Items where Division is "Bath School of Music and Performing Arts" and Year is 2025

Bayley, A ORCID: 0000-0002-2114-5917, Clough, N, Dirwai, C, Manatsa, P and Tarr, J (2025) 'Understanding community engagement in forest restoration in rural Zimbabwe through intercultural dialogue and participatory action research.' Journal of Sustainable Development in Africa, 27 (2). pp. 79-104.

Chatzimakris, V (2025) Interfacial scores: indeterminacy of performing means as composition strategy. PhD thesis, Bath Spa University. doi: 10.17870/bathspa.00017205

Dicken, M.J.Z (2025) The Paraguayan polca: adoption, adaption and reimagination. PhD thesis, Bath Spa University. doi: 10.17870/bathspa.00017523

Farrally, N (2025) Evaluation practices in community music: a constructionist approach to exploring community musicians’ perspectives. PhD thesis, Bath Spa University. doi: 10.17870/bathspa.00017281

Ginger, O.D (2025) Borders: investigating liminality, outsiderness and solitude through an exploration of the sound environments of Andover. PhD thesis, Bath Spa University. doi: 10.17870/bathspa.00017435

Guinn, M (2025) Gilgamesh and the ancient Near East: adapting ancient texts for modern musical stage works. PhD thesis, Bath Spa University. doi: 10.17870/bathspa.00017132 Please click the title to check availability.

Hunter, V ORCID: 0000-0002-9835-3853 (2025) 'Researching site dance: entangled enmeshments.' In: Harman, G, ed. Practitioner perspectives on dance research. Routledge, Abingdon, pp. 126-142. ISBN 9781032566795

Hunter, V ORCID: 0000-0002-9835-3853, Perazzo, D and Elliott, M ORCID: 0009-0009-7641-7092 (2025) 'Dancing otherwise: new assemblages for pluriversal practices.' Journal of Awareness-Based Systems Change, 5 (2). pp. 59-80.

Lane, S (2025) Constructing emotional intelligence: technologically mediated interdisciplinary collaboration in telematic performance. PhD thesis, Bath Spa University. doi: 10.17870/bathspa.00017538

Lovett, M ORCID: 0000-0003-3599-7886, Land, T and Reeder, P (2025) 'EDITORIAL INTRODUCTION: The everyday is every day.' International Journal of Creative Media Research, 11.

Mazanek, M.P (2025) 'Integrating the popular in nineteenth-century improvisation: immaterial labour and learning.' Performance Research, 29 (6). pp. 17-23.

Poster-Su, T ORCID: 0009-0009-6395-0744 (2025) 'Beyond representation: a conversation with Jummy Faruq on decentring puppetry practice and design.' In: Richards, P, Briar, H, Mello, A and Purcell-Gates, L, eds. Race, gender and disability in puppetry and material performance. Routledge, Abingdon, pp. 120-129. ISBN 9781032139517

Poster-Su, T ORCID: 0009-0009-6395-0744 (2025) 'A real American wife, a Japanese object: critical puppetry and the construction of the Orient in Anthony Minghella’s Madam Butterfly.' In: Richards, P, Briar, H, Mello, A and Purcell-Gates, L, eds. Race, gender, and disability in puppetry and material performance. Routledge, Abingdon, pp. 33-50. ISBN 9781032139517 Please click the title to check availability.

Purcell-Gates, L (2025) 'Notes on a material dramaturgy.' In: Posner, D.N, Orenstein, C and Mello, A, eds. Making meaning in puppetry: materials, practice, perception. Routledge, Abingdon, pp. 32-41. ISBN 9781032458120

Reading, K (2025) Unveiling the body: a creative exploration into (re)connecting with the body using performance-based practices. In: Embodied Voices Research Network Conference, 24- 25 April 2025, Warwick University.

Reading, K (2025) 'Chapter Arts Centre in the 1970s: a radical shift for theatre.' In: Hindson, C, Cochrane, C, Reid, T and Goddard, L, eds. The Routledge companion to twentieth century British theatre and performance: volume II 1950–2000. Routledge, Abingdon. ISBN 9780367495725

Rowley, C (2025) Studio/Stage: entangling private and public creative spaces through interdisciplinary composition. PhD thesis, Bath Spa University. doi: 10.17870/bathspa.00017516

Saunders, J (2025) Taskmasters and purposeless instructions: make-work as a compositional frame. In: Royal Musical Association 61st Annual Conference, 10 - 12 September 2025, University of Southampton, UK.

Saunders, J (2025) having to carry out the repetitive, mind-numbingly boring but still very necessary tasks required to manage increasingly complicated processes of production.

Saunders, J (2025) something happens then something else happens then all sorts of other things happen.

Steadman, M.E (2025) Embodying the Eerie: an investigation of the Eerie as a dramaturgical concept in processes of directing devised performance. PhD thesis, Bath Spa University. doi: 10.17870/bathspa.00017139

Thornhill, I, Bayley, A ORCID: 0000-0002-2114-5917, Collins, T.M, Goto, R, Hinde, K, Hunter, V ORCID: 0000-0002-9835-3853, Kang, J, Kim, H, Kim, J, Kim, J.G, Lawfull, S, Lee, T, O'Brien, L, Rabiey, M, Shin, W.S, Sochacka, A, Walton, S, Wishart, S and Yu, J (2025) 'Natural soundscapes as a disciplinary bridge in pursuit of sustainability: research themes and priorities.' Ecosystems and People, 21 (1). e2571450.

Xu, Z ORCID: 0000-0002-7819-4517 (2025) The river of no one: telematic choreography and postdigital performance. In: TaPRA Conference 2025, 27 - 29 August 2025, University of Warwick, Coventry, UK.

Xu, Z ORCID: 0000-0002-7819-4517 (2025) Dancing Chineseness and techno-choreography. Routledge, Abingdon. ISBN 9781032979571

Yakubov, D (2025) Revitalising the musical past of the Nogai through song: a contemporary interpretation of the Epic of Edige through Nine Rhapsodies. PhD thesis, Bath Spa University. doi: 10.17870/bathspa.00017344