Items where Subject is "ND Painting"

Arscott, C, Pettitt, C, Newland, C, Hume, N and Chapman, A (2016) Victorians Decoded: Art & Telegraphy [curators]. The Guildhall Art Gallery, London, UK, 19 September 2016 - 22 January 2017. ISBN 9871907485053

Clarke, R (2015) Silent Movies [group exhibition]. Q PARK, Level -3, Cavendish Square, London, 16-18 October 2015.

Clarke, R and Fillingham, P (2016) DRIVE THRU [curators]. QPark, Cavendish Square, London, UK, 6 - 9 October 2016.

Cologne-Brookes, G (2011) Gavin Cologne-Brookes: paintings 1995-2011. In: Gavin Cologne-Brookes: paintings 1995-2011, Corsham Court, 19 March-18 April 2011.

Crosby, C, Hartley, G, Medjesi-Jones, A, Ryan, D and Turner, A (2015) Panel discussion. In: At the Point of Gesture, 23 January - 11 February 2015, Wimbledon College of Art, London, UK.

Crumplin, C (1994) Chance choice and irony : an exhibition. John Hansard Gallery, 26 April - 11 June 1994. ISBN 0854325115

Crumplin, C (1997) Colin Crumplin paintings 1990-1997. Todd Gallery, London & John Hansard Gallery, Southampton, 20 March - 26 April 1997 & 08 April - 24 May 1997. ISBN 0854326278

Crumplin, C (2000) Colin Crumplin paintings 1997-2000. Evelyn De Beir Gallery, Sint-Genesius-Rode, Belgium, 2000. ISBN 0951300237X

Crumplin, C (2005) Colin Crumplin: paintings 1995-2005. Six Chapel Row, Bath, 2005.

Crumplin, C (2014) Into and out of abstraction. Lubomirov-Easton, London, 26 April - 21 June 2014.

Crumplin, C (2004) Mostyn 2004 : the Mostyn open exhibition. Oriel Mostyn, Llundudno, 20 March - 15 May 2004. ISBN 0906860547

Crumplin, C and Dalwood, D (1996) Remaking reality. Kettle's Yard Gallery, Cambridge, 16 November 1996 - 5 January 1997. ISBN 090707460X

Dalwood, D (2013) Artist talk: Dexter Dalwood. In: Artist Talk Series, 27 February 2013, Arnolfini Gallery, Bristol, UK.

Dalwood, D (2012) De Gaulle's Moment (2003). In: Le Serment de Résistance, Charles de Gaulle Memorial in Colombey-les-Deux-Eglises, France, 7 September - 30 December 2012.

Dalwood, D (2004) Dexter Dalwood. Gagosian Gallery, New York, NY, 24 June - 31 July 2004. ISBN 1932598022

Dalwood, D (2013) Dexter Dalwood in New Cross. In: Contemporary Art Talks, 13 March 2013, Goldsmiths College, London, UK.

Dalwood, D (2018) Dexter Dalwood in conversation with Rebecca Newell. In: Age of Terror: Art Since 9/11 Exhibition, 1 May 2018, Imperial War Museum, London, UK.

Dalwood, D (2012) Dexter Dalwood in conversation with William Feaver. In: Artist Lecture Series, 8 May 2012, Royal Drawing School, London, UK.

Dalwood, D (2000) Dexter Dalwood: new paintings. Gagosian Gallery, London, 12 October - 18 November 2000. ISBN 1880154447

Dalwood, D (2002) Dexter Dalwood: new paintings. Gagosian Gallery, Beverly Hills, CA, 16 February -16 March 2002. ISBN 1880154668

Dalwood, D (2006) Dexter Dalwood: recent history. Gagosian Gallery, London, 14 December 2006 - 02 February 2007. ISBN 9781932598391

Dalwood, D (2016) Expérience sonore [group exhibition]. Musée d’Art moderne, Troyes, France, 21 May - 21 August 2016.

Dalwood, D (2018) Greek bailout (2015) & Marie-Henri Beyle (2013). In: A Murmur of History, De Leon Gallery, Bath, UK, 30 April - 10 June 2018.

Dalwood, D (2017) In the pines - slight return [group exhibition]. In: David Risley Gallery, Bispevej 29 2400, Copenhagen, Denmark, 24 May - 30 June 2017.

Dalwood, D (2014) London Paintings. Simon Lee Gallery, London, 18 November 2014-24 January 2015.

Dalwood, D (2013) Master class: Dexter Dalwood. In: Artist Lecture Series, 2 February 2013, Zabludowicz Collection, London, UK.

