Browse by UoA

Dickinson, J (2020) 'Mechanical – magical: the shared creative vision of Harrison Birtwistle and Paul Klee.' In: Gartmann, T, ed. Von der Fuge in Rot bis zur Zwischermaschine: Klee und die Musik. Schwabe, Basel, pp. 123-139. ISBN 9783796542558 Please click the title to check availability.

Hyde, J (2020) 'The new analogue: media archaeology as creative practice in 21st century audiovisual art.' In: Knight-Hill, A, ed. Sound and image: aesthetics and practices. Routledge, Abingdon, pp. 188-205. ISBN 9780367271466 Please click the title to check availability.

Kampe, T and Batson, G (2020) 'Dancing critical somatics – an emancipatory education for the future?' In: David, A.R, Huxley, M and Whatley, S, eds. Dance fields: staking a claim for dance studies in the twenty-first century. Dance Books, Binsted, pp. 154-184. ISBN 9781852731816 Please click the title to check availability.

Purcell-Gates, L (2020) 'Spectacular bodies, unsettling objects: material performance as intervention in stereotypes of refugees.' In: Meerzon, Y, Dean, D and McNeil, D, eds. Migration and stereotypes in performance and culture. Palgrave Macmillan, Cham, pp. 39-55. ISBN 9783030399146

Regan, J (2020) 'Three pronged attack: the pincer movement of gender allies, tempered radicals and pioneers.' In: Hepworth-Sawyer, R, Hodgson, J, King, L and Marrington, M, eds. Gender in music production. Routledge, New York, NY, pp. 187-198. ISBN 9781138613362

McCormack, J (2020) 'Dancing diffraction: many bodies make light work in Sasha Milavic Davies and Lucy Railton's 'everything that rises must dance' (2018).' Performance Research, 25 (5). pp. 77-83.