Items where Subject is "NX Arts in general"

Dunseath, J and Wilsher, M, eds. (2016) Artist boss: Anthony Caro's studio assistants and issues of legacy in British sculpture. Wunderkammer Press, Bath. ISBN 9780993551109 Please click the title to check availability.

Dalwood, D (2019) What is really happening. Dostoyevsky Wannabe / Simon Lee Gallery, London. ISBN 978199996562

Gifford, T (1990) Ten letters to John Muir. Burbage Books, Sheffield. ISBN 9780951579619

Gifford, T (1998) Whale watching with a boy and a goat. Redbeck Press, Bradford. ISBN 9780946980598

Gifford, T and North, C (2011) Al otro lado del aguilar: poems and conversation in Spanish and English. Oversteps Books, Kingsbridge. ISBN 9781906856182

Middleton, J, Wright, T and Bevan, R (2007) Be incredibly creative : 52 brilliant little ideas for honing your mind. 52 brilliant ideas : one good idea can change your life . Infinite Ideas, Oxford. ISBN 9781905940035

Pullinger, K and Bartlett, N (2014) Letter to an unknown soldier. William Collins, Harper Collins, London. ISBN 9780008116842

Tooby, M, Daniel, S and Barlow, M (1995) From the interior : selected sculptures 1981-1995 = O'r canol : cerflunia dethol 1981-1995. Oriel Mostyn, Llandudno. ISBN 9780906860298

Tooby, M and de Waal, E (1999) Modern home: an intervention by Edmund de Waal at High Cross House. Dartington Hall. ISBN 9780902386181

Turnbull, O (2008) Bringing down the house: the crisis in England's regional theatres. Intellect Books, Bristol. ISBN 9781841502083

Albers, R and May, S (2015) 'Revelation, transgression, disclosure and the tyranny of truth.' In: Harper, G, ed. Creative writing and education. Multilingual Matters, pp. 17-28. ISBN 9781783093533

Bianchi, J (2004) 'Knowledge and learning in art and design.' In: Ward, S, ed. Education studies: a student's guide. Routledge, London. ISBN 9780415321198

Brien, P (2023) 'Incendiary: curating art protest in the toxic airs of Stroud’s rural green idyll.' In: Pigott, A, Jones, O and Parry, B, eds. Art and creativity in an era of ecocide: embodiment, performance and practice. Bloomsbury, London, pp. 203-220. ISBN 9781350237223

Dalwood, D (2019) 'What is the history in contemporary history painting?' In: Phillips, M.S and Bear, J, eds. What was history painting and what is it now? McGill-Queens University Press, Montreal, Canada, pp. 204-214. ISBN 9780773558960

Dunseath, J and Wilsher, M (2016) 'Artist boss.' In: Dunseath, J and Wilsher, M, eds. Artist boss: Anthony Caro's studio assistants and issues of legacy in British sculpture. Wunderkammer Press, Bath, pp. 19-27. ISBN 9780993551109

Ghosh, S (2024) 'Our nation, their nation: Premchand, Satyajit Ray and the Indian state.' In: Dattaray, D, Halder, E and Das, S, eds. Literature and the other arts. Jadavpur University, Kolkata, India. (Forthcoming) Please click the title to check availability.

Gifford, T (1996) 'Dialogues.' In: Real : an exhibition by three of Cumbria's leading figurative painters. Tullie House Museum and Art Gallery, Carlisle, p. 4.

Gifford, T (2001) ''Fiber': a post-pastoral Georgic.' In: Weltzien, O.A, ed. The literary art and activism of Rick Bass. University of Utah Press, Salt Lake City, UT, pp. 248-263. ISBN 9780874806977

Gifford, T (2001) 'Muir's Ruskin: John Muir's reservations about Ruskin reviewed.' In: Gamble, C, ed. John Ruskin: the Brantwood Years - symposium papers. The Ruskin Programme, Lancaster University, Lancaster, pp. 1-14.

Gifford, T (2018) 'Six stages in the greening of Ted Hughes.' In: Gifford, T, Robertson, N and Womald, M, eds. Ted Hughes, nature and culture. Palgrave Macmillan, Basingstoke, Hampshire, UK. ISBN 9783319975733

Kampe, T (2021) 'Dancing the soma-ecstatic: Feldenkrais and the modernist body.' In: Scholl, R, ed. The Feldenkrais Method in creative practice: dance, music, theatre. Methuen, London, pp. 17-37. ISBN 9781350158382 Please click the title to check availability.

Kampe, T (2021) 'Displaced/Displayed - surviving dance in exile.' In: Kampe, G and Kampe, T, eds. Beyond forgetting - persecution/exile/memory: transdisciplinary perspectives on design, performance and education. Cuvillier Verlag, Goettingen, pp. 128-143. ISBN 9783736973107 Please click the title to check availability.

Kampe, T (2021) 'The Feldenkrais Method® and a theater of enaction.' In: Elgelid, S and Kresge, C, eds. The Feldenkrais Method®: learning through movement and the brain. Handspring, Fountainhall. ISBN 9781912085699 Please click the title to check availability.

Kampe, T (2021) 'Punti di Fuga / Fluchtpunkte - enacting empathy.' In: Kampe, G and Kampe, T, eds. Beyond forgetting - persecution/exile/memory: transdisciplinary perspectives on design, performance and education. Cuvillier Verlag, Goettingen, pp. 198-207. ISBN 9783736973107 Please click the title to check availability.

Kampe, T (2019) 'Tanz als Überlebenskunst: Die Choreografin Hilde Holger und ihr Einfluss auf die britische Tanzkultur.' In: Amort, A, ed. Alles tanzt: Kosmos Wiener Tanzmoderne. Hatje Cantz, Vienna, pp. 289-297. ISBN 9783775745673 Please click the title to check availability.

Kampe, T and Batson, G (2020) 'Dancing critical somatics – an emancipatory education for the future?' In: David, A.R, Huxley, M and Whatley, S, eds. Dance fields: staking a claim for dance studies in the twenty-first century. Dance Books, Binsted, pp. 154-184. ISBN 9781852731816 Please click the title to check availability.

