Items where Division is "Bath School of Music and Performing Arts" and Year is 2010

Cockayne, A, ed. (2010) Provenance: exhibition and symposium. Wunderkammer Press, Bath. ISBN 9780956646200

Bayley, A, ed. (2010) Recorded music: performance, culture and technology. Cambridge University Press, Cambridge. ISBN 9780521863094

Lewis-Smith, C (2010) The water of light. Traeth. ISBN 9781898368045

Spring, M (2010) The Balcarres lute book. Music of Scotland . Universities of Glasgow and Aberdeen, Glasgow. ISBN 9780852618462

Bayley, A (2010) 'Multiple takes: using recordings to document creative process.' In: Bayley, A, ed. Recorded music: performance, culture and technology. Cambridge University Press, Cambridge, pp. 206-224. ISBN 9780521863094

Bayley, A and Clarke, M (2010) 'Analysing Michael Finnissy’s Second String Quartet: a multimedia interactive approach.' In: Utz, C, ed. Music theory and interdisciplinarity: 8th Congress of the Gesellschaft für Musiktheorie Graz 2008. Musik theorien der gegenwart (4). Pfau, Saarbrücken. ISBN 9783897274488

Saunders, J (2010) 'Mutual effects: organization and interaction in the orchestral music of Christian Wolff.' In: Chase, S and Thomas, P, eds. Changing the System: The music of Christian Wolff. Ashgate, Farnham. ISBN 9780754666806

Turnbull, O (2010) 'Salisbury Playhouse: anatomy of a theatre in crisis.' In: Merkin, R and Dorney, K, eds. The glory of the garden: English regional theatre and the Arts Council 1984-2009. Cambridge Scholars Publishing, Newcastle, pp. 151-172. ISBN 9781443820592

Bayley, A (2010) 'Enquête sur la genèse du Deuxième quatuor à cordes de Michael Finnissy.' Genesis: Revue Internationale de Critique Génétique, 31. pp. 37-54.

Ehrenberg, S (2010) 'Reflections on reflections: mirror use in a university dance training environment.' Theatre, Dance and Performance Training, 1 (2). pp. 172-184.

Hugill, A (2010) 'Les pianos surréalistes dans les écrits de Montagu O'Reilly.' Pianographies, 44. pp. 53-58.

Kampe, T (2010) ''Weave': the Feldenkrais Method as choreographic process.' Perfformio, 1 (2). pp. 34-52.

Sentler, S (2010) 'Laban restages 'Primitive Mysteries': a collaboration between kinesthetic memory and Labanotation.' Dance Notation Bureau, Library News, IV (2).

Spring, M (2010) 'The vihuela songs of Alonso Mudarra.' Lute News (96).

Bennett, J (2010) The ontology of collaborative songwriting in popular music studio practice. In: Art of Record Production Conference, 3–5 December 2010, Leeds Metropolitan University, Leeds.

Ehrenberg, S (2010) The Dancing Self/Other: a conceptual overview. In: Society of Dance History Scholars, July 2010, University of Surrey.

Elliott, M (2010) Choreography and Britishness. In: Imagining Bodies: Landscape, Memory, Community, 13-15 May 2010, Tallinn University, Tallinn, Estonia.

Hugill, A (2010) Music and pataphysics. In: Digital Arts Week, 2010, Xian Academy of Music, Xian, China.

Hugill, A, Cawthorne, D and Watson, G (2010) Virtual Roman Leicester (VRL): An interactive Computer Model of a Romano-British City. In: Computer Applications and Quantitative Methods in Archaeology (CAA) The 38th International Conference, 6 - 9 April, Granada, Spain.

Irvine, K (2010) Counting the cost: risks and rewards in todays theatre. In: ScenePool 7: The New Diorama, 25 – 30 May 2010, London.

Irvine, K and Dickson, K (2010) Emotional entrepreneurs: an exploratory study of small-scale theatre company founders. In: ISBE/RAKE Workshop, 26 March 2010, London, UK.

Irvine, K, Simpson, R, Dickson, K and Edwards, B (2010) Emotional entrepreneurs: the passion of small-scale theatre company founders. In: ISBE 2010 Annual Conference: Looking to the Future: Economic and Social Regeneration through Entrepreneurial Activity, November 2010, London, UK.

