Items where Division is "Bath School of Art, Film and Media" and Year is 2017

Addison, J and Kidd, N (2017) 'Live resource.' In: Turvey, L, Walton, A and Daly, E, eds. In site of conversation. Tate London Learning, London, pp. 67-145. ISBN 9781849764735

Addison, J and Kidd, N (2017) No working title. In: Tate Modern Workshops, 27 January 2017, Tate Modern, London, UK.

Allen, D (2017) Open Plan [group exhibition]. 44 Locksbrook Road (Herman Miller), Bath, UK, 10 - 30 June 2017.

Arbugaeva, E and Neudecker, M (2017) Traces of the Future: Archaeology of Modern Science in Africa. Nunnery Gallery, London, UK, 28 January - 27 March 2017.

Bonnell, M (2017) Solo exhibition. SG Gallery, Venice, Italy, 2017.

Brown, A.R (2017) Metal music studies: head bangin’ in the academy. In: Research Day: Media Convergence Research Centre, 13 September 2017, Bath Spa University, Bath, UK.

Brown, A.R (2017) Songs in the key of depression, suicide and death: how metal musicians sustained a dialogue of community with their fans in a period of moral panic about heavy metal music, 1984-1991. In: 3rd ISMMS Biennial International Conference - Boundaries and Ties: The Place of Metal Music in Communities, 9 - 11 June 2017, University of Victoria, Victoria, Canada.

Brown, A.R (2017) Who invented heavy metal? [book review]. Metal Music Studies, 3 (3). pp. 465-481.

Clark, D (2017) The neo-monument : monuments of dissent and their emergence in western culture in the late 20th and early 21st century. PhD thesis, Bath Spa University. doi: 10.17870/bathspa.00010426

Clarke, R (2017) Performance of the record player orchestra. In: Roja Art Lab, Roja Cultural Centre, Roja, Latvia, 22 July 2017.

Dalwood, D (2017) Age of Terror: Art Since 9/11 [group exhibition]. Imperial War Museum, London, UK, 26 October 2017 - 28 May 2018.

Dalwood, D (2017) The Critic as Artist [group exhibition]. Reading Museum, Reading, UK, 7 October 2017 - 28 January 2018.

Dalwood, D (2017) Ein Brief: New Paintings by Dexter Dalwood. Galerie Hubert Winter, Vienna, Austria, 15 September – 14 October 2017.

Dalwood, D (2017) Ian Curtis (2001). In: True Faith, Manchester Art Gallery, Manchester, UK, 30 June - 3 September 2017. ISBN 9780901673954

Dalwood, D (2017) In the pines - slight return [group exhibition]. In: David Risley Gallery, Bispevej 29 2400, Copenhagen, Denmark, 24 May - 30 June 2017.

Dalwood, D (2017) Look Me in the Eye Sister [group exhibition]. Galeria Leyendecker, Tenerife, Spain, 2 August - 8 September 2017.

Dalwood, D (2017) Melancholia - a Sebald Variation [group exhibition]. KCL, London, UK, 21 September - 10 December 2017.

Dalwood, D (2017) Michael Andrews, London [exhibition review]. The Burlington Magazine, 1369 (159). pp. 330-331.

Dalwood, D (2017) Oscar Wilde (2003). In: Bacon to Doig: Modern Masterpieces from a Private Collection, National Museum, Cardiff, Wales, 18 February 2017 – 31 January 2018.

Dalwood, D (2017) Plattform presents: Dexter Dalwood. In: Artist Talk Series, 14 March 2017, Bergen Kunsthall, University of Bergen, Norway.

Dalwood, D (2017) Second set (2016). In: New Pleasure, Simon Lee Gallery, New York, NY, USA, 1 November - 23 December 2017.

Dalwood, D (2017) What is the history in contemporary history painting? In: Professorial Lecture Series 2016-17, 29 March 2017, Bath Spa University, Bath, UK.

Dodd, P, McCarthy, T, Scott, S, Glaser, D and Dalwood, D (2017) Free thinking - Rauschenberg - performance, identity and the writings of Erving Goffman.

Dunseath, J (2017) Anthony Caro and his studio assistants. In: Norfolk Contemporary Art Society Events, 12 January 2017, The Forum, Norwich, UK.

Dunseath, J (2017) Pasta real. In: Work Work, Tintype Gallery, London, UK, 2 November - 2 December 2017.