McLaren, G (1996) 'Shaping the future : the ceramics department and industry after the Second World War.' In: Frayling, C and Catterall, C, eds. Design of the times : one hundred years of the Royal College of Art. Richard Dennis, Shepton Beauchamp, Somerset, pp. 29-57. ISBN 0903685426

Medjesi-Jones, A (2015) 'The absence of myth.' In: Günther Herbst: the absence of myth. AOP Gallery, Johannesburg, South Africa, pp. 3-7. ISBN 9780620663885

Parry, B (2016) 'Theses on urban art intervention.' In: Davis, T, ed. Changing metropolis III. Kobenhavns International Teater, Copenhagen, pp. 102-106. ISBN 9788799422920 Please click the title to check availability.

Parry, B and Wodiczko, K (2016) 'War veteran vehicle.' In: Wodiczko, K, ed. Transformative avant-garde and other writings. Black Dog Press, London, pp. 254-262. ISBN 9781910433270

Slade, C (1999) 'Reason to buy: teaching reasoning through television.' In: van Eemeren, F.H., Grootendorst, R, Blair, J.A. and Willard, C.A., eds. Proceedings of the fourth international conference of the International Society for the Study of Argumentation. SIC SAT, Amsterdam, pp. 746-750. ISBN 9789074049047

Slade, C (1998) 'Reasoning about television on the net.' In: 1998 Communications Research Forum: papers. Communications Research Unit, Canberra, pp. 55-69.

Tooby, M (2000) 'Iwan Bala.' In: Offerings and reinventions. Seren. ISBN 9781854112804

Tooby, M (2013) 'Simplicity and subject.' In: William Scott: simplicity and subject. Bath & North East Somerset Council, Bath, pp. 14-23.

Tooby, M (2001) 'Towards a study of Terry Setch.' In: Tooby, M and Holman, M, eds. Terry Setch: a retrospective. Howard Gardens Gallery, pp. 9-33. ISBN 9780951577790

Tooby, M (1998) 'The same subject: sources and origins.' In: Glennie, S, ed. William Scott: paintings and drawings. Merrell Publishers Ltd.

Turnbull, O (2007) ''Paula Vogel', 'The Baltimore Waltz', 'John Patrick Shanley', 'Lanford Wilson', 'Fifth of July', 'Jose Rivera' and 'Albert Innaurato'.' In: Cody, G and Sprinchorn, E, eds. The Columbia encyclopedia of modern drama. Columbia University Press. ISBN 9780231140324

Tweed, C (2021) 'Fictioning the third space.' In: Barranha, H and Henriques, J.S, eds. Art, museums and digital cultures: rethinking change. IHA/NOVA FCSH and maat, Lisbon, pp. 123-135. ISBN 9789895440542

Walton, S (2017) 'Landscaping change: exploring the transformation, reconstitution and disruption of environments through the arts, humanities and social sciences.' In: Where we live now: perspectives on place and policy. British Academy, London, pp. 52-55. Please click the title to check availability.

Withers, R (2016) 'Bringing things down to Earth.' In: Giusti, L, ed. Roman Signer : a step towards the sea = un passo verso il mare. Humboldt Books, Milan, pp. 121-135. ISBN 9788899385132 Please click the title to check availability.

Withers, R (2015) 'Slow movement.' In: Roman Signer: slow movement. Ridinghouse, London, pp. 13-19. ISBN 9781909932081

Withers, R (2015) 'Why talk to artists?' In: Jones, N.J and Liotchev, I, eds. COLLABORATE! JKL Books, London.

Withers, R (2015) 'A matter of life and death.' In: Neudecker, M, Lambert, S and McClean, V, eds. Plastic vanitas: Mariele Neudecker. text + work, Bournemouth, pp. 22-28. ISBN 9780901196675 Please click the title to check availability.

Astles, C, Fisher, E, Purcell-Gates, L and Sextou, P (2020) 'Editorial - Applied puppetry in health.' Journal of Applied Arts and Health, 11 (1 & 2). pp. 3-13.

Bianchi, J (2003) 'Get it off your chest: contexts in creative community working.' International Journal of Art and Design Education, 22 (1). pp. 23-35.

Bodman, S and Sowden, T (2015) 'Artists’ books at the Centre for Fine Print Research.' The New Bookbinder, 35. pp. 73-80. Please click the title to check availability.

Brayfield, C (2011) 'Hard times.' Mslexia (48).

De Angeli, D, Finnegan, D.J, Scott, L and O'Neill, E (2021) 'Unsettling play: perceptions of Agonistic Games.' Journal on Computing and Cultural Heritage, 14 (2). e15.

English, L (2017) 'And the word was made flesh.' Mslexia (74). pp. 36-37. Please click the title to check availability.

English, L (2013) 'Brave new worlds: spoken word and open mic sessions.' Mslexia (60). Please click the title to check availability.

Erbelding, M and Poster-Su, T (2023) 'Der persönliche Standpunkt von Puppenspieler*innen und die Konstruktion von „Race“ in „Chang and Eng and Me (and Me)“.' Double, 47.

Gifford, T (1977) 'Brecht's dialectical theatre.' Delta, 54. pp. 27-31.

Gifford, T (2001) 'Interview with Fay Godwin.' Thumbscrew, 18. pp. 114-117.

Gifford, T (2007) 'State of the art: Alpine Club artists.' Summit, 45. pp. 30-34.

Gifford, T (1978) 'A return to 'The wound' by Ted Hughes.' Kingfisher, 1 (2). pp. 46-53.

Hay, P (2024) 'Creative pedagogies: School Without Walls and Forest of Imagination.' International Journal of Art & Design Education, 43 (3). pp. 396-414.

Hill, T (1997) ''He hath changed his coppy': anti‐theatrical writing and the turncoat player.' Critical Survey, 9 (3). pp. 59-77.

Luzar, R (2014) 'Multiple signatures of subtraction.' Mnemoscape Magazine, 1 (Sep). pp. 144-159.

Luzar, R (2020) 'Performative problems.' Drawing: Research, Theory, Practice, 5 (1). pp. 29-41.

McLaren, G (1990) 'The 'Belhus Barometer', its owners and makers.' The Burlington Magazine, 132 (1047). pp. 407-409.

Parry-Williams, T (2015) 'Material matters: a quiet philosophy.' Jamini, 2 (1). pp. 124-133.

Parry-Williams, T (2015) 'Women's work? Thoughts on men and weaving = Arbeit der Frauen? Gedanken zu Männern und Weben.' Textilforum, 2. pp. 12-13.

Poster-Su, T (2021) 'Sculpting China: critical puppetry and the formation of diasporic identity in 'Chang and Eng and Me (and Me)'.' Critical Stages/Scènes critiques, 24.

