Items where Division is "Bath School of Art, Film and Media" and Year is 2016

Dunseath, J and Wilsher, M, eds. (2016) Artist boss: Anthony Caro's studio assistants and issues of legacy in British sculpture. Wunderkammer Press, Bath. ISBN 9780993551109 Please click the title to check availability.

Hartley, A and Kovats, T, eds. (2016) Now here is land. Victorian Miro, London. ISBN 9780993179839

Feasey, R (2016) Mothers on mothers: maternal readings of popular television. Peter Lang. ISBN 9783034318266

Freeman, M (2016) Historicising transmedia storytelling: early twentieth-century transmedia story worlds. Routledge, London. ISBN 9781138217690

Freeman, M (2016) Industrial approaches to media: a methodological gateway to industry studies. Palgrave Macmillan, Basingstoke. ISBN 9781137551757

Pennie, M (2016) Adventures in Wiltshire. Artworth, Atworth. ISBN 099340460X

Robertson, M (2016) NOTES ONE - onos & nonos: an introduction to the book of onomasticons by dsh [designer]. South Street Publications, London.

Brown, A.R (2016) '“Girls like metal, too!”: female reader’s engagement with the masculinist culture of the tabloid metal magazine.' In: Heesch, F and Scott, N, eds. Heavy metal, gender and sexuality: interdisciplinary approaches. Routledge, Abingdon, pp. 163-181. ISBN 9781472424792

Brown, A.R (2016) 'Un(su)stained class? : figuring out the identity-politics of heavy metal’s class demographics.' In: Brown, A.R, Spracklen, K, Kahn-Harris, K and Scott, N.W.R, eds. Global metal music and culture: current directions in metal studies. Routledge, New York, NY, pp. 190-206. ISBN 9781138822382

Brown, A.R (2016) 'The ballad of heavy metal: re-thinking artistic and commercial strategies in the mainstreaming of metal and hard rock.' In: Walter, B.G, Riches, G, Snell, D and Bardine, B, eds. Heavy metal studies and popular culture. Palgrave Macmillan, Basingstoke, pp. 61-81. ISBN 9781137456670

Brown, A.R, Spracklen, K, Kahn-Harris, K and Scott, N.W.R (2016) 'Introduction: global metal music and culture and metal studies.' In: Brown, A.R, Spracklen, K, Kahn-Harris, K and Scott, N.W.R, eds. Global metal music and culture: current directions in metal studies. Routledge, New York, NY, pp. 1-21. ISBN 9781138822382

Dunseath, J and Wilsher, M (2016) 'Artist boss.' In: Dunseath, J and Wilsher, M, eds. Artist boss: Anthony Caro's studio assistants and issues of legacy in British sculpture. Wunderkammer Press, Bath, pp. 19-27. ISBN 9780993551109

Luzar, R (2016) 'Turning around the written mark, opening from a weight of thought.' In: Giunta, C and Janus, A, eds. Nancy and visual culture. Edinburgh University Press, Edinburgh, pp. 181-198. ISBN 9781474407496

Parry, B (2016) 'Beyond aesthetics: poetics of Autoconstruccion in Mexico City.' In: Kosmala, K and Imas, M, eds. Precarious spaces: the arts, social and organisational change. Intellect, Bristol, pp. 87-111. ISBN 9781783205936 Please click the title to check availability.

Parry, B (2016) 'Theses on urban art intervention.' In: Davis, T, ed. Changing metropolis III. Kobenhavns International Teater, Copenhagen, pp. 102-106. ISBN 9788799422920 Please click the title to check availability.

Parry, B and Wodiczko, K (2016) 'War veteran vehicle.' In: Wodiczko, K, ed. Transformative avant-garde and other writings. Black Dog Press, London, pp. 254-262. ISBN 9781910433270

Proctor, W and Freeman, M (2016) 'The first step into a smaller world: the transmedia economy of 'Star Wars'.' In: Wolf, M.J.P, ed. Revisiting imaginary worlds: a subcreation studies anthology. Routledge, pp. 223-245. ISBN 9781138942059

Freeman, M (2016) 'Intertexts, transtexts and paratexts: following the yellow brick roads of fin-de-siècle children’s fiction.' Kultura Popularna, 47 (1). pp. 4-15.

Freeman, M (2016) 'Small change - big difference: tracking the transmediality of Red Nose Day.' View: Journal of European Television History and Culture, 5 (10). pp. 87-96. Please click the title to check availability.

