Items where Division is "Bath School of Music and Performing Arts" and Year is 2013

Albiez, S (2013) Sounds of future past: the poetics of electronica. PhD thesis, Bath Spa University.

Bayley, A (2013) Discourses in the recording studio. In: Online Conference on Performance in the Studio. Convened by the (UK) AHRC-funded Research Network on Performance in the Studio (PitS), 29 April-5 May 2013.

Bayley, A and Elverdam, B (2013) Rehearsal as creative process. In: CMPCP Performance Studies Network Second International Conference, 4-7 April 2013, University of Cambridge, Cambridge, UK.

Bayley, A and Heyde, N (2013) 'Interpreting indeterminancy: filming Lutoslawski's String Quartet.' In: Polish music since 1945. Musica Iagellonica, Krakow, pp. 228-243. ISBN 9788370991852

Bayley, A and Lizée, N (2013) Layers of creativity in composition, rehearsal and performance: Nicole Lizée and the Kronos Quartet. In: Tracking the Creative Process in Music Second International Conference, 10-13 October 2013, Université de Montréal, Montreal, Canada.

Beck, J and Enright, H (2013) The Exeter blitz project: a testimony play. Short Run Press, Exeter.

Bennett, J (2013) Applying melodic analysis to infer the extent of plagiarism in popular song authorship disputes. In: PopMAC: International Conference on Analyzing Popular Music, 2 - 4 July 2013, University of Liverpool.

Bennett, J (2013) Documenting collaborative songwriters' creativity using Linear Event Analysis. In: RMA Study Day: Researching music as process: methods and approaches, 13 November 2013, Faculty of Music, Oxford University, Oxford.

Bennett, J (2013) Forensic musicology: approaches and challenges (in The Timeline Never Lies: Audio Engineers Aiding Forensic Investigators in Cases of Suspected Music Piracy). In: International Audio Engineering Society Convention, 17-20 October 2013, Jacob Javits Centre, New York City.

Bennett, J (2013) The State vs John Hayes.

Bennett, J (2013) Two worlds collide: originality and plagiarism in songwriting. In: International Association for the Study of Popular Music (IASPM): biennial conference, 27 June 2013, Gijon, Spain.

Bennett, J (2013) '"You won't see me": in search of an epistemology of collaborative songwriting.' Journal on the Art of Record Production, 8.

Cassidy, G (2013) Filming narrative: the wonderful world of documenting Anthony Neilson's "process". In: TaPRA Conference, 4 -6 September 2013, Royal Conservatoire of Scotland, Glasgow, UK.

Cassidy, G (2013) Psychological liminality in Anthony Neilson's 'The wonderful world of dissocia'. In: Haggis Hunting: 50 Years of New Playwriting in Scotland, 4 - 6 April 2013, University of Edinburgh, UK.

Cassidy, G (2013) 'Psychological liminality in Anthony Neilson's 'The wonderful world of dissocia'.' International Journal of Scottish Theatre and Screen, 6 (1). pp. 54-81.

Cassidy, G (2013) The role of the actor in Antony Neilson's "process". In: Turning the Page: Creating New Writing 1945-2013, 13 -14 September 2013, University of Reading, Reading, England.

Clayden, P (2013) La luna cabaret. In: Shambala Festival, Northamptonshire, UK, 22-25 August 20013.

Demetriou, P.A (2013) 'Έκθεση Κρυφών Ιστοριών = An Exhibition of Hidden Stories.' Eleutheras Voskis Journal. pp. 14-17.

Demetriou, P.A (2013) An Exhibition of Hidden Stories: Love Letters. In: Performing Documents Conference, 12 - 14 April 2013, Arnolfini, Bristol, UK.

Demetriou, P.A (2013) An Exhibition of Hidden Stories: The Young Voices Soundscape. Wickham Theatre, University of Bristol, Bristol, UK, 2013.

Demetriou, P.A (2013) Love Letters. In: Performance and Live Art Platform, Point Centre for Contemporary Arts, Nicosia, Cyprus, 7 September 2013.

Demetriou, P.A (2013) Unstable timeline: social platforms of self-archivization and performing the self through curation. In: PSi #19: Now, Then - Performance and Temporality, 26 - 30 June 2013, Stanford University, Stanford, CA, USA.

Dickinson, J (2013) Dynamic process in static form. In: The Noises of Art: Audiovisual Practice in History, Theory and Culture. Aberystwyth University in collaboration with the Courtauld Institute of Art, 4-6 September 2013, Aberystwyth University, Aberystwyth, UK.

Dickinson, J (2013) System vs. self. In: International Conference On Analysing Popular Music, 2 - 4 July 2013, University of Liverpool, Liverpool, UK.

Dickinson, J, Dickinson, B, Jepson, T, Plunkett, M and Richardson, M (2013) Little Angels. .

Enright, H (2013) Shannon's Way.

Enright, H (2013) Staging data: turning qualitative inquiry into theatre. In: Qualitative and Ethnographic Research (QER): Sharing and Shaping Pedagogies – Learning Through Doing, 10 May 2013, University of Exeter, Exeter, UK.

