Items where Subject is "T Technology (General)"

Arscott, C, Pettitt, C, Newland, C, Hume, N and Chapman, A (2016) Victorians Decoded: Art & Telegraphy [curators]. The Guildhall Art Gallery, London, UK, 19 September 2016 - 22 January 2017. ISBN 9871907485053

Bailey, G, Newland, C, Nilsson, A and Schofield, J (2009) 'Transit, transition: excavating J641 VUJ.' Cambridge Archaeological Journal, 19 (1). pp. 1-28. Please click the title to check availability.

Bannigan, G.M, de Sousa, A.A ORCID: 0000-0003-2379-3894, Scheller, M, Finnegan, D.J and Proulx, M.J (2024) 'Potential factors contributing to observed sex differences in virtual-reality-induced sickness.' Experimental Brain Research, 242 (2). pp. 463-475.

Curry, J ORCID: 0000-0003-2872-0678 (2011) 'Paddy Griffith - 1947-2010.' Simulation & Gaming, 42 (1). pp. 5-8.

Curry, J ORCID: 0000-0003-2872-0678 (2011) Wider lessons from military simulations. In: 1811 - 2011: 200 Years of Simulation Games - 200 Years of Making Sense of Business, 15 November 2011, The Dutch Cafe, Soesterberg, Netherlands.

Curry, J ORCID: 0000-0003-2872-0678 (2016) 'The history of wargaming.' In: Harringan, P and Kirschenbaum, M.G, eds. Zones of control: perspectives on wargaming. MIT Press, Cambridge, MA, pp. 33-42. ISBN 9780262033992

Curry, J ORCID: 0000-0003-2872-0678 (2011) 'The man next door is starting war.' ISNOW, Summer. pp. 10-11.

Curry, J ORCID: 0000-0003-2872-0678 and Mouat, T (2012) 'The use of computer games in military training by the British Army.' In: Cruz-Cunha, M, ed. Handbook of research on serious games as educational, business and research tools. IGI Global, Hershey, PA, pp. 1122-1144. ISBN 9781466601499

Curry, J ORCID: 0000-0003-2872-0678, Mouat, T, King, R and Downes-Martin, S (2015) Exercises in cyber resilience. In: Cities2050: Securing the Future in a Connected World, 19 - 20 May 2015, RSA, London, UK.

Curry, J ORCID: 0000-0003-2872-0678 and Price, T (2013) Dark guest: training games for cyber warfare - volume 1, wargaming internet based attacks. History of Wargaming Project, London. ISBN 9781291669121

Curry, J ORCID: 0000-0003-2872-0678 and Price, T (2014) Matrix games for modern wargaming: developments in professional and educational wargames innovations in wargaming - volume 2. History of Wargaming Project, London. ISBN 9781291979657

Curry, J ORCID: 0000-0003-2872-0678, Price, T and Sabin, P (2016) 'Commercial-off-the-shelf-technology in UK military training.' Simulation & Gaming, 47 (1). pp. 7-30.

Davies, D (2000) 'Ten years of universal primary technology education in England and Wales: what have we learnt?' Journal of Design and Technology Education, 5 (1). pp. 26-35.

Davies, D (1997) 'The relationship between science and technology in the primary curriculum: alternate perspectives.' Journal of Design and Technology Education, 2 (2). pp. 101-111.

Davies, D and Hansen, R (1998) 'Developing a disposition to teaching design and technology: a case study.' Journal Of Technology Education, 9 (3).

Davies, D and Williams, J (2001) 'Design and technology: two cultures or unitary concept?' Journal of Design and Technology Education, 6 (3). pp. 213-216.

De Angeli, D, Finnegan, D.J and Scott, L (2019) 'Agonistic games.' In: Berger, S, Grütter, H.T and Kansteiner, W, eds. Krieg, Macht, Sinn: Krieg und Gewalt in der europäischen Erinnerung = war and violence in European memory. Klartext Verlag, pp. 168-184. ISBN 9783837520996

Dunseath, J (2023) Accelerate [website]. Accelerate.

Dunseath, J (2013) Bored game. In: The Imaginary App, Museum London, Ontario, Canada, 28 September - 20 October 2013.

Dunseath, J (2023) Making immersive technology accessible for art and design teaching. In: Accelerate Multiplier Event, 18 May 2023, UK / Ireland / Poland / Ukraine [online].

Dunseath, J (2023) Mouseclick. In: Moving Image 2023, Southwark Park Galleries, London, UK, 11 November - 9 December 2023.