Ghosh, S (2016) 'In defiance of the State: the Nehru era and Satyajit Ray’s films.' South Asian Studies, 32 (2). pp. 144-154.

Lamont, B.R (2016) 'Editorial.' Doll Hospital Journal, 3.

Robertson, M (2016) 'Score 11.15_1' & 'Score 11.15_2.' Pocket Litter, May.

Steele, J (2016) 'Towards a ‘transnational regional’ cinema: the francophone Belgian case study.' Transnational Cinemas, 7 (1). pp. 50-66.

Tooby, M and Scott, T (2016) 'A journey with 'The waste land'.' Arts & Education (8). pp. 8-9.

White, R (2016) 'Social media trails, mapping and mashing memories at the Queen Elizabeth Olympic Park.' Livingmaps Review, 1 (1).

Brown, A.R (2016) Egg-head-banger? Critical reflections on a “career” in metal studies. In: Modern Heavy Metal Conference: Markets, Practices and Cultures, 30 June - 1 July 2016, Aalto University, Helsinki, Finland.

Brown, A.R (2016) Progressive metal? : re-evaluating classic, neo- and post-progressive metals and other (post-rock) alloys. In: Metal (&) Musicology, 12 March 2016, University of Hull, Hull, UK.

Brown, A.R (2016) A manifesto for metal studies: putting the politics of metal in its place. In: Metal Music Studies, ISSMS Conference: Metal & Politics, 9 June 2016, Bournemouth University, Bournemouth, UK.

Carderera, L, Bryan-Wilson, J, Flood, C, McBrinn, J, Wilson, C.J.R ORCID: 0000-0003-0084-2198 and Smith, M (2016) Queer craft…? In: Design Culture Salon 21, 20 May 2016, V&A, London, UK.

Dalwood, D (2016) Talk and Tour: Dexter Dalwood on Flat Surface Painting. In: Artist Talk Series, 10 March 2016, Spike Island, Bristol, UK.

Dalwood, D and McBride, E (2016) Can we keep making it new: Dexter Dalwood and Eimear McBride in conversation with Lara Feigel. In: Launch of the 2017 Ivan Juritz Prize, 16 November 2016, Edmund J Safra Lecture Theatre, King’s College London, UK.

Dutton, S (2016) Art, philosophy, writing and speech. In: International Conference on Artistic Research, 28 -29 April 2016, University of the Arts, The Hague, Netherlands.

Dutton, S and Morrad, A (2016) A work in process. In: Fine Art Research Network Symposium: Research Practice - Practice Research, 15 July 2016, University of Cumbria Institute of the Arts, Lancaster, UK.

Feasey, R (2016) Maternal readings of childbirth on screen. In: Televising Childbirth Seminar Series, 21 September 2016, University of Nottingham,.

Freeman, M (2016) Author-as-franchise-product: Edgar Rice Burroughs Inc. and Tarzan as historical transmedia entertainment. In: BAFTSS Annual Conference – British Association of Film, Television and Screen Studies, 14-16 April 2016, University of Reading, Reading, UK.

Freeman, M (2016) Crossing media, time and countries: understanding transmedia as contexts of cultural specificity. In: SCMS Annual Conference, 30 March - 3 April 2016, Hilton Atlanta, Atlanta, USA.

Freeman, M (2016) Promoting transmedia 'Star Wars': strategies of branding and un-branding a galaxy far, far away. In: SCMS Annual Conference, 30 March - 3 April 2016, Hilton Atlanta, Atlanta, USA.

Freeman, M (2016) "Real” transmedia: cultures and communities of multiplatform media in Colombia. In: Kick-Starting Media: Cultures of Funding in Contemporary Media Industries, 9 June 2016, Bath Spa University, Bath, UK.

Freeman, M (2016) Transmedia archaeologies in North and South America: "the clue to reconciliation in our country". In: Culture, Communication and Media Research Seminars, 30 November 2016, MediaCityUK, University of Salford, UK.

Hall, M, Harrison, K and Pheby, H (2016) Magz Hall and Keith Harrison in conversation with Helen Pheby. In: Jerwood Open Forest, 21 November 2016, Jerwood Space, London, UK.

Harman, W.H (2016) Ceramic bananas: looking at Taiwanese cultural identity. In: Bath Spa University Early Stage Researcher Conference: Ethics, 16 May 2017, Bath Spa University, Corsham, UK.

