Items where Division is "School of Creative and Cultural Arts" and Year is 2017

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Number of items: 297.

A

Addison, J and Kidd, N (2017) 'Live resource.' In: Turvey, L, Walton, A and Daly, E, eds. In site of conversation. Tate London Learning, London, pp. 67-145. ISBN 9781849764735

Addison, J and Kidd, N (2017) No working title. In: Tate Modern Workshops, 27 January 2017, Tate Modern, London, UK.

Alderman, N (2017) The Anglo-Saxon remedy that kills MRSA.

Alderman, N (2017) Caroline Herschel and the comets.

Alderman, N (2017) Desperately seeking eternity: episode 4.

Alderman, N (2017) How Humphry Davy discovered laughing gas.

Alderman, N (2017) Pavlov and his dogs.

Alderman, N (2017) Strange beds: episode 5.

Alderman, N (2017) Zombies, run! 6.

Alderman, N (2017) Zombies, run! The way of all flesh.

Alderman, N (2017) Zombies, run! Virtual race - Halloween 2017.

Alderman, N (2017) Zombies, run! Virtual race - spring 2017.

Alderman, N (2017) The birth of photography.

Alderman, N (2017) The wondrous transformation of caterpillars.

Allen, D (2017) Open Plan [group exhibition]. 44 Locksbrook Road (Herman Miller), Bath, UK, 10 - 30 June 2017.

Almond, D (2017) Heaven eyes. Arts Centre, Washington, UK, 8 - 25 February 2017.

Almond, D (2017) Island. Hodder Children's Books, London. ISBN 9781444937176

Almond, D (2017) A song for Ella Grey. Northern Stage, Newcastle, UK, 4 - 16 September 2017.

Almond, D (2017) The tale of Angelino Brown. Walker Books, London UK. ISBN 9781406358070

Almond, D and Tickell, K (2017) Tales and tunes. HOME Theatre, Manchester, UK, 21 October - 3 November 2017.

Arbugaeva, E and Neudecker, M (2017) Traces of the Future: Archaeology of Modern Science in Africa. Nunnery Gallery, London, UK, 28 January - 27 March 2017.

Ashton, D, Bower, G.J, Hollyman, S and Pullinger, K

(2017) 'Writing digital: practice, performance, theory.' Convergence: The International Journal of Research into New Media Technologies, 23 (1). pp. 3-4.

B

Barnes, M (2017) Foundation stone: poetry's place in science and the spiritual. PhD thesis, Bath Spa University. doi: 10.17870/bathspa.00010694

Barnes, M (2017) Science & poetry writers workshop: finding the locus of meaning. In: Public Workshop, 25 July 2017, At-Bristol/Bristol Aquarium, Bristol, UK.

Binckes, F (2017) "Whet your contentiousness": enemy material, 1927-1929. In: Modernist Studies Association 19: Modernism Today, 10 - 13 August, Amsterdam, Netherlands.

Binckes, F (2017) The kangaroo and the fountain-pen: Nina Hamnett and the artist as autobiographer. In: Word and Image: the Second Modernist Network Cymru, 12 - 13 September 2017, National Library of Wales, Aberystwyth, Wales.

Bonnell, M (2017) Solo exhibition. SG Gallery, Venice, Italy, 2017.

Borodale, S (2017) Towards a poetics of field theatre: lyric site-based poetry. PhD thesis, Bath Spa University.

Bose, S (2017) No dogs, no Indians. Penned in the Margins, London. ISBN 9781908058485

Bose, S (2017) No dogs, no Indians. Brighton Festival, Brighton, UK, 17-18 May 2017.

Brain, T (2017) Fiction published under a pseudonym. Harper Collins, London.

Brain, T (2017) Sylvia Plath and you. In: Transatlantic Literary Women, 3 June 2017, Glasgow Women's Library, Glasgow, UK.

Brown, A.R (2017) Metal music studies: head bangin’ in the academy. In: Research Day: Media Convergence Research Centre, 13 September 2017, Bath Spa University, Bath, UK.

Brown, A.R (2017) Songs in the key of depression, suicide and death: how metal musicians sustained a dialogue of community with their fans in a period of moral panic about heavy metal music, 1984-1991. In: 3rd ISMMS Biennial International Conference - Boundaries and Ties: The Place of Metal Music in Communities, 9 - 11 June 2017, University of Victoria, Victoria, Canada.

Brown, A.R (2017) Who invented heavy metal? [book review]. Metal Music Studies, 3 (3). pp. 465-481.

C

Campbell, A (2017) 'Sound waves: “blue ecology” in the poetry of Robin Robertson and Kathleen Jamie.' Études écossaises, 19. pp. 1-15.

Clark, D (2017) The neo-monument : monuments of dissent and their emergence in western culture in the late 20th and early 21st century. PhD thesis, Bath Spa University. doi: 10.17870/bathspa.00010426

Clark, S (2017) Ice road. Jacobs Wells Baths, Bristol, UK, 2 October - 19 November 2017.

Clark, S (2017) Raucous. In: We Make Stuff: Digital Materialities and Digital Storytelling Workshop, 28 June 2017, Burdall's Yard, Bath, UK.

Clarke, R (2017) Performance of the record player orchestra. In: Roja Art Lab, Roja Cultural Centre, Roja, Latvia, 22 July 2017.

Cologne-Brookes, G (2017) 'Joyce Carol Oates ou quelque chose d’approchant [Joyce Carol Oates: something like this].' In: Tromble, T and Marquette, C, eds. Joyce Carol Oates. Éditions de L'Herne, Paris, pp. 88-97. ISBN 9782851971890

Cologne-Brookes, G (2017) Joyce Carol Oates, Chicago, 2010 - in the book 'Joyce Carol Oates', part of the Cahiers de L'Herne series.

D

Dalwood, D (2017) Age of Terror: Art Since 9/11 [group exhibition]. Imperial War Museum, London, UK, 26 October 2017 - 28 May 2018.

Dalwood, D (2017) The Critic as Artist [group exhibition]. Reading Museum, Reading, UK, 7 October 2017 - 28 January 2018.

Dalwood, D (2017) Ein Brief: New Paintings by Dexter Dalwood. Galerie Hubert Winter, Vienna, Austria, 15 September – 14 October 2017.