Poster-Su, T (2020) 'A grotesque act of ventriloquism: raising and objectifying the dead on stage.' Applied Theatre Research, 8 (1). pp. 45-56. Please click the title to check availability.

Rigby, K (2008) 'Art, animals and sustainability [guest editor].' PAN: Philosophy, Activism, Nature (5). pp. 1-2.

Slade, C (2001) 'Global media generation memories: Australia and Mexico.' Media International Australia, 101. pp. 111-126.

Slade, C (2002) 'Reasons to buy: the logic of advertisements.' Argumentation, 16 (2). pp. 157-178.

Slade, C (2001) 'What is real? Ontology and the media.' Spiel, 19. pp. 218-237.

Slade, C (2000) 'Why not lie? Television talk and moral debate.' Television and New Media, 1 (4). pp. 419-430.

Slade, C, Lewis, G, Schaap, R and Wei, J.H. (1994) 'Television globalisation in Taiwan and Australia.' Media Asia, 21 (4). pp. 183-189.

Sowden, T (2014) 'Click, swipe, download, share - digital artists’ publishing.' So Multiples, 6. pp. 37-51. Please click the title to check availability.

Sullivan, S and Low, C (2014) 'Shades of the rainbow serpent? A KhoeSān animal between myth and landscape in southern Africa – ethnographic contextualisations of rock art representations.' Arts, 3 (2). pp. 215-244.

Tooby, M (2009) 'More than skin deep: the new Art Gallery of Ontario.' Museum Practice, 45. pp. 18-23.

Withers, R (2014) 'By dint of repetition: on the lasting legacy of artist and educator Monica Ross.' Art and Christianity, 77. pp. 2-5. Please click the title to check availability.

Withers, R and Channer, A (2024) 'Alice Channer.' Burlington Contemporary, 22 Feb. Please click the title to check availability.

Xu, Z ORCID: 0000-0002-7819-4517 (2020) 'Choreography of sonic chopsticks and intervention of digital technology with dancing bodies.' Body, Space & Technology, 19 (1). pp. 56-75.

Allen, D (2009) The go between: artist as mediator between collections and audiences. In: The Go Between, September 9 - 11, National Museum Wales, Cardiff and University of Glamorgan.

Bianchi, J (2013) Creative arts strategies for social participation with diverse learners: developing citizenship values and practice'. In: Conference on Creative Education, 24-25 May 2013, Beijing, China.

Bianchi, J (2014) Empowerment, diversity and creative participation: challenging exclusion and extending individual and community engagement through interactive arts education. In: Asian Conference on Arts and Humanities, 3-6 April 2014, Osaka, Japan..

Bianchi, J (2010) Life stories: developing intercultural strategies through arts education. In: International Conference on the Arts in Society, 22-25 July 2010, University of Sydney, Australia.

Bianchi, J (2008) More than a body's work: an exploration of arts participation, visual image and identity. In: The International Scientific Conference: Fine Arts in Egypt - 100 Years of Creativity, 19-22 October 2008., Cairo, Egypt..

Crosby, C, Hartley, G, Medjesi-Jones, A, Ryan, D and Turner, A (2015) Panel discussion. In: At the Point of Gesture, 23 January - 11 February 2015, Wimbledon College of Art, London, UK.

De Angeli, D, Finnegan, D.J and Scott, L (2020) Sacred springs: teaching children local history via a game jam. In: World’s Most Inclusive PD Project Workshop as part of IDC2020: Designing for the Future, 17 - 24 June 2020, [online].

Dunseath, J (2015) About making. In: Artist's Talk, 15 September 2015, Spike Island, Bristol, UK.

Dunseath, J (2023) About making: keep chewing the gum. In: Issues in Creative Practice: Doing Together, 3 - 4 April 2023, Locksbrook, Bath Spa University, UK.

Dunseath, J (2023) Making immersive technology accessible for art and design teaching. In: Accelerate Multiplier Event, 18 May 2023, UK / Ireland / Poland / Ukraine [online].

Dunseath, J (2017) What is a studio and how do we use one? In: What Is A Studio And How Do We Use One? A One Day Symposium In Conjunction With Inventory Of Behaviours, 6 February 2017, blip blip blip, East Street Arts Patrick Studios, Leeds, UK.

Dunseath, J (2014) The studio assistant: artist-assistant relationships and the lineage of contemporary British sculpture (1960 - present day). In: GLAD Conference 2014: The Studio - Where do we Learn? Where do we Teach?, 27 February 14, Sheffield Institute of Arts, Sheffield Hallam University.

Dunseath, J, Ayling, N, Bax, O, Black, H and Wallbank, J (2014) Making sculpture: views from the studio. In: Collaborating with Caro, 10 October 2014, Central St Martins, London.

Dunseath, J and Squires, K (2021) As seen. In: Issues in Creative Practice Research: Creativity and Crisis Symposium, 9 February 2021, Bath Spa University, UK [online].

Dunseath, J and Squires, K (2023) Chew. In: On Not Knowing: How Artists Teach, 9 - 10 June 2023, Glasgow School of Art, Glasgow, UK.

Dunseath, J and Squires, K (2023) Touch Type. In: CreaTech, 22 September 2023, Fabrication Lab and Ambika P3, University of Westminster, London, UK.

Farrar, R (2013) Audio postcards: studio talk. In: Studio Residency Talks, 16 May 2013, Pervasive Media Studio, Bristol, UK.

Farrar, R (2013) From Bristol to Brooklyn: in search of soundmarks. In: The Noises of Art: Audiovisual Practice in History, Theory and Culture. Aberystwyth University in collaboration with the Courtauld Institute of Art, 4 - 6 September 2013, Aberystwyth University, Aberystwyth, UK.

Farrar, R, Heywood, B and Telling, L (2017) Utilising technology to unlock the past. In: The Asian Conference on Arts and Humanities, 30 March - 2 April 2017, Art Center, Kobe, Japan.

Head, A and Sujir, L (2015) Elastic 3D Space: international workshop. In: Elastic 3D Space: Embodied Virtual Space Observable Through the Use of Stereoscopic Techniques, 3 - 5 October 2015, Concordia University, Montreal, Canada.

Irvine, K (2010) Counting the cost: risks and rewards in todays theatre. In: ScenePool 7: The New Diorama, 25 – 30 May 2010, London.

Irvine, K (2007) The new entrepreneur. In: Artist Anonymous Self Help Conference, 7 July 2007, Middlesex University, London, UK.

