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Herrema, R (2021) Code as Prosthesis (2020) [REF2021 collection].

Herrema, R (2021) Sp/ARC (Specification/Audiation Real-time Composition).

Herrema, R (2021) Coding the Contemplative Collective (2014, 2017) [REF2-2021 collection].

Herrema, R (2021) Cornflower.

Herrema, R (2020) 'Code as Prosthesis.' The International Journal of Creative Media Research, 3.

Herrema, R (2017) Infínity.

Herrema, R and Alarcón, X (2017) 'Pauline Oliveros: a shared resonance.' Organised Sound, 22 (1). pp. 7-10. Please click the title to check availability.

Herrema, R and Curtis, L (2015) Trespass.

Herrema, R, Armitage, G, Kirves, M and Clark, G (2014) $echo.

Herrema, R, Alarcón, X, Hardie-Bick, T and Chirimini, S (2014) 4 4 Flow. In: 4 4 Flow, Chisenhale Dance Space, London, 28 March, 2014.

Herrema, R (2011) 'Flickr, communities of practice, and the boundaries of identity: a musician goes visual.' Visual Studies, 26 (2). pp. 135-141.

Herrema, R (2006) 'Composing along continuums of technology and purpose.' Digital Creativity, 17 (1). pp. 3-10. Please click the title to check availability.