Dunseath, J (2017) SWAP AD HOC [group exhibition]. Castor Projects, London, UK, 31 March - 29 September 2017.

Dunseath, J (2017) What is a studio and how do we use one? In: What Is A Studio And How Do We Use One? A One Day Symposium In Conjunction With Inventory Of Behaviours, 6 February 2017, blip blip blip, East Street Arts Patrick Studios, Leeds, UK.

Dunseath, J and Dawson, I (2017) Generation Z depth:‘exploring sculpture and technology’. In: New Art Centre Workshops, 17 January 2017, Roche Court, Salisbury, UK.

Dutton, S (2017) Only Numbers Count.

Dutton, S (2017) Studio behaviour. In: Mind.Language.Matter, St Marys House, Norwich, UK, 23 - 28 July 2017.

Dutton, S and Bracey, A (2017) Towards the midpoint. In: International Conference on Artistic Research - Please Specify! Sharing Artistic Research Across Disciplines, 28 - 29 April 2017, Theatre Academy, Helsinki, Finland.

Dutton, S and Morrad, A (2017) Performance arcade. In: Performing, Writing, Matiu Island, Wellington, New Zealand, 10 - 19 March 2017.

Dutton, S, Morrad, A and Bracey, A (2017) Aphantasia – an 8 Hour Shift. GallerySpace, London, UK, 10 August 2017.

Farrar, R (2017) Audio postcards: from Bristol to Brooklyn [website].

Farrar, R (2017) Strong.

Farrar, R (2017) The secret ingredient for sustainable growth in public engagement. In: Engage 2017, 6 - 7 December 2017, Arnolfini, Bristol, UK.

Farrar, R (2017) The sound of snow.

Farrar, R, Heywood, B and Telling, L (2017) Utilising technology to unlock the past. In: The Asian Conference on Arts and Humanities, 30 March - 2 April 2017, Art Center, Kobe, Japan.

Feasey, R (2017) 'Good, bad or just good enough: representations of motherhood and the maternal role on the small screen.' Studies in the Maternal, 9 (1). p. 5.

Feasey, R (2017) 'Masculinit(ies) and the male celebrity feminist.' Men and Masculinities, 20 (3). pp. 283-293.

Feasey, R (2017) 'SheZow: costume changes and gender non-conformity.' In: Reinhard, C.D and Olson, C.J, eds. Heroes, heroines, and everything in between: challenging gender and sexuality stereotypes in children's entertainment media. Lexington, Lanham, MD.

Feasey, R (2017) 'Television and the absent mother: why girls and young women struggle to find the maternal role.' In: Åström, B, ed. The absent mother in the cultural imagination: missing, presumed dead. Palgrave Macmillan. ISBN 9783319490366 doi: 10.1007/978-3-319-49037-3_14

Feasey, R (2017) 'The hierarchy of celebrity childbirth stories.' Celebrity Studies, 8 (2). pp. 278-293.

Freeman, M (2017) 'From sequel to quasi-novelization: 'Splinter of the mind’s eye' and the 1970s culture of transmedia contingency.' In: Guynes, S and Hassler-Forest, D, eds. Star Wars and the history of transmedia storytelling. Amsterdam University Press, Amsterdam, pp. 61-72. ISBN 9789462986213

Freeman, M (2017) 'Funding and management in the media convergence era: introduction.' International Journal on Media Management, 19 (2). pp. 103-107.

Freeman, M (2017) 'Interactive and participatory worlds.' In: Wolf, M. J. P, ed. The Routledge companion to imaginary worlds. Routledge, New York, pp. 198-206. ISBN 9781138638914

Freeman, M (2017) Re-building transmedia Star Wars: strategies of branding and un-branding a galaxy far, far away. In: Transmedia UK: Sector by Sector, 24 November 2017, Bath Spa University, UK.

Freeman, M (2017) Searching for the...ethos?: Re-thinking the migration of audiences across multiple media. In: Transmedia Earth Conference, 11-13 October 2017, Medellín, Colombia.

