Items where Subject is "T Technology (General)"

Curry, J ORCID: https://orcid.org/0000-0003-2872-0678, ed. (2015) It could happen tomorrow! Emergency planning exercises for the health service and business [by] Russell King. History of Wargaming Project, London. ISBN 9781326455507

Curry, J ORCID: https://orcid.org/0000-0003-2872-0678, ed. (2012) Peter Perla's the art of wargaming: a guide for professionals and hobbyists. History of Wargaming Project, London. ISBN 9781471615191

Curry, J ORCID: 0000-0003-2872-0678 and Price, T (2013) Dark guest: training games for cyber warfare - volume 1, wargaming internet based attacks. History of Wargaming Project, London. ISBN 9781291669121

Curry, J ORCID: 0000-0003-2872-0678 and Price, T (2014) Matrix games for modern wargaming: developments in professional and educational wargames innovations in wargaming - volume 2. History of Wargaming Project, London. ISBN 9781291979657

Fishenden, J, Brown, A and Thompson, M (2014) Digitizing government: understanding and implementing new digital business models. Business in the digital economy . Palgrave MacMillan, London. ISBN 9781137443625

Middleton, J (2006) Gurus on e-Business. Thorogood, London. ISBN 1854183869

Middleton, J (2002) Organizations express. ExpressExec . Capstone, Oxford. ISBN 9781841122304

Curry, J ORCID: 0000-0003-2872-0678 (2016) 'The history of wargaming.' In: Harringan, P and Kirschenbaum, M.G, eds. Zones of control: perspectives on wargaming. MIT Press, Cambridge, MA, pp. 33-42. ISBN 9780262033992

Curry, J ORCID: 0000-0003-2872-0678 and Mouat, T (2012) 'The use of computer games in military training by the British Army.' In: Cruz-Cunha, M, ed. Handbook of research on serious games as educational, business and research tools. IGI Global, Hershey, PA, pp. 1122-1144. ISBN 9781466601499

De Angeli, D, Finnegan, D.J and Scott, L (2019) 'Agonistic games.' In: Berger, S, Grütter, H.T and Kansteiner, W, eds. Krieg, Macht, Sinn: Krieg und Gewalt in der europäischen Erinnerung = war and violence in European memory. Klartext Verlag, pp. 168-184. ISBN 9783837520996

Dupras, M (2000) 'Using global Csound instruments for meta-parameter control.' In: Boulanger, R, ed. The Csound book: perspectives in software synthesis, sound design, signal processing and programming. MIT Press, Cambridge, MA, pp. 353-368. ISBN 9780262522618

Gonçalves, D, Rodrigues, A, Richardson, M, de Sousa, A.A ORCID: 0000-0003-2379-3894, Proulx, M and Guerreiro, T (2021) 'Exploring asymmetric roles in mixed-ability gaming.' In: CHI '21: proceedings of the 2021 CHI Conference on Human Factors in Computing Systems. ACM, New York, NY. ISBN 9781450380966 Please click the title to check availability.

Gray, A ORCID: 0000-0002-1150-2052, Rahat, A.A.M, Crick, T, Lindsay, S and Wallace, D (2022) 'Using Elo rating as a metric for comparative judgement in educational assessment.' In: ICEMT '22: Proceedings of the 6th International Conference on Education and Multimedia Technology. Association for Computing Machinery, Guangzhou, China, pp. 272-278. ISBN 9781450396455

Newland, C (2009) 'Marconi's first transatlantic wireless transmission.' In: Schofield, J, ed. Defining moments: dramatic archaeologies of the twentieth-century. Archaeopress (BAR), Oxford, pp. 9-18. ISBN 9781407305813 Please click the title to check availability.