Irvine, K and Dickson, K (2010) Emotional entrepreneurs: an exploratory study of small-scale theatre company founders. In: ISBE/RAKE Workshop, 26 March 2010, London, UK.

Irvine, K, Simpson, R, Dickson, K and Edwards, B (2010) Emotional entrepreneurs: the passion of small-scale theatre company founders. In: ISBE 2010 Annual Conference: Looking to the Future: Economic and Social Regeneration through Entrepreneurial Activity, November 2010, London, UK.

Irvine, K, Simpson, R, Dickson, K and Edwards, B (2010) Passion, professionalism and performance: small scale theatre and entrepreneurial identity. In: Dare to Care: Passion and Compassion in Management Practice and Research. Conference of the American Academy of Management, 6-10 August 2010, Montreal, Canada.

Jury, C (2013) It could be you: the spectacular cultures of neoliberalism. In: Annual International Conference on Fine and Performing Arts, 3-6 June 2013, Athens, Greece.

Kidd, N and Addison, J (2016) By instruction: 'No Working Title'... Misunderstanding, misinterpretation, failure and disappointment. The unstable intersection between what is instructed and how it is interpreted. In: The Hidden Curriculum: Annual Symposium for Fine Art Educators, 22 January 2016, London Metropolitan University, London.

Kidd, N, Addison, J and Dunseath, J (2014) About making. In: Noticing Making Summer School, July 2014, Tate Modern, London.

Kidd, N, Dunseath, J, Addison, J and Large, K (2024) Pauses - Inventory of Behaviours. In: Doing Together 2024, 4 - 5 April 2024, Bath Spa University, Bath, UK.

Marcinkowski, M, Zhang, B and Choi, Y (2012) The impact of navigability on flow-like experiences and user enjoyment of online art exhibitions. In: The Pennsylvania State University 2012 Graduate Research Exhibition, 25 March 2012, Pennsylvania State University, PA, USA.

McLaren, G (2012) Cities, Cell Phones and Challenging Photographic Hegemonies. In: Helsinki Photomedia 2012.

McLaren, G (2006) History Plain or History Decorated? The Battle for the Past in the 19th Century Staffordshire Pottery Industry. In: Design and Evolution' Design History Society Conference, 31 Aug - 2 Sep 2006, Delft.

McLaren, G (2011) Manners, Morals and the Modern: Exporting Ideas and Publishing British Tiles in the Late Nineteenth Century. In: Tiles and Architectural Ceramics Society Conference, Exporting Stoke and Beyond: Tiles and architectural ceramics in the world context, 12 Nov 2011, Potteries Museum and Art Gallery, Stoke-on-Trent.

McNish, I (2006) Boiling frogs: theatre as world citizenship in the age of climate change. In: International Federation of Theatre Research 2006 Annual Conference, 7 - 12 August 2006, Helsinki.

McNish, I (2010) Shut-yer face theatre: the silence of Peter Brook. In: International Federation for Theatre Research 2010 World Congress, 25 − 31 July 2010, Munich.

Power, T (2011) ShakesQueer: bearded women, men in tights. In: Performance remains, global presence: memory, legacy, and imagined futures. ATHE's 25th anniversary, 11-14 August 2011, Chicago, Illinois.

Purcell-Gates, L (2007) Critical discourse analysis of the body workshop. In: Pedagogy and Theatre of the Oppressed (PTO) Conference, 31 May-3 June 2007, University of Minnesota, Minneapolis, USA.

Purcell-Gates, L (2005) Dance of the black Madonna: creating space for female transgression. In: Association for Theatre in Higher Education (ATHE) Conference, 28-31 July 2005, Weston St Francis, San Francisco.

Purcell-Gates, L (2005) Reflections of Jane: mirror trope as subversive strategy in Charlotte Perkins Gilman's The Yellow Wallpaper. In: L'ordre et le chaos/Chaos and Order, March 2005, Universit de Reims Champagne Ardenne Colloque.

Purcell-Gates, L (2008) Tout bouge: the (re)construction of the body in Lecoq-based performance pedagogy. In: Theatre and Performance Research Association (TaPRA) Conference, 3-5 September 2008, University of Leeds.

Purcell-Gates, L (2006) A happy mistake: creative collaboration as pedagogical strategy. In: Association for Theatre in Higher Education's (ATHE) Women and Theatre Program Conference, August 2006, Chicago.

Purcell-Gates, L (2005) The un-taming of the shrew: rewriting Shakespeare, reconciling identity. In: Association for Theatre in Higher Education's (ATHE) Women and Theatre Program Conference, 28-31 July 2005, Weston St Francis, San Francisco.

Rugman, K (2007) Tapping into internal resources: an introduction to some of the key elements of somatic practice. In: Body Perspectives: Internal and External Considerations of the Body in Process and in Performance, 14 June 2007, University Theatre, Bath Spa University, Bath, UK.

Rugman, K and Coe, K (2011) Examining the use of tactile aid in somatic teaching: a practical paper in contact unwinding. In: Dance and Somatic Practice Conference: Fostering Trans-Disciplinary Perspectives in Embodied Process and Performance, 8 - 10 July 2011, Coventry University, Coventry, UK.

Sargent, N (2006) Entrepreneurial learning for the creative industries. In: "Collaboration through Creativity" 2006 HERDA-SW Conference, 9 - 10 November 2006, Torquay.

Sargent, N (2005) How the tiger got its trunk. In: Creative Enterprise in Higher Education Conference, 16 November 2005, Lancaster University.

Sayer, R (2013) Re-routing performance: touring as creative force in technical artistry. In: International federation for theatre research: re-routing performance, 21 - 28 July 2013, Barcelona.

Slade, C (2000) Australian global media generations. In: 12th Medienforum NRW Conference: Cross Over Media and Trade Fair, 6 - 12 June 2000, KölnMesse, Cologne.

Slade, C (2001) Cartoons and educating. In: The Fifth Congress of the Americas, 18 - 20 October 2001, University of the Americas, Cholula, Mexico.

Slade, C (1998) Creatividad y las nuevas tecnologías. In: Seminar Series (?), 20 - 29 May 1998, Universidad IberoAmericana, Mexico.

Slade, C (2001) Créativité. In: CIRADE 2001 Conference, 21 May 2001, Université de Québec, Montréal.

Slade, C (2008) Ethics of perception, ethics of communication. In: 58th Annual ICA Conference: Communicating for Social Impact, 22 - 26 May 2008, Le Centre Sheraton, Montreal, Canada.