Dunseath, J and Squires, K (2021) As seen. In: In Touch, CICA Museum, Gimpo, South Korea, 24 November – 12 December 2021.

Dunseath, J and Squires, K (2021) As seen. In: Issues in Creative Practice Research: Creativity and Crisis Symposium, 9 February 2021, Bath Spa University, UK [online].

Dunseath, J and Squires, K (2023) Touch Type. In: CreaTech, 22 September 2023, Fabrication Lab and Ambika P3, University of Westminster, London, UK.

Dunseath, J and Squires, K (2024) Touch Type. In: Ludic Territories, Das LOT, Vienna, Austria, 30 May - 2 June 2024.

Dupras, M (2000) 'Using global Csound instruments for meta-parameter control.' In: Boulanger, R, ed. The Csound book: perspectives in software synthesis, sound design, signal processing and programming. MIT Press, Cambridge, MA, pp. 353-368. ISBN 9780262522618

Dupras, M and Bates-Brkljac, N (2001) The virtual forest: virtual reality and generative music. In: 8th International Conference and Exhibition on Generative Art, 11-13 December 2001, Politecnico di Milano, Milan, Italy.

Dupras, M, Hattosh-Nemeth, J and Verity Smith, P (2003) Beyond the mechanical stage-hand: towards an aesthetic of real-time interaction between musicians, dancers and performers and generative art in live performance. In: 6th International Conference and Exhibition on Generative Art, 10-13 December 2003, Politecnico di Milano, Milan, Italy.

Fishenden, J (2011) Interactive computer visualisations of time and place. In: Theory and Practice of Computer Graphics. The 29th Conference of the UK chapter of the Eurographics Association, 6-8 September 2011, University of Warwick, Coventry, UK.

Fishenden, J, Brown, A and Thompson, M (2014) Digitizing government: understanding and implementing new digital business models. Business in the digital economy . Palgrave MacMillan, London. ISBN 9781137443625

Fishenden, J and Thompson, M (2013) 'Digital government, open architecture, and innovation: why public sector IT will never be the same again.' Journal of Public Administration Research & Theory, 23 (4). 977 - 1004.

Gonçalves, D, Rodrigues, A, Richardson, M, de Sousa, A.A ORCID: 0000-0003-2379-3894, Proulx, M and Guerreiro, T (2021) 'Exploring asymmetric roles in mixed-ability gaming.' In: CHI '21: proceedings of the 2021 CHI Conference on Human Factors in Computing Systems. ACM, New York, NY. ISBN 9781450380966 Please click the title to check availability.

Gray, A ORCID: 0000-0002-1150-2052, Rahat, A, Crick, T and Lindsay, S (2024) 'A Bayesian active learning approach to comparative judgement within education assessment.' Computers and Education: Artificial Intelligence, 6. e100245.

Gray, A ORCID: 0000-0002-1150-2052, Rahat, A.A.M, Crick, T, Lindsay, S and Wallace, D (2022) 'Using Elo rating as a metric for comparative judgement in educational assessment.' In: ICEMT '22: Proceedings of the 6th International Conference on Education and Multimedia Technology. Association for Computing Machinery, Guangzhou, China, pp. 272-278. ISBN 9781450396455

Havery, I and Lloyd, N (2016) 'Lost visions: a descriptive metadata crowdsourcing and search platform for nineteenth-century book illustrations.' Studies in the Digital Humanities - Proceedings of the Digital Humanities Congress 2014. doi: http://www.hrionline.ac.uk/openbook/book/dhc2014

Hayes, S ORCID: 0000-0001-8633-0155, Jopling, M, Connor, S, Johnson, M and Riordan, S (2024) '‘Making you aware of your own breathing’: human data interaction, disadvantage and skills in the community.' Postdigital Science and Education. doi: 10.1007/s42438-023-00446-0 Please click the title to check availability.

Head, A (2016) Defining elastic space. In: Elastic 3D Space International Colloquium, 24 - 27 February 2016, Concordia University, Montreal, Canada.

Head, A and Sujir, L (2015) Elastic 3D Space: international workshop. In: Elastic 3D Space: Embodied Virtual Space Observable Through the Use of Stereoscopic Techniques, 3 - 5 October 2015, Concordia University, Montreal, Canada.

Herrema, R (2006) 'Composing along continuums of technology and purpose.' Digital Creativity, 17 (1). pp. 3-10. Please click the title to check availability.