Slade, C (2006) 'Virtual reality.' In: Robertson, R and Aart Scholte, J, eds. Encyclopedia of globalization. Routledge, New York. ISBN 9780415973144

Spencer, A ORCID: 0000-0002-6786-4706 and Abba, T (2020) 'Writing ambient literature.' In: Abba, T, Dovey, J and Pullinger, K, eds. Ambient literature towards a new poetics of situated writing and reading practices. Palgrave Macmillan, Cham, pp. 275-318. ISBN 9783030414559

Wang, R, Bush-Evans, R, Arden-Close, E, McAlaney, J, Hodge, S.E ORCID: 0000-0001-5007-8429, Bolat, E, Thomas, S and Philip, K (2024) 'Usability of responsible gambling information on gambling operator’ websites: a webcam-based eye tracking study.' In: Khamis, M, Sugano, Y and Sidenmark, L, eds. Proceedings of the 2024 Symposium on Eye Tracking Research and Applications (ETRA '24). ACM, New York, NY, e50. ISBN 9798400706073 Please click the title to check availability.

Bailey, G, Newland, C, Nilsson, A and Schofield, J (2009) 'Transit, transition: excavating J641 VUJ.' Cambridge Archaeological Journal, 19 (1). pp. 1-28. Please click the title to check availability.

Bannigan, G.M, de Sousa, A.A ORCID: 0000-0003-2379-3894, Scheller, M, Finnegan, D.J and Proulx, M.J (2024) 'Potential factors contributing to observed sex differences in virtual-reality-induced sickness.' Experimental Brain Research, 242 (2). pp. 463-475.

Curry, J ORCID: 0000-0003-2872-0678 (2011) 'Paddy Griffith - 1947-2010.' Simulation & Gaming, 42 (1). pp. 5-8.

Curry, J ORCID: 0000-0003-2872-0678 (2011) 'The man next door is starting war.' ISNOW, Summer. pp. 10-11.

Curry, J ORCID: 0000-0003-2872-0678, Price, T and Sabin, P (2016) 'Commercial-off-the-shelf-technology in UK military training.' Simulation & Gaming, 47 (1). pp. 7-30.

Davies, D (2000) 'Ten years of universal primary technology education in England and Wales: what have we learnt?' Journal of Design and Technology Education, 5 (1). pp. 26-35.

Davies, D (1997) 'The relationship between science and technology in the primary curriculum: alternate perspectives.' Journal of Design and Technology Education, 2 (2). pp. 101-111.

Davies, D and Hansen, R (1998) 'Developing a disposition to teaching design and technology: a case study.' Journal Of Technology Education, 9 (3).

Davies, D and Williams, J (2001) 'Design and technology: two cultures or unitary concept?' Journal of Design and Technology Education, 6 (3). pp. 213-216.

Fishenden, J and Thompson, M (2013) 'Digital government, open architecture, and innovation: why public sector IT will never be the same again.' Journal of Public Administration Research & Theory, 23 (4). 977 - 1004.

Gray, A ORCID: 0000-0002-1150-2052, Rahat, A, Crick, T and Lindsay, S (2024) 'A Bayesian active learning approach to comparative judgement within education assessment.' Computers and Education: Artificial Intelligence, 6. e100245.

Havery, I and Lloyd, N (2016) 'Lost visions: a descriptive metadata crowdsourcing and search platform for nineteenth-century book illustrations.' Studies in the Digital Humanities - Proceedings of the Digital Humanities Congress 2014. doi: http://www.hrionline.ac.uk/openbook/book/dhc2014

Hayes, S ORCID: 0000-0001-8633-0155, Jopling, M, Connor, S, Johnson, M and Riordan, S (2024) '‘Making you aware of your own breathing’: human data interaction, disadvantage and skills in the community.' Postdigital Science and Education, 6. pp. 627-642.

Herrema, R (2006) 'Composing along continuums of technology and purpose.' Digital Creativity, 17 (1). pp. 3-10. Please click the title to check availability.

Hodge, S.E ORCID: 0000-0001-5007-8429, Vykoukal, M, McAlaney, J, Bush-Evans, R.D, Wang, R and Ali, R (2022) 'What’s in the box? Exploring UK players’ experiences of loot boxes in games; the conceptualisation and parallels with gambling.' PLoS ONE, 17 (2). e0263567.