Slade, C (2004) Global and local in Arab media: recasting the face of war. In: Media Communities, 15 - 17 April 2004, University of Innsbruck, Austria.

Slade, C (2000) Global media generations 2000. In: ICA: 50 Years of Research in Communication, Culture, and Cognition, 1 - 5 June 2000, Acapulco Princess Hotel, Acapulco, Mexico.

Slade, C (2013) Media and citizenship. In: Pre-Conference of the 63rd Annual ICA Conference - Global Communications and National Policies: The Return of the State, Hilton London Metropole Hotel, London, 14 - 16 June 2013.

Slade, C (2007) Media and citizenship. In: Media and Citizenship (?), 1 - 7 May 2007, Utrecht, The Netherlands.

Slade, C (2008) Media and citizenship: Arabic speakers in the EU. In: Media, Communication and Humanity, 22 - 23 September 2008, London School of Economics and Political Science, London.

Slade, C (2011) Media and citizenship: ontologies of transnational media. In: 61st Annual ICA Conference 2011: Communication @ the Center, 26 - 30 May 2011, Westin Boston Waterfront Hotel, Boston.

Slade, C (2009) Media and citizenship: overview of project. In: Media and Citizenship, 7 December 2009, City University, London.

Slade, C (2007) Methodologies of comparative media research in a global sphere: paradigms-critique-methods, researching citizenship. In: 57th Annual ICA Conference - Creating Communication: Content, Control & Critique, 24 - 28 May 2007, Hilton, San Francisco.

Slade, C (2002) Perceptions of media: global media memories. In: Media in Transition 2: Globalization and Convergence, 10 - 12 May 2002, MIT, Cambridge, Massachusetts.

Slade, C (2010) Religious broadcasting on mainstream channels: Al-Jazeera, MBC and Dubai. In: Religious Broadcasting in the Middle East, 30 - 31 January 2010, Møller Centre, Cambridge.

Slade, C (2000) Seeing reasons: Bond’s Cottontails and Sabrina. In: Television: Past, Present and Futures, 1 - 3 December 2000, University of Queensland, St Lucia.

Slade, C (2002) Telenovelas and moral realism. In: Telenovelas & Soap Opera: Negotiating Reality, 19 March 2002, Humanities Research Centre, Australian National University, Canberra.

Slade, C (2003) Telenovelas and soap operas: crossing borders. In: 53rd Annual ICA Conference: Communication in Borderland, 23 - 27 May 2003, San Diego, California.

Slade, C (2010) Transcribing transnational television cultures. In: Transcultural Communication: Intercultural Comparisons, 12 -15 October 2010, University of Hamburg, Hamburg.

Slade, C (2009) Transnational television. In: Journalism in the 21st Century: Between Globalization and National Identity, 16 - 17 July 2009, University of Melbourne, Australia.

Slade, C (2001) Visual argumentation. In: 4th OSSA Conference 2001: Argumentation and It's Applications, 17 - 19 May 2001, University of Windsor, Toronto.

Slade, C (2007) The mediatic turn. In: 57th Annual ICA Conference - Creating Communication: Content, Control & Critique, 24 - 28 May 2007, Hilton, San Francisco.

Slade, C (2002) The paradoxes of popular culture. In: Confederation of Australasian Teachers of Media Conference: Joining the Dots, 19 April 2002, University of Canberra, Australia.

Slade, C, Schoenbach, K and Volkmer, I (2005) New spheres of political communication: the role of news media among Arabic communities in Europe. In: 50 Years of Communication Research: Past & Future, 24 - 26 November 2005, Amsterdam, The Netherlands.

Slade, C and Volkmer, I (2011) Behind the veil. In: IAMCR Conference: Cities, Creativity, Connectivity, 13 - 17 July 2011, Kadir Has University, Istanbul.

Slade, C, Volkmer, I, Camauër, L, Georgiou, M, Najab, F and Ghanjaoui, C (2009) Media and citizenship: transnational television cultures, reshaping political identities in the European Union. In: EU Panel 2009, April 2009, Ultrecht, Holland.

Sowden, T (2014) Click, swipe, download, share. In: Beyond the Book Symposium, 15 May 2014, Exeter University, UK.

Sowden, T, Mason, D and Partington, M (2017) Interrogating the unspoken. In: Research Through Design, 21 - 24 March 2017, National Museum of Scotland, Edinburgh, UK.

Sowden, T, Mason, D and Rintoul, J (2016) Make and think: the tacit knowledge of practice. In: UWE Bristol Talks, 24th November 2016, Arnolfini.

Spencer, A ORCID: 0000-0002-6786-4706 (2023) Literary liveness: dismantling barriers to a remote theatrical experience. In: ELO 2023 - Overcoming Divides: Electronic Literature and Social Change, 12 - 15 July 2023, Universidade de Coimbra, Coimbra, Portugal.

Steadman, M (2014) Site of intimacy: space and corporality in Küsse. In: 5th Global Conference: Performance - Visual Aspects of Performance Practice, 7-9 November 2014, Prague, Czech Republic. Please click the title to check availability.

Taylor, A (2014) A place for drawing. In: Art School Educated, 11-12 September 2014, Tate Britain, London.

Thebo, M (2005) Destination garret? Employability and the arts. In: 9th Quality In Higher Education International Seminar: Enhancing Student Employablity Higher Education And Workforce Development, 27 - 28 January 2005, Hyatt Regency Birmingham.

Turnbull, O (2001) Changing faces: from Indian to American. In: Far West Popular Culture Association conference, February 2001, Nevada.

Turnbull, O (2005) Documentary theatre and the democratic deficit. In: Bridging communities, engaging creativity: the Association for Theatre in Higher Education conference, 28 - 31 July 2005, San Francisco.

Turnbull, O (2001) Picturing the past: dramatically advertising America. In: Mid-America Theatre Conference, March 2001, Chicago.

Turnbull, O (2002) Pressing bills: satire, politics, and the wild west in the news. In: Far West Popular Culture Association conference, February 2002, Nevada.

Turnbull, O (2003) Revisiting Laramie: the theatre of shame. In: Far West Popular Culture Association conference, January 2003, Nevada.

Turnbull, O (2006) Salisbury playhouse: bringing down the house. In: The Glory of the Garden: Regional Theatre in Britain Since 1980, 2 – 3 September 2006, John Moores University Liverpool.