Irvine, K, Simpson, R, Dickson, K and Edwards, B (2010) Passion plays: creative and emotional dynamics in new fringe theatre enterprises. In: British Academy of Management Conference, 14-16 September 2010, The University of Sheffield, Sheffield, UK.

Irvine, K, Simpson, R, Dickson, K and Edwards, B (2010) Passion, professionalism and performance: small scale theatre and entrepreneurial identity. In: Dare to Care: Passion and Compassion in Management Practice and Research. Conference of the American Academy of Management, 6-10 August 2010, Montreal, Canada.

McNish, I (2010) Shut-yer face theatre: the silence of Peter Brook. In: International Federation for Theatre Research 2010 World Congress, 25 − 31 July 2010, Munich.

Power, T (2010) Trans-Atlantic female players: women performing masculinity in Shakespeare's plays. In: Women-Shakespeare-Theatre, 14th September 2010, Pazmany, Budapest.

Wijnans, H (2010) The body as a spatial sound generating instrument: defining the three dimensional data interpreting methodology (3DIM). PhD thesis, Bath Spa University. doi: 10.17870/bathspa.00001483

Bennett, J (2010) Forensic Musicology reports (song comparison and analysis) for music industry clients. (eg) Universal Music Publishing.

Irvine, K, Dickson, K, Simpson, R and Edwards, B (2010) Emotional entrepreneurs: an exploratory study of small-scale theatre company founders.

Atkinson, N, Hoare, P and Cockayne, A (2010) Dominion.

Bardsley, G and Parry, B (2010) Snow.

Hugill, A (2010) The lion and the eagle.

Hyde, J (2010) Vanishing Point.

Moor, D (2010) Shadow's fall; Run with the boys; Carve my name (by Carl Barât).

Saunders, J (2010) although it may appear to vary by the way in which units are joined.

Saunders, J (2010) any one part can replace any other part.

Saunders, J (2010) geometria situs.

Saunders, J (2010) materials vary greatly and are simply materials.

Saunders, J (2010) surfaces.

Saunders, J (2010) template with alterations.

Clayden, P (2010) Arcadia Spectacular. In: Glastonbury Festival of Contemporary Performing Arts, Glastonbury, UK, June 2010.

Clayden, P (2010) Brideschool (Bureau of Random Acts). In: Larmer Tree Festival, Salisbury, UK, 14-18 July 2010.

Clayden, P (2010) Carny Ville. The Island, Bristol, UK, 2010.

Demetriou, P.A (2010) An Exhibition of Hidden Stories: A Walk Down Memory Lane. Queen Mary University of London, London, UK, May 2010.

Kampe, T (2010) Celebrity chain. Minerva Theatre, Chichester, UK, 2010.

Kampe, T (2010) Controller. In: Arezzo Theatre Festival, Arezzo, Italy, 2010.

Kampe, T (2010) The Dybbuk. Theatre for a New City, New York, USA, 2010.

Keep, A (2010) Criminal Mind (Duck Projects/Magpie Umbrella). In: Festival Luoghi Comuni Parola, Immagine, Movimento 2010, Milan, Italy, 6 June 2010.

Lewis-Smith, C (2010) Mirrorland. .

Lewis-Smith, C (2010) Screendance 3. .

Rugman, K (2010) Flux: an improvisational investigation into loss [performer/choreographer]. Ebbio, Tuscany, Italy, 25 May 2010.

Rugman, K (2010) Landscape Dances: improvised group piece [performer]. Ebbio, Tuscany, Italy, 25 May 2010.

Rugman, K and Steadman, M (2010) 1 Dusty Floor, 6 Broken Chairs & a Few Lost Souls [director/choreographer]. Bath Spa University, Bath, UK, 9 - 11 May 2010.

Steadman, M (2010) Red Room. In: Teatralny Koufar: VII International Student Theatre Festival, Belarus, 2010.

Welsh, P (2010) The jester. In: Glastonbury Festival, Glastonbury, UK, 23-27 June 2010.