Hugill, A (2005) 'From online symphonies to MusiMOO: Some creative uses of the internet in music and education.' Contemporary Music Review, 24 (6). pp. 527-540.

Hugill, A, Graves, A and Hand, C (1999) 'MidiVisualiser: interactive music visualisation using VRML.' Organised Sound, 4 (1). pp. 15-23.

Jandrić, P, Tolbert, S, Hayes, S ORCID: 0000-0001-8633-0155 and Jopling, M (2025) '​Postdigital citizen science: mapping the field.' Postdigital Science and Education, 7. pp. 9-30.

Jones, S.P, Dwyer, D.M and Lewis, M.B (2017) 'The utility of multiple synthesised views in the recognition of unfamiliar faces.' Quarterly Journal of Experimental Psychology, 70 (5). pp. 906-918.

Keep, A (2007) 'Audio Y connectors: my secret to instant guerrilla oscillators, raw synthesis and dirty cross modulations.' Leonardo Music Journal, 17.

Loon, M and Chik, R (2019) 'Efficiency-centered, innovation-enabling business models of high tech SMEs: evidence from Hong Kong.' Asia Pacific Journal of Management, 36. pp. 87-111.

Marcinkowski, M (2018) 'Methodological nearness and the question of computational literature.' Digital Humanities Quarterly, 12 (2). Please click the title to check availability.

Price, T ORCID: 0000-0003-2872-0678 and Hagestad II, W (2012) 'The red dragon rises.' ITNOW, 54 (2). pp. 26-27.

Saunders, J (2007) 'The Dictaphone in my life.' Leonardo Music Journal, 17. pp. 33-34.

Schofield, J, Newland, C, Bailey, G and Nilsson, A (2009) 'Sic transit gloria mundi.' British Archaeology, 92. pp. 16-21.

Scott, L (2017) 'Creating opera for mobile media: artistic opportunities and technical limitations.' The 2017 14th International Symposium on Pervasive Systems, Algorithms and Networks & 2017 11th International Conference on Frontier of Computer Science and Technology & 2017 Third International Symposium of Creative Computing (ISPAN-FCST-ISCC), 2017. pp. 477-484.

Stamp, R (2013) 'Experiments in motion graphics – or, when John Whitney met Jack Citron and the IBM 2250.' animationstudies 2.0.

Wang, R, Bush-Evans, R, Arden-Close, E, Thomas, S, McAlaney, J, Hodge, S.E ORCID: 0000-0001-5007-8429, Philip, K and Bolat, E (2025) 'An integrative review of transparency for safer gambling.' Journal of Gambling Issues.

Curry, J ORCID: 0000-0003-2872-0678 (2011) Wider lessons from military simulations. In: 1811 - 2011: 200 Years of Simulation Games - 200 Years of Making Sense of Business, 15 November 2011, The Dutch Cafe, Soesterberg, Netherlands.

Curry, J ORCID: 0000-0003-2872-0678, Mouat, T, King, R and Downes-Martin, S (2015) Exercises in cyber resilience. In: Cities2050: Securing the Future in a Connected World, 19 - 20 May 2015, RSA, London, UK.

Dunseath, J (2023) Making immersive technology accessible for art and design teaching. In: Accelerate Multiplier Event, 18 May 2023, UK / Ireland / Poland / Ukraine [online].

Dunseath, J and Squires, K (2021) As seen. In: Issues in Creative Practice Research: Creativity and Crisis Symposium, 9 February 2021, Bath Spa University, UK [online].

Dunseath, J and Squires, K (2023) Touch Type. In: CreaTech, 22 September 2023, Fabrication Lab and Ambika P3, University of Westminster, London, UK.

Dupras, M and Bates-Brkljac, N (2001) The virtual forest: virtual reality and generative music. In: 8th International Conference and Exhibition on Generative Art, 11-13 December 2001, Politecnico di Milano, Milan, Italy.

Dupras, M, Hattosh-Nemeth, J and Verity Smith, P (2003) Beyond the mechanical stage-hand: towards an aesthetic of real-time interaction between musicians, dancers and performers and generative art in live performance. In: 6th International Conference and Exhibition on Generative Art, 10-13 December 2003, Politecnico di Milano, Milan, Italy.