Turnbull, O (2003) Shepards and crooks: the three trials of tectonic theatre project. In: Popular Culture Association/American Culture Association National Conference, 16-19 April 2003, New Orleans, Louisiana.

Turnbull, O (2008) Shunting bodies through space: shunt collectives re-siting of performance. In: TaPRA Conference 2008, 3 - 5 September 2008, Leeds University.

Turnbull, O (2007) Were virtually there: blast theorys dramatic trust games in cyberspace. In: TaPRA Conference 2007, 5 - 7 September 2007, University of Birmingham.

Tweed, C (2016) Artist's talk: Charlie Tweed. In: LifeSpace Science Art Research Gallery Artist Talks Series, 30 September 2016, LifeSpace Science Art Research Gallery, Dundee, UK.

White, R (2017) Crying at the bus stop. In: REMORA: Contextualising Creative Research at Bath Spa, 23 February 2017, Bath Spa University, Corsham, UK. Please click the title to check availability.

White, R (2017) Perambulism: moved earth, sweet water. In: Bodily Undoing: Somatic Activism and Performance Cultures as Practices of Critique, 16-17 September 2017, Bath Spa University, UK.

White, R (2017) Walking as epistemology: the map is not the territory. In: Elastic Spaces Third International Symposium 2017, 11 - 13 October 2017, Bath Spa University, UK. Please click the title to check availability.

White, R (2017) Walking boots. In: Research Now: 'Objects of Research’, 4 May 2017, Bath Royal Literary and Scientific Institution, Bath, UK. Please click the title to check availability.

White, R (2018) Walking-with holocaust memory: porous bodies and reluctant heritage. In: Beyond Forgetting: Coburg 2018, 27 - 28 July 2018, Coburg, Germany. Please click the title to check availability.

White, R (2017) An invitation to walk. In: Protestival, 14 May 2017, Bath, UK. Please click the title to check availability.

Zhang, B, Marcinkowski, M and Choi, Y (2013) The impact of navigability on flow-like experiences and user enjoyment of online art exhibitions. In: AEJMC Annual Conference, 8 - 11 August 2013, Renaissance Washington Hotel, Washington, DC, USA.

Diduch, L (2015) Facilitating human computer interaction artworks: the nature of interactivity within architectonic schemes. PhD thesis, Bath Spa University. doi: 10.17870/bathspa.00006677

Wilson, C.J.R ORCID: 0000-0003-0084-2198 (2016) Writing_Making: object as body, language and material. PhD thesis, Royal College of Art.

Farrar, R (2016) Women in adventure. Factory Media.

Farrar, R (2017) The sound of snow.

Herrema, R, Armitage, G, Kirves, M and Clark, G (2014) $echo.

Kampe, T, Pascal, J, Goldstein, S, Kozokaro, R, Kraft Levene, S, Mijit, S, Emeny, M, Beech, N, Sassoon, A and Morris, F (2020) ONE LOST STONE.

Scott, L (2018) See Me Too [web app].

Scott, L (2017) Silk River [web app].

Scott, L (2018) T-Cell [serious game].

Sowden, T (2017) Panacea.

Turk, G (2014) ‘L'Âge d'Or (Green)’.

Allen, D (2008) Fireworks. Clay Studios ten years on. In: Touring exhibition, Black Swan Arts, Eton, Oriel Myrddin, Oriel y Bont, llantarnam Grange Arts Centre, 5 November - 7 December 2007.

Bianchi, J and Cooke, C (2005) More than a body's work. The Arc, Stockton, 16 May - 29 July 2005. ISBN 0954748727

Bonnell, M, Fairman, E, McCracken Peck, R, Duggins, M and Burnett, D (2014) Of green leaf, bird, and flower: artists' books and the natural world. Yale Centre for British Art, New Haven, 15 May - 10 August 2014. ISBN 9780300204247

Bradley, S (2008) The International Lace Biennale. Textilmuseum, St Gallen, Switzerland, 2008.

Bradley, S (2011) Material Actions. Centre for Contemporary Art and the Natural World, Exeter, UK, 27 November 2010 - 27 February 2011.

Bradley, S (2008) Soft 3. Barcelona, Toledo and Madrid, Spain, 2008.

Bradley, S (2008) Wearable Expressions: The sixth biennial international exhibition of the ultimate in wearable art. Palos Verdes Art Center, Rolling Hills Estates CA, USA, February 2008.

Clarke, R (2014) Accidents will happen. In: We Could Not Agree, QPark, Cavendish Square, London, 13 -19 October 2014.

Clarke, R (2014) Neighbourhood Watch [group exhibition]. JW3, London, 26 May 2014.

Clarke, R (2017) Performance of the record player orchestra. In: Roja Art Lab, Roja Cultural Centre, Roja, Latvia, 22 July 2017.

Clarke, R (2014) The Record Player Orchestra at Supernormal Festival. In: Supernormal, Braziers Park, Oxfordshire, UK, 8 -10 August 2014.

Clarke, R (2014) The Record Player Orchestra. In: The London Analogue Festival, Oxo Bargehouse, London, 12 -14 September 2014.

Clarke, R (2014) 'Untitled' and 'The Record Player Orchestra'. In: Chinese Open 2014, QPark Soho, London, 9 - 10 February 2014.

Clarke, R (2014) The deadliest toxins (2009). In: The Big Deal Marvellous MixUps x1, Loud and Western, London, 10 - 25 July 2014.

Clarke, R and Chamberlain, S (2014) The Record Player Orchestra and Sellotape Cinema. Vivid Projects, Birmingham, 4 July 2014.

Dahn, J (2012) Doctoring practice [curator]. , 18 June - 24 August 2012.

Dalwood, D (2019) What is Really Happening. Simon Lee Gallery, London, 1 March - 30 March 2019.

Dunseath, J (2016) Artist Boss at Bath Spa [curator]. Bath School of Art & Design, Bath Spa University, Bath, UK, 6 December 2016 - 20 January 2017.

Dunseath, J (2013) Bored game. In: The Imaginary App, Museum London, Ontario, Canada, 28 September - 20 October 2013.

Dunseath, J (2011) Concrete Geometries Research Cluster: the relational in architecture [group exhibition]. Architectural Association, School of Architecture, London, 7–27 May 2011.

Dunseath, J (2018) Hard hard hat hat & Cosmetic.wished.explorer. In: On Repeat, GiG Gallery, Munich, Germany, 22 September - 26 October 2018. Please click the title to check availability.