Dalwood, D (2017) Ian Curtis (2001). In: True Faith, Manchester Art Gallery, Manchester, UK, 30 June - 3 September 2017. ISBN 9780901673954

Dalwood, D (2017) In the pines - slight return [group exhibition]. In: David Risley Gallery, Bispevej 29 2400, Copenhagen, Denmark, 24 May - 30 June 2017.

Dalwood, D (2017) Look Me in the Eye Sister [group exhibition]. Galeria Leyendecker, Tenerife, Spain, 2 August - 8 September 2017.

Dalwood, D (2017) Melancholia - a Sebald Variation [group exhibition]. KCL, London, UK, 21 September - 10 December 2017.

Dalwood, D (2017) Michael Andrews, London [exhibition review]. The Burlington Magazine, 1369 (159). pp. 330-331.

Dalwood, D (2017) Oscar Wilde (2003). In: Bacon to Doig: Modern Masterpieces from a Private Collection, National Museum, Cardiff, Wales, 18 February 2017 – 31 January 2018.

Dalwood, D (2017) Plattform presents: Dexter Dalwood. In: Artist Talk Series, 14 March 2017, Bergen Kunsthall, University of Bergen, Norway.

Dalwood, D (2017) Second set (2016). In: New Pleasure, Simon Lee Gallery, New York, NY, USA, 1 November - 23 December 2017.

Dalwood, D (2017) What is the history in contemporary history painting? In: Professorial Lecture Series 2016-17, 29 March 2017, Bath Spa University, Bath, UK.

Dodd, P, McCarthy, T, Scott, S, Glaser, D and Dalwood, D (2017) Free thinking - Rauschenberg - performance, identity and the writings of Erving Goffman.

Dunseath, J (2017) Anthony Caro and his studio assistants. In: Norfolk Contemporary Art Society Events, 12 January 2017, The Forum, Norwich, UK.

Dunseath, J (2017) Pasta real. In: Work Work, Tintype Gallery, London, UK, 2 November - 2 December 2017.

Dunseath, J (2017) SWAP AD HOC [group exhibition]. Castor Projects, London, UK, 31 March - 29 September 2017.

Dunseath, J (2017) What is a studio and how do we use one? In: What Is A Studio And How Do We Use One? A One Day Symposium In Conjunction With Inventory Of Behaviours, 6 February 2017, blip blip blip, East Street Arts Patrick Studios, Leeds, UK.

Dunseath, J and Dawson, I (2017) Generation Z depth:‘exploring sculpture and technology’. In: New Art Centre Workshops, 17 January 2017, Roche Court, Salisbury, UK.

Dutton, S (2017) Only Numbers Count.

Dutton, S (2017) Studio behaviour. In: Mind.Language.Matter, St Marys House, Norwich, UK, 23 - 28 July 2017.

Dutton, S and Bracey, A (2017) Towards the midpoint. In: International Conference on Artistic Research - Please Specify! Sharing Artistic Research Across Disciplines, 28 - 29 April 2017, Theatre Academy, Helsinki, Finland.

Dutton, S and Morrad, A (2017) Performance arcade. In: Performing, Writing, Matiu Island, Wellington, New Zealand, 10 - 19 March 2017.

Dutton, S, Morrad, A and Bracey, A (2017) Aphantasia – an 8 Hour Shift. GallerySpace, London, UK, 10 August 2017.

E

Edney, S (2017) The Anthropocene lyric: an affective geography of poetry, person, place [book review]. Green Letters, 21 (1). pp. 95-99.

English, L (2017) 'And the word was made flesh.' Mslexia (74). pp. 36-37. Please click the title to check availability.

English, L (2017) The book of hours [website].

English, L (2017) The book of hours: creating a collaboration poetry film project [blog post]. Sabotage Reviews.

F

Farrar, R (2017) Audio postcards: from Bristol to Brooklyn [website].

Farrar, R (2017) Strong.

Farrar, R (2017) The secret ingredient for sustainable growth in public engagement. In: Engage 2017, 6 - 7 December 2017, Arnolfini, Bristol, UK.

Farrar, R (2017) The sound of snow.

Farrar, R, Heywood, B and Telling, L (2017) Utilising technology to unlock the past. In: The Asian Conference on Arts and Humanities, 30 March - 2 April 2017, Art Center, Kobe, Japan.

Feasey, R (2017) 'Good, bad or just good enough: representations of motherhood and the maternal role on the small screen.' Studies in the Maternal, 9 (1). p. 5.

Feasey, R (2017) 'Masculinit(ies) and the male celebrity feminist.' Men and Masculinities, 20 (3). pp. 283-293.

Feasey, R (2017) 'SheZow: costume changes and gender non-conformity.' In: Reinhard, C.D and Olson, C.J, eds. Heroes, heroines, and everything in between: challenging gender and sexuality stereotypes in children's entertainment media. Lexington, Lanham, MD.

Feasey, R (2017) 'Television and the absent mother: why girls and young women struggle to find the maternal role.' In: Åström, B, ed. The absent mother in the cultural imagination: missing, presumed dead. Palgrave Macmillan. ISBN 9783319490366 doi: 10.1007/978-3-319-49037-3_14

Feasey, R (2017) 'The hierarchy of celebrity childbirth stories.' Celebrity Studies, 8 (2). pp. 278-293.

Filer, N (2017) 'Be patient and enjoy what you do.' In: 31x Pécs : Pécsi iróprogram 2011-2016 = Pécs writers' anthology 2011-2016. VerArtis, Pécs, pp. 317-328. ISBN 9789631283976

Filer, N, Vitale, A and Hamblyn, R (2017) Nathan Filer and Agata Vitale. In: Writing Well and Writing to Get Well, 19 May 2017, Birkbeck School of Arts, London, UK.

Filer, N and Weston, P (2017) Archive on 4 - The Mind in the Media.

Fitzpatrick, K (2017) The call to adventure: a quest for the literary grail. PhD thesis, Bath Spa University.

Forna, A (2017) 'Selective empathy: stories and the power of narrative.' World Literature Today, 91 (6). Please click the title to check availability.

