Browse by Authors

Hugill, A (2016) Adventures in creative computing. In: Professorial Lecture Series 2016-17, 19 October 2016, Bath Spa University, Bath, UK.

Hugill, A and Amelides, P (2016) 'Audio-only computer games: 'Papa Sangre'.' In: Emmerson, S and Landy, L, eds. Expanding the horizon of electroacoustic music analysis. Cambridge University Press, Cambridge, pp. 355-375. ISBN 9781107118324

Hugill, A (2016) 'On style in electroacoustic music.' Organised Sound, 21 (1). pp. 4-14.

Hugill, A and Yang, H (2016) 'PRASCAL: a pataphysical programming language.' International Journal of Creative Computing, 1 (2/3/4). pp. 133-153.

Hugill, A (2015) 'Percy Grainger: pioneer of electronic music.' In: Robinson, S and Dreyfus, K, eds. Grainger the modernist. Ashgate, Farnham, pp. 231-254. ISBN 9781472420220

Hugill, A (2015) Boring formless nonsense: experimental music and the aesthetics of failure, by eldritch Priest [book review]. Tempo, 69 (271). pp. 98-99.

Hugill, A and Rieser, M (2014) RUR (Rossum's universal replicants).

Hugill, A (2014) Théories de la composition musicale au xxe siècle (2 vols) edited by Nicolas Donin and Laurent Feneyrou [book review]. Tempo, 68 (270). pp. 105-107.

Hugill, A (2014) Pataphysics and computing. In: Philadelphia à la Pataphysique, March 21st - 23rd 2014, University of Pennsylvania.

Hugill, A and Smith, S (2013) 'Digital creativity and transdisciplinarity at postgraduate level: the design and implementation of a transdisciplinary masters programme and its implications for creative practice.' Digital Creativity, 24 (3). pp. 191-207.

Hugill, A and Scott, L (2013) 'The Imaginary Voyage: an online opera.' Digital Creativity, 24 (3). pp. 268-273.

Hugill, A (2013) 'Introduction: transdisciplinary learning for digital creative practice.' Digital Creativity, 24 (3). pp. 165-167.

Hugill, A and Rieser, M (2013) 'Secret garden.' Digital Creativity, 24 (3). pp. 264-267.

Yang, H, Hugill, A, Raczinski, F and Sawle, J (2013) 'The pataphysics of creativity: developing a tool for creative search.' Digital Creativity, 24 (3). pp. 237-251.

Hugill, A and Hendler, J (2013) 'The syzygy surfer: creatively (ab)using the World Wide Web.' International Journal of Creative Computing, 1 (1). pp. 20-34.

Hugill, A and Rieser, M (2013) 'Secret Garden.' Media-N, Journal of the New Media Caucus, 9 (3).

Hugill, A (2013) 'Who has been tampering with these pianos?: The surrealist writings of Montagu O’Reilly (Wayne Andrews).' Papers of Surrealism, 10.

Hugill, A (2013) 'Opposition and sister squares: Marcel Duchamp and Samuel Beckett.' toutfait.com: The Online Marcel Duchamp Studies Journal. Please click the title to check availability.

Yang, H, Hugill, A and Raczinski, F (2013) Creative search using pataphysics. In: 9th ACM Conference on Creativity & Cognition, 17-20 June 2013, Sydney, Australia.

Hugill, A, Scott, L and Lawrence, J (2013) The Imaginary Voyage (web opera).

Hugill, A and Rieser, M (2013) Secret Garden. Phoenix Digital Arts Centre, Leicester, UK, 10 September - 1 October 2012.

Yang, H and Hugill, A (2013) 'The creative turn: new challenges for computing.' International Journal of Creative Computing, 1 (1). pp. 4-19.

Hugill, A (2012) The digital musician. 2nd ed. Routledge, Abingdon. ISBN 9780415806596

Hugill, A (2012) 'Musicianship in the digital age.' In: Brown, A, ed. Sound Musicianship: Understanding the Crafts of Music. Cambridge Scholars. ISBN 9781443839129

Hugill, A (2012) Pataphysics: a useless guide. MIT Press. ISBN 9780262017794

Fishenden, J and Hugill, A (2011) Palimpsests of time and place. In: IEEE 35th Annual Computer Software and Applications Conference - COMPSAC 2011, 18 - 22 July 2011, Holiday Inn, Munich.

Hugill, A (2011) Animal stories. In: Animal Stories, New Walk Museum & Art Gallery, Leicester, UK, 25th June 2011 – 26th February 2012.

Hugill, A (2011) City soundings. In: International Radiophonic Creation Day, 4 June 2011.

Hugill, A and Hendler, J (2011) Creatively abusing the semantic web. In: ACM Web Science Conference 2011, 14-17 June 2011, Koblenz, Germany.

Hugill, A (2011) Digital musicianship. In: The Seventh Biennial International Conference on Music Since 1900, 28-31 July 2011, Lancaster University, Lancaster, UK.

Hugill, A (2011) Four interludes.

Hugill, A (2010) 'Les pianos surréalistes dans les écrits de Montagu O'Reilly.' Pianographies, 44. pp. 53-58.

Hugill, A (2010) Music and pataphysics. In: Digital Arts Week, 2010, Xian Academy of Music, Xian, China.

Hugill, A, Cawthorne, D and Watson, G (2010) Virtual Roman Leicester (VRL): An interactive Computer Model of a Romano-British City. In: Computer Applications and Quantitative Methods in Archaeology (CAA) The 38th International Conference, 6 - 9 April, Granada, Spain.

Hugill, A (2010) The lion and the eagle.

Yang, H, Hugill, A and Zhou, H (2010) An ontology-based approach to reengineering enterprise software for cloud computing. In: Computer Software and Applications Conference (COMPSAC), 2010 IEEE 34th Annual, 19 - 23 July 2010, Seoul.

Hugill, A (2009) St. George's Island Chorale. On Fanfares, Fancies and Fugues.

Hugill, A (2007) 'The origins of electronic music.' In: Collins, N and d'Escrivan, J, eds. The Cambridge companion to electronic music. Cambridge University Press, Cambridge. ISBN 9780521688659

Hugill, A (2005) 'From online symphonies to MusiMOO: Some creative uses of the internet in music and education.' Contemporary Music Review, 24 (6). pp. 527-540.

Hugill, A (2005) 'Internet music: An introduction.' Contemporary Music Review, 24 (6). pp. 429-437.

Hugill, A (2004) Another slight list.

Hugill, A (2004) The Sound Exchange.

Hugill, A (2004) The orchestra: a user's manual.

Hugill, A (2003) Nicholas through the mist.

Hugill, A (2003) On hundred thousand billion songs. French Institute, London, UK.

Hugill, A (2003) Pianolith.

Hugill, A (2002) Clinamen.

Hugill, A (2001) Timestretch.

Hugill, A (2000) Sonneries parfumes.

Hugill, A, Graves, A and Hand, C (1999) 'MidiVisualiser: interactive music visualisation using VRML.' Organised Sound, 4 (1). pp. 15-23.

Hugill, A (1999) Symphony for Cornwall.