Fishenden, J (2011) Interactive computer visualisations of time and place. In: Theory and Practice of Computer Graphics. The 29th Conference of the UK chapter of the Eurographics Association, 6-8 September 2011, University of Warwick, Coventry, UK.

Gadd, I ORCID: 0000-0002-6154-5990 and Dunseath, J (2023) Methodological guide and case studies. In: Accelerator Multiplier Event, 18 May 2023, various locations.

Head, A (2016) Defining elastic space. In: Elastic 3D Space International Colloquium, 24 - 27 February 2016, Concordia University, Montreal, Canada.

Head, A and Sujir, L (2015) Elastic 3D Space: international workshop. In: Elastic 3D Space: Embodied Virtual Space Observable Through the Use of Stereoscopic Techniques, 3 - 5 October 2015, Concordia University, Montreal, Canada.

Hughes, W (2013) “And the dead spake–”: technology and the voicing of post-mortem experience in E. F. Benson’s short fictions. In: Gothic Technologies/Gothic Techniques: The Eleventh International Gothic Association Conference, 5 - 8 August 2013, University of Surrey, Guildford.

Hugill, A (2011) Digital musicianship. In: The Seventh Biennial International Conference on Music Since 1900, 28-31 July 2011, Lancaster University, Lancaster, UK.

Hugill, A and Hendler, J (2011) Creatively abusing the semantic web. In: ACM Web Science Conference 2011, 14-17 June 2011, Koblenz, Germany.

Hyde, J and Stamp, R (2014) Seeing Sound salon: McLaren the musician. In: McClaren the Musician, 20 September 2014, Arnolfini, Bristol.

Keep, A (2004) All music technology is equal, but some is more equal than others. In: Taming the Beast: Learning & Teaching in Music Technology. PALATINE conference, 21 June 2004, De Montfort University, Leicester, UK.

Keep, A (2007) Behaviour - teaching electroacoustic improvisation through referent strategies. In: Improvisation Continuums Conference, 12-14 April 2007, Royal Welsh College of Music and Drama, Cardiff, UK.

Marcinkowski, M (2016) Ambient literature and the beginning of a ubiquitous everything. In: The End of the Book, 18 November 2016, University of Bristol, Bristol, UK.

Pullinger, K (2013) Brave new story worlds: writing in the digital age. In: Brave New World: English and literacy teaching for the 21st century, 4 July - 7 July 2013, QUT, Brisbane, Australia.

Pullinger, K (2012) Spreadable media: writing in a disintermediated age. In: MIX DIGITAL 2013: Text on Screens; Making/Discovering/Teaching, 15 July - 17 July 2012, Corsham Court, Bath Spa University, Wiltshire, England.

Purves, P (2013) Cyberclass. In: Digital Researchers Seminar, April 2013, Bath Spa University, Bath, UK.

Reeve, K (2013) Gloves off! How are writers, editors and readers feeling about digital? In: London International Book Fair, 15-17 April 2013, London.

Reeve, K (2012) Teaching digital. In: Bath Digital Festival, 15-25 March 2012, Bath, UK.

Romans-Roca, S and Gil Ortega, M C (2010) The use of Second Life to prepare language students for their year abroad. In: 6th International Conference on Technology, Knowledge and Society, 15-17 January 2010, Free University Berlin, Germany.

Scott, L (2017) Finding Lucy yesterday: temporal dislocation via binaural sound in the mobile opera, 'Fragments'. In: Elastic Spaces Third International Symposium, 11 -13 October 2017, Bath Spa University, Bath, UK.

Slade, C (1998) Creatividad y las nuevas tecnologías. In: Seminar Series (?), 20 - 29 May 1998, Universidad IberoAmericana, Mexico.

Slade, C (2006) From virtual reality to cyberspace. In: 56th Annual ICA Conference: Networking Communication Research, 19 - 23 June 2006, Dresden International Congress Centre, Dresden, Germany.

