forum for Ethnomusicology One-Day Conference: 'Listening to Difference' - Music and Multiculturalism, 21 October 2017, University of Cambridge, Cambridge, UK.

Bayley, A

(2017) Crossing musical bridges: composers, performers and intercultural encounters. In: Professorial Lecture Series 2016-17, 22 February 2017, Bath Spa University, Bath, UK.

Bayley, A

(2016) On composer-performer collaboration. In: Michael Finnissy: Dialogues, 17 November 2016, University of Huddersfield, Huddersfield, UK.

Bayley, A

and Dutiro, C (2015) Creating new music across cultural boundaries: mbira and string quartet. In: Tracking the Creative Process in Music: Third International Conference, 8-10 October 2015, Institut de Recherche et Coordination Acoustique/Musique, Paris, France.

Bayley, A

(2015) Women and analysis. In: KeeleMAC 2015: The Keele Music Analysis Conference, 8-10 July 2015, Keele Hall, Keele University, UK.

Bayley, A

(2013) Discourses in the recording studio. In: Online Conference on Performance in the Studio. Convened by the (UK) AHRC-funded Research Network on Performance in the Studio (PitS), 29 April-5 May 2013.

Bayley, A

and Lizée, N (2013) Layers of creativity in composition, rehearsal and performance: Nicole Lizée and the Kronos Quartet. In: Tracking the Creative Process in Music Second International Conference, 10-13 October 2013, Université de Montréal, Montreal, Canada.

Bayley, A

and Elverdam, B (2013) Rehearsal as creative process. In: CMPCP Performance Studies Network Second International Conference, 4-7 April 2013, University of Cambridge, Cambridge, UK.

Bayley, A

(2012) Mapping a composer's intentions from composition to performance. In: New Music in Britain Conference, 10-12 May 2012, Canterbury Christ Church University, Canterbury, UK.

Bayley, A

(2011) Evolution and collaboration in string quartet composition, rehearsal and performance. In: Tracking the Creative Process in Music International Conference, 29 September - 1 October 2011, Communauté d'Universités et d'Etablissements Lille Nord de France, Lille, France.

Bayley, A

(2011) Rehearsal analysis of Finnissey's Third String Quartet. In: CMPCP Performance Studies Network International Conference, 14-17 July 2011, University of Cambridge, Cambridge, UK.

Bayley, A

(2009) Ethnographic research into string quartet rehearsal and performance. In: Twenty-fifth European Seminar in Ethnomusicology: Performance, 18-22 September 2009, Milton Keynes, UK.

Bayley, A

and Heyde, N (2009) Interpreting indeterminancy: performing Lutosławski’s String Quartet. In: Polish Music Since 1945, 30 April - 2 May 2009, Canterbury Christ Church University, Canterbury, UK.

Bayley, A

(2009) Investigating the interpretative space between notation and performance. In: IAMS Symposium, Music: Notation and Sound, 5-10 July 2009, Amsterdam, The Netherlands.

Bayley, A

and Clarke, M (2008) Interactive strategies for analysing music. In: Eighth Congress of the Gesellschaft für Musiktheorie (GMTH), Music Theory and Interdisciplinarity, 9-12 October 2008, University of Music and the Dramatic Arts, Graz, Austria.

Bayley, A

and Clarke, M (2008) Interactive strategies for analysing musical structure. In: Fourth International Conference on Interdisciplinary Musicology, 2-6 July 2008, Aristotle University of Thessaloniki, Thessaloniki, Greece.

Bayley, A

(2007) Documenting the creative process: recordings as research tools. In: CHARM/RMA annual conference on Musicology and Recordings, 13-15 September 2007, University of London, London, UK.

Bayley, A

(2007) The relationship between notation and performance practice in Michael Finnissy’s Second String Quartet. In: Sixth European Music Analysis Conference on Interpretation, 11-14 October 2007, Hochschule für Musik and the Albert-Ludwigs-Universität, Freiburg, Germany.

Other

Bayley, A

and Clarke, M (2011) Evolution and collaboration: the composition, rehearsal and performance of Finnissy’s Second String Quartet [DVD]. doi: 97809056020444

This list was generated from ResearchSPAce on Wed Oct 8 06:40:42 2025 UTC.