Freeman, M (2017) 'A world of Disney: building a transmedia storyworld for Mickey and his friends.' In: Boni, M, ed. World building: transmedia, fans, industries. Amsterdam University Press, Amsterdam, pp. 93-108. ISBN 9789089647566

Freeman, M and Proctor, W (2017) 'Up all night: the shifting roles of home media formats as transmedia storytelling.' In: Wroot, J and Willis, A, eds. DVD, Blu-ray and beyond: navigating formats and platforms within media consumption. Palgrave Macmillan, Cham, pp. 159-176. ISBN 9783319627571

Freeman, M and Taylor-Ashfield, C (2017) '“I read comics from a feministic point of view”: conceptualizing the transmedia ethos of the Captain Marvel fan community.' The Journal of Fandom Studies, 5 (3). pp. 317-335.

Freeman, M and Tweed, C (2017) Transmedia UK: sector by sector. In: One-Day Academic-Industry Workshop, 24 November 2017, Bath Spa University, Corsham, UK.

Ghosh, S (2017) New Indian cinema in post independence India: the cultural work of Shyam Benegal’s films [book review]. South Asian History and Culture, 8 (3). pp. 382-384. Please click the title to check availability.

Harman, W.H (2017) Bath Society of Artists: 112th Exhibition [group exhibition]. Victoria Art Gallery, Bath, UK, 20 May - 15 July 2017.

Harman, W.H (2017) The Button Project [group exhibition]. Tenby Museum and Art Gallery, Tenby, Wales, 12 April - 14 August 2017.

Harman, W.H (2017) Cultural homelessness. In: Cause and Complexity, The Island Gallery Space, Bristol, UK, 20 - 24 February 2017.

Harman, W.H (2017) Happy to have Earth 地球. In: Pay & Display Prize 2017, Centrespace, Bristol, UK, 4 – 15 February 2017.

Harman, W.H (2017) In-Between. Workers Gallery, Porth, Wales, 25 May - 10 June 2017.

Harman, W.H (2017) Research impact in relation to my ceramic art practice. In: Bath Spa University Early Stage Researcher Conference: Impact, 8 June 2017, Bath Spa University, Corsham, UK.

Harrison, K (2017) Interactive & performative ceramics in the public realm. In: Ceramic Values: Can Ceramics make a difference? Ceramics and its Dimensions Congress, 5 -6 October 2017, Potteries Museum and Art Gallery, Stoke-on-Trent, UK.

Harrison, K (2017) Joyride: a Jerwood Open Forest Commission. Cannock Chase Forest, Cannock, UK, 30 September 2017.

Harrison, K (2017) Keith Harrison. In: RCA Arts & Humanities Talks, 15 November 2017, Royal College of Art, London, UK.

Harrison, K (2017) Knowledge is power: 6 towns. In: British Ceramics Biennial, Stoke-on-Trent Central Library, Stoke-on-Trent, UK, September - November 2017.

Hong, Y (2017) 5100: Pentagon. In: Block Universe, Royal Academy of Arts, London, UK, 4 June 2017.

Hong, Y (2017) Echoes. In: Venice Agendas 2017: The Contract, Campo Santa Margherita, Venice, Italy (and touring), 10 -12 May 2017.

Hong, Y (2017) The Moon's Trick. Korean Cultural Centre, London, UK, 21 November - 29 December 2017.

Hong, Y (2017) Rethinking craft: between studio craft and contemporary art [group exhibition]. Seoul Museum of Art, Seoul, South Korea, 6 June - 24 September 2017.

Jackson, R (2017) Demanding time: artists' still motion films exploring locations and environments. PhD thesis, Bath Spa University.

Kidd, N (2017) Three screen prints. In: Work Work, Tintype Gallery, London, UK, 2 November - 2 December 2017.

Kovats, T (2017) All the canals. In: 2017 Venice Biennale Associated Event: Command-Alternative-Escape, Spazio Thetis Gardens, Venice, Italy, 6 - 13 May 2017.

Kovats, T (2017) All the canals [2017] & All the islands of all the seas [2016]. In: From A Distance, Pippy Houldsworth Gallery, London, UK, 8 June - 1 September 2017.

Kovats, T (2017) BLEACHED. C4DI Exhibition Space and The Deep, Hull, UK, 29 July – 17 September 2017.

Kovats, T (2017) Dirty water: London's low tide.

Kovats, T (2017) Drawing water: drawing as a mechanism for exploration. In: History of Art Public Lecture Series, 31 January 2017, University of Hull, UK.

Kovats, T (2017) EXE: conversation between floods.