Slade, C (1999) Global media generations, Australian and Mexican study. In: Global Media Generations (?), 21 July 1999, New York University.

Slade, C (1996) News as soap opera. In: Sixth Annual Conference: Instructional Technology Pedagogy and the Curriculum, 22 November 1996, New Paltz, New York.

Slade, C (1998) Party of five : a study in ethical debate about television. In: Seminars for the Culture and Communication Graduate Program (?), March / April 1998, New York University, NY.

Slade, C (1997) Philosophy for children and television. In: Seminar Series (?), 17 April 1997, University of Hawaii.

Slade, C (1995) Public and private and the new media. In: Bureau of Transport Communication Economics Annual Conference, 19 October 1995, Sydney, Australia.

Slade, C (1998) Regulation of the new media. In: Seminar Series (?), 2 February 1998, Universidad IberoAmericana, Mexico.

Slade, C (2010) Respondent copyright and creativity in communication research. In: 60th Annual ICA Conference: Matters of Communication, 22 - 26 June 2010, Suntec Singapore International Convention and Exhibition Centre, Singapore.

Slade, C (1997) Television and ethical debate. In: The 15th Annual Media Ecology Conference, 14 November 1997, New York University, NY.

Slade, C (2006) Times and places past. In: 56th Annual ICA Conference: Networking Communication Research, 19 - 23 June 2006, Dresden International Congress Centre, Dresden, Germany.

Slade, C (1997) Watching television and reasoning. In: The International Council of Philosophical Inquiry with Children Conference, 15 June 1997, Akureyri, Iceland.

Slade, C (1994) The public and private in the international regulation of media. In: Seminar Series (?), 31 May 1994, The Social Values Research Centre, University of Hull.

Slade, C and Lewis, G (1994) Current trends in Australian foreign news reporting. In: National Journalism Education Association Conference, 30 November 1994, Canberra.

Slade, C, Lewis, J, Schaap and Wei (1994) Globalisation and new media landscapes in Taiwan and Australia. In: Joint International and Australian and New Zealand Communication Association Conference, 12 July 1994, University of Technology, Sydney.

Spencer, A ORCID: 0000-0002-6786-4706 (2019) Ambient literature. In: Research Seminar Series, 1 November 2019, Université Paris Nanterre, Paris, France.

Spencer, A ORCID: 0000-0002-6786-4706 (2023) Immersion in digital theatre for remote audiences. In: MIX, 7 July 2023, British Library, London, UK.

Spencer, A ORCID: 0000-0002-6786-4706 (2023) Incorporating the atoms: digital theatre for remote audiences. In: Theatre and Performance Research Association (TaPRA) Annual Conference, 30 August - 1 September 2023, University of Leeds, Leeds, UK.

Spencer, A ORCID: 0000-0002-6786-4706 (2023) Literary liveness: dismantling barriers to a remote theatrical experience. In: ELO 2023 - Overcoming Divides: Electronic Literature and Social Change, 12 - 15 July 2023, Universidade de Coimbra, Coimbra, Portugal.

Stakelum, M (2008) The impact of music technology on the teaching and learning of music - an exploratory study. In: 13th International Creativity Conference: Creatology as a Complex Research on Creativity, 7 - 8 November 2008, Riga Teacher Training and Educational Management Academy, Riga, Latvia.

Stakelum, M (2010) A language for practice: studying the impact of music technology on teaching and learning music. In: 29th ISME World Conference :Harmony and the World Future, 1 - 6 August 2010, China National Convention Centre, Beijing, China.

Thomas, J, Lloyd, N and Harvey, I (2014) Lost visions: retrieving the visual element of printed books from the nineteenth century. In: Digital Humanities Congress, 4 - 6 September 2014, University of Sheffield, Sheffield, UK.

Tweed, C (2013) I am the tantalum. In: Geologies of Value and Vestige Symposium, 10 July 2013, Centre for Useless Splendour, Kingston University, UK.

Tweed, C (2016) Oporavak. In: Cold Bodies, Warm Machines: Art, Technology and the Posthuman, 9 - 11 September 2016, NRW-Forum, Düsseldorf, Germany.