Enright, H and Beck, J (2013) Real words from real people: why theatre matters? In: Viva Voce Residency, 26 November - 14 December 2013, The Bike Shed Theatre, Exeter, UK.

Glowacki, D.R, Tew, P, Hyde, J, Kriefman, L, Mitchell, T.J, Price, J and McIntosh-Smith, S (2013) 'Using human energy fields to sculpt real-time molecular dynamics.' In: Weibel, P and Fruk, L, eds. Molecular aesthetics. MIT Press, Cambridge, MA, pp. 248-257. ISBN 9780262018784

Heaton, R (2013) The inner time: contemporary music for clarinet.

Heaton, R and Kreutzer String Quartet, (2013) Magnets, lava, crystals: clarinet quintet by Mihailo Trandafilovski.

Hooper, E (2013) Looking back to looking forward to looking forward: a very short introduction to retro-futurism. In: QTalks Lecture Series 2013, August 2013, London.

Hooper, E (2013) 'Somewhere a place for us: how intratextual music-association conveys characteral identity in "The Time of Our Singing" by Richard Powers.' Journal of Music and Meaning (JMM), 11.

Hooper, E (2013) Who is the lark?: Vaughan Williams’ 'The lark ascending' as characterization in 'An equal music' by Vikram Seth. In: RMA Study Day: Twentieth-Century British Poets in Music, 28 June 2013, University of Hull, Hull, UK.

Hooper, E (2013) Who's afraid of who's afraid of Virginia Woolf?: a very short introduction to cultural theory. In: QTalks Lecture Series 2013, Febraury 2013, London.

Hooper, E and Williams, C (2013) Sing for the win!: making a case for a ludic-immersive approach to teaching musicality. In: Music Learning Live!, 23 - 26 October 2013, Singapore.

Hooper, E and Williams, C (2013) SingSmash.

Hugill, A (2013) 'Introduction: transdisciplinary learning for digital creative practice.' Digital Creativity, 24 (3). pp. 165-167.

Hugill, A (2013) 'Opposition and sister squares: Marcel Duchamp and Samuel Beckett.' toutfait.com: The Online Marcel Duchamp Studies Journal. Please click the title to check availability.

Hugill, A (2013) 'Who has been tampering with these pianos?: The surrealist writings of Montagu O’Reilly (Wayne Andrews).' Papers of Surrealism, 10.

Hugill, A and Hendler, J (2013) 'The syzygy surfer: creatively (ab)using the World Wide Web.' International Journal of Creative Computing, 1 (1). pp. 20-34.

Hugill, A and Rieser, M (2013) Secret Garden. Phoenix Digital Arts Centre, Leicester, UK, 10 September - 1 October 2012.

Hugill, A and Rieser, M (2013) 'Secret Garden.' Media-N, Journal of the New Media Caucus, 9 (3).

Hugill, A and Rieser, M (2013) 'Secret garden.' Digital Creativity, 24 (3). pp. 264-267.

Hugill, A and Smith, S (2013) 'Digital creativity and transdisciplinarity at postgraduate level: the design and implementation of a transdisciplinary masters programme and its implications for creative practice.' Digital Creativity, 24 (3). pp. 191-207.

Hyde, J (2013) 'Fischinger's scores : new perspectives on his approach to music.' In: Keefer, C and Guldemond, J, eds. Oskar Fischinger 1900-1967: experiments in cinematic abstraction. Eye Filmmuseum ; Center for Visual Music, Amsterdam ; Los Angeles. ISBN 9789071338007

Hyde, J (2013) 'Oskar Fischinger's synthetic sound machine.' In: Keefer, C and Guldemond, J, eds. Oskar Fischinger 1900-1967: experiments in cinematic abstraction. Eye Filmmuseum ; Center for Visual Music, Amsterdam ; Los Angeles. ISBN 9789071338007

Hyde, J, Mitchell, T and Thom, J (2013) Alchemy of Chaos. In: 'Tourette's syndrome -- why it doesn’t define me' as part of TEDxAlbertopolis, Royal Albert Hall, London, UK, 23 September 2013.

Irvine, K, Simpson, R, Balta, M and Dickson, K (2013) 'Emotions, performance and entrepreneurship in the context of fringe theatre.' Organization. doi: 10.1177/1350508413504020

Jebanasam, P (2013) Rites.

Kampe, T (2013) 'Measuring moves.' In: Wanek, R and White, A, eds. Migratory lines: navigations across disciplines. Broadcast Gallery, Dublin, pp. 64-73. ISBN 9781900454520 Please click the title to check availability.

Kampe, T (2013) 'The choreographer Hilde Holger: between three worlds.' In: Brinson, C and Dove, R, eds. German-speaking exiles in the performing arts in Britain after 1933. Rodopi, Amsterdam, pp. 187-206. ISBN 9789042036512

Karantonis, P (2013) Cathy Berberian: pioneer of contemporary vocality. In: Interdisciplinary Voice Studies Inaugural Symposium: Philosophy and Praxis of Voice, 21 September 2013, University College, London, UK.