Kovats, T (2017) Where seas meet (North: Baltic, Tasman: Pacific and Bengal: Indian: Arabian) [2013-14]. In: Offshore: Artists Explore the Sea, Ferens Art Gallery, Hull, UK, 1 April - 28 August 2017.

Lalic, M (2017) After Image. Galerie Renate Bender, Munich, Germany, 10 March - 13 May 2017.

Lalic, M (2017) English green landscape painting (2007) & Dutch brown landscape painting (2016) & French ochre landscape painting (2016) & French red vermilion landscape painting (2016). In: The Order of Things, The Wilson, Cheltenham Art Gallery & Museum, Cheltenham, UK, 28 January - 5 March 2017.

Lamont, B.R (2017) 'Editorial.' Doll Hospital Journal, 4.

Lamont, B.R (2017) Sad Girl Cinema. In: Scottish Queer International Film Festival, 27 September - 1 October 2017, CCA Theatre, Glasgow, UK.

Lamont, B.R (2017) Sick! Living with Invisible Illness [group exhibition]. Sun Pier House, Kent, UK, 5 - 27 July 2017.

Lamont, B.R (2017) Typography and trauma: conversations on Doll Hospital Journal. In: Writefest, 6 - 12 March 2017, Houston, TX, USA.

Lamont, B.R (2017) 'Women in body horror.' Token Magazine, 2.

Lamont, B.R, IGGYLDN, _, Daisy, H, Frances, L and Langdon, S (2017) Is mental health political? A panel discussion. In: Arts Students' Union Mental Wellbeing Events Series, 19 January 2017, London College of Fashion, UK.

Luzar, R (2017) 'Rethinking the graphic trace in performative drawing.' Theatre and Performance Design, 3 (1-2). pp. 50-67.

Luzar, R (2017) Untitled & A-lighting steps, balls and chords. In: Gesture, Trace, Performance, Herbert Read Gallery, London, UK, 18 November - 15 December 2017.

Massoumi, N (2017) 'Domestic ethnography, diaspora and memory in 'Baba 1989'.' In: Harper, B and Price, H, eds. Domestic imaginaries: navigating the home in global literary and visual cultures. Springer, Cham, pp. 169-190. ISBN 9783319664897

McLaren, G (2017) 'National identity and the problem of style in the post-war British ceramic industry.' In: Livingstone, A and Petrie, K, eds. The ceramics reader. Bloomsbury, London, pp. 466-474. ISBN 9781472584427

McLaren, G and Rose, K (2017) ‘The ornament of Bristol and the wonder of the age’: Brunel’s Clifton Suspension Bridge and a regional design heritage. In: BRIDGE: The Heritage of Connecting Places and Cultures, 6 -10 July 2017, Coalbrookdale Museum of Iron, Coalbrookdale, UK.

Medjesi-Jones, A (2017) Dispenser (2016) & Please stand up (2016). In: Painting & Structure, The Kennington Residency, London, UK, 9 - 24 February 2017.

Medjesi-Jones, A (2017) ExRoma IV [group exhibition]. APT Gallery, London, UK, 23 February - 5 March 2017.

Medjesi-Jones, A (2017) Factory Floor. ACME Studios, London, UK, 30 June - 15 July 2017.

Medjesi-Jones, A (2017) Notes on Painting [group exhibition]. The Koppel Project Hive, London, UK, 23 November 2017 - 12 January 2018.

Medjesi-Jones, A (2017) PinkPaintingMachine. In: Make_Shift, Collyer Bristow Gallery, London, UK, 13 October 2017 - 13 February 2018.

Neudecker, M (2017) Gravity prevents the atmosphere from drifting into outer space (2011). In: I Lost My Heart to a Starship Trooper, Griffin Gallery, London, UK, 12 January – 24 February 2017.

Neudecker, M (2017) Hull: 'another city of culture’. In: Professorial Lecture Series, 3 May 2017, Bath Spa University, Bath, UK.

Nicolson, S (2017) From the Corner of My Eye. Black Swan Arts, Frome, UK, 11 February - 11 March 2017.

Parry, B (2017) 'The Climate Games: space, politics and resistance at the COP21 Paris.' In: Luger, J and Ren, J, eds. Art and the city: worlding the discussion through a critical artscape. Routledge, Abingdon, pp. 147-167. ISBN 9781138346437 Please click the title to check availability.

