ORCID: 0000-0003-0084-2198, Kidd, N and Breel, A
ORCID: 0000-0001-6262-7413
(2025)
Evaluation exercises.
In: Doing Together 2025, Bath Spa University, Bath, UK, 7 - 8 April 2025.
ORCID: 0000-0003-0084-2198
(2025)
Random Precision Amendments.
Michael Pennie Gallery, Bath Spa University, Bath, UK, 28 February - 16 March 2025.
ORCID: 0000-0003-0084-2198
(2024)
Random precision amendments.
In: Artists as Adaptors: Forms of Adaptation in Practice Research, 19 September 2024, Guildhall School of Music and Drama, London, UK.
ORCID: 0000-0003-0084-2198
(2024)
Finger-pot-pen-word-thumb.
In: Doing Together 2024, Bath Spa University, Bath, UK, 4 - 5 April 2024.
ORCID: 0000-0003-0084-2198, Vitale, A and Enright, H
(2023)
Random precision amendments.
In: Voices Workshop Day, 11 December 2023, Bath Spa University, Bath, UK.
ORCID: 0000-0003-0084-2198
(2023)
Play the street.
In: Doing Together 2023, Bath Spa University, Bath, UK, 4 April 2023.
ORCID: 0000-0003-0084-2198
(2021)
Making_Writing (2017-2019) [REF2021 collection].
doi: 10.17870/bathspa.c.5015711
ORCID: 0000-0003-0084-2198
(2021)
Writing_Making (2015-2019) [REF2021 collection].
doi: 10.17870/bathspa.c.5009186
ORCID: 0000-0003-0084-2198 and Winfield, R
(2020)
workshop-word-work.
In: On Edge: Materials and Bodies Sympoiesis, 31 October 2020, Bath Spa University, Bath, UK [online].
ORCID: 0000-0003-0084-2198
(2019)
'Sculpture, modelling and pottery.'
In: Wilcox, T, ed.
James Tower: ceramics, sculpture and drawings.
Arnoldsche, Stuttgart, pp. 56-59.
ISBN 9783897905702
ORCID: 0000-0003-0084-2198
(2019)
Concerning roundabouts.
ORCID: 0000-0003-0084-2198
(2018)
'Making playgrounds: limit as expansion in a crafty field.'
Making Futures Journal, 5.
ORCID: 0000-0003-0084-2198
(2018)
'Light pricks: whispers and kicks.'
In: Thornton, C and Borthwick, B, eds.
Clare Thornton: materials of resistance.
Plymouth Arts Centre, Plymouth, pp. 18-31.
ORCID: 0000-0003-0084-2198
(2017)
Writing making | making writing: retaking the side of things.
In: PAC Home Talk Series, 13 December 2017, Plymouth Arts Centre, Plymouth, UK.
ORCID: 0000-0003-0084-2198
(2017)
A Game of JUG.
ORCID: 0000-0003-0084-2198
(2017)
A game of jug.
In: Making Beyond Words – Intersections between Text, Image, Display: Celebrating 50 Years of Concrete Poetry, Bath Spa University, Corsham, UK, 16 - 17 June 2017.
ORCID: 0000-0003-0084-2198
(2017)
nadadanada.
In: Making Beyond Words – Intersections between Text, Image, Display: Celebrating 50 Years of Concrete Poetry, 16 - 17 June 2017, Bath Spa University, Corsham, UK.
ORCID: 0000-0003-0084-2198
(2017)
Krug | Cruche | Jarra | Jug (2017).
In: Pour Me, Devon Guild of Craftsmen, Bovey Tracey, UK, 18 March - 7 May 2017.
ORCID: 0000-0003-0084-2198 and Smith, M
(2016)
Queer craft…?
In: Design Culture Salon 21, 20 May 2016, V&A, London, UK.
ORCID: 0000-0003-0084-2198
(2016)
Writing_Making: object as body, language and material.
PhD thesis, Royal College of Art.