Dunseath, J (2012) Minit 4: Change-of-state. Kinetic and movie, or what is generally meant by event and movement. In: Peckham Artist Moving Image, Flat Time House, The John Latham Foundation and Archive, London, 20 -23 September 2012.

Dunseath, J (2023) Mouseclick. In: Moving Image 2023, Southwark Park Galleries, London, UK, 11 November - 9 December 2023.

Dunseath, J (2017) Pasta real. In: Work Work, Tintype Gallery, London, UK, 2 November - 2 December 2017.

Dunseath, J (2010) Point of Address [group exhibition]. Outpost.

Dunseath, J (2013) Prism 13 [group exhibition]. Sheffield.

Dunseath, J (2017) SWAP AD HOC [group exhibition]. Castor Projects, London, UK, 31 March - 29 September 2017.

Dunseath, J, Dawson, I, Heath, C, Minkin, L, Thomas, N, Greenwood, J, Colegate, M and Vari, M (2015) Elbow. C&C Gallery, London, 5 September – 4 October 2015.

Dunseath, J and Squires, K (2021) As seen. In: In Touch, CICA Museum, Gimpo, South Korea, 24 November – 12 December 2021.

Dunseath, J and Squires, K (2022) Touch Type. Skelf [online], 4 May 2022 - 1 October 2022. Please click the title to check availability.

Dunseath, J and Squires, K (2024) Touch Type. In: Ludic Territories, Das LOT, Vienna, Austria, 30 May - 2 June 2024.

Dunseath, J and Squires, K (2021) ‘ave a look! Six Second Gallery, London, UK, 6 - 21 November 2021. Please click the title to check availability.

Dutton, S, Xu, A, Liu, C, Xu, F, Xiaohong, Z and Hongtao, Z (2019) A Share of a Future [curators]. China University of Mining and Technology, Beijing, China, 9 March - 30 April 2019. Please click the title to check availability.

Farrar, R (2013) From Austria to America: a digital sound walk. In: Moving Sounds Festival, Austrian Cultural Forum, New York, USA, 19 - 22 September 2013.

Fearns, R (2009) Open West Exhibition. Cheltenham, UK, 21 February - 27 March 2009.

Head, A (2010) Illuminate Bath (2010 / 2012 / 2015). Bath, UK, 1-13 November 2010, 25-28 January 2012 & 3-10 January 2015.

Hong, Y (2016) A Fire That Never Dies. Cecilia Hillstrom Gallery, Stockholm, Sweden, 14 January - 20 February 2016.

Hong, Y (2017) The Moon's Trick. Korean Cultural Centre, London, UK, 21 November - 29 December 2017.

Hyde, J (2003) Remember me. CB2 Cafe, Cambridge, UK, April 2003.

Kampe, T and Belem, L (2002) Inflatable figures. Paco des Artes, Sao Paulo, Brasil, 2002.

Kidd, N (2017) Three screen prints. In: Work Work, Tintype Gallery, London, UK, 2 November - 2 December 2017.

Luzar, R (2011) Approximately pointing out a figure. In: Polemically Small, Torrance Arts Museum, California, USA, 29 May - 25 June 2011.

Luzar, R (2013) Outside: selected artworks. Kingsgate Gallery, London, UK, 29 March – 13 April 2013.

Luzar, R (2012) Placing a pause by kneeling and staring at two holes in the wall. In: Level, Talbot Rice Gallery, University of Edinburgh, UK, 12 - 18 May 2012.

Luzar, R (2011) Untitled. In: London International, KKKC, Klaipėda, Lithuania, June 2011.

Luzar, R and Kube, T (2014) Friendship / Mit gelassenheit. Künstlerhaus Dortmund, Germany, 13 August 2014.

Medjesi-Jones, A (2015) At the Point of Gesture... [group exhibition]. Wimbledon College of Art, London, UK, 23 January - 11 February 2015.

Medjesi-Jones, A (2017) Notes on Painting [group exhibition]. The Koppel Project Hive, London, UK, 23 November 2017 - 12 January 2018.

Meinema, J (2006) Sonic interactions. University of West of England, 2006.

Neudecker, M (2015) Figure of 8 (rainforest, Ecuador) for 5.1 surround. In: The Artists Surround Sound project, Sound Scape Park, Miami, USA, 2 December 2015.

Southall, A (2014) Optical projection (experimental). In: Ashburton Art Festival 2014, British Legion Hut, Ashburton, Devon, 26 - 27 September 2014.

Sowden, T (2015) Ed Ruscha: Books & Co. [group exhibition]. Gagosian Gallery, Paris, France, 12 March - 7 May 2015 & 28 July - 9 September 2016. ISBN 9780262018777

Sowden, T (2014) Fortynine coach seats travelling along the M4 (2003). In: RUKSSIAN Artists’ Books: Artists’ Books from the UK and Russia, Tsaritsyno State Historical, Architectural, Art and Landscape Museum-Reserve, Moscow, Russia, March - May 2014 & August – September 2014.

Sowden, T (2014) PAGE.PRINT.POST: 50 Years of Artist Books [group exhibition]. The Post Office Gallery, Federation University, Ballarat, Australia, 16 July - 9 August 2014.

Sowden, T (2016) Pagination: the Book as Object [group exhibition]. The University Gallery, University of Newcastle, Australia, 30 March - 30 April 2016.

Sowden, T (2017) Panacea. In: Redesigning the Medieval Book, University of Oxford, Oxford, UK, 1 December 2017 - 11 March 2018.

Sowden, T (2016) Shelfware [group exhibition]. Line Gallery, Stroud, UK, 5 - 27 August 2016.

Sowden, T and Pichler, M (2015) Re: Follow-ed (after hokusai) [curators]. Cabinet du Livre d'Artiste, Rennes, France, 28 September 2015 - 3 December 2015. Please click the title to check availability.

Squires, K and Dunseath, J (2020) As seen. In: Ways and Means, Skelf [online], 22 July - 20 October 2020. Please click the title to check availability.

Taylor, A (2017) Elisa Alaluusua - Sketchbooks: An Obsession [curator]. Drawing Projects UK, Trowbridge, UK, 3 February - 4 March 2017.

Taylor, A (2017) Flood story: Gerry Davis [curator and exhibition catalogue author]. Drawing Projects UK, Trowbridge, UK, 4 March - 1 April 2017. ISBN 97818622033

Turk, G (2014) A. Ben Brown Gallery, Hong Kong, China, 13 September - 15 November 2014.