Forna, A (2017) The afterlife of a memoir. NYR Daily - New York Review of Books, Nov. (13th). Please click the title to check availability.

Freeman, M (2017) 'From sequel to quasi-novelization: 'Splinter of the mind’s eye' and the 1970s culture of transmedia contingency.' In: Guynes, S and Hassler-Forest, D, eds. Star Wars and the history of transmedia storytelling. Amsterdam University Press, Amsterdam, pp. 61-72. ISBN 9789462986213

Freeman, M (2017) 'Funding and management in the media convergence era: introduction.' International Journal on Media Management, 19 (2). pp. 103-107.

Freeman, M (2017) 'Interactive and participatory worlds.' In: Wolf, M. J. P, ed. The Routledge companion to imaginary worlds. Routledge, New York, pp. 198-206. ISBN 9781138638914

Freeman, M (2017) Re-building transmedia Star Wars: strategies of branding and un-branding a galaxy far, far away. In: Transmedia UK: Sector by Sector, 24 November 2017, Bath Spa University, UK.

Freeman, M (2017) Searching for the...ethos?: Re-thinking the migration of audiences across multiple media. In: Transmedia Earth Conference, 11-13 October 2017, Medellín, Colombia.

Freeman, M (2017) 'A world of Disney: building a transmedia storyworld for Mickey and his friends.' In: Boni, M, ed. World building: transmedia, fans, industries. Amsterdam University Press, Amsterdam, pp. 93-108. ISBN 9789089647566

Freeman, M and Proctor, W (2017) 'Up all night: the shifting roles of home media formats as transmedia storytelling.' In: Wroot, J and Willis, A, eds. DVD, Blu-ray and beyond: navigating formats and platforms within media consumption. Palgrave Macmillan, Cham, pp. 159-176. ISBN 9783319627571

Freeman, M and Taylor-Ashfield, C (2017) '“I read comics from a feministic point of view”: conceptualizing the transmedia ethos of the Captain Marvel fan community.' The Journal of Fandom Studies, 5 (3). pp. 317-335.

Freeman, M and Tweed, C (2017) Transmedia UK: sector by sector. In: One-Day Academic-Industry Workshop, 24 November 2017, Bath Spa University, Corsham, UK.

G

Gadd, I

(2017) 'The Stationers' Company.' In: Sabor, P and Schellenberg, B, eds. Samuel Richardson in context. Cambridge University Press, Cambridge, pp. 83-90. ISBN 9781316576755

Gadd, I

(2017) 'A companion to Blayney.' The Papers of the Bibliographical Society of America, 111 (3). pp. 379-406.

Gee, M (2017) 'May Hobbs.' In: Hunt, S, Kidd, D and Page, R, eds. Protest! Stories of resistance. Comma Press, Manchester, pp. 237-265. ISBN 9781905583737

Gee, M, Soyinka, B, Lee, A, Geen, E and Al Khayatt, O (2017) Empathy at work. In: Professorial Lecture Series 2016-17, 1 February 2017, Bath Spa University, Bath, UK.

Ghosh, S (2017) New Indian cinema in post independence India: the cultural work of Shyam Benegal’s films [book review]. South Asian History and Culture, 8 (3). pp. 382-384. Please click the title to check availability.

Gifford, T (2017) Field notes from the edge: journeys through Britain’s secret wilderness [book review]. Green Letters, 21 (2). pp. 233-234.

Gifford, T (2017) 'Hughes’s notion of shamanic healing.' Ted Hughes Society Journal, 6 (2). pp. 7-23.

Gifford, T (2017) 'Walking early from Relleu’ & ‘That orange tree’. Critical Survey, 29 (1).

Gregory, K (2017) Countless. Bloomsbury Children's Books, London. ISBN 9781408882504

H

Hadjiafxendi, K and Plunkett, J (2017) 'Science at the seaside: pleasure hunts in Victorian Devon.' In: Allen, N, Groom, N and Smith, J, eds. Coastal works: cultures of the Atlantic edge. Oxford University Press, Oxford, pp. 181-204. ISBN 9780198795155

Hadley, T (2017) Bad dreams and other stories. Jonathan Cape, London. ISBN 9781910702888

Hadley, T (2017) 'Funny little snake.' New Yorker, Oct 16. pp. 67-75.

Harman, W.H (2017) Bath Society of Artists: 112th Exhibition [group exhibition]. Victoria Art Gallery, Bath, UK, 20 May - 15 July 2017.

Harman, W.H (2017) The Button Project [group exhibition]. Tenby Museum and Art Gallery, Tenby, Wales, 12 April - 14 August 2017.

Harman, W.H (2017) Cultural homelessness. In: Cause and Complexity, The Island Gallery Space, Bristol, UK, 20 - 24 February 2017.

Harman, W.H (2017) Happy to have Earth 地球. In: Pay & Display Prize 2017, Centrespace, Bristol, UK, 4 – 15 February 2017.

Harman, W.H (2017) In-Between. Workers Gallery, Porth, Wales, 25 May - 10 June 2017.

Harman, W.H (2017) Research impact in relation to my ceramic art practice. In: Bath Spa University Early Stage Researcher Conference: Impact, 8 June 2017, Bath Spa University, Corsham, UK.

Harrison, K (2017) Interactive & performative ceramics in the public realm. In: Ceramic Values: Can Ceramics make a difference? Ceramics and its Dimensions Congress, 5 -6 October 2017, Potteries Museum and Art Gallery, Stoke-on-Trent, UK.

Harrison, K (2017) Joyride: a Jerwood Open Forest Commission. Cannock Chase Forest, Cannock, UK, 30 September 2017.

Harrison, K (2017) Keith Harrison. In: RCA Arts & Humanities Talks, 15 November 2017, Royal College of Art, London, UK.

Harrison, K (2017) Knowledge is power: 6 towns. In: British Ceramics Biennial, Stoke-on-Trent Central Library, Stoke-on-Trent, UK, September - November 2017.

Heholt, R, Peters, F and Wisker, G (2017) 'Ruth Rendell special issue: introduction.' Contemporary Women's Writing, 11 (1). pp. 1-11.