Hodge, S.E ORCID: 0000-0001-5007-8429, Vykoukal, M, McAlaney, J, Bush-Evans, R.D, Wang, R and Ali, R (2022) 'What’s in the box? Exploring UK players’ experiences of loot boxes in games; the conceptualisation and parallels with gambling.' PLoS ONE, 17 (2). e0263567.

Hooper, E and Williams, C (2013) SingSmash.

Hughes, W (2013) “And the dead spake–”: technology and the voicing of post-mortem experience in E. F. Benson’s short fictions. In: Gothic Technologies/Gothic Techniques: The Eleventh International Gothic Association Conference, 5 - 8 August 2013, University of Surrey, Guildford.

Hugill, A (2011) City soundings. In: International Radiophonic Creation Day, 4 June 2011.

Hugill, A (2011) Digital musicianship. In: The Seventh Biennial International Conference on Music Since 1900, 28-31 July 2011, Lancaster University, Lancaster, UK.

Hugill, A (2005) 'From online symphonies to MusiMOO: Some creative uses of the internet in music and education.' Contemporary Music Review, 24 (6). pp. 527-540.

Hugill, A (2004) The Sound Exchange.

Hugill, A, Graves, A and Hand, C (1999) 'MidiVisualiser: interactive music visualisation using VRML.' Organised Sound, 4 (1). pp. 15-23.

Hugill, A and Hendler, J (2011) Creatively abusing the semantic web. In: ACM Web Science Conference 2011, 14-17 June 2011, Koblenz, Germany.

Hyde, J (2003) Remember me. CB2 Cafe, Cambridge, UK, April 2003.

Hyde, J (1994) Songlines.

Hyde, J (2003) Vox mecanix. In: 20/20 Re:Vision, City of Birmingham Symphony Orchestra Centre, Birmingham, UK, 7 March 2003.

Hyde, J (1998) Zoetrope.

Hyde, J and Rubidge, S (2001) Hidden histories. The Atrium, Theatre Royal, Winchester, UK, November 2001.

Hyde, J and Stamp, R (2014) Seeing Sound salon: McLaren the musician. In: McClaren the Musician, 20 September 2014, Arnolfini, Bristol.

Hyde, J and Sumner, A (1999) Nekyia.

Jandrić, P, Tolbert, S, Hayes, S ORCID: 0000-0001-8633-0155 and Jopling, M (2023) '​Postdigital citizen science: mapping the field.' Postdigital Science and Education. doi: 10.1007/s42438-023-00443-3

Jones, S.P, Dwyer, D.M and Lewis, M.B (2017) 'The utility of multiple synthesised views in the recognition of unfamiliar faces.' Quarterly Journal of Experimental Psychology, 70 (5). pp. 906-918.

Keep, A (2004) All music technology is equal, but some is more equal than others. In: Taming the Beast: Learning & Teaching in Music Technology. PALATINE conference, 21 June 2004, De Montfort University, Leicester, UK.

Keep, A (2007) 'Audio Y connectors: my secret to instant guerrilla oscillators, raw synthesis and dirty cross modulations.' Leonardo Music Journal, 17.

Keep, A (2007) Behaviour - teaching electroacoustic improvisation through referent strategies. In: Improvisation Continuums Conference, 12-14 April 2007, Royal Welsh College of Music and Drama, Cardiff, UK.

Keep, A (1998) Dumbec.

Keep, A (2000) Red (by Ming).

Loon, M and Chik, R (2019) 'Efficiency-centered, innovation-enabling business models of high tech SMEs: evidence from Hong Kong.' Asia Pacific Journal of Management, 36. pp. 87-111.

Marcinkowski, M (2016) Ambient literature and the beginning of a ubiquitous everything. In: The End of the Book, 18 November 2016, University of Bristol, Bristol, UK.

Marcinkowski, M (2018) 'Methodological nearness and the question of computational literature.' Digital Humanities Quarterly, 12 (2). Please click the title to check availability.

Meinema, J (1997) Samba gaye (by Sekou Bembeya Diabate/Djanka Diabate).

Middleton, J (2006) Gurus on e-Business. Thorogood, London. ISBN 1854183869

Middleton, J (2002) Organizations express. ExpressExec . Capstone, Oxford. ISBN 9781841122304

Newland, C (2009) 'Marconi's first transatlantic wireless transmission.' In: Schofield, J, ed. Defining moments: dramatic archaeologies of the twentieth-century. Archaeopress (BAR), Oxford, pp. 9-18. ISBN 9781407305813 Please click the title to check availability.

Price, T ORCID: 0000-0003-2872-0678 and Hagestad II, W (2012) 'The red dragon rises.' ITNOW, 54 (2). pp. 26-27.