Parry, B and Ivett, L (2017) Riverside solidarity. In: Architects Journal Small Projects Exhibition, Fielden Clegg Bradley Studios, London, UK, 29 March - 6 April 2017.

Pennie, M and Cassidy, F (2017) Drawings of Different Sizes. Drawing Projects UK, Trowbridge, UK, 13 May - 10 June 2017.

Penrhyn Jones, S (2017) TIMELINE.

Robertson, M (2017) DRAWN [designer]. Wunderkammer Press, Bath. ISBN 9780993551130

Robertson, M (2017) Dave Graney, Clare Moore, Malcolm Ross… [poster], Cockaigne Records, Australia.

Robertson, M (2017) Eventure playground [book review]. Eye: The International Review of Graphic Design, 93 (24).

Robertson, M (2017) [In]voices [2013] & Directory [2015]. In: Making Beyond Words: Intersections Between Text, Image and Display, Bath Spa University, Corsham, UK, 16 -17 June 2017.

Robertson, M (2017) Making Beyond Words [programme designer]. In: Making Beyond Words – Intersections between Text, Image, Display: Celebrating 50 Years of Concrete Poetry, Bath Spa University, Corsham, UK, 16 - 17 June 2017.

Robertson, M (2017) New Order Presents Be Music [album cover design], Factory Benelux, UK.

Robertson, M (2017) Session chair. In: Making Beyond Words – Intersections between Text, Image, Display: Celebrating 50 Years of Concrete Poetry, 16 - 17 June 2017, Bath Spa University, Corsham, UK.

Robertson, M (2017) The Tall Grass: Down the Unmarked Road [album cover design], The Tall Grass, Australia.

Robertson, M (2017) 'Transcript' & '73.' Pocket Litter, Dec.

Robertson, M (2017) Underground Lovers: Staring At You Staring At Me [album cover design], Rubber Records, Australia.

Robertson, M (2017) A place in words: twenty-five years of creative writing at Bath Spa University [designer]. Bath Spa University, Bath. ISBN 9781527207332

Sanders, H (2017) Imagined Space Fake Views! Sion Hill Gallery, Bath, UK, 14 - 21 March 2017.

Slater, C and Harrison, K (2017) requiem:c40.

Snell, R (2017) Exhale (1998) & Exiles II (2000). In: Twelve at Number Twenty, No 20, London, UK, 1 February – 12 March 2017.

Sowden, T (2017) Panacea. In: Redesigning the Medieval Book, University of Oxford, Oxford, UK, 1 December 2017 - 11 March 2018.

Sowden, T (2017) Panacea.

Sowden, T, Mason, D and Partington, M (2017) Interrogating the unspoken. In: Research Through Design, 21 - 24 March 2017, National Museum of Scotland, Edinburgh, UK.

Steele, J (2017) 'Cross-border collaboration: sub-national film policies and cultural frameworks in Belgium and France.' In: Mingant, N and Tirtaine, C, eds. Reconceptualising film policies. Routledge, New York, pp. 168-182. ISBN 9781138729308

Strange, S ORCID: 0000-0003-4055-3665 (2017) 'What lessons can higher popular music education learn from art school pedagogy?' In: Merrill, J, ed. Popular music studies today. Springer, Wiesbaden, pp. 271-280. ISBN 9783658177393

Taylor, A (2017) DRAWN. Customs House Gallery, South Shields, UK, 18 August – 12 November 2017.

Taylor, A (2017) DRAWN. Wunderkammer Press, Bath. ISBN 9780993551130

Taylor, A (2017) Elisa Alaluusua - Sketchbooks: An Obsession [curator]. Drawing Projects UK, Trowbridge, UK, 3 February - 4 March 2017.

Taylor, A (2017) Flood story: Gerry Davis [curator and exhibition catalogue author]. Drawing Projects UK, Trowbridge, UK, 4 March - 1 April 2017. ISBN 97818622033

Tooby, M (2017) 'When forms become attitude: a consideration of the adoption by an artist of ceramic display as narrative device and symbolic landscape.' In: Petrie, K and Livingstone, A, eds. The ceramics reader. Bloomsbury, London, pp. 517-522. ISBN 9781472584427

Turk, G (2017) Death of Marat [1998]. In: Proof of Life, Weserburg Museum of Modern Art, Bremen, Germany, 20 May 2017 - 25 February 2018.

