Items where Subject is "NC Drawing Design Illustration"

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Number of items at this level: 96.

Book

French, H (2008) Key urban housing of the twentieth century: plans, sections and elevations. Laurence King, London. ISBN 9781856695640

French, H and Lee, Y (2013) Patterns of living: Hong Kong’s high-rise communities. Hong Kong Design Institute/New Talents Press, Hong Kong. ISBN 9789881232441

Middleton, J, Bevan, R, Wright, T and Leong, S (2008) Be creative. Manga life series . Infinite Ideas, Oxford. ISBN 9781907518997

Robertson, M (2007) Factory Records: the complete graphic album. Thames and Hudson, London. ISBN 9780500286364

Taylor, A and Thomas, P (2003) Apprendre le dessin. Octopus. ISBN 9782012602175

Taylor, A and Thomas, P (2003) Drawing. Foundation course . Cassell Illustrated, London. ISBN 1844030849

Vyner, T (2014) Tim Vyner: an experience of life on Mount Athos. Mount Athos Center, Thessaloniki, Greece. ISBN 9786188086142

Book Chapter or Section

Little, L (2016) 'Shaping pictures: picturebook narrative from an illustrator's perspective.' In: Lieber, G and Uhlig, B, eds. Narration Transdisziplinäre Wege zur Kunstdidaktik. Kopaed, Munich, pp. 235-248. ISBN 9783867361453 Please click the title to check availability.

Little, L (2013) 'Who’s afraid of the big bad wolf? Visual design of characters in a picturebook from the perspective of an illustrator.' In: Tavares, P, Mota Teixeira, P and Male, A, eds. CONFIA: 2nd International Conference on Illustration & Animation [proceedings]. IPCA, Porto, pp. 135-146. ISBN 9789899756762

Luzar, R (2018) 'Points performatifs: dessiner le désir = Performative points: drawing desire.' In: de Mévius, I, ed. Ed Pien. Les Éditions de Mévius, Montreal, pp. 44-89. ISBN 9782981665720 Please click the title to check availability.

Taylor, A (2013) 'All and nothing - drawing the self.' In: Portraiture in focus & Drawing on two worlds: embarkation. Metasenta Publications, Melbourne. ISBN 9780987272447

Taylor, A (1995) 'Peau d'âne.' In: Anderton, R and Hill, C, eds. A millennium bestiary. Faculty of Art, Media and Design, University of the West of England, Bristol.

Taylor, A (2012) 'What makes a good drawing.' In: Farthing, S, Chorpening, K and Wiggins, C, eds. The good drawing. CCW, London. ISBN 9781908339010

Tooby, M (1998) 'Peter Randall-Page.' In: Whistling in the dark : Peter Randall-Page, drawings and prints 1983-98. Tivoli Gallery, Ljubljana.

Withers, R (2015) 'Why talk to artists?' In: Jones, N.J and Liotchev, I, eds. COLLABORATE! JKL Books, London.

Article

Bodman, S and Sowden, T (2015) 'Artists’ books at the Centre for Fine Print Research.' The New Bookbinder, 35. pp. 73-80. ISSN 0261-5363 Please click the title to check availability.

Little, L (2017) 'Creation as a method of enquiry: reflections on practice-based research in children’s picturebook illustration.' Journal of Illustration, 4 (2). pp. 173-185. ISSN 2052-0204

Luzar, R (2020) 'Performative problems.' Drawing: Research, Theory, Practice, 5 (1). pp. 29-41. ISSN 2057-0384

Luzar, R (2017) 'Rethinking the graphic trace in performative drawing.' Theatre and Performance Design, 3 (1-2). pp. 50-67. ISSN 2332-2578

Luzar, R (2012) 'A trace from a point... (without reference).' Desearch: Postgraduate Journal of Art & Contemporary Culture, 2.

Robertson, M (2008) 'Peter Saville essay.' Arkitip (49).

Taylor, A and Crawford, A (2009) 'On the couch: the serious idiom of drawing.' Australian Art Collector (49). ISSN 1440-8902

Conference or Workshop Item

De Angeli, D and Scott, L (2018) Museum games as a vehicle for sociocultural reflection. In: Heritage Matters, 23 August 2018, The Guildhall, Bath, UK.

Dunseath, J (2015) About making. In: Artist's Talk, 15 September 2015, Spike Island, Bristol, UK.

Dunseath, J (2023) Making immersive technology accessible for art and design teaching. In: Accelerate Multiplier Event, 18 May 2023, UK / Ireland / Poland / Ukraine [online].

Howard, R (2014) Artist talk. In: Bluecoat Display Centre Artist Talks, 23 September 2014, Athenaeum Club, Liverpool, UK.

Howard, R (2014) PSS workshop. In: Making an Impact, 28 March 2014, PSS, Liverpool, UK.

Howard, R (2015) Sketch it, stitch it / Draw it, print it. In: Making Tomorrow: a 3-day Festival of Textiles, 7 - 9 March 2014, Cork, Ireland.

Little, L (2017) All the better to see you: depictions of the wolf in Little Red Riding Hood. In: Transmedia UK: Sector by Sector, 24 November 2017, Bath Spa University, Corsham, UK.

Little, L (2017) Children making picturebooks: creating and curating words and images. In: iJADE Conference: Art and Design as Agent for Change, 16 -17 November 2017, National College of Art and Design, Dublin, Ireland.

Little, L (2014) Pen and ink: examining narrative in a picturebook from the perspective of an illustrator. In: Pictures and Narrative Conference, 2014, Liestal, Switzerland.

Little, L (2015) Using geometric shapes to represent characters in a picturebook: a practice-based exploration. In: 22nd Annual IBBY UK/NCRCL Conference, 14 November 2015, Roehampton University, London, UK.

Little, L (2013) Visual pacing of narrative in a children's picturebook. In: Myth, Fantasy and Fairy Tales in Literature and the Arts Conference, 16 November 2013, Anglia Ruskin University, Cambridge, UK.

Little, L (2013) Who's afraid of the big bad wolf? Depictions of characters in a picturebook from the perspective of the illustrator. In: CONFIA 2013: International Conference on Illustration and Animation, 29 -30 November 2013, Porto, Portugal.

Little, L (2014) Words as pictures: a practice-based investigation on the use of typography in children’s picturebooks. In: Words and Pictures Conference, 2014, Bydgoszcz, Poland.

Little, L (2016) The golden ages of children's publishing. In: Impressions at Galway International Arts Festival, 11 -24 July 2016, Centre for the Creative Arts & Media, Galway, Ireland.

Little, L, Arthur, S, Tonks, H and Pauwelijn, G (2018) Publishing picturebooks: design and editorial decision-making for a global industry. In: Synergy and Contradiction: How Picturebooks and Picture Books Work, 6 - 8 September 2018, University of Cambridge, UK.

Little, L, Morgan, P, Fahey, T, Kang, J, Sailsbury, M and Palmer, B (2014) Pen to page: making and creating books. In: The 2nd Limerick International Publishers' Salon (LIPS 2), 7 -11 October 2014, Ormston House, Limerick, Ireland.

Luzar, R (2016) Facing/Faceless. In: About Face Symposium, 21 January 2016, Hauser & Wirth Somerset, Bruton, UK.

Minott, P (2014) Marinetti: the power and the fury. In: BLAST, 24 - 26 July 2014, Bath School of Art and Design, Sion Hill, Bath.

Slade, C (2001) Cartoons and educating. In: The Fifth Congress of the Americas, 18 - 20 October 2001, University of the Americas, Cholula, Mexico.

Sowden, T (2018) Exploring appropriation as a creative practice. In: Turn the Page: Artists Book Symposium, 24 May 2018, The Forum, Norwich, UK. Please click the title to check availability.

Sowden, T, Mason, D and Partington, M (2017) Interrogating the unspoken. In: Research Through Design, 21 - 24 March 2017, National Museum of Scotland, Edinburgh, UK.

Sowden, T, Mason, D and Rintoul, J (2016) Make and think: the tacit knowledge of practice. In: UWE Bristol Talks, 24th November 2016, Arnolfini.

Taylor, A (2013) The Jerwood Drawing Prize. In: The Legacy of the Cleveland International Drawing Biennale, 27 June 2013, mima, Middlesbrough.

Taylor, A (2013) The insistence of drawing. In: The Insistence of Drawing: A Symposium, 11 July 2013, The School of Arts, University of Northampton.

Taylor, A (2014) A place for drawing. In: Art School Educated, 11-12 September 2014, Tate Britain, London.

Artefact

Minott, P (2013) The Bride Stripped Barr.

Sowden, T (2017) Panacea.

Exhibition

Bonnell, M, Fairman, E, McCracken Peck, R, Duggins, M and Burnett, D (2014) Of green leaf, bird, and flower: artists' books and the natural world. Yale Centre for British Art, New Haven, 15 May - 10 August 2014. ISBN 9780300204247

Clarke, R (2000) Roger Clarke: From floor to wall. Galerie Christian Fochem, 14 March - 16 April 2000. ISBN 9781857213041

Clarke, R (2015) Silent Movies [group exhibition]. Q PARK, Level -3, Cavendish Square, London, 16-18 October 2015.

Clarke, R and Fillingham, P (2016) DRIVE THRU [curators]. QPark, Cavendish Square, London, UK, 6 - 9 October 2016.

Dunseath, J (2017) SWAP AD HOC [group exhibition]. Castor Projects, London, UK, 31 March - 29 September 2017.

Dutton, S, Xu, A, Liu, C, Xu, F, Xiaohong, Z and Hongtao, Z (2019) A Share of a Future [curators]. China University of Mining and Technology, Beijing, China, 9 March - 30 April 2019. Please click the title to check availability.

Howard, R (2015) 62 Group NOW [group exhibition]. Upfront Gallery, Cumbria, UK, 14 March - 3 May 2015.

Howard, R (2015) Craft goes pop [group exhibition]. Bluecoat Display Centre, Liverpool UK, 23 January - 7 March 2015.

Howard, R (2014) Ebb and flow 62 [group exhibition]. In: Ebb and Flow, Heritage Centre, Grimsby, UK, 9 September - 2 November 2014.

Howard, R (2014) Found friends. CIT Crawford College of Art, Cork, Ireland, 7 - 14 April 2014.

Howard, R (2012) Lost and Found. National Trust Quarry Bank Mill, Cheshire, 1 April - 24 June 2012.

Howard, R (2014) Music makers [group exhibition]. Bluecoat Display Centre, Liverpool, UK, 20 March - 3 May 2014.

Howard, R (2014) Red work. Waterside Arts Centre, Sale, Manchester, 11 October 2014 - 31 January 2015.

Howard, R (2015) Red work. Williamson Art Gallery, Wirral UK, 14 February - 29 March 2015