Browse by Authors

Tweed, C (2023) 'Re-writing the machinic Capitalocene: using speculative fictional methods.' In: Pigott, A, Jones, O and Parry, B, eds. Art and creativity in an era of ecocide: embodiment, performance and practice. Bloomsbury, London, pp. 10-202. ISBN 9781350237223

Tweed, C (2021) 'Fictioning the third space.' In: Barranha, H and Henriques, J.S, eds. Art, museums and digital cultures: rethinking change. IHA/NOVA FCSH and maat, Lisbon, pp. 123-135. ISBN 9789895440542

Tweed, C (2019) 'Fiction Machines: Oporavak.' The International Journal of Creative Media Research, 1.

Freeman, M and Tweed, C (2017) Transmedia UK: sector by sector. In: One-Day Academic-Industry Workshop, 24 November 2017, Bath Spa University, Corsham, UK.

Turner, P, Levy, C, White, R, Tweed, C and Wilkins, S (2017) We make stuff: film and social context. In: We Make Stuff, 27 March 2017, Holbourne Museum, Bath, UK.

Tweed, C (2016) Artist's talk: Charlie Tweed. In: LifeSpace Science Art Research Gallery Artist Talks Series, 30 September 2016, LifeSpace Science Art Research Gallery, Dundee, UK.

Tweed, C (2016) Oporavak. In: Cold Bodies, Warm Machines: Art, Technology and the Posthuman, 9 - 11 September 2016, NRW-Forum, Düsseldorf, Germany.

Tweed, C (2016) The signal and the noise. In: Silent Signal Symposium, 26 February 2016, College of Arts, University of Derby, UK.

Tweed, C (2016) The signal and the rock. In: STRATA: Art and Science Collaborations in the Anthropocene, 15 January 2016, Aberystwyth Arts Centre, Aberystwyth, Wales.

Tweed, C (2014) Charlie Tweed. In: Art in the City Talks, 12 November 2014, Arnolfini, Bristol.

Tweed, C (2013) Re-writing the overcode. In: Trans – what? Across and Beyond (Artistic) Research: Symposium, 28 July 2013, Supermarkt Creative Resource Centre, Berlin, Germany.

Tweed, C (2013) I am the tantalum. In: Geologies of Value and Vestige Symposium, 10 July 2013, Centre for Useless Splendour, Kingston University, UK.

Tweed, C (2012) Solutionising the overcode: artistic methods of escape from the electronic super-panopticon. In: Space and Place: 3rd Global Conference, 3 - 5 September 2012, Mansfield College, Oxford.

Tweed, C (2021) Fiction machines (2016-2019) [REF2021 collection].

Tweed, C (2021) The signal and the noise (2016) [REF2021 collection].

Tweed, C (2019) Re-writing the machinic anthropocene (2014-2017) [REF2021 collection].

Tweed, C (2017) Soon we will become output. Stanley Picker Gallery, London, UK, 13 - 20 December 2017. ISBN 9781527217836

Tweed, C (2017) Oporavak. In: WRO 2017 Biennale: Draft Systems, WRO Art Center, Wroclaw, Poland, 17 - 21 May 2017.

Tweed, C (2016) Archimeters (2011). In: Both Sides Now 3: Screenings in East Asia, Woolloomooloo, Taipei, 19 August - 9 December 2016.

Tweed, C (2016) Archimeters (2011). In: Selected VI, Centre for Contemporary Arts, Glasgow, UK, 25 May 2016.

Tweed, C (2016) The signal and the noise. In: Silent Signal, Quad, Derby, UK, 6 February - 6 March 2016 and 18 March - 23 April 2016.

Tweed, C (2013) i am algorithm. Aspex Gallery, Portsmouth, UK, 26 April - 7 July 2013.

Tweed, C (2010) Notes I, II and III. Spike Island, Bristol, UK, 9 October - 5 September 2010.

Tweed, C (2015) The signal and the rock: performative lecture. In: Charlie Tweed at CAFA, Central Academy of Fine Art, Beijing, 14 December 2015.

Tweed, C (2020) Notes from the subsurface.

Tweed, C (2017) Grain.

Tweed, C (2016) The signal and the noise.