Pullinger, K (2013) Brave new story worlds: writing in the digital age. In: Brave New World: English and literacy teaching for the 21st century, 4 July - 7 July 2013, QUT, Brisbane, Australia.

Pullinger, K (2012) Spreadable media: writing in a disintermediated age. In: MIX DIGITAL 2013: Text on Screens; Making/Discovering/Teaching, 15 July - 17 July 2012, Corsham Court, Bath Spa University, Wiltshire, England.

Purves, P (2005) Bodil de Rezney.

Purves, P (2013) Cyberclass. In: Digital Researchers Seminar, April 2013, Bath Spa University, Bath, UK.

Purves, P (2010) Flash fiction.

Purves, P (2007) Remake.

Purves, P (2005) Super 8 man.

Purves, P (2012) The bed.

Reeve, K (2013) Gloves off! How are writers, editors and readers feeling about digital? In: London International Book Fair, 15-17 April 2013, London.

Reeve, K (2012) Hello avatar: rise of the networked generation [book review]. Times Higher Education.

Reeve, K (2012) Teaching digital. In: Bath Digital Festival, 15-25 March 2012, Bath, UK.

Reeve, K (2015) 'White magic: the age of paper' by Lothar Müller, translated by Jessica Spengler [book review]. Times Higher Education. Please click the title to check availability.

Romans-Roca, S and Gil Ortega, M C (2010) The use of Second Life to prepare language students for their year abroad. In: 6th International Conference on Technology, Knowledge and Society, 15-17 January 2010, Free University Berlin, Germany.

Saunders, J (2007) 'The Dictaphone in my life.' Leonardo Music Journal, 17. pp. 33-34.

Schofield, J, Newland, C, Bailey, G and Nilsson, A (2009) 'Sic transit gloria mundi.' British Archaeology, 92. pp. 16-21.

Scott, L (2017) 'Creating opera for mobile media: artistic opportunities and technical limitations.' The 2017 14th International Symposium on Pervasive Systems, Algorithms and Networks & 2017 11th International Conference on Frontier of Computer Science and Technology & 2017 Third International Symposium of Creative Computing (ISPAN-FCST-ISCC), 2017. pp. 477-484.

Scott, L (2017) Finding Lucy yesterday: temporal dislocation via binaural sound in the mobile opera, 'Fragments'. In: Elastic Spaces Third International Symposium, 11 -13 October 2017, Bath Spa University, Bath, UK.

Scott, L (2017) Silk River [web app].

Slade, C (1998) Creatividad y las nuevas tecnologías. In: Seminar Series (?), 20 - 29 May 1998, Universidad IberoAmericana, Mexico.

Slade, C (2006) From virtual reality to cyberspace. In: 56th Annual ICA Conference: Networking Communication Research, 19 - 23 June 2006, Dresden International Congress Centre, Dresden, Germany.

Slade, C (1999) Global media generations, Australian and Mexican study. In: Global Media Generations (?), 21 July 1999, New York University.

Slade, C (1996) News as soap opera. In: Sixth Annual Conference: Instructional Technology Pedagogy and the Curriculum, 22 November 1996, New Paltz, New York.

Slade, C (1998) Party of five : a study in ethical debate about television. In: Seminars for the Culture and Communication Graduate Program (?), March / April 1998, New York University, NY.

Slade, C (1997) Philosophy for children and television. In: Seminar Series (?), 17 April 1997, University of Hawaii.

Slade, C (1995) Public and private and the new media. In: Bureau of Transport Communication Economics Annual Conference, 19 October 1995, Sydney, Australia.

Slade, C (1998) Regulation of the new media. In: Seminar Series (?), 2 February 1998, Universidad IberoAmericana, Mexico.

Slade, C (2010) Respondent copyright and creativity in communication research. In: 60th Annual ICA Conference: Matters of Communication, 22 - 26 June 2010, Suntec Singapore International Convention and Exhibition Centre, Singapore.

Slade, C (1997) Television and ethical debate. In: The 15th Annual Media Ecology Conference, 14 November 1997, New York University, NY.

Slade, C (2006) Times and places past. In: 56th Annual ICA Conference: Networking Communication Research, 19 - 23 June 2006, Dresden International Congress Centre, Dresden, Germany.

Slade, C (2006) 'Virtual reality.' In: Robertson, R and Aart Scholte, J, eds. Encyclopedia of globalization. Routledge, New York. ISBN 9780415973144

Slade, C (1997) Watching television and reasoning. In: The International Council of Philosophical Inquiry with Children Conference, 15 June 1997, Akureyri, Iceland.

