ORCID: 0000-0003-3599-7886
(2023)
Ecologies of creative music practice: mattering music.
Routledge, Abingdon.
ISBN 9781032127033
ORCID: 0000-0003-3599-7886
(2024)
'The streaming curve: streaming, the S curve and super-abundance.'
In: Gullö, J-O, Hepworth-Sawyer, R, Paterson, J, Toulson, R and Marrington, M, eds.
Innovation in music: adjusting perspectives.
Routledge, Abingdon, pp. 11-25.
ISBN 9781032500249
Please click the title to check availability.
ORCID: 0000-0003-3599-7886
(2024)
'Artificial creativity and tools for understanding: music, creative labour and AI.'
In: Gullö, J-O, Hepworth-Sawyer, R, Paterson, J, Toulson, R and Marrington, M, eds.
Innovation in music: technology and creativity.
Routledge, Abingdon, pp. 267-277.
ISBN 9780367633363
ORCID: 0000-0003-3599-7886
(2021)
'Towards a quantum theory of musical creativity.'
In: Hepworth-Sawyer, R, Paterson, J and Toulson, R, eds.
Innovation in music: future opportunities.
Routledge, Abingdon, pp. 389-402.
ISBN 9780367363352
ORCID: 0000-0003-3599-7886
(2019)
'Disruptive blockworks: blockchains and networks / acceleration and collision.'
In: Ragnedda, M and Destefanis, G, eds.
Blockchain and web 3.0: social, economic, and technological challenges.
Routledge, Abingdon, pp. 130-143.
ISBN 9780367726928
ORCID: 0000-0003-3599-7886
(2019)
'Disruption as contingency: music, blockchain, wtf?'
In: Hepworth-Sawyer, R, Hodgson, J, Paterson, J and Toulson, R, eds.
Innovation in music: performance, production, technology, and business.
Routledge, Abingdon, pp. 467-480.
ISBN 9781138498198
ORCID: 0000-0003-3599-7886, Land, T and Reeder, P
(2025)
'EDITORIAL INTRODUCTION: The everyday is every day.'
International Journal of Creative Media Research, 11.
ORCID: 0000-0003-3599-7886
(2023)
'Measuring is making: the radical indeterminacy of music.'
Leonardo, 56 (2).
pp. 194-198.
ORCID: 0000-0003-3599-7886 and Thomas, L
(2021)
'A fork in the road: perspectives on sustainability and decentralised governance in digital institutions.'
First Monday, 26 (11).
ORCID: 0000-0003-3599-7886
(2020)
'Directions in music: stakeholder perspectives on blockchain innovations in music streaming.'
Frontiers in Blockchain, 3.
e506721.
ORCID: 0000-0003-3599-7886
(2017)
Moor / plastic.
In: Mike Perry: Land / Sea (Tir / Môr), Plymouth Arts Centre, Plymouth, UK, 7 April - 17 June 2017.
ORCID: 0000-0003-3599-7886
Company of trees.
In: … the rest is smoke (part of the 56th Venice Biennale), Santa Maria Ausiliatrice, Venice, Italy, 9 May - 22 November 2015.
ORCID: 0000-0003-3599-7886
(2016)
Twelve drummers drumming.
In: Islet album launch, Clwb Ifor Bach, Cardiff, UK, 10 December 2016.
ORCID: 0000-0003-3599-7886
(2021)
The sonic episteme: acoustic resonance, neoliberalism and biopolitics [book review].
Popular Music, 40 (1).
pp. 165-167.