Tweed, C (2013) Re-writing the overcode. In: Trans – what? Across and Beyond (Artistic) Research: Symposium, 28 July 2013, Supermarkt Creative Resource Centre, Berlin, Germany.

Tweed, C (2012) Solutionising the overcode: artistic methods of escape from the electronic super-panopticon. In: Space and Place: 3rd Global Conference, 3 - 5 September 2012, Mansfield College, Oxford.

Tweed, C (2016) The signal and the noise. In: Silent Signal Symposium, 26 February 2016, College of Arts, University of Derby, UK.

Tweed, C (2016) The signal and the rock. In: STRATA: Art and Science Collaborations in the Anthropocene, 15 January 2016, Aberystwyth Arts Centre, Aberystwyth, Wales.

Scott, L (2017) Silk River [web app].

Addison, J and Dunseath, J (2024) Head game. In: The Work of the Head, the Heart, the Hands, Galleria Valo, Arktikum, Rovaniemi, Finland, 17 October - 14 December 2024.

Arscott, C, Pettitt, C, Newland, C, Hume, N and Chapman, A (2016) Victorians Decoded: Art & Telegraphy [curators]. The Guildhall Art Gallery, London, UK, 19 September 2016 - 22 January 2017. ISBN 9871907485053

Dunseath, J (2013) Bored game. In: The Imaginary App, Museum London, Ontario, Canada, 28 September - 20 October 2013.

Dunseath, J (2023) Mouseclick. In: Moving Image 2023, Southwark Park Galleries, London, UK, 11 November - 9 December 2023.

Dunseath, J and Squires, K (2021) As seen. In: In Touch, CICA Museum, Gimpo, South Korea, 24 November – 12 December 2021.

Dunseath, J and Squires, K (2024) Touch Type. In: Ludic Territories, Das LOT, Vienna, Austria, 30 May - 2 June 2024.

Hyde, J (2003) Remember me. CB2 Cafe, Cambridge, UK, April 2003.

Hyde, J and Rubidge, S (2001) Hidden histories. The Atrium, Theatre Royal, Winchester, UK, November 2001.

Tweed, C (2016) Archimeters (2011). In: Both Sides Now 3: Screenings in East Asia, Woolloomooloo, Taipei, 19 August - 9 December 2016.

Tweed, C (2017) Oporavak. In: WRO 2017 Biennale: Draft Systems, WRO Art Center, Wroclaw, Poland, 17 - 21 May 2017.

Tweed, C (2016) The signal and the noise. In: Silent Signal, Quad, Derby, UK, 6 February - 6 March 2016 and 18 March - 23 April 2016.

Hugill, A (2011) City soundings. In: International Radiophonic Creation Day, 4 June 2011.

Hyde, J (2003) Vox mecanix. In: 20/20 Re:Vision, City of Birmingham Symphony Orchestra Centre, Birmingham, UK, 7 March 2003.

Dunseath, J and Churcher, C (2024) Flytipping digital waste.

Hyde, J (1994) Songlines.

Hyde, J (1998) Zoetrope.

Hyde, J and Sumner, A (1999) Nekyia.

Purves, P (2005) Bodil de Rezney.

Purves, P (2010) Flash fiction.

Purves, P (2007) Remake.

Purves, P (2005) Super 8 man.

Tweed, C (2016) The signal and the noise.

Keep, A (1998) Dumbec.

Keep, A (2000) Red (by Ming).

Meinema, J (1997) Samba gaye (by Sekou Bembeya Diabate/Djanka Diabate).

Dunseath, J (2023) Accelerate [website]. Accelerate.

Hooper, E and Williams, C (2013) SingSmash.

Hugill, A (2004) The Sound Exchange.

Purves, P (2012) The bed.

Reeve, K (2012) Hello avatar: rise of the networked generation [book review]. Times Higher Education.

Reeve, K (2015) 'White magic: the age of paper' by Lothar Müller, translated by Jessica Spengler [book review]. Times Higher Education. Please click the title to check availability.