Karantonis, P (2013) Transcribing vocality. In: Re-Routing Performance: Conference of the International Federation for Theatre Research (IFTR), 22 - 26 July 2013, Institute del Theatre, Barcelona, Spain.

Karantonis, P (2013) 'The tenor in decline? Narratives of nostalgia and the performativity of the operatic tenor.' In: Symonds, D and Karantonis, P, eds. The legacy of opera: reading music theatre as experience and performance. Rodopi Press, Amsterdam/New York, pp. 119-130. ISBN 9789042036918

Lundskaer-Nielsen, M (2013) Teaching writers and musical theatre in industry and higher education. In: Song, stage and screen VIII conference 2013 : what we do when we do what we do: process and performance in musical theatre, 2-4 July 2013, Central school of speech and drama. London.

Lundskaer-Nielsen, M (2013) 'The long road to recognition: New musical theatre development in Britain.' Studies in Musical Theatre, 7 (2).

Moor, D (2013) The hermeneutics of identity: examining voice and authenticity in songwriting. In: International Conference On Analysing Popular Music, 2 - 4 July 2013, University of Liverpool, Liverpool, UK.

Nixon, E (2013) Processes of transmission: a laboratory of the self. In: Theatre and Performance Research Association (TaPRA) Conference, September 2013, University of Glasgow, Glasgow, UK.

Parfitt, R (2013) Into the mythic. In: International Conference on Analyzing Popular Music, 2-4 July 2013, University of Liverpool, Liverpool, UK.

Parfitt, R and Shade, R (2013) Passing the parcel – a comparative exploration of training for stand-up comedy and popular music performance. In: Theatre and Performance Research Association (TaPRA) Conference, 4-6 September 2013, University of Glasgow and Royal Conservatoire of Scotland, Glasgow, UK.

Parry, B and Bardsley, G (2013) Music is….

Parry, B and Bardsley, G (2013) Sports shorts.

Purcell-Gates, L (2013) Depraved appetites and contamination anxieties: race, gender, and puppet bodies in 19th-century France. In: Puppet Talk Forum, 15 June 2013, University of Sussex, UK.

Purcell-Gates, L (2013) The monster and the corpse: puppetry and the uncanniness of gender performance. In: Centre for Research into Objects and Puppets in Performance Symposium: Woma/en in Puppet Theatre, 1 November 2013, Royal Central School of Speech and Drama, London, UK.

Reading, K (2013) Playing (at) Woyzeck. Chapter Arts Centre, Cardiff, UK, 2013.

Reading, K (2013) The guided tour in the under-celebrated urban space. M.Phil thesis, University of Birmingham.

Reading, K (2013) The lasting efficacy of performance in public spaces, Chapter Arts Centre, Cardiff. In: FIRT/IFTR Conference: Re-Routing Performance, 22 - 26 July 2013, Institut del Teatre, Barcelona, Spain.

Sargent, N (2013) A space between things.

Saunders, J (2013) 'Specific objects? Distributed approaches to sourcing sonic materials in open form compositions.' Contemporary Music Review, 32 (5). pp. 473-484.

Saunders, J (2013) everybody doing what everybody else is doing.

Saunders, J (2013) interspersed sometimes with weeds and brambles.

Saunders, J (2013) the range of outside factors influencing it, as well as its own radius of action.

Sayer, R (2013) Re-routing performance: touring as creative force in technical artistry. In: International federation for theatre research: re-routing performance, 21 - 28 July 2013, Barcelona.

Spring, M (2013) Bath's grand gala concerts, a combination of pleasure 'after the manner of Vauxhall'. In: Georgian Pleasures, 12 September - 13 September 2013, Bath Royal Literary and Scientific Institute & The Holburne Museum, Bath.

Spring, M (2013) 'Benjamin Milgrove, the musical 'Toyman' and the 'Guittar' in Bath 1757-1790.' Early Music, 41 (2). pp. 317-329.

Spring, M (2013) 'Music shops and the music trade in Georgian Bath.' Brio, 50 (1). pp. 3-16.

Spring, M (2013) New insight on the Huygens/Gaultier correspondence. In: Utrecht Early Music Festival, 23 September - 1 August 2013, Utrecht.

Spring, M (2013) The bass viol in the mixed consort. In: Galpin Society Conference, 25-29 July 2013, Oxford, UK.

Spring, M (2013) The pipe and tabor tradition in Mallorca. In: International Pipe and Tabor Festival, 6 September - 8 September 2013, Gloucester.

Steadman, M (2013) 'Getting off the island: cross-cultural exchange and drama pedagogy.' In: Baldwin, J, Brannen, R, Horne, M.S and Page, C, eds. Theatre pedagogy = Pédagogie théâtrale = Pedagogía teatral. AITU-IUTA, Montréal, Quebec, Canada, pp. 136-144. ISBN 9782981386526

Symonds, D and Karantonis, P (2013) 'Empty houses, booming voices.' In: Symonds, D and Karantonis, P, eds. The legacy of opera: reading music theatre as experience and performance. Rodopi Press, Amsterdam/New York, pp. 11-24. ISBN 9789042036918