Items where Author is "Gates, L"

Gates, L ORCID: 0000-0002-9632-2391 (2025) 'Notes on a material dramaturgy.' In: Posner, D.N, Orenstein, C and Mello, A, eds. Making meaning in puppetry: materials, practice, perception. Routledge, Abingdon, pp. 32-41. ISBN 9781032458120

Gates, L ORCID: 0000-0002-9632-2391 (2024) 'Yūrei and puppetry in Japanese ghost stories: (mis)perception and ambiguous bodies in kaidan.' In: Orenstein, C and Cusack, T, eds. Puppet and spirit: ritual, religion, and performing objects. Volume II Contemporary branchings: secular benedictions, activated energies, uncanny faiths. Routledge, Abingdon, pp. 155-166. ISBN 9780367713799

Gates, L ORCID: 0000-0002-9632-2391 (2024) 'Staging corpses: reanimating medical history through puppetry.' In: Bouchard, G and Mermikides, A, eds. The Routledge companion to performance and medicine. Routledge, Abingdon, pp. 358-367. ISBN 9780367477738

Gates, L ORCID: 0000-0002-9632-2391 (2022) 'Uncanny affect, performing prosthetics: disability, monstrosity, and the puppet.' In: Chemers, M and Santana, A, eds. Monsters in performance: essays on the aesthetics of disqualification. Routledge, Abingdon, pp. 141-154. ISBN 9780367635411

Gates, L ORCID: 0000-0002-9632-2391 (2020) 'Spectacular bodies, unsettling objects: material performance as intervention in stereotypes of refugees.' In: Meerzon, Y, Dean, D and McNeil, D, eds. Migration and stereotypes in performance and culture. Palgrave Macmillan, Cham, pp. 39-55. ISBN 9783030399146

Gates, L ORCID: 0000-0002-9632-2391 (2019) 'The monster and the corpse: puppetry and the uncanniness of gender performance.' In: Astles, C, Mello, A and Orenstein, C, eds. Women and puppetry: critical and historical investigations. Routledge, Abingdon, pp. 19-34. ISBN 9780415787390 Please click the title to check availability.

Gates, L ORCID: 0000-0002-9632-2391 (2025) 'AI thresholds: puppetry, monstrosity and human-machine hybridity.' Puppetry International, 58. pp. 32-35.

Gates, L ORCID: 0000-0002-9632-2391 and Smith, M (2020) 'Applied puppetry: communities, identities, transgressions.' Applied Theatre Research, 8 (1). pp. 3-11.

Astles, C, Fisher, E, Gates, L ORCID: 0000-0002-9632-2391 and Sextou, P (2020) 'Editorial - Applied puppetry in health.' Journal of Applied Arts and Health, 11 (1 & 2). pp. 3-13.

Gates, L ORCID: 0000-0002-9632-2391 and Fisher, E (2017) 'Puppetry as reinforcement or rupture of cultural perceptions of the disabled body.' Research in Drama Education: The Journal of Applied Theatre and Performance, 22 (3). pp. 363-372.

Gates, L ORCID: 0000-0002-9632-2391 (2017) 'Puppet bodies: reflections and revisions of marionette movement theories in Philippe Gaulier’s Neutral Mask pedagogy.' Theatre, Dance and Performance Training, 8 (1). pp. 46-60.

Gates, L ORCID: 0000-0002-9632-2391 (2017) 'Automata and bêtise: contamination anxieties in late nineteenth-century French mime.' Popular Entertainment Studies, 8 (1). pp. 21-35.

Gates, L ORCID: 0000-0002-9632-2391 (2016) '‘The terrible things I’ve done’: undisciplined subjectivity of the cyborg within intermedial performance practice.' Research in Drama Education: The Journal of Applied Theatre and Performance, 21 (3). pp. 413-417.

Gates, L ORCID: 0000-0002-9632-2391 (2011) 'Locating the self: narratives and practices of authenticity in French clown training.' Theatre, Dance and Performance Training, 2 (2). pp. 231-242.

Gates, L ORCID: 0000-0002-9632-2391 (2019) Performing the freak: a dialogue between theatre and history about monstrosity. In: Staging History Symposium, 26 April 2019, University of Bristol, Bristol, UK.

Gates, L ORCID: 0000-0002-9632-2391 (2017) Spectacular bodies, unsettling objects: material performance as intervention in stereotypes of refugees. In: Migration/Representation/Stereotypes, 28 - 30 April 2017, University of Ottawa, Canada. Please click the title to check availability.

Gates, L ORCID: 0000-0002-9632-2391 (2016) Leaky boundaries: transversing the abject through puppetry performance. In: American Society for Theatre Research Conference: Trans-, 3-6 November 2016, Minneapolis, MN, USA.

Gates, L ORCID: 0000-0002-9632-2391 (2016) What world does this body create? Puppetry as intervention in medical approaches to the disabled body. In: Annual American Society for Theatre Research (ASTR) Conference: Trans-, 3-6 November 2016, Minneapolis, MN, US.

Gates, L ORCID: 0000-0002-9632-2391 (2016) Staging corpses: disrupting progressive historical narrative through puppetry. In: International Federation for Theatre Research Conference Presenting the Theatrical Past: Interplays of Artefacts, Discourses and Practices, 13-17 June 2016, Stockholm University, Sweden.

Gates, L ORCID: 0000-0002-9632-2391 (2016) Puppetry and object theatre as intervention with teenage refugees. In: Theatre, Youth, Trauma and Europe in Crisis, 25 June 2016, Bath Spa University, Bath, UK.