Harman, W.H (2016) Exploring Taiwanese cultural identity through contemporary ceramic practice. In: New Taipei City Yingge Ceramic Museum Artist Talks, 20 February 2016, New Taipei City Yingge Ceramic Museum, New Taipei, Taiwan.

Harman, W.H (2016) Taiwanese cultural identity: revelations through contemporary ceramic practice. In: Bath Royal Literary and Scientific Institution Lecture Series, 25 October 2016, BRLSI, Bath, UK.

Harrison, K (2016) Keith Harrison: artist talk. In: UWE/Art in the City Talks, 16 November 2016, Arnolfini, Bristol, UK.

Harrison, K (2016) Provocation. In: Museums, Artists, Audiences: New Expressions, 11 October 2016, The Horniman Museum, London, UK.

Kidd, N (2016) A case for digging: curious about care. In: Arts Public Lecture Series, 10 May 2016, University of Wolverhampton, Wolverhampton, UK.

Kidd, N and Addison, J (2016) By instruction: 'No Working Title'... Misunderstanding, misinterpretation, failure and disappointment. The unstable intersection between what is instructed and how it is interpreted. In: The Hidden Curriculum: Annual Symposium for Fine Art Educators, 22 January 2016, London Metropolitan University, London.

Kovats, T (2016) Introduction. In: The Resilience of Drawing Symposium, 11 May 2016, UAL Chelsea, London, UK.

Kovats, T, Hartley, A, Doherty, C and Bickerstaff, D (2016) Panel discussion. In: Now Here is Land, 1 December 2016, Victoria Miro Gallery, London, UK.

Lamont, B.R (2016) Beyond 'The bell jar': a mental health writing workshop. In: Bombay Literary Review World Tour, 13 August 2016, Waterstones, Cheltenham, UK.

Lamont, B.R (2016) Doll Hospital Journal: an introduction. In: Mentality, December 2016, Off The Record, Bristol, UK.

Lamont, B.R (2016) How has the digital landscape shifted our attitudes towards childhood sexual abuse survivors? In: Writing Gender and Self, 10 - 11 June 2016, Bath Spa University, UK.

Lamont, B.R (2016) Misogyny and memory: how has the figure of the survivor become ‘gendered’ in digital spaces? In: Gender and Digital Cultures, 17 November 2016, Cardiff University, UK.

Luzar, R (2016) Facing/Faceless. In: About Face Symposium, 21 January 2016, Hauser & Wirth Somerset, Bruton, UK.

Luzar, R (2016) How am I? Thinking ‘being’ through excess, exscription and saturated phenomena. In: Inter-Religious and Inter-Cultural Dialogue in a Pluralistic World: Philosophical and Theological Perspectives, 1 - 2 June 2016, Oviidius University, Constanta, Romania.

Luzar, R (2016) Objectless faith through inaesthetics. In: Knowledge, Reality, Transcendence: A Dialogue Between East & West, 31 October - 6 November 2016, Constanta, Sinaia, Vatra Dornei, Romania.

Morrad, A and Dutton, S (2016) Words fail me. In: Fine Art Research Network Symposium: Research Practice - Practice Research, 15 July 2016, University of Cumbria Institute of the Arts, Lancaster, UK.

Proctor, W and Freeman, M (2016) The first step into a smaller world: the transmedia economy of Disney's Star Wars. In: Fantasies of Contemporary Culture, 23 May 2016, Cardiff University, Cardiff.

Sharpe, W and Taylor, A (2016) Wendy Sharpe in conversation with Anita Taylor. In: Drawing Discussions Series, 3 June 2016, Drawing Projects UK, Trowbridge, UK.

Sowden, T, Mason, D and Rintoul, J (2016) Make and think: the tacit knowledge of practice. In: UWE Bristol Talks, 24th November 2016, Arnolfini.

Tweed, C (2016) Artist's talk: Charlie Tweed. In: LifeSpace Science Art Research Gallery Artist Talks Series, 30 September 2016, LifeSpace Science Art Research Gallery, Dundee, UK.

Tweed, C (2016) Oporavak. In: Cold Bodies, Warm Machines: Art, Technology and the Posthuman, 9 - 11 September 2016, NRW-Forum, Düsseldorf, Germany.

Tweed, C (2016) The signal and the noise. In: Silent Signal Symposium, 26 February 2016, College of Arts, University of Derby, UK.