Hershman, T (2017) Particle fictions: an experimental approach to creative writing and reading informed by particle physics. PhD thesis, Bath Spa University. doi: 10.17870/bathspa.00010693

Hill, T (2017) Entertaining King James: royal progresses, pageantry and pastimes in the early modern period. In: Fit for a King - James VI and I's Visit to Hoghton Tower in Context, 5 May 2017, Hoghton Tower, Preston, UK.

Hill, T (2017) ''Euer Obedient in His Studies': Thomas Middleton and the City, 1620–1622.' The London Journal, 42 (2). pp. 137-150.

Hill, T (2017) '“In fiction as in fact”: 40 years of literary studies in The London Journal.' The London Journal, 42 (1). pp. 1-12.

Hill, T (2017) ‘Partners in the businesse’: Middleton, Dekker, Jonson, Munday, Harrison, Christmas, Norman, Bucket, Challoner, Wilde. In: 45th Annual Meeting of the Shakespeare Association of America, 5 - 8 April 2017, Hyatt Regency, Atlanta, GA, USA.

Hill, T (2017) Shakespeare and the Admiral's Men: reading across repertories on the London stage [book review]. Renaissance Studies. doi: 10.1111/rest.12365

Hill, T (2017) Tom Rutter, Shakespeare and the Admiral's Men: reading across repertories on the London stage [book review]. Renaissance Studies, 32 (5). pp. 819-820.

Hill, T (2017) '"The grocers honour": or, taking the City seriously in 'The knight of the burning pestle'.' Early Theatre, 20 (2). pp. 159-178.

Hill, T (2017) The theatrical city. In: Public Lecture, 14 November 2017, Garrick Club, London.

Hong, Y (2017) 5100: Pentagon. In: Block Universe, Royal Academy of Arts, London, UK, 4 June 2017.

Hong, Y (2017) Echoes. In: Venice Agendas 2017: The Contract, Campo Santa Margherita, Venice, Italy (and touring), 10 -12 May 2017.

Hong, Y (2017) The Moon's Trick. Korean Cultural Centre, London, UK, 21 November - 29 December 2017.

Hong, Y (2017) Rethinking craft: between studio craft and contemporary art [group exhibition]. Seoul Museum of Art, Seoul, South Korea, 6 June - 24 September 2017.

Hughes, W (2017) 'Dracula’s debts to the Gothic.' In: Luckhurst, R, ed. The Cambridge companion to Dracula. Cambridge University Press, Cambridge.

I

Ivic, C (2017) Shakespeare and national identity: a dictionary. Bloomsbury, London. ISBN 9781472534347

K

Kendal, C (2017) The second sister. Harper Collins, London. ISBN 9780007531714

Kidd, N (2017) Three screen prints. In: Work Work, Tintype Gallery, London, UK, 2 November - 2 December 2017.

Kovats, T (2017) All the canals. In: 2017 Venice Biennale Associated Event: Command-Alternative-Escape, Spazio Thetis Gardens, Venice, Italy, 6 - 13 May 2017.

Kovats, T (2017) All the canals [2017] & All the islands of all the seas [2016]. In: From A Distance, Pippy Houldsworth Gallery, London, UK, 8 June - 1 September 2017.

Kovats, T (2017) BLEACHED. C4DI Exhibition Space and The Deep, Hull, UK, 29 July – 17 September 2017.

Kovats, T (2017) Dirty water: London's low tide.

Kovats, T (2017) Drawing water: drawing as a mechanism for exploration. In: History of Art Public Lecture Series, 31 January 2017, University of Hull, UK.

Kovats, T (2017) EXE: conversation between floods.

Kovats, T (2017) Where seas meet (North: Baltic, Tasman: Pacific and Bengal: Indian: Arabian) [2013-14]. In: Offshore: Artists Explore the Sea, Ferens Art Gallery, Hull, UK, 1 April - 28 August 2017.

L

Lackie, K (2017) Our extraordinary treatment of everyday things & An extraordinary treatment: multimodality and interiority. PhD thesis, Bath Spa University.

Lalic, M (2017) After Image. Galerie Renate Bender, Munich, Germany, 10 March - 13 May 2017.

Lalic, M (2017) English green landscape painting (2007) & Dutch brown landscape painting (2016) & French ochre landscape painting (2016) & French red vermilion landscape painting (2016). In: The Order of Things, The Wilson, Cheltenham Art Gallery & Museum, Cheltenham, UK, 28 January - 5 March 2017.

Lamont, B.R (2017) 'Editorial.' Doll Hospital Journal, 4.

Lamont, B.R (2017) Sad Girl Cinema. In: Scottish Queer International Film Festival, 27 September - 1 October 2017, CCA Theatre, Glasgow, UK.

Lamont, B.R (2017) Sick! Living with Invisible Illness [group exhibition]. Sun Pier House, Kent, UK, 5 - 27 July 2017.

Lamont, B.R (2017) Typography and trauma: conversations on Doll Hospital Journal. In: Writefest, 6 - 12 March 2017, Houston, TX, USA.

Lamont, B.R (2017) 'Women in body horror.' Token Magazine, 2.

Lamont, B.R, IGGYLDN, _, Daisy, H, Frances, L and Langdon, S (2017) Is mental health political? A panel discussion. In: Arts Students' Union Mental Wellbeing Events Series, 19 January 2017, London College of Fashion, UK.

Lewis, C (2017) In 'the mouth of [the] cave': Wyndham Lewis, myth and the philosophical discourse of modernity circa 1914. PhD thesis, Bath Spa University. doi: 10.17870/bathspa.00011580

Liardet, T (2017) To a sliver of Sicilian-American sky; A suitcase with A. Einstein written inside; The woman among the Nerudas; The apparel addresses the spirit. Poetry London, Spring (86). pp. 21-22. Please click the title to check availability.

Liardet, T (2017) To the mother as event horizon; To the mother at the electric. Poetry Review, 107 (3). pp. 64-65. Please click the title to check availability.

Liardet, T (2017) To the mother at this angle; The vanishment; For the vanishing twin. The Spectator, 334 (9848/9). 11/38/48. Please click the title to check availability.