Turk, G (2017) GAVGIUVAG/URKVIKGAV [2011]. In: The Book of the Word, Helsinki Contemporary, Helsinki, Finland, 9 June - 2 July 2017.

Turk, G (2017) Gavin Turk's studio. In: Inside Out, Here East, London, UK, 29 - 30 July 2017.

Turk, G (2017) Give In. Ben Brown Fine Arts, London, UK, 9 February - 7 April 2017.

Turk, G (2017) History of Art. Mimmo Scognamiglio Artecontemporanea, Milan, Italy, 23 November 2017 - 10 February 2018.

Turk, G (2017) In a Dream You Saw a Way to Survive and You Were Full of Joy [group exhibition]. De La Warr Pavilion, Bexhill On Sea, UK, 28 January - 30 April 2017.

Turk, G (2017) Large transit disaster (blue, copper & ochre) (2013). In: I Lost My Heart to a Starship Trooper, Griffin Gallery, London, UK, 12 January – 24 February 2017.

Turk, G (2017) Poor Art : Arte Povera [group exhibition]. Estorick Collection of Modern Italian Art, London, UK, 20 September - 17 December 2017.

Turk, G (2017) Rhetorical loaf [2003]. In: Doublethink: Double Vision, Pera Museum, Istanbul, Turkey, 25 May - 6 August 2017.

Turk, G (2017) Rosy Lee [2008-2013]. In: Collection, The Metropole Hotel / Gervasuti Foundation, Venice, Italy, 10 May - 2 July 2017.

Turk, G (2017) Transubstantiation. Skip Gallery, London, UK, 16 - 23 November 2017.

Turk, G (2017) Turkish Tulips [curator]. Museum Van Loon, Amsterdam, Netherlands, 3 March - 28 May 2017.

Turk, G and Wolf, J (2017) Cracks in Reality: Gavin Turk / Jens Wolf. Marta Herford GmbH, Herford, Germany, 2 April - 2 July 2017.

Turner, M.J (2017) The view: gendered views of observation through the creative practice and installation of photographic and moving image. PhD thesis, Bath Spa University. doi: 10.17870/bathspa.00009485

Turner, P, Levy, C, White, R, Tweed, C and Wilkins, S (2017) We make stuff: film and social context. In: We Make Stuff, 27 March 2017, Holbourne Museum, Bath, UK.

Tweed, C (2017) Grain.

Tweed, C (2017) Oporavak. In: WRO 2017 Biennale: Draft Systems, WRO Art Center, Wroclaw, Poland, 17 - 21 May 2017.

Tweed, C (2017) Soon we will become output. Stanley Picker Gallery, London, UK, 13 - 20 December 2017. ISBN 9781527217836

Whistler, D (2017) Rex: Dreams Between Wars.

White, R (2017) Bath anti-mapper: a co-creation tactic. In: First International Co-Creation Conference, University of Bath, Bath, UK, 14 - 15 September 2017.

White, R (2017) Crying at the bus stop. In: REMORA: Contextualising Creative Research at Bath Spa, 23 February 2017, Bath Spa University, Corsham, UK. Please click the title to check availability.

White, R (2017) Enchantment and dissonance: walking in England’s green and pleasant land. In: Art and the Environment in Britain: 1700 to Today, 2 - 3 March 2017, Université Rennes 2, Rennes, France.

White, R (2017) Perambulism: moved earth, sweet water. In: Bodily Undoing: Somatic Activism and Performance Cultures as Practices of Critique, 16-17 September 2017, Bath Spa University, UK.

White, R (2017) Sweet Waters: sense-ing legacies of slave-ownership in Bath and along the River Avon. In: Festival of Nature, Bath, UK, 8 - 25 June 2017.

White, R (2017) Walking as epistemology: the map is not the territory. In: Elastic Spaces Third International Symposium 2017, 11 - 13 October 2017, Bath Spa University, UK. Please click the title to check availability.

White, R (2017) Walking boots. In: Research Now: 'Objects of Research’, 4 May 2017, Bath Royal Literary and Scientific Institution, Bath, UK. Please click the title to check availability.

White, R (2017) Workhouse Walks. Bath, UK, 31 May - 20 September 2017.

White, R (2017) An invitation to walk. In: Protestival, 14 May 2017, Bath, UK. Please click the title to check availability.

