Browse by Authors

Wiffen, C (2016) Putting the trance into transcendental: a cross-cultural approach to virtuosity in performance. In: Performance Studies Network: Fourth International Conference, 14 -17 July 2016, Bath Spa University, Bath, UK.

Wiffen, C (2016) Vanity or heroism: tracing virtuosity across musical cultures. In: Virtuosity: Joint Symposium of the Kodály Institute of the Liszt Academy and ESCOM (European Society for the Cognitive Sciences of Music), 3 - 6 March 2016, Liszt Academy, Budapest, Hungary.

Wiffen, C (2013) Towards an understanding of four hands: Joe Duddell’s Vaporize. In: With Four Hands, 17 September - 19 September 2013, Senate House, Camden, London, England.

Wiffen, C (2013) Anatomy of a festival: programming, reception and impact of the Bath International Music Festival (1948-2012). In: Kingston University Research Seminar, 25 April 2013, Kingston University, Kingston-upon-Thames, London, England.

Wiffen, C (2011) World premiere of new work by Jim Aitchison. The Barbican Centre, London, UK, 15 June 2011.

Wiffen, C (2009) Hugh Wood: Chamber Music.

Wiffen, C (2009) I Weave for you a Marvellous Web. In: Sixth Biennial International Conference on Music Since 1900, 2-5 July 2009, Keele University.

Wiffen, C (2008) World premiere of John Woolrich's Dramolet. In: Stratford-upon-Avon Festival: The Contemporary Consort, Stratford-upon-Avon, Warwickshire, England, 13 October 2008.

Wiffen, C (2008) Strauss’s Ständchen: pianistic response and legacy. In: Performing Romantic Music, 10-13 July 2008, University of Durham, Durham, UK.

Wiffen, C and Vallois, N (2006) Enesco and the class of 1896. In: Music and Ideas, 2 March 2006, Royal College of Music, South Kensington, London, England.

Wiffen, C (2006) Playing with the alter ego: control, vanity and selflessness in multi-tracking. In: Creative Production for Classical Music.

Wiffen, C (2006) The reflective conservatoire: teaching, learning, research. In: The Reflective Conservatorie Conference, 16 February - 18 February 2006, Guildhall School of Music & Drama, Barbican, London, England.

Wiffen, C and Burrows, J (2005) Eyewitness companions: classical music. Eyewitness companions . Dorling Kindersley, London. ISBN 9781405306102

Wiffen, C (2005) From realism to utopia: Britain expressed in the soundtracks of the GPO Films. In: 2005 Bradford Film Festival Film Music Conference, March 2005, University of Leeds, Leeds, England.

Wiffen, C, Lisboa, T, Thompson, S and Williamson, A (2005) 'Creativity, originality, and value in music performance.' In: Deliège, I and Wiggins, G, eds. Musical Creativity: Multidisciplinary Research in Theory and Practice. Psychology Press, Taylor and Francis, pp. 161-180. ISBN 1-84169-508-4

Wiffen, C (2004) Singing a borrowed song: appropriation and authority in changing media. In: Music and its Media Conference, Harvard University.

Wiffen, C (2004) Capturing life and selling the mix: the simulation of live performance in the music video. In: Representing Performance: Musical Recordings in Culture, 30 October 2004, Royal Holloway, University of London, London, UK.

Wiffen, C (2004) Composing at the coal face: music's role in the erosion of social idealism in the documentary films of the GPO Film Unit. In: Royal Musical Association 40th Annual Conference, 12 November - 14 November 2004, University of Birmingham, Birmingham, England.

Wiffen, C (2003) The Chamber Music of Judith Weir.

Wiffen, C (2003) A pianist's Bach book. In: Grove Forum, 2003, Royal College of Music, South Kensington, London, England.

Wiffen, C (2000) Interpreting Gershwin: Grainger, Wild, Finnissy and himself. In: Performance 2000, 26 April - 29 April 2000, University of Southampton, Southampton, England.

Wiffen, C (2000) "Anarchic glee" : issues of virtuosity and operal identity in Glenn Gould's transcription of the Prelude from Die Meistersinger. In: 34th Royal Musical Association Research Students' Conference, 13 - 16 December 2000, University of Exeter, UK.