Liardet, T (2017) The longest red light in America; The world's first photograph; Address to the long-haul travellers set in a blood-red utero of light; The polygraph addresses the polygraph martyr; The polygraph martyr replies. The Manhattan Review, 18 (1). pp. 26-30. Please click the title to check availability.

Little, L (2017) All the better to see you: depictions of the wolf in Little Red Riding Hood. In: Transmedia UK: Sector by Sector, 24 November 2017, Bath Spa University, Corsham, UK.

Little, L (2017) Children making picturebooks: creating and curating words and images. In: iJADE Conference: Art and Design as Agent for Change, 16 -17 November 2017, National College of Art and Design, Dublin, Ireland.

Little, L (2017) 'Creation as a method of enquiry: reflections on practice-based research in children’s picturebook illustration.' Journal of Illustration, 4 (2). pp. 173-185.

Lloyd, N (2017) 'Canals, commerce and the construction of nation in Sydney Owenson’s O’Donnel.' Romantic Textualities: Literature and Print Culture, 1780–1840, 22. pp. 52-65.

Luzar, R (2017) 'Rethinking the graphic trace in performative drawing.' Theatre and Performance Design, 3 (1-2). pp. 50-67.

Luzar, R (2017) Untitled & A-lighting steps, balls and chords. In: Gesture, Trace, Performance, Herbert Read Gallery, London, UK, 18 November - 15 December 2017.

M

Marcinkowski, M (2017) Poetics of attention and the experience of ambient literature. In: MIX 2017, 10-12 July 2017, Bath Spa University, UK.

Marcinkowski, M (2017) Some digital literature questions for the digital humanities. In: Locating the Literary, 13 June 2017, Aarhus University, Denmark.

Massoumi, N (2017) 'Domestic ethnography, diaspora and memory in 'Baba 1989'.' In: Harper, B and Price, H, eds. Domestic imaginaries: navigating the home in global literary and visual cultures. Springer, Cham, pp. 169-190. ISBN 9783319664897

McLaren, G (2017) 'National identity and the problem of style in the post-war British ceramic industry.' In: Livingstone, A and Petrie, K, eds. The ceramics reader. Bloomsbury, London, pp. 466-474. ISBN 9781472584427

McLaren, G and Rose, K (2017) ‘The ornament of Bristol and the wonder of the age’: Brunel’s Clifton Suspension Bridge and a regional design heritage. In: BRIDGE: The Heritage of Connecting Places and Cultures, 6 -10 July 2017, Coalbrookdale Museum of Iron, Coalbrookdale, UK.

Medjesi-Jones, A (2017) Dispenser (2016) & Please stand up (2016). In: Painting & Structure, The Kennington Residency, London, UK, 9 - 24 February 2017.

Medjesi-Jones, A (2017) ExRoma IV [group exhibition]. APT Gallery, London, UK, 23 February - 5 March 2017.

Medjesi-Jones, A (2017) Factory Floor. ACME Studios, London, UK, 30 June - 15 July 2017.

Medjesi-Jones, A (2017) Notes on Painting [group exhibition]. The Koppel Project Hive, London, UK, 23 November 2017 - 12 January 2018.

Medjesi-Jones, A (2017) PinkPaintingMachine. In: Make_Shift, Collyer Bristow Gallery, London, UK, 13 October 2017 - 13 February 2018.

Militello, J (2017) From the maternal to the mechanical: the struggle against sentiment in contemporary American motherhood poetry. PhD thesis, Bath Spa University. doi: 10.17870/bathspa.00009484

Morrison, R (2017) 'Blackwood's Byron: the Lakers, the Cockneys, and the ‘throne of poetical supremacy’.' Romanticism, 23 (3). pp. 272-281.

Morrison, R (2017) '"The singular wrought out into the strange and mystical": 'Blackwood’s Edinburgh Magazine' and the transformation of terror.' In: Davison, C.M and Germanà, M, eds. Scottish Gothic: an Edinburgh companion. Edinburgh University Press, Edinburgh, pp. 129-141. ISBN 9781474408196

Moss, S (2017) The robin: a biography. Square Peg, London. ISBN 9781910931318

N

Nadin, J (2017) Queen Bea: a novel [and] No me without you: how concepts of self as mutable and multiple shaped the YA novel Queen Bea. PhD thesis, Bath Spa University. doi: 10.17870/bathspa.00009453

Neudecker, M (2017) Gravity prevents the atmosphere from drifting into outer space (2011). In: I Lost My Heart to a Starship Trooper, Griffin Gallery, London, UK, 12 January – 24 February 2017.

Neudecker, M (2017) Hull: 'another city of culture’. In: Professorial Lecture Series, 3 May 2017, Bath Spa University, Bath, UK.

Nicolson, S (2017) From the Corner of My Eye. Black Swan Arts, Frome, UK, 11 February - 11 March 2017.

P

Parry, B (2017) 'The Climate Games: space, politics and resistance at the COP21 Paris.' In: Luger, J and Ren, J, eds. Art and the city: worlding the discussion through a critical artscape. Routledge, Abingdon, pp. 147-167. ISBN 9781138346437 Please click the title to check availability.

Parry, B and Ivett, L (2017) Riverside solidarity. In: Architects Journal Small Projects Exhibition, Fielden Clegg Bradley Studios, London, UK, 29 March - 6 April 2017.

Pennie, M and Cassidy, F (2017) Drawings of Different Sizes. Drawing Projects UK, Trowbridge, UK, 13 May - 10 June 2017.

Penrhyn Jones, S (2017) TIMELINE.

Peters, F (2017) 'Ruth Rendell and Barbara Vine – family matters.' Contemporary Women's Writing, 11 (1). pp. 31-47.

Presley, N (2017) Plath, television and TV advertising. In: Sylvia Plath: Letters, Words and Fragments, 10 - 11 November 2017, University of Ulster, Belfast, Ireland.

Presley, N (2017) William Golding’s legacy. In: Marlborough Literature Festival, 28 September – 1 October 2017, Marlborough, UK.

Prior, J and Walton, S (2017) 'The Bristol and Bath Railway Path: an ecopoetic sound collaboration.' GeoHumanities, 3 (1). pp. 246-249.

R

Reeve, K (2017) Academic publishing and the research ecosystem. In: Creating the Future of Academic Publishing – Strengthening the Research Ecosystem (part of Academic Book Week), 23 January 2017, South Bank University, London, UK.