White, R and Boehm, J.D (2017) Sweet Waters: Soundings. Saltford Brass Mill, Saltford, UK, 21 October 1017.

White, R and Brunstein, L (2017) Forced Walks: Honouring Esther - Closing Exhibition. 44AD Gallery, Bath, UK, 26 - 29 January 2017.

Wilson, C (2017) Applying studio ceramic practice to constructions of meaning in relation to the banal mug, utilizing the Shepton Collection as a creative tool. PhD thesis, Bath Spa University.

Wilson, C.J.R ORCID: 0000-0003-0084-2198 (2017) A Game of JUG.

Wilson, C.J.R ORCID: 0000-0003-0084-2198 (2017) Krug | Cruche | Jarra | Jug (2017). In: Pour Me, Devon Guild of Craftsmen, Bovey Tracey, UK, 18 March - 7 May 2017.

Wilson, C.J.R ORCID: 0000-0003-0084-2198 (2017) Writing making | making writing: retaking the side of things. In: PAC Home Talk Series, 13 December 2017, Plymouth Arts Centre, Plymouth, UK.

Wilson, C.J.R ORCID: 0000-0003-0084-2198 (2017) A game of jug. In: Making Beyond Words – Intersections between Text, Image, Display: Celebrating 50 Years of Concrete Poetry, Bath Spa University, Corsham, UK, 16 - 17 June 2017.

Wilson, C.J.R ORCID: 0000-0003-0084-2198 (2017) nadadanada. In: Making Beyond Words – Intersections between Text, Image, Display: Celebrating 50 Years of Concrete Poetry, 16 - 17 June 2017, Bath Spa University, Corsham, UK.

Wood, J and Harrison, P (2017) 10 × 10 (2011) & Tall buildings (2011). In: Jeu et Diversion: Festival d'Art Contemporain - 9th Edition, Art Souterrain, Montreal, Canada, 4 - 26 March 2017.

Wood, J and Harrison, P (2017) As Logical as Possible. Kunstverein, Arnsberg, Germany, 17 – 25 February 2017.

Wood, J and Harrison, P (2017) Board (1993). In: The Order of Things, The Wilson, Cheltenham Art Gallery & Museum, Cheltenham, UK, 28 January - 5 March 2017.

Wood, J and Harrison, P (2017) Board (1993) + others. In: Body Media II, Power Station of Art, Shanghai, China, 29 April - 30 July 2017.

Wood, J and Harrison, P (2017) Boat (1991) & Board (1993) & 3 Legged (1997) & Device (1996). In: Do Not Disturb, Palais de Tokyo, Paris, France, 21 - 23 April 2017.

Wood, J and Harrison, P (2017) Device (1996) & Six boxes (1997). In: [Re]construct: An Arts Council Collection National Partners Exhibition, Yorkshire Sculpture Park, Wakefield, UK, 1 April - 25 June 2017.

Wood, J and Harrison, P (2017) An Eyeful of Wry: Government Art Collection [group exhibition]. Brynmor Jones Library Gallery at the University of Hull, Hull, UK, 20 October - 26 November 2017.

Wood, J and Harrison, P (2017) Other Plans. Galeria Vera Cortês, Lisbon, Portugal, 27 January – 11 March 2017.

Wood, J and Harrison, P (2017) Semi automatic painting machine (2014). In: Looking at One Thing and Thinking of Something Else - Part Four: Disrupt / Disorder / Display, Carroll/Fletcher Gallery, London, UK, 17 March - 29 April 2017.

Wood, J and Harrison, P (2017) Six boxes (1997). In: Why Can't Minimal, The Rooms, St. John's, NL, Canada, 14 January - 9 April 2017.

Wood, J and Harrison, P (2017) Unrealistic mountaineers (2012). In: First Star, Last Snowflake, Villa du Parc, Annemasse, France, 1 April - 10 June 2017.

Wood, J and Harrison, P (2017) Westkunst - Ostkunst: a Selection from the Collection [group exhibition]. Ludwig Museum, Budapest, Hungary, 1 August 2017 - 31 December 2018.

Wood, J, Harrison, P and De Wachter, E.M (2017) 'John Wood and Paul Harrison.' In: De Wachter, E.M, ed. Co-art: artists on creative collaboration. Phaidon, New York, NY, pp. 70-77. ISBN 9780714872889