Tweed, C (2016) The signal and the rock. In: STRATA: Art and Science Collaborations in the Anthropocene, 15 January 2016, Aberystwyth Arts Centre, Aberystwyth, Wales.

White, R (2016) Artists and archives, re-patriating memory, generating resonances. In: Discovering Collections, Discovering Communities, 10 - 12 October 2016, The Lowry, Manchester, UK.

White, R (2016) Forced Walks: Honouring Esther… an instant case study. In: Shuffle Festival: Movement Migration and Place, 24 July - 1 August 2015, London, UK.

White, R (2016) Only the disenchanted are free: social hiking, mapping and the academy. In: RGS-IBG Annual International Conference, 30 August - 2 September 2016, Royal Geographical Society, London, UK.

White, R (2016) Social media and walking: heritage, performance and participation. In: Public Engagement and Performance Conference, 18 - 19 March 2016, York, UK.

White, R (2016) Walking out on enchantment: walking, social media and human rights. In: Landscaping Change, 29 - 31 March 2016, Bath Spa University, Bath, UK.

White, R (2016) utopia:dystopia in conversation. In: Bath Fringe Festival, 28 May 2016, Bath School of Art and Design, Bath Spa University, Bath, UK.

Galpin, P (2016) Ceramics and the haptic - a case study sited in Worcester Cathedral. PhD thesis, Bath Spa University. doi: 10.17870/bathspa.00009454

Massoumi, N (2016) Home in the frame: diasporic, domestic ethnography in documentary film practice. PhD thesis, University of Bristol.

Wilson, C.J.R ORCID: 0000-0003-0084-2198 (2016) Writing_Making: object as body, language and material. PhD thesis, Royal College of Art.

Farrar, R (2016) Women in adventure. Factory Media.

Robertson, M (2016) Vincey Presents: Everything was Singing… Everything [album cover design], Rubber Records, Australia.

Robertson, M and Saville, P (2016) Joy Division: Unknown Pleasures [Christmas card] Oxfam, UK.

Robertson, M and Saville, P (2016) Multicolour TM [product range], Tate Modern, UK.

Turk, G (2016) Egg balance.

Bonnell, M (2016) Imaginary Worlds [group exhibition]. Oriel Davies Gallery, Newtown, Wales, 22 October 2016 - 25 February 2017.

Brooks, J (2016) Geometra. Monika Bobinska/Canal Projects, London, UK, 14 January - 6 February 2016.

Brooks, J (2016) Saturate. In: DR/OP, Komyoji-Kaikan, Hiroshima, Japan, 3 - 22 May 2016.

Brooks, J (2016) The archivist. Galerie Laurent Mueller, Paris, France, 14 June - 16 July 2016.

Brooks, J (2016) The missing: rebuilding the past [group exhibition]. Jessica Carlisle Gallery, London, UK, 15 April - 7 May 2016.

Clarke, R and Fillingham, P (2016) DRIVE THRU [curators]. QPark, Cavendish Square, London, UK, 6 - 9 October 2016.

Dalwood, D (2016) Deluge (2006) & Bay of Pigs (2004) & Brian Jones’ swimming pool (2000) & Grosvenor Square (2002) & Kurt Cobain’s greenhouse (2000). In: Painters' Painters, Saatchi Gallery, London, UK, 30 November 2016 - 28 February 2017. ISBN 9781909413092

Dalwood, D (2016) A & E (2013) & Jack Straws Castle (2013) & Roundhouse (2014). In: The Painting Show, Contemporary Art Centre, Vilnius, Lithuania, 22 January - 13 March 2016. ISBN 9780863557798

Dalwood, D (2016) Expérience sonore [group exhibition]. Musée d’Art moderne, Troyes, France, 21 May - 21 August 2016.

Dalwood, D (2016) Half moon street (2012). In: Mon Art à Moi, Musée d’Art Moderne de Troyes, Troyes, France, 21 May - 28 August 2016.

Dalwood, D (2016) Ian Curtis (2001). In: Happy Ending, FRAC Champagne-Ardenne, Reims, France, 22 January - 24 April 2016.

Dalwood, D (2016) Ian Curtis (2001). In: Expérience Sonore, Musée d’Art Moderne de Troyes, Troyes, France, 21 May - 28 August 2016.

