Items where Subject is "ML Literature of music"

Karantonis, P and Robinson, D, eds. (2011) Opera indigene: re/presenting first nations and indigenous cultures. Ashgate, Farnham. ISBN 9780754669890

Bayley, A ORCID: https://orcid.org/0000-0002-2114-5917, ed. (2010) Recorded music: performance, culture and technology. Cambridge University Press, Cambridge. ISBN 9780521863094

Burgers, J.W.J, Crawford, T and Spring, M, eds. (2016) The lute in the Netherlands in the seventeenth century: proceedings of the International Lute Symposium, Utrecht, 30 August 2013. Cambridge Scholars Publishing, Cambridge, ix. ISBN 9781443890755

Bayley, A ORCID: 0000-0002-2114-5917 (2001) The Cambridge companion to Bartók. Cambridge Companions to Music . Cambridge University Press, Cambridge. ISBN 9780521669580

Heaton, R (2002) Performance and Xenakis's echange. Unknown Public. ISBN 9780954154806

Saunders, J (2009) The Ashgate research companion to experimental music. Ashgate, Aldershot. ISBN 9780754662822

Strange, S ORCID: 0000-0003-4055-3665 (2022) Blank canvas: art school creativity from punk to new wave. Intellect, Bristol. ISBN 9781789386318

Bayley, A ORCID: 0000-0002-2114-5917 (2018) 'Cross-cultural collaborations with the Kronos Quartet.' In: Clarke, E and Doffman, M, eds. Distributed creativity: collaboration and improvisation in contemporary music. Oxford University Press, New York, NY, pp. 93-113. ISBN 9780199355914

Bayley, A ORCID: 0000-0002-2114-5917 (2007) 'The nature of expressivity in Berio’s Sequenza VI for viola.' In: Halfyard, J, ed. Berio's Sequenzas: essays on performance, composition and analysis. Ashgate, Aldershot ; Burlington, VT, pp. 233-254. ISBN 9780754654452

Bayley, A ORCID: 0000-0002-2114-5917 and Clarke, M (2010) 'Analysing Michael Finnissy’s Second String Quartet: a multimedia interactive approach.' In: Utz, C, ed. Music theory and interdisciplinarity: 8th Congress of the Gesellschaft für Musiktheorie Graz 2008. Musik theorien der gegenwart (4). Pfau, Saarbrücken. ISBN 9783897274488

Bayley, A ORCID: 0000-0002-2114-5917 and Dutiro, C (2016) 'Developing dialogues in intercultural music-making.' In: Burnard, P, Mackinlay, E and Powell, K, eds. The Routledge international handbook of intercultural arts research. Routledge, Abingdon, pp. 391-403. ISBN 9781138909939

Burgers, J, Crawford, T and Spring, M (2016) 'Introduction: the lute in the Netherlands in the 17th century.' In: Burgers, J.W.J, Crawford, T and Spring, M, eds. The lute in the Netherlands in the seventeenth century: proceedings of the International Lute Symposium, Utrecht, 30 August 2013. Cambridge Scholars Publishing, Cambridge, ix. ISBN 9781443890755

Cheetham, D, Browning, D and Karantonis, P (2011) ''Pecan summer': the process of making new indigenous opera in Australia.' In: Karantonis, P and Robinson, D, eds. Opera indigene: re/presenting first nations and indigenous cultures. Ashgate, Farnham, pp. 325-336. ISBN 9780754669890

Heaton, R (1995) 'Die Darmstädter Interpretations-Studios [The Darmstadt Interpretation Studios].' In: Von Kranichstein zur gegenwart: festschrift 50 jahre Darmstädter Ferienkurse (1946-1996). Daco Verlag, Stuttgart, pp. 551-554. ISBN 3871350281

Heaton, R (2012) 'Instrumental performance in the twentieth century and beyond.' In: Lawson, C and Stowell, R, eds. The Cambridge history of musical performance. Cambridge University Press, Cambridge, pp. 778-797. ISBN 9780521896115

Heaton, R (2016) 'Reflections on consonance and dissonance: Christopher Fox's early works for clarinet.' In: Dodd, R, ed. Perspectives on the music of Christopher Fox: straight lines in broken times. Routledge, Abingdon, pp. 52-60. ISBN 9781472428240

Heaton, R (1995) 'The contemporary clarinet.' In: Lawson, C, ed. The Cambridge companion to the clarinet. Cambridge University Press, Cambridge, pp. 163-183. ISBN 9780521476683