Reeve, K (2017) Your career as a researcher and academic author. In: Creating the Future of Academic Publishing – Strengthening the Research Ecosystem (part of Academic Book Week), 23 January 2017, South Bank University, London, UK.

Reeve, K (2017) The role of the academic publisher. In: Academic Book Week, 23 - 28 January 2017, South Bank University, London, UK. Please click the title to check availability.

Rigby, K (2017) Being-in-creation: human responsibility in an endangered world [book review]. Green Letters, 21 (2). pp. 230-232.

Rigby, K (2017) 'Deep sustainability: ecopoetics, enjoyment and ecstatic hospitality.' In: Johns-Putra, A, Parham, J and Squire, L, eds. Literature and sustainability: concept, text and culture. Manchester University Press, Manchester, pp. 52-75. ISBN 9780719099670 Please click the title to check availability.

Rigby, K (2017) Keynote address. In: Fifth International Symposium on Literature and Environment in East Asia (ISLE-EA), 4 - 6 November 2016, Dongguk University, Seoul, Korea.

Rigby, K (2017) '"Mines aren’t really like that": German Romantic undergrounds revisited.' In: Schaumann, C and Sullivan, H.I, eds. German ecocriticism in the Anthropocene. Palgrave Macmillan, New York, pp. 111-128. ISBN 9781137559852

Rigby, K (2017) 'Nature, language, and religion: Herder and beyond.' In: Dürbeck, G, Stobbe, U, Zapf, H and Zemanek, E, eds. Ecological thought in German literature and culture. Lexington Books, Lanham, MD, pp. 31-42. ISBN 9781498514927

Robertson, M (2017) DRAWN [designer]. Wunderkammer Press, Bath. ISBN 9780993551130

Robertson, M (2017) Dave Graney, Clare Moore, Malcolm Ross… [poster], Cockaigne Records, Australia.

Robertson, M (2017) Eventure playground [book review]. Eye: The International Review of Graphic Design, 93 (24).

Robertson, M (2017) [In]voices [2013] & Directory [2015]. In: Making Beyond Words: Intersections Between Text, Image and Display, Bath Spa University, Corsham, UK, 16 -17 June 2017.

Robertson, M (2017) Making Beyond Words [programme designer]. In: Making Beyond Words – Intersections between Text, Image, Display: Celebrating 50 Years of Concrete Poetry, Bath Spa University, Corsham, UK, 16 - 17 June 2017.

Robertson, M (2017) New Order Presents Be Music [album cover design], Factory Benelux, UK.

Robertson, M (2017) Session chair. In: Making Beyond Words – Intersections between Text, Image, Display: Celebrating 50 Years of Concrete Poetry, 16 - 17 June 2017, Bath Spa University, Corsham, UK.

Robertson, M (2017) The Tall Grass: Down the Unmarked Road [album cover design], The Tall Grass, Australia.

Robertson, M (2017) 'Transcript' & '73.' Pocket Litter, Dec.

Robertson, M (2017) Underground Lovers: Staring At You Staring At Me [album cover design], Rubber Records, Australia.

Robertson, M (2017) A place in words: twenty-five years of creative writing at Bath Spa University [designer]. Bath Spa University, Bath. ISBN 9781527207332

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Sanders, H (2017) Imagined Space Fake Views! Sion Hill Gallery, Bath, UK, 14 - 21 March 2017.

Sarma, U (2017) A thousand splendid suns. A.C.T.’s Geary Theater, San Francisco, USA, 1 - 26 February 2017.

Skuse, C.J (2017) Sweetpea. HQ, London. ISBN 9780008216719

Slater, C and Harrison, K (2017) requiem:c40.

Snell, R (2017) Exhale (1998) & Exiles II (2000). In: Twelve at Number Twenty, No 20, London, UK, 1 February – 12 March 2017.

Sowden, T (2017) Panacea. In: Redesigning the Medieval Book, University of Oxford, Oxford, UK, 1 December 2017 - 11 March 2018.

Sowden, T (2017) Panacea.

Sowden, T, Mason, D and Partington, M (2017) Interrogating the unspoken. In: Research Through Design, 21 - 24 March 2017, National Museum of Scotland, Edinburgh, UK.

Spencer, A

(2017) Authoring uncontrollable narratives: literary unpredictability in ambient experiences. In: MIX 2017, 10-12 July 2017, Bath Spa University, UK.

Spencer, A

(2017) Authoring uncontrollable narratives: literary unpredictability in ambient experiences. In: SHARP 2017: Technologies of the Book, 9 - 12 July 2017, University of Victoria, Victoria, Canada.

Spencer, A

(2017) Literary thresholds: exploring the edges of ambient literature. In: Electronic Literature Organization, 19 - 22 July 2017, University Fernando Pessoa, Porto, Portugal.

Spencer, A

(2017) Reading ambient literature: immersion, distraction and the situated reading experience. In: Reading and its Objects, 8 - 9 May 2017, University of Sussex, Brighton, UK.

Spencer, A

(2017) Walking ambient literature. In: Mobilities, Literature and Culture, 21 - 22 April 2017, Lancaster University, Lancaster, UK.

Steele, J (2017) 'Cross-border collaboration: sub-national film policies and cultural frameworks in Belgium and France.' In: Mingant, N and Tirtaine, C, eds. Reconceptualising film policies. Routledge, New York, pp. 168-182. ISBN 9781138729308

Stenning, A and Walton, S (2017) 'Introduction.' Green Letters: Studies in Ecocriticism, 21 (1). iii-x.

Strange, S

(2017) 'What lessons can higher popular music education learn from art school pedagogy?' In: Merrill, J, ed. Popular music studies today. Springer, Wiesbaden, pp. 271-280. ISBN 9783658177393

Sweetman, L (2017) Finding our way in the Upside Down: using creative inquiry to make sense of a changing world. In: London Conference in Critical Thought, 30 June - 1 July 2017, South Bank University, London, UK.

Sweetman, L, Gornall, L and Thomas, B (2017) A new civics – through higher education engagement. In: SRHE Annual Conference, 6 - 8 December 2017, Celtic Manor, Newport, Wales.