Dalwood, D (2016) Marie-Henri Beyle (2013) & Mao’s study (remix) (2015). In: Fragmentos A Su Imán, Galeria Horrach Moyà, Palma de Majorca, Spain, 9 December 2016 - 9 March 2017.

Dalwood, D (2016) Propaganda Painting. Simon Lee Gallery, Hong Kong, China, 22 March – 14 May 2016.

Dunseath, J (2016) Artist Boss at Bath Spa [curator]. Bath School of Art & Design, Bath Spa University, Bath, UK, 6 December 2016 - 20 January 2017.

Dunseath, J (2016) Artist Boss: Pool [curator and exhibitor]. The Cut, Halesworth, UK, 3 September - 6 October 2016.

Dunseath, J and Wilsher, M (2016) Artist Boss: Anthony Caro [curators]. New Art Centre, Salisbury, UK, 19 November 2016 - 29 January 2017.

Dutton, S and Bracey, A (2016) Trans-Art Triennial [curators]. Uferstudios, Berlin, Germany, 5 - 7 August 2016.

Harman, W.H (2016) 30th Gold Coast International Ceramic Art Award [group exhibition]. The Arts Centre, Gold Coast, Australia, 27 August - 23 October 2016.

Harman, W.H (2016) Floating Writing. Bath Spa University Library, Bath, UK, 18 March - 15 April 2016.

Harman, W.H (2016) The Human Condition [group exhibition]. MADL, Taipei, Taiwan, 20 February - 4 March 2-16.

Harman, W.H (2016) ICMEA 2016 Emerging Artists Competition [group exhibition]. International Ceramic Art Museums, Fuping, China, 26 October 2016 - 26 October 2017.

Harman, W.H (2016) The Language of Ceramics. New Taipei City Yingge Ceramic Museum, New Taipei, Taiwan, 20 February - 15 March 2016.

Harris, H (2016) Inland. Sion Hill Gallery, Bath Spa University, Bath, UK, 28 February - 8 March 2016.

Harrison, K (2016) The Greater Taipei Biennial of Contemporary Arts: Dé-coïncidence [group exhibition]. National Taiwan University of Art, New Taipei, Taiwan, 7 November 2016 - 14 January 2017.

Harrison, K (2016) Heavy Rock | Mould. In: Material Language: New Work in Clay, New Art Centre, Salisbury, UK, 14 May - 24 July 2016.

Harrison, K (2016) Joyride. In: Jerwood Open Forest, Jerwood Space, London, UK, 2 November - 11 December 2016.

Hong, Y (2016) Drawing flowers. In: Making is Thinking is Making: La Nouva Arte Coreana - XXI La Triennale di Milano, Milan, Italy, 2 April - 12 September 2016.

Hong, Y (2016) A Fire That Never Dies. Cecilia Hillstrom Gallery, Stockholm, Sweden, 14 January - 20 February 2016.

Kidd, N (2016) The Greater Taipei Biennial of Contemporary Arts: Dé-coïncidence [group exhibition]. National Taiwan University of Art, New Taipei, Taiwan, 7 November 2016 - 14 January 2017.

Kidd, N (2016) Overfill. In: Oriel Davies Open: Painting, Oriel Davies, Newtown, Wales, 16 April - 15 June 2016.

Kovats, T (2016) All the sea [2012] & All the islands of all the seas [2016]. In: Land, Sea and Air, The New Art Gallery Walsall, UK, 27 May - 4 September 2016.

Kovats, T (2016) Reef 1 & Reef 2 [2014]. In: Venice Biennale: Vita Vitale, Azerbaijan Pavilion, Venice, Italy, 9 May - 22 November 2015.

Lalic, M (2016) History painting 2 cave. Yellow earth (1995) & History painting 8 Egyptian. Orpiment (1995) & History painting 14 Greek. Massicot (1995) & History painting 17 Italian. Naples. Yellow (1995) & History painting 35 C18/19th. Cadmium yellow (1995) & History Painting 42 C20th. Winsor yellow (1995). In: The Start Display, Tate Modern, London, UK, 13 June 2016 - ongoing.

Lalic, M (2016) History painting. Red (2016) & French red vermilion landscape painting (2016) & Scheveningen red deep landscape painting (2016). In: Fifty Shades of Red, Galerie Renate Bender, Munich, Germany, 13 May - 2 July 2016.

Lalic, M (2016) Lead triptych (1987) & Lead fall – lead red (1994) & Lead fall – chrome green deep (1994) & Yellow violet opposite painting (1993). In: Soft Alchemy, FoxJensen Gallery, Auckland, New Zealand, 26 October - 11 November 2016.

Lamont, B.R (2016) Visual Activism [group exhibition]. In: NEFELE Festival: 1st European Art Festival for Mental Health, Bouzianis Museum, Athens, Greece, 1 - 16 October 2016.

Lamont, B.R (2016) We Are What We Archive [group exhibition]. Inference Archive, New York City, NY, USA, 29 September 2016 - 15 January 2017.

Luzar, R (2016) Demonstrations. Skelf SITE [online], 1 October - 3 November 2016.

Luzar, R (2016) Re-tracing post, stance, paper. In: Draw to Perform 3, OCAD University, Toronto, Canada, 10 February 2016.

Luzar, R (2016) Screened page & Posts retraced. In: Line, Point, Plane: Minimalism in Architectural Space, Nunnery Gallery, London, UK, 20 – 25 September 2016.

Luzar, R (2016) Screened page / screened window. In: Drawing Upon Experience, Basement Gallery, Bath Spa University, Corsham, UK, 16 May - 23 July 2016.

Neudecker, M (2016) After life. In: Documenting the World's Vanishing Glaciers, Scheilmünde Pilot Island, Germany, 23 July 2016.

Neudecker, M (2016) Some Things Happen All At Once. Zeppelin Museum, Friedrichshafen, Germany, 29 January - 3 April 2016.

Neudecker, M (2016) Tempest [group exhibition]. Tasmanian Museum & Art Gallery, Hobart, Tasmania, Australia, 10 June - 20 November 2016.

Snell, R (2016) Stalker (2005). In: Norwich Contemporary Arts Society Sixty Years On: Treasures from the Castle's Collection, Norwich Castle Museum, Norwich, UK, 26 September 2016 - March 17.

Sowden, T (2016) Pagination: the Book as Object [group exhibition]. The University Gallery, University of Newcastle, Australia, 30 March - 30 April 2016.

Sowden, T (2016) Shelfware [group exhibition]. Line Gallery, Stroud, UK, 5 - 27 August 2016.

Taylor, A (2016) Drawings - Anita Taylor. Drawing Projects UK, Trowbridge, UK, 3 December 2016 - 27 January 2017.

Taylor, A (2016) Jerwood Drawing Prize 2016. The Edge, Bath, UK, 4 November - 17 December 2016.

Taylor, A (2016) Reservation. In: Century: 100 Modern British Artists, Jerwood Gallery, Hastings, UK, 23 October 2016 - 8 January 2017.

Turk, G (2016) Ajar (2011). In: Sculpture in the City, Square Mile, London, UK, 1 June 2016 - 1 June 2017.

Turk, G (2016) GT. Jablonka Maruani Mercier Gallery, Knokke, Belgium, 6 August - 15 September 2016.

Turk, G (2016) Gav (Library Bar). Bruchium - Al Forno, Venice, Italy, 7 May - 22 November 2015.

Turk, G (2016) Nomad (2003). In: Found, The Foundling Museum, London, UK, 27 May - 4 September 2016.

Turk, G (2016) Nomad (black) (2006). In: In a Dream You Saw a Way to Survive and You Were Full of Joy, Whitworth Art Gallery, Manchester, UK, 10 June - 30 October 2016.

Turk, G (2016) One twenty five (2013). In: NEON: The Charged Line, Grundy Art Gallery, Blackpool, UK, 1 September 2016 - 7 January 2017.

Turk, G (2016) Oscar (1999). In: Surrealism and Beyond, Von Bartha Collection, Basel, Switzerland, 21 April - 19 June 2016.

Turk, G (2016) Petroleum. The Baldwin Gallery, Aspen, USA, 12 February - 12 March 2016.

Turk, G (2016) Pink Che (2005). In: Bread and Roses: Artists and the Class Divide, Museum of Modern Art, Warsaw, Poland, 9 February - 1 May 2016.

Turk, G (2016) Pop up (2000). In: Punk: Its Traces in Contemporary Art, MACBA Museu d´Art Contemporani de Barcelona, Barcelona, Spain, 13 May - 25 September 2016.

Turk, G (2016) Water biscuit (2010). In: The Box, Pippy Houldsworth Gallery, London, UK, 22 January - 13 February 2016.

Turk, G (2016) Who What When Where How and Why. Newport Street Gallery, London, UK, 23 November 2016 – 19 March 2017.

Turk, G (2016) Yellow fright wig (2014). In: The Legacy of Andy Warhol, Artipelag, Stockholm, Sweden, 14 April - 25 September 2016.

Turk, G (2016) The shining (2007). In: Daydreaming with Stanley Kubrick, Somerset House, London, UK, 6 July - 24 August 2016.

Tweed, C (2016) Archimeters (2011). In: Selected VI, Centre for Contemporary Arts, Glasgow, UK, 25 May 2016.

Tweed, C (2016) Archimeters (2011). In: Both Sides Now 3: Screenings in East Asia, Woolloomooloo, Taipei, 19 August - 9 December 2016.

Tweed, C (2016) The signal and the noise. In: Silent Signal, Quad, Derby, UK, 6 February - 6 March 2016 and 18 March - 23 April 2016.

White, R (2016) Find Another Bath [group exhibition]. 44AD Gallery, Bath, UK, 15 - 20 November 2016.

Wilson, C (2016) Wallpaper fragment & Inscription in arsenic green (after David) & Les Invalides. In: Poison - An Anti-Visual Strategy (Rock Room Project), UCL Rock Room, UCL, London, 11 -13 May 2016.

Wilson, C (2016) Wands & Rabbits. In: Beep 2016: This must be the place I never wanted to leave, Swansea College of Art, Swansea, Wales (then touring), 6 August - 3 September 2016.

Wood, J and Harrison, P (2016) 100 falls (2013) & One more kilometre (2009). In: A Laborious Dedication to Useless Tasks, The Deptford Project, London, UK, 26 - 27 November 2016.

Wood, J and Harrison, P (2016) Erdkunde (2015). In: Looking at One Thing and Thinking of Something Else - Part One: Dialogues with Art History, Carroll/Fletcher Gallery, London, UK, 11 November 2016 – 25 February 2017.

Wood, J and Harrison, P (2016) I Didn't Know I Didn't Know It. The Contemporary Art Gallery, Vancouver, Canada, 12 February - 24 April 2016.

Wood, J and Harrison, P (2016) Night and day (2008). In: Ascents: Light Art Festival, Stuttgart, Germany, 17 September - 9 October 2016.

Wood, J and Harrison, P (2016) Some Things Were Recorded 1993-1998. Carroll/Fletcher, London, UK, 9 September- 29 October 2016.

Hong, Y (2016) Let us dance. In: South Korea Guest of Honour at Art Paris Art Fair, Grand Palais, Paris, France, 3 - 5 March 2016.

Luzar, R (2016) Four steps for lighting balls and chords. In: Draw to Perform 3, Crows Nest Gallery, London, UK, 30 - 31 July 2016.

Luzar, R and Gagliardi, F (2016) Two seen, one un-seeing. In: Duration and Dialogue: Performance Art Festival/Symposium, Katzman Contemporary, Toronto, Canada, 29 - 31 January 2016.

Robertson, M (2016) BRtoBA. In: The Enemies Project: The South West Poetry Tour, Bath Royal Literary & Scientific Institution, Bath, UK, 6 August 2016.

Robertson, M (2016) Residuuum. In: Vocal Vertebra BCN, Universidad Pompeu Fabra, Barcelona, Spain, 5 October 2016.

Robertson, M and Fontaine, G (2016) Score 11.15. In: Vocal Vertebra #2 : an Evening of Sound Poetry Performances, Goldsmiths, University of London, UK, 12 May 2016.

White, R (2016) Bath’s last legal slave-owners: a short walk in Bath in the Pulteney Estate. Bath, UK, 26 October 2016.

White, R (2016) Walking not drowning. 44AD Gallery, Bath, UK, 1 June 2016.

Levy, C (2016) Some Will Forget.

Tweed, C (2016) The signal and the noise.

Dunseath, J (2016) Artist Boss [website].

Farrar, R (2016) Shextreme Film Festival [organiser].

Feasey, R (2016) 'Masculinity in contemporary quality television' and 'Contemporary masculinities in fiction, film and television [book review]. Critical Studies in Television: The International Journal of Television Studies, 11 (3). pp. 385-387.

Feasey, R (2016) Maternal readings of motherhood on television: a Birthlight summary [blog post]. MaMSIE.

Kovats, T (2016) Nowhereisland postcards.

Robertson, M (2016) The Magic Flute [online learning resource], English National Opera, UK.