Karantonis, P (2011) 'Performativity, mimesis and indigenous opera.' In: Karantonis, P and Robinson, D, eds. Opera indigene: re/presenting first nations and indigenous cultures. Ashgate, Farnham, pp. 73-91. ISBN 9780754669890

Karantonis, P and Robinson, D (2011) 'Introduction.' In: Karantonis, P and Robinson, D, eds. Opera indigene: re/presenting first nations and indigenous cultures. Ashgate, Farnham, pp. 1-14. ISBN 9780754669890

Keep, A (2009) 'Instrumentalizing: approaches to improvising with sounding objects in experimental music.' In: Saunders, J, ed. The Ashgate Research Companion to Experimental Music. Ashgate, Aldershot. ISBN 9780754662822

Saunders, J (2008) 'Confined spaces: a portrait of Bryn Harrison.' In: Huddersfield Contemporary Music Festival Programme Book. hcmf, Huddersfield.

Saunders, J (2009) 'Fourteen musicians.' In: Saunders, J, ed. The Ashgate Research Companion to Experimental Music. Ashgate Research Companions . Ashgate, Farnham and Burlington VT, pp. 221-368. ISBN 9780754662822

Saunders, J (2007) 'Modular structures in manufacturing and object art.' In: Waterman, A, ed. Agape. Miguel Abreu Gallery, New York, pp. 36-50.

Saunders, J (2010) 'Mutual effects: organization and interaction in the orchestral music of Christian Wolff.' In: Chase, S and Thomas, P, eds. Changing the System: The music of Christian Wolff. Ashgate, Farnham. ISBN 9780754666806

Saunders, J (2004) 'Rebecca Saunders.' In: 2004 Huddersfield Contemporary Music Festival Programme Book. hcmf, Huddersfield, p. 13.

Saunders, J (2009) ''Traces' and 'Rebecca Saunders'.' In: BBC Prom 56. BBC, London, pp. 3-5.

Saunders, J (2005) 'What are you doing with your music?' In: Blocks of consciousness and the unbroken continuum. Sound 323, London, pp. 254-263. ISBN 9780955154102

Saunders, J and Adlington, R (2009) 'Rebecca Saunders.' In: Grove Music Online. Oxford University Press, Oxford.

Saunders, J and Pace, I (2009) 'Christopher Fox.' In: Grove Music Online. Oxford University Press, Oxford.

Spring, M (2015) 'The Fleming Family’s dance school at Bath 1750-1800.' In: Segal, B and Tuck, W, eds. Ballroom, stage and village green:
 contexts for early dance. Early Dance Circle, Orcheston. ISBN 9870955353260

Spring, M (2016) '"A goose among swans": the connections and correspondence between Jacques Gaultier and Constantijn Huygens.' In: Burgers, J.W.J, Crawford, T and Spring, M, eds. The lute in the Netherlands in the seventeenth century: proceedings of the International Lute Symposium, Utrecht, 30 August 2013. Cambridge Scholars Publishing, Cambridge, pp. 120-141. ISBN 9781443890755

Spring, M (2016) 'The musical life of Bath, 1800-1850.' In: Temperley, N, ed. The musicians of Bath and beyond: Edward Loder (1809-1865) and his family. Boydell & Brewer, Martlesham, pp. 24-41. ISBN 9781783270781

Stakelum, M (2013) ''James Culwick', 'Victor Herbert', 'Kodály Method', 'Suzuki Method', 'Association of Irish Choirs', 'Culwick Choral Society' and 'St James Gate Choir'.' In: White, H and Boydell, B, eds. The encyclopaedia of music in Ireland. University College Dublin Press, Dublin. ISBN 9781906359782

Bayley, A ORCID: 0000-0002-2114-5917 (2000) 'Bartók's String Quartet No. 4/III: a new interpretative approach.' Music Analysis, 19 (3). pp. 353-382.

Bayley, A ORCID: 0000-0002-2114-5917 (2010) 'Enquête sur la genèse du Deuxième quatuor à cordes de Michael Finnissy.' Genesis: Revue Internationale de Critique Génétique, 31. pp. 37-54.

Herrema, R and Alarcón, X (2017) 'Pauline Oliveros: a shared resonance.' Organised Sound, 22 (1). pp. 7-10. Please click the title to check availability.

Hooper, E (2013) 'Somewhere a place for us: how intratextual music-association conveys characteral identity in "The Time of Our Singing" by Richard Powers.' Journal of Music and Meaning (JMM), 11.

Hooper, E (2014) 'Why are novelists obsessed with music?' Publishers Weekly, 261 (42). p. 28.

Saunders, J (2011) ''Zeit ist niemandes Eigentum'. Interview mit Beuger.' MusikTexte, 130. pp. 44-50.

Atkinson, N (2011) For those in peril: music, Melville and Charles Olson. In: Dominion, 10 January 2011, University of Plymouth, Plymouth, UK.

Bayley, A ORCID: 0000-0002-2114-5917 (2013) Discourses in the recording studio. In: Online Conference on Performance in the Studio. Convened by the (UK) AHRC-funded Research Network on Performance in the Studio (PitS), 29 April-5 May 2013.

Bayley, A ORCID: 0000-0002-2114-5917 (2007) Documenting the creative process: recordings as research tools. In: CHARM/RMA annual conference on Musicology and Recordings, 13-15 September 2007, University of London, London, UK.

Bayley, A ORCID: 0000-0002-2114-5917 (2009) Ethnographic research into string quartet rehearsal and performance. In: Twenty-fifth European Seminar in Ethnomusicology: Performance, 18-22 September 2009, Milton Keynes, UK.

Bayley, A ORCID: 0000-0002-2114-5917 (2011) Evolution and collaboration in string quartet composition, rehearsal and performance. In: Tracking the Creative Process in Music International Conference, 29 September - 1 October 2011, Communauté d'Universités et d'Etablissements Lille Nord de France, Lille, France.

Bayley, A ORCID: 0000-0002-2114-5917 (2009) Investigating the interpretative space between notation and performance. In: IAMS Symposium, Music: Notation and Sound, 5-10 July 2009, Amsterdam, The Netherlands.

Bayley, A ORCID: 0000-0002-2114-5917 (2012) Mapping a composer's intentions from composition to performance. In: New Music in Britain Conference, 10-12 May 2012, Canterbury Christ Church University, Canterbury, UK.

Bayley, A ORCID: 0000-0002-2114-5917 (2011) Rehearsal analysis of Finnissey's Third String Quartet. In: CMPCP Performance Studies Network International Conference, 14-17 July 2011, University of Cambridge, Cambridge, UK.

Bayley, A ORCID: 0000-0002-2114-5917 (2007) The relationship between notation and performance practice in Michael Finnissy’s Second String Quartet. In: Sixth European Music Analysis Conference on Interpretation, 11-14 October 2007, Hochschule für Musik and the Albert-Ludwigs-Universität, Freiburg, Germany.

Bayley, A ORCID: 0000-0002-2114-5917 and Clarke, M (2008) Interactive strategies for analysing music. In: Eighth Congress of the Gesellschaft für Musiktheorie (GMTH), Music Theory and Interdisciplinarity, 9-12 October 2008, University of Music and the Dramatic Arts, Graz, Austria.

Bayley, A ORCID: 0000-0002-2114-5917 and Clarke, M (2008) Interactive strategies for analysing musical structure. In: Fourth International Conference on Interdisciplinary Musicology, 2-6 July 2008, Aristotle University of Thessaloniki, Thessaloniki, Greece.

Bayley, A ORCID: 0000-0002-2114-5917 and Elverdam, B (2013) Rehearsal as creative process. In: CMPCP Performance Studies Network Second International Conference, 4-7 April 2013, University of Cambridge, Cambridge, UK.

Bayley, A ORCID: 0000-0002-2114-5917 and Heyde, N (2009) Interpreting indeterminancy: performing Lutosławski’s String Quartet. In: Polish Music Since 1945, 30 April - 2 May 2009, Canterbury Christ Church University, Canterbury, UK.

Bayley, A ORCID: 0000-0002-2114-5917 and Lizée, N (2013) Layers of creativity in composition, rehearsal and performance: Nicole Lizée and the Kronos Quartet. In: Tracking the Creative Process in Music Second International Conference, 10-13 October 2013, Université de Montréal, Montreal, Canada.

Bayley, A ORCID: 0000-0002-2114-5917 and Nooshin, L (2017) Whose difference? Whose 'multiculturalism'? In: British Forum for Ethnomusicology One-Day Conference: 'Listening to Difference' - Music and Multiculturalism, 21 October 2017, University of Cambridge, Cambridge, UK.

Hooper, E (2015) Music while you write. In: Bath Literature Festival, 27 February - 8 March, 2015, Bath, UK.

Hugill, A (2015) Boring formless nonsense: experimental music and the aesthetics of failure, by eldritch Priest [book review]. Tempo, 69 (271). pp. 98-99.

Hugill, A (2014) Théories de la composition musicale au xxe siècle (2 vols) edited by Nicolas Donin and Laurent Feneyrou [book review]. Tempo, 68 (270). pp. 105-107.

Spring, M (2012) Edition of the songs of Alonso Mudarra (1546).