Slade, C (1994) The public and private in the international regulation of media. In: Seminar Series (?), 31 May 1994, The Social Values Research Centre, University of Hull.

Slade, C and Lewis, G (1994) Current trends in Australian foreign news reporting. In: National Journalism Education Association Conference, 30 November 1994, Canberra.

Slade, C, Lewis, J, Schaap, and Wei, (1994) Globalisation and new media landscapes in Taiwan and Australia. In: Joint International and Australian and New Zealand Communication Association Conference, 12 July 1994, University of Technology, Sydney.

Spencer, A ORCID: 0000-0002-6786-4706 (2019) Ambient literature. In: Research Seminar Series, 1 November 2019, Université Paris Nanterre, Paris, France.

Spencer, A ORCID: 0000-0002-6786-4706 (2023) Immersion in digital theatre for remote audiences. In: MIX, 7 July 2023, British Library, London, UK.

Spencer, A ORCID: 0000-0002-6786-4706 (2023) Incorporating the atoms: digital theatre for remote audiences. In: Theatre and Performance Research Association (TaPRA) Annual Conference, 30 August - 1 September 2023, University of Leeds, Leeds, UK.

Spencer, A ORCID: 0000-0002-6786-4706 (2023) Literary liveness: dismantling barriers to a remote theatrical experience. In: ELO 2023 - Overcoming Divides: Electronic Literature and Social Change, 12 - 15 July 2023, Universidade de Coimbra, Coimbra, Portugal.

Spencer, A ORCID: 0000-0002-6786-4706 and Abba, T (2020) 'Writing ambient literature.' In: Abba, T, Dovey, J and Pullinger, K, eds. Ambient literature towards a new poetics of situated writing and reading practices. Palgrave Macmillan, Cham, pp. 275-318. ISBN 9783030414559

Stakelum, M (2008) The impact of music technology on the teaching and learning of music - an exploratory study. In: 13th International Creativity Conference: Creatology as a Complex Research on Creativity, 7 - 8 November 2008, Riga Teacher Training and Educational Management Academy, Riga, Latvia.

Stakelum, M (2010) A language for practice: studying the impact of music technology on teaching and learning music. In: 29th ISME World Conference :Harmony and the World Future, 1 - 6 August 2010, China National Convention Centre, Beijing, China.

Stamp, R (2013) 'Experiments in motion graphics – or, when John Whitney met Jack Citron and the IBM 2250.' animationstudies 2.0.

Thomas, J, Lloyd, N and Harvey, I (2014) Lost visions: retrieving the visual element of printed books from the nineteenth century. In: Digital Humanities Congress, 4 - 6 September 2014, University of Sheffield, Sheffield, UK.

Tweed, C (2016) Archimeters (2011). In: Both Sides Now 3: Screenings in East Asia, Woolloomooloo, Taipei, 19 August - 9 December 2016.

Tweed, C (2013) I am the tantalum. In: Geologies of Value and Vestige Symposium, 10 July 2013, Centre for Useless Splendour, Kingston University, UK.

Tweed, C (2017) Oporavak. In: WRO 2017 Biennale: Draft Systems, WRO Art Center, Wroclaw, Poland, 17 - 21 May 2017.

Tweed, C (2016) Oporavak. In: Cold Bodies, Warm Machines: Art, Technology and the Posthuman, 9 - 11 September 2016, NRW-Forum, Düsseldorf, Germany.

Tweed, C (2013) Re-writing the overcode. In: Trans – what? Across and Beyond (Artistic) Research: Symposium, 28 July 2013, Supermarkt Creative Resource Centre, Berlin, Germany.

Tweed, C (2012) Solutionising the overcode: artistic methods of escape from the electronic super-panopticon. In: Space and Place: 3rd Global Conference, 3 - 5 September 2012, Mansfield College, Oxford.

Tweed, C (2016) The signal and the noise. In: Silent Signal Symposium, 26 February 2016, College of Arts, University of Derby, UK.

Tweed, C (2016) The signal and the noise. In: Silent Signal, Quad, Derby, UK, 6 February - 6 March 2016 and 18 March - 23 April 2016.

Tweed, C (2016) The signal and the noise.

Tweed, C (2016) The signal and the rock. In: STRATA: Art and Science Collaborations in the Anthropocene, 15 January 2016, Aberystwyth Arts Centre, Aberystwyth, Wales.