Dalwood, D (2017) Oscar Wilde (2003). In: Bacon to Doig: Modern Masterpieces from a Private Collection, National Museum, Cardiff, Wales, 18 February 2017 – 31 January 2018.

Dalwood, D (2017) Plattform presents: Dexter Dalwood. In: Artist Talk Series, 14 March 2017, Bergen Kunsthall, University of Bergen, Norway.

Dalwood, D (2013) Situationist Apartment May ‘68 (2001). In: Setting the Scene, Tate Modern, London, UK, May 2012 - March 2013.

Dalwood, D (2016) Talk and Tour: Dexter Dalwood on Flat Surface Painting. In: Artist Talk Series, 10 March 2016, Spike Island, Bristol, UK.

Dalwood, D (2015) Washington Crossing the Delaware (2013). In: Painting about Painting, Simmons and Simmons, London, UK, September 2014 - March 2015.

Dalwood, D (2019) What is Really Happening. Simon Lee Gallery, London, 1 March - 30 March 2019.

Dalwood, D (2019) What is really happening. Dostoyevsky Wannabe / Simon Lee Gallery, London. ISBN 978199996562

Dalwood, D (2019) 'What is the history in contemporary history painting?' In: Phillips, M.S and Bear, J, eds. What was history painting and what is it now? McGill-Queens University Press, Montreal, Canada, pp. 204-214. ISBN 9780773558960

Dalwood, D (2013) The camera always lies: painting people in British post-war art. In: Holburne Contemporaries, 14 November 2013, The Holburne Museum, Bath.

Dalwood, D and McBride, E (2016) Can we keep making it new: Dexter Dalwood and Eimear McBride in conversation with Lara Feigel. In: Launch of the 2017 Ivan Juritz Prize, 16 November 2016, Edmund J Safra Lecture Theatre, King’s College London, UK.

Dickinson, J (2016) Distortions of space and time in Harrison Birtwistle’s Carmen Arcadiae Mechanicae Perpetuum (1977). In: Music, Art and Philosophy in Dialogue, 20 - 21 May 2016, Paul Klee Centre & University of Bern, Switzerland.

Dickinson, J (2015) Pastorale-mechanical: imagined landscapes, between determinate systems and poetic fantasy. In: INTIME Symposium : Landscapes and Environments: Experimentation and Transformation in Sound and Music, 24 -25 October 2015, Coventry University, UK.

Dodd, P, McCarthy, T, Scott, S, Glaser, D and Dalwood, D (2017) Free thinking - Rauschenberg - performance, identity and the writings of Erving Goffman.

Dunseath, J (2015) About making. In: Artist's Talk, 15 September 2015, Spike Island, Bristol, UK.

Dunseath, J (2017) Pasta real. In: Work Work, Tintype Gallery, London, UK, 2 November - 2 December 2017.

Dunseath, J (2017) SWAP AD HOC [group exhibition]. Castor Projects, London, UK, 31 March - 29 September 2017.

Dunseath, J (2017) What is a studio and how do we use one? In: What Is A Studio And How Do We Use One? A One Day Symposium In Conjunction With Inventory Of Behaviours, 6 February 2017, blip blip blip, East Street Arts Patrick Studios, Leeds, UK.

Dutton, S, Xu, A, Liu, C, Xu, F, Xiaohong, Z and Hongtao, Z (2019) A Share of a Future [curators]. China University of Mining and Technology, Beijing, China, 9 March - 30 April 2019. Please click the title to check availability.

Gifford, T (2016) 'John Ruskin, John Muir and the Anthropocene: modern painters IV and studies in the Sierra.' In: Hutchings, K and Miller, J, eds. Transatlantic literary ecologies: nature and culture in the nineteenth-century anglophone Atlantic world. Routledge, London, pp. 136-149. ISBN 9781472450203

Gifford, T (2010) New D.H. Lawrence [book review]. Green Letters: Studies in Ecocriticism, 13 (1). pp. 110-112.

Goodman, H (2013) 'The "green-eyed monster": jealousy and erotic monomania in 'He Knew He Was Right' and 'The Forsyte Saga'.' In: Goodman, H, Russo, B.V and Zózimo, J, eds. Beyond these walls: confronting madness in society, literature and art. Inter-Disciplinary Press, Oxford, pp. 81-92. ISBN 9781848882034

Hadley, T and Nichols, T (2002) 'James, Ruskin and Tintoretto.' The Henry James Review, 23 (3). pp. 294-303.

Hong, Y (2017) The Moon's Trick. Korean Cultural Centre, London, UK, 21 November - 29 December 2017.

Kidd, N (2015) Curious about care. In: Painting in Time Symposium, 4 July 2015, The Tetley, Leeds.

Kidd, N (2010) Inflate (detail). In: (detail), Transion Gallery, London, 20 September-12 October 2014.

Kidd, N (2014) Inflate automated. In: Test Run, Modern Art Oxford, Oxford, 2 May - 8 June 2014.

Kidd, N (2015) Overfill. In: Painting in Time, The Tetley, Leeds, 3 April - 5 July 2015.

Kidd, N (2016) Overfill. In: Oriel Davies Open: Painting, Oriel Davies, Newtown, Wales, 16 April - 15 June 2016.

Kidd, N (2017) Three screen prints. In: Work Work, Tintype Gallery, London, UK, 2 November - 2 December 2017.

Kidd, N (2016) A case for digging: curious about care. In: Arts Public Lecture Series, 10 May 2016, University of Wolverhampton, Wolverhampton, UK.

Kidd, N (2014) A little patch of yellow wall [group exhibition]. The Lion and Lamb, Hoxton, London, 25 April - 17 May 2014.

Lalic, M (1997) Maria Lalic: the lead fall paintings. Jensen Gallery, Wellington. ISBN 0473047454

Lalic, M (2013) The material of colour. The colour of material. In: The Materiality of Paint and Paintings (‘Jour Fixe’ series), 7 March 2013, Academy of Fine Art, Munich.

Luzar, R (2016) Screened page & Posts retraced. In: Line, Point, Plane: Minimalism in Architectural Space, Nunnery Gallery, London, UK, 20 – 25 September 2016.

Luzar, R (2016) Screened page / screened window. In: Drawing Upon Experience, Basement Gallery, Bath Spa University, Corsham, UK, 16 May - 23 July 2016.

Medjesi-Jones, A (2015) At the Point of Gesture... [group exhibition]. Wimbledon College of Art, London, UK, 23 January - 11 February 2015.

Medjesi-Jones, A (2015) Bride. In: Slide, Turps Gallery, London, UK, 12 June - 4 July 2015.

Medjesi-Jones, A (2018) Destroyed by Shadows [group exhibition]. Cornerstone Gallery, Liverpool Hope University, Liverpool, UK, 28 February - 12 April 2018.

Medjesi-Jones, A (2009) Exiled lines. Ruskin Gallery, Cambridge, 05 - 12 November 2009.

Medjesi-Jones, A (2017) Factory Floor. ACME Studios, London, UK, 30 June - 15 July 2017.

Medjesi-Jones, A (2006) John Moores 24. Walker Art Gallery, Liverpool, 16 September - 26 November 2006. ISBN 1902700309

Medjesi-Jones, A (2003) New British painting. John Hansard Gallery, Southampton, 17 February 2004 - 07 April 2004. ISBN 0854328033

Medjesi-Jones, A (2017) Notes on Painting [group exhibition]. The Koppel Project Hive, London, UK, 23 November 2017 - 12 January 2018.

Medjesi-Jones, A (2017) PinkPaintingMachine. In: Make_Shift, Collyer Bristow Gallery, London, UK, 13 October 2017 - 13 February 2018.

Medjesi-Jones, A (2008) Saturnalia. In: Jerwood contemporary painters 2008, Jerwood Space, London, 9 April – 18 May 2008.

Medjesi-Jones, A (2012) What will the community think? BSU Gallery, Bath School of Art and Design & CASS Gallery, London Metropolitan University, 23 October 2012 - 14 November 2012 & 11 January - 02 February 2013.

Medjesi-Jones, A (2015) 'The absence of myth.' In: Günther Herbst: the absence of myth. AOP Gallery, Johannesburg, South Africa, pp. 3-7. ISBN 9780620663885

Slade, C (1998) 'Find the poles in "Blue poles".' Analytic Teaching, 17 (2). pp. 49-56.

Snell, R (2007) Art 2008. In: London Art Fair 2008, Business Design Centre, London, 16th - 20th January 2008.

Snell, R (1998) Art 98. In: London Art Fair, Business Design Centre.

Snell, R (2008) The Berwick Gymnasium fellowships: an archival record. English Heritage / Art Editions North, London. ISBN 9780955747816

Snell, R (2003) Everyday is like Sunday. Vertigo Gallery, London, 2004. ISBN 1903771110

Snell, R (2005) Frankfurt Art Fair, 2005. .

Snell, R (2002) Highly charged. In: Landscape now..., Paton Gallery, London, 2002.

Snell, R (1997) Rosie Snell. King of Hearts Gallery, Norwich., 4 September - 4 October 1997.