Gates, L ORCID: 0000-0002-9632-2391 (2016) The challenge of disciplinary instrumentalism within cross-disciplinary applied theatre research. In: Theatre and Performance Research Association (TaPRA) Conference, 5-7 September 2016, University of Bristol, Bristol, UK.

Gates, L ORCID: 0000-0002-9632-2391 (2014) ‘The history of this monster’: puppetry as intervention in disability stratification. In: International Federation of Theatre Research World Congress 'Theatre and Stratification', 26 July - 2 August 2014, University of Warwick, UK.

Gates, L ORCID: 0000-0002-9632-2391 (2014) Monstrous bodies: using puppetry to engage with perceptions of disability. In: Association for Theatre in Higher Education (ATHE) Conference - Dream Acts: Performance as Refuge, Resistance, and Renewal, 24-27 July 2014, Scottsdale, AZ, US.

Gates, L ORCID: 0000-0002-9632-2391 (2014) Performing medical monstrosity: an autopsy of The Depraved Appetite of Tarrare the Freak. In: Performing Science: Dialogues Across Cultures, 24-26 April 2014, University of Lincoln, UK.

Gates, L ORCID: 0000-0002-9632-2391 (2014) Puppetry workshop / Demo and discussion. In: Performing the Freak: a Dialogue Between Theatre and Science About Monstrosity, 29 March 2014 & 13 June 2014, Tobacco Factory Theatres, Bristol, UK.

Gates, L ORCID: 0000-0002-9632-2391 (2013) The monster and the corpse: puppetry and the uncanniness of gender performance. In: Centre for Research into Objects and Puppets in Performance Symposium: Woma/en in Puppet Theatre, 1 November 2013, Royal Central School of Speech and Drama, London, UK.

Gates, L ORCID: 0000-0002-9632-2391 (2013) Depraved appetites and contamination anxieties: race, gender, and puppet bodies in 19th-century France. In: Puppet Talk Forum, 15 June 2013, University of Sussex, UK.

Gates, L ORCID: 0000-0002-9632-2391 (2009) Slippage and disorientation in 'The Master and the Margarita'. In: Theatre Noise Conference, 22-24 April 2009, Central School of Speech and Drama, University of London, London, UK.

Gates, L ORCID: 0000-0002-9632-2391 (2009) The frozen face: discourses of mechanization in neutral mask training. In: Theatre & Performance Research Association, 7-9 September 2009, University of Plymouth, Plymouth, UK.

Gates, L ORCID: 0000-0002-9632-2391 (2008) Tout bouge: the (re)construction of the body in Lecoq-based performance pedagogy. In: Theatre and Performance Research Association (TaPRA) Conference, 3-5 September 2008, University of Leeds.

Gates, L ORCID: 0000-0002-9632-2391 (2008) Pedagogy of proposals: devising as a tactic for individual and group identity reconciliation. In: Researching Applied Drama, Theatre and Performance Conference, 2-5 April 2008, University of Exeter.

Gates, L ORCID: 0000-0002-9632-2391 (2007) Critical discourse analysis of the body workshop. In: Pedagogy and Theatre of the Oppressed (PTO) Conference, 31 May-3 June 2007, University of Minnesota, Minneapolis, USA.

Gates, L ORCID: 0000-0002-9632-2391 (2006) A happy mistake: creative collaboration as pedagogical strategy. In: Association for Theatre in Higher Education's (ATHE) Women and Theatre Program Conference, August 2006, Chicago.

Gates, L ORCID: 0000-0002-9632-2391 (2005) Dance of the black Madonna: creating space for female transgression. In: Association for Theatre in Higher Education (ATHE) Conference, 28-31 July 2005, Weston St Francis, San Francisco.

Gates, L ORCID: 0000-0002-9632-2391 (2005) The un-taming of the shrew: rewriting Shakespeare, reconciling identity. In: Association for Theatre in Higher Education's (ATHE) Women and Theatre Program Conference, 28-31 July 2005, Weston St Francis, San Francisco.

Gates, L ORCID: 0000-0002-9632-2391 (2005) Reflections of Jane: mirror trope as subversive strategy in Charlotte Perkins Gilman's The Yellow Wallpaper. In: L'ordre et le chaos/Chaos and Order, March 2005, Universit de Reims Champagne Ardenne Colloque.

Gates, L ORCID: 0000-0002-9632-2391 (2011) Tout bouge [Everything moves]: the (re)construction of the body in Lecoq‐based pedagogy. PhD thesis, University of Minnesota.

Gates, L ORCID: 0000-0002-9632-2391 (2021) The Depraved Appetite of Tarrare the Freak: puppetry as a practice-based analytic within the medical humanities (2014-2017) [REF2021 collection].

Gates, L ORCID: 0000-0002-9632-2391 (2017) The Depraved Appetite of Tarrare the Freak. Tobacco Factory Theatre, Bristol, UK, 25 - 28 January 2017.

Gates, L ORCID: 0000-0002-9632-2391 (2015) The Depraved Appetite of Tarrare the Freak: an investigation into puppetry as an analytic to deepen understanding of ethical and historical issues within the medical humanities. In: Bristol Festival of Puppetry (2-3 Sep 2015), Tobacco Factory Theatres, Bristol, 2-3 September 2015, 2-3 November 2015, 25-28 January 2017, 30 January - 18 February 2017, 8-9 March 2017, 10 March 2017. Please click the title to check availability.

Gates, L ORCID: 0000-0002-9632-2391 (2012) The Depraved Appetite of Tarrare the Freak: A Chamber Opera for Puppets [work in progress]. In: Bristol Ferment, Bristol Old Vic, Bristol, UK, May-July 2012.

Gates, L ORCID: 0000-0002-9632-2391 (2009) Triptych. Touring event, 2009-2011.