Browse by UoA

Bayley, A ORCID: 0000-0002-2114-5917 and Heyde, N (2017) 'Communicating through notation: Michael Finnissy’s Second String Quartet from composition to performance.' Music Performance Research, 8. pp. 80-97.

Cassidy, G (2017) 'In good company: the authorial process of Anthony Neilson.' In: Reid, T, ed. The theatre of Anthony Neilson. Bloomsbury, London, pp. 159-170. ISBN 9781472570307

Gates, L ORCID: 0000-0002-9632-2391 (2017) 'Automata and bêtise: contamination anxieties in late nineteenth-century French mime.' Popular Entertainment Studies, 8 (1). pp. 21-35.

Gates, L ORCID: 0000-0002-9632-2391 (2017) 'Puppet bodies: reflections and revisions of marionette movement theories in Philippe Gaulier’s Neutral Mask pedagogy.' Theatre, Dance and Performance Training, 8 (1). pp. 46-60.

Kampe, T (2017) 'Entangled histories, part 2: releasing the de-generate body.' Journal of Dance & Somatic Practices, 9 (1). pp. 75-93.

Krauthaker, M and Connolly, R (2017) 'Gazing at Medusa: adaptation as phallocentric appropriation in 'Blue is the warmest color'.' European Comic Art, 10 (1). pp. 24-40.

Lundskaer-Nielsen, M (2017) 'Cameron Mackintosh: control, collaboration and the creative producer.' In: Gordon, R and Jubin, O, eds. The Oxford handbook of the British musical. Oxford University Press, Oxford, pp. 537-560. ISBN 9780199988747 Please click the title to check availability.

Lundskaer-Nielsen, M (2017) '“In this England, in these times” : redefining the British musical from 1970-present.' In: Everett, W.A and Laird, P.R, eds. The Cambridge companion to the musical. 3rd ed. Cambridge University Press, Cambridge, pp. 323-338. ISBN 9781107535299 Please click the title to check availability.