Snell, R (2016) Stalker (2005). In: Norwich Contemporary Arts Society Sixty Years On: Treasures from the Castle's Collection, Norwich Castle Museum, Norwich, UK, 26 September 2016 - March 17.

Snell, R (1997) The lie of the land. Paton Gallery, London, 19 September - 19 October 1997.

Snell, R (1997) The promised land. Bond Gallery, Birmingham, 23 August - 12 September 1997.

Snell, R, Fountain, J and Baraitser, A (2013) Human traces on the urban landscape (group exhibition). Stour Space, London, 3 May – 3 June 2013.

Steadman, M, Bowes, V and Kelly, C (2016) Borderland exhibition. 44AD Gallery, Bath, UK, 26 - 30 January 2016.

Taylor, A (2013) Aerial (2013) and Preparations (2013). In: Great and Small: An Exploration of the Way Artists Work on a Large Scale and in More Concentrated Formats, Peter Pinson Gallery, Waterloo, Australia, 28 May - 15 June 2013.

Taylor, A (1989) Anita Taylor: paintings. Berkeley Square Gallery, London, 26 September - 14 October 1989.

Taylor, A (2007) 'Whose story? The struggle of memory against forgetting: facts, fictions, journeys and histories, in storytelling through painting.' Garageland: Art, Culture and Ideas (4).

Tooby, M (2015) Another side of Stanley Royle. In: Lunchtime Talk Series, 29 April 2015, Graves Art Gallery, Sheffield, UK.

Tooby, M (2015) 'Do not call it fixity.' In: James Hugonin: binary rhythm: paintings 2010-2015. Ingleby Gallery, Edinburgh, pp. 7-37. ISBN 9780993155130

Tooby, M (2012) 'Look closely.' In: Kurt Jackson: A New Genre of Landscape Painting. Lund Humphries. ISBN 9781848221024

Tooby, M (2010) 'Rachel Nicholson: critical view.' In: Wilkinson, A, ed. Rachel Nicholson. Sansom & Company, Bristol. ISBN 9781906593469

Tooby, M (2013) 'Simplicity and subject.' In: William Scott: simplicity and subject. Bath & North East Somerset Council, Bath, pp. 14-23.

Tooby, M (2001) 'Towards a study of Terry Setch.' In: Tooby, M and Holman, M, eds. Terry Setch: a retrospective. Howard Gardens Gallery, pp. 9-33. ISBN 9780951577790

Tooby, M (2003) 'Trevor Bell.' In: Trevor Bell: a British painter in America. Florida State University Museum of Fine Arts. ISBN 9781889282145

Tooby, M (2005) Trevor Bell: Heatscape, the Florida six, Still: the new paintings. Russell-Cotes Art Gallery & Museum, Bournemouth. ISBN 9780905173757

Tooby, M (1998) 'The same subject: sources and origins.' In: Glennie, S, ed. William Scott: paintings and drawings. Merrell Publishers Ltd.

Tooby, M and Feary, J (1999) Colour in space: Patrick Heron: public projects. Tate Gallery St Ives, St Ives. ISBN 9781854372970

Turk, G (2014) A. Ben Brown Gallery, Hong Kong, China, 13 September - 15 November 2014.

Turk, G (2014) Liqueur D'Expédition. Christian Larsen, Stockholm, Sweden, 21 August - 28 September 2014.

Turk, G (2014) Pense Bête. LARM Galleri, Copenhagen, Denmark, 11 April - 17 May 2014.

Turk, G (2014) Vestige. Fondation Frances, Senlis, France, 7 February - 17 May 2014.

Vyner, T (2014) Tim Vyner: an experience of life on Mount Athos. Mount Athos Center, Thessaloniki, Greece. ISBN 9786188086142

Withers, R (2016) Line, Point and Plane: Minimalism in Architectural Space [ exhibition essay]. Please click the title to check availability.

Withers, R (2015) 'Why talk to artists?' In: Jones, N.J and Liotchev, I, eds. COLLABORATE! JKL Books, London.

Withers, R (2015) 'A matter of life and death.' In: Neudecker, M, Lambert, S and McClean, V, eds. Plastic vanitas: Mariele Neudecker. text + work, Bournemouth, pp. 22-28. ISBN 9780901196675 Please click the title to check availability.

Wood, J and Harrison, P (2023) Not a painting kind of painting. In: John Moores Painting Prize, Walker Art Gallery, Liverpool, UK, 16 September 2023 - 25 February 2024.

Wood, J and Harrison, P (2020) Square buildings (2019). In: Group Show, Galeria Vera Cortês, Lisbon, Portugal, 2 July - 23 September 2020.