ORCID: 0000-0003-0084-2198, Larocque, J-P, Thompson, K and Wilson, P
(2015)
'Sloppy craft and interdisciplinarity: the conversation.'
In: Paterson, E.C and Surette, S, eds.
Sloppy craft: postdisciplinarity and the crafts.
Bloomsbury, London, pp. 151-178.
ISBN 9781472533074
ORCID: 0000-0003-0084-2198
(2015)
A cup is a.
In: Many a Slip: Invited Artists Juggle with the Domestic Symbol of ‘The Cup’, Marsden Woo Gallery, London, UK, 22 July - 4 September 2015.
ORCID: 0000-0003-0084-2198
(2015)
'Sensory states and objects.'
In: Mayo, N and Preece, Z, eds.
The sensorial object: exhibition catalogue.
Makers Guild of Wales, Cardiff.
ISBN 9780956686886
ORCID: 0000-0003-0084-2198
(2014)
One bag.
In: Show RCA, Royal College of Art, London, UK, 18 - 29 June 2014.
ORCID: 0000-0003-0084-2198
(2014)
The production of images.
In: So Far/So Good, 10 - 11 January 2014, Royal College of Art, London, UK.
ORCID: 0000-0003-0084-2198
(2014)
'Where do you see yourself in twenty-five years? Conor Wilson.'
In: Bell-Jones, G, ed.
Annals of the twenty-ninth century: exhibition catalogue.
Wysing Arts Centre/Endless Supply.
ORCID: 0000-0003-0084-2198 and Game, A
(2013)
Translation: object/text/object.
In: London Conference in Critical Thought, 6 -7 June 2013, Royal Holloway, University of London, London, UK.
ORCID: 0000-0003-0084-2198
(2013)
'Experiment 21: glass bottle copy, in porcelain: practice journal.'
Journal of Writing in Creative Practice, 6 (1).
pp. 37-42.
ORCID: 0000-0003-0084-2198
(2013)
'A critical response (Louis Thompson, Hive), ‘Jerwood Makers Open’, Jerwood Space, London, Summer 2012.'
Journal of Writing in Creative Practice, 6 (1).
pp. 135-137.
ORCID: 0000-0003-0084-2198
(2013)
Research findings from Cranbrook Academy of Art residency.
Royal College of Art, London, UK, March 2013.
ORCID: 0000-0003-0084-2198 and Game, A
(2013)
Translation: object/text/object.
In: Disruption : RCA Research Biennial Exhibition, Royal College of Arts, London, UK, 6 -7 June 2013.
ORCID: 0000-0003-0084-2198
(2013)
Four bodies: red, buff, white.
In: British Ceramics Biennial 2013 Award Exhibition, Potteries Museum & Art Gallery, Stoke-on-Trent, UK, 28 September - 10 November 2013.
ORCID: 0000-0003-0084-2198
(2012)
'"You can use clay, but you can't do ceramics": some thoughts on why ceramics isn´t sculpture.'
Interpreting Ceramics, 14.
ORCID: 0000-0003-0084-2198
(2012)
Plenary chair.
In: Doctoring Practice Symposium, 27 April 2012, Bath School of Art & Design, Bath Spa University, Bath, UK.
ORCID: 0000-0003-0084-2198
(2011)
Current research/practice.
In: Placement Exhibition Symposium, 5 November 2011, Fife Contemporary Art & Craft, St. Andrews, UK.
ORCID: 0000-0003-0084-2198
(2011)
digit_digital: ceramic surface as site of meaningful conflict.
In: Parallels and Connections 3: A Ceramic and Glass Research Conference, 2011, National Glass Centre, University of Sunderland, Sunderland, UK.
ORCID: 0000-0003-0084-2198
(2009)
Practice-based research into the combination of hand and digital making processes in ceramics.
In: 3D Print Technologies and their Creative Application in the Arts and Crafts, 9 December 2009, Tobacco Factory, Bristol, UK.
ORCID: 0000-0003-0084-2198
(2008)
Searching for beauty: Richard Jacobs [book review].
Interpreting Ceramics, 10.