Turk, G (2014) Camouflage Elvis blue (2006) & Ghost pop (2012). In: Post Pop: East Meets West, Saatchi Gallery, London, 26 November 2014 - 23 February 2015. ISBN 9780993095405

Turk, G (2014) Identity crisis (1994). In: Paparazzi! Photographers, Stars and Artists, Centre Pompidou Metz, France, 28 February - 9 June 2014.

Turk, G (2014) Liqueur D'Expédition. Christian Larsen, Stockholm, Sweden, 21 August - 28 September 2014.

Turk, G (2014) Pense Bête. LARM Galleri, Copenhagen, Denmark, 11 April - 17 May 2014.

Turk, G (2014) Pipe. In: Futurkammer, The Holburne Museum, Bath, 7 June - 15 June 2014.

Turk, G (2014) Vestige. Fondation Frances, Senlis, France, 7 February - 17 May 2014.

Turk, G (2014) We Are One. New Art Centre Park & Gallery, Roche Court, UK, 8 November 2014 - 8 February 2015.

Turk, G and Chalayan, H (2012) Britain Creates 2012: Fashion + Art Collusion. V&A Museum, London, UK, 6 July - 29 July 2012. ISBN 9781861543271

Tweed, C (2017) Soon we will become output. Stanley Picker Gallery, London, UK, 13 - 20 December 2017. ISBN 9781527217836

White, R and Boehm, J.D (2017) Sweet Waters: Soundings. Saltford Brass Mill, Saltford, UK, 21 October 1017.

Withers, R (2015) Roman Signer's Library of Marvels. The Rose Lipman Building, London, UK, 4 March - 31 May 2015.

Hong, Y (2017) 5100: Pentagon. In: Block Universe, Royal Academy of Arts, London, UK, 4 June 2017.

Hong, Y (2017) Echoes. In: Venice Agendas 2017: The Contract, Campo Santa Margherita, Venice, Italy (and touring), 10 -12 May 2017.

Hong, Y (2015) In her dream. In: fig 2, ICA, London, 9 - 15 February 2015.

Hong, Y (2016) Let us dance. In: South Korea Guest of Honour at Art Paris Art Fair, Grand Palais, Paris, France, 3 - 5 March 2016.

Kampe, T and Belem, L (2002) Body/Image/Site. In: Ouro Preto Festival, Ouro Preto, Brasil, 2002.

Luzar, R and Gagliardi, F (2015) Two seen, one un-seeing. In: Legs, Too, Artscape Sandbox, Toronto, Canada, 3 October 2015.

Purcell-Gates, L (2015) The Depraved Appetite of Tarrare the Freak: an investigation into puppetry as an analytic to deepen understanding of ethical and historical issues within the medical humanities. In: Bristol Festival of Puppetry (2-3 Sep 2015), Tobacco Factory Theatres, Bristol, 2-3 September 2015, 2-3 November 2015, 25-28 January 2017, 30 January - 18 February 2017, 8-9 March 2017, 10 March 2017. Please click the title to check availability.

Steadman, M (2014) Küsse [artistic director]. In: Küsse, Exeter Ignite, Exeter Phoenix Theatre, Exeter, UK, 2-3 June 2014.

Steadman, M (2018) The Strange Geometry of Time. In: Dreams Before Dawn Festival of New European Theatre, Theatre de Menilmontant Paris, France, 3-8 July 2018.

Turnbull, O (2011) Jane Austen's Bath time! In: Bath Comedy Festival, Bath.

Walton, S (2014) Camarade. In: Poetry in Collaboration, Southbank centre, London, 20 May 2014.

White, R (2017) Bath anti-mapper: a co-creation tactic. In: First International Co-Creation Conference, University of Bath, Bath, UK, 14 - 15 September 2017.

White, R (2016) Bath’s last legal slave-owners: a short walk in Bath in the Pulteney Estate. Bath, UK, 26 October 2016.

White, R (2017) Sweet Waters: sense-ing legacies of slave-ownership in Bath and along the River Avon. In: Festival of Nature, Bath, UK, 8 - 25 June 2017.

White, R (2017) Workhouse Walks. Bath, UK, 31 May - 20 September 2017.

White, R and Brunstein, L (2015) Forced Walks: Honouring Esther. Somerset, England 2015 - Lower Saxony, Germany 2017. Somerset, England and Lower Saxony Germany, April 2015 and February 2016.

Dahn, J (2012) Doctoring Practice.

Dunseath, J (2015) An image, I'm pleased, I am sad.

Jury, C (2008) Reality chokes.

Minott, P (2010) Conspiracy: theory.

Sargent, N and Birtwistle, H (2009) Two tides.

Addison, J and Kidd, N (2012) e. Tate Modern Learning.

Baggott-Brown, J (2023) "We all share the same language” Elias Sime: Eregata, Arnolfini, Bristol, October 21, 2023 – February 18, 2024 [exhibition review]. Journal of Cultural Analysis and Social Change, 8 (2). e17.

Dunseath, J (2023) Accelerate [website]. Accelerate.

Dunseath, J (2015) Today the studio is my laptop. Ambit, 221 (Summer). pp. 41-49.

Dunseath, J (2012) When attitude becomes action [website].

Dunseath, J (2015) An image, I’m pleased, I’m sad. Ambit, 221 (Summer). pp. 50-51.

Farrar, R (2017) Audio postcards: from Bristol to Brooklyn [website].

Farrar, R (2016) Shextreme Film Festival [organiser].

Farrar, R, Heywood, B and Telling, L (2015) Dear Carnegie Hall [app]. Please click the title to check availability.

Gifford, T (2015) 'D. H. Lawrence: nature, narrative, art, identity' by John Beer [book review]. Journal of D.H. Lawrence Studies, 4 (1). pp. 172-174.

Gifford, T (2013) Keith Sagar, ‘Art for life’s sake': essays on D.H. Lawrence [book review]. Journal of D.H. Lawrence Studies, 3 (2). pp. 189-191.

Kidd, N and Addison, Jo (2014) The Noticer: Live Resource.

Sowden, T (2014) Tom Sowden: on book arts [blog post]. Artquest.

Withers, R (2016) Line, Point and Plane: Minimalism in Architectural Space [ exhibition essay]. Please click the title to check availability.

Withers, R (2016) Michael Stevenson, Carl Freedman Gallery [exhibition review]. Artforum, 55 (1). p. 371.