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Taylor, A (2017) DRAWN. Customs House Gallery, South Shields, UK, 18 August – 12 November 2017.

Taylor, A (2017) DRAWN. Wunderkammer Press, Bath. ISBN 9780993551130

Taylor, A (2017) Elisa Alaluusua - Sketchbooks: An Obsession [curator]. Drawing Projects UK, Trowbridge, UK, 3 February - 4 March 2017.

Taylor, A (2017) Flood story: Gerry Davis [curator and exhibition catalogue author]. Drawing Projects UK, Trowbridge, UK, 4 March - 1 April 2017. ISBN 97818622033

Thebo, M (2017) Coyote summer. Oxford University Press, Oxford. ISBN 9780192759436

Thebo, M (2017) Hospital High. Lodestone Press. ISBN 9781785351877

Thebo, M (2017) Whale watching in Iceland. Literary Mama, Jan.

Tooby, M (2017) 'When forms become attitude: a consideration of the adoption by an artist of ceramic display as narrative device and symbolic landscape.' In: Petrie, K and Livingstone, A, eds. The ceramics reader. Bloomsbury, London, pp. 517-522. ISBN 9781472584427

Turk, G (2017) Death of Marat [1998]. In: Proof of Life, Weserburg Museum of Modern Art, Bremen, Germany, 20 May 2017 - 25 February 2018.

Turk, G (2017) GAVGIUVAG/URKVIKGAV [2011]. In: The Book of the Word, Helsinki Contemporary, Helsinki, Finland, 9 June - 2 July 2017.

Turk, G (2017) Gavin Turk's studio. In: Inside Out, Here East, London, UK, 29 - 30 July 2017.

Turk, G (2017) Give In. Ben Brown Fine Arts, London, UK, 9 February - 7 April 2017.

Turk, G (2017) History of Art. Mimmo Scognamiglio Artecontemporanea, Milan, Italy, 23 November 2017 - 10 February 2018.

Turk, G (2017) In a Dream You Saw a Way to Survive and You Were Full of Joy [group exhibition]. De La Warr Pavilion, Bexhill On Sea, UK, 28 January - 30 April 2017.

Turk, G (2017) Large transit disaster (blue, copper & ochre) (2013). In: I Lost My Heart to a Starship Trooper, Griffin Gallery, London, UK, 12 January – 24 February 2017.

Turk, G (2017) Poor Art : Arte Povera [group exhibition]. Estorick Collection of Modern Italian Art, London, UK, 20 September - 17 December 2017.

Turk, G (2017) Rhetorical loaf [2003]. In: Doublethink: Double Vision, Pera Museum, Istanbul, Turkey, 25 May - 6 August 2017.

Turk, G (2017) Rosy Lee [2008-2013]. In: Collection, The Metropole Hotel / Gervasuti Foundation, Venice, Italy, 10 May - 2 July 2017.

Turk, G (2017) Transubstantiation. Skip Gallery, London, UK, 16 - 23 November 2017.

Turk, G (2017) Turkish Tulips [curator]. Museum Van Loon, Amsterdam, Netherlands, 3 March - 28 May 2017.

Turk, G and Wolf, J (2017) Cracks in Reality: Gavin Turk / Jens Wolf. Marta Herford GmbH, Herford, Germany, 2 April - 2 July 2017.

Turner, M.J (2017) The view: gendered views of observation through the creative practice and installation of photographic and moving image. PhD thesis, Bath Spa University. doi: 10.17870/bathspa.00009485

Turner, P, Levy, C, White, R, Tweed, C and Wilkins, S (2017) We make stuff: film and social context. In: We Make Stuff, 27 March 2017, Holbourne Museum, Bath, UK.

Tweed, C (2017) Grain.

Tweed, C (2017) Oporavak. In: WRO 2017 Biennale: Draft Systems, WRO Art Center, Wroclaw, Poland, 17 - 21 May 2017.

Tweed, C (2017) Soon we will become output. Stanley Picker Gallery, London, UK, 13 - 20 December 2017. ISBN 9781527217836

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Vitale, A, Filer, N, Ryde, J and Smart, A (2017) Exploring the effectiveness of a creative writing intervention to promote refugees’ integration and wellbeing. In: VI International Congress on Migration and Mental Health, 12 October 2017, Rathaus Pankow, Berlin, Germany.

Voake, S (2017) Maxwell Mutt and the squirrel without a story. Walker Books, London. ISBN 9781406357547

Voake, S (2017) Pencil. In: Poems on the Buses at the Guernsey Literary Festival, St Peter Port, Guernsey, UK, 10 - 14 May 2017.

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Walton, S (2017) Cultures of nature and wellbeing: narratives of sustainability and green healthcare. In: Living Together on this Earth: Eco-sustainable Narratives and Environmental Concerns in English Literature/s, 19 - 21 April 2017, University of Udine, Udine, Italy.

Walton, S (2017) 'Landscaping change: exploring the transformation, reconstitution and disruption of environments through the arts, humanities and social sciences.' In: Where we live now: perspectives on place and policy. British Academy, London, pp. 52-55. Please click the title to check availability.

Walton, S (2017) Nan Shepherd. In: Braemar Mountain Festival, 3 - 5 March 2017, Braemar, Ballater, UK.

Weldon, F (2017) Death of a she devil. Head of Zeus, London. ISBN 9781784979591

Westwood, B and Moss, S (2017) Wonderland: a year of Britain's wildlife, day by day. John Murray, London. ISBN 9781473609242

Whistler, D (2017) Rex: Dreams Between Wars.

White, R (2017) Bath anti-mapper: a co-creation tactic. In: First International Co-Creation Conference, University of Bath, Bath, UK, 14 - 15 September 2017.

White, R (2017) Crying at the bus stop. In: REMORA: Contextualising Creative Research at Bath Spa, 23 February 2017, Bath Spa University, Corsham, UK. Please click the title to check availability.

White, R (2017) Enchantment and dissonance: walking in England’s green and pleasant land. In: Art and the Environment in Britain: 1700 to Today, 2 - 3 March 2017, Université Rennes 2, Rennes, France.

White, R (2017) Perambulism: moved earth, sweet water. In: Bodily Undoing: Somatic Activism and Performance Cultures as Practices of Critique, 16-17 September 2017, Bath Spa University, UK.

White, R (2017) Sweet Waters: sense-ing legacies of slave-ownership in Bath and along the River Avon. In: Festival of Nature, Bath, UK, 8 - 25 June 2017.

White, R (2017) Walking as epistemology: the map is not the territory. In: Elastic Spaces Third International Symposium 2017, 11 - 13 October 2017, Bath Spa University, UK. Please click the title to check availability.

White, R (2017) Walking boots. In: Research Now: 'Objects of Research’, 4 May 2017, Bath Royal Literary and Scientific Institution, Bath, UK. Please click the title to check availability.

White, R (2017) Workhouse Walks. Bath, UK, 31 May - 20 September 2017.

White, R (2017) An invitation to walk. In: Protestival, 14 May 2017, Bath, UK. Please click the title to check availability.

White, R and Boehm, J.D (2017) Sweet Waters: Soundings. Saltford Brass Mill, Saltford, UK, 21 October 1017.

White, R and Brunstein, L (2017) Forced Walks: Honouring Esther - Closing Exhibition. 44AD Gallery, Bath, UK, 26 - 29 January 2017.

Wilson, A (2017) Paddington 2: the movie storybook. Harper Collins, Glasgow. ISBN 9780008254483

Wilson, A (2017) Vlad, the world’s worst vampire. Stripes, London. ISBN 9781847157423

Wilson, A (2017) The family fiasco. Macmillan Children's Books, London. ISBN 9781509801299

Wilson, C (2017) Applying studio ceramic practice to constructions of meaning in relation to the banal mug, utilizing the Shepton Collection as a creative tool. PhD thesis, Bath Spa University.

Wilson, C.J.R

(2017) A Game of JUG.

Wilson, C.J.R

(2017) Krug | Cruche | Jarra | Jug (2017). In: Pour Me, Devon Guild of Craftsmen, Bovey Tracey, UK, 18 March - 7 May 2017.

Wilson, C.J.R

(2017) Writing making | making writing: retaking the side of things. In: PAC Home Talk Series, 13 December 2017, Plymouth Arts Centre, Plymouth, UK.

Wilson, C.J.R

(2017) A game of jug. In: Making Beyond Words – Intersections between Text, Image, Display: Celebrating 50 Years of Concrete Poetry, Bath Spa University, Corsham, UK, 16 - 17 June 2017.

Wilson, C.J.R

(2017) nadadanada. In: Making Beyond Words – Intersections between Text, Image, Display: Celebrating 50 Years of Concrete Poetry, 16 - 17 June 2017, Bath Spa University, Corsham, UK.

Witcombe, M (2017) 'In the Roth archives: the evolution of Philip Roth’s Kepesh trilogy.' Philip Roth Studies, 13 (1). pp. 45-63.

Wood, J and Harrison, P (2017) 10 × 10 (2011) & Tall buildings (2011). In: Jeu et Diversion: Festival d'Art Contemporain - 9th Edition, Art Souterrain, Montreal, Canada, 4 - 26 March 2017.

Wood, J and Harrison, P (2017) As Logical as Possible. Kunstverein, Arnsberg, Germany, 17 – 25 February 2017.

Wood, J and Harrison, P (2017) Board (1993). In: The Order of Things, The Wilson, Cheltenham Art Gallery & Museum, Cheltenham, UK, 28 January - 5 March 2017.

Wood, J and Harrison, P (2017) Board (1993) + others. In: Body Media II, Power Station of Art, Shanghai, China, 29 April - 30 July 2017.

Wood, J and Harrison, P (2017) Boat (1991) & Board (1993) & 3 Legged (1997) & Device (1996). In: Do Not Disturb, Palais de Tokyo, Paris, France, 21 - 23 April 2017.

Wood, J and Harrison, P (2017) Device (1996) & Six boxes (1997). In: [Re]construct: An Arts Council Collection National Partners Exhibition, Yorkshire Sculpture Park, Wakefield, UK, 1 April - 25 June 2017.

Wood, J and Harrison, P (2017) An Eyeful of Wry: Government Art Collection [group exhibition]. Brynmor Jones Library Gallery at the University of Hull, Hull, UK, 20 October - 26 November 2017.

Wood, J and Harrison, P (2017) Other Plans. Galeria Vera Cortês, Lisbon, Portugal, 27 January – 11 March 2017.

Wood, J and Harrison, P (2017) Semi automatic painting machine (2014). In: Looking at One Thing and Thinking of Something Else - Part Four: Disrupt / Disorder / Display, Carroll/Fletcher Gallery, London, UK, 17 March - 29 April 2017.

Wood, J and Harrison, P (2017) Six boxes (1997). In: Why Can't Minimal, The Rooms, St. John's, NL, Canada, 14 January - 9 April 2017.

Wood, J and Harrison, P (2017) Unrealistic mountaineers (2012). In: First Star, Last Snowflake, Villa du Parc, Annemasse, France, 1 April - 10 June 2017.

Wood, J and Harrison, P (2017) Westkunst - Ostkunst: a Selection from the Collection [group exhibition]. Ludwig Museum, Budapest, Hungary, 1 August 2017 - 31 December 2018.

Wood, J, Harrison, P and De Wachter, E.M (2017) 'John Wood and Paul Harrison.' In: De Wachter, E.M, ed. Co-art: artists on creative collaboration. Phaidon, New York, NY, pp. 70-77. ISBN 9780714872889

Wood, M (2017) Edible identities: food as cultural heritage [book review]. Folklore, 128 (2). pp. 216-217.

Woodward, G (2017) Legoland. Picador, London. ISBN 9781447288695

Wright, E.H (2017) ‘One always catches the "frou-frou" of the leading actress’ skirts’: Virginia Woolf’s dramatic journalism. In: International Virginia Woolf Conference, 28 June - 2 July 2017, Reading University, UK.

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Yun, B (2017) Leavetaking: a novel & Arrivals and departures: lessons from a first time novelist. PhD thesis, Bath Spa University.

This list was generated from ResearchSPAce on Sat Oct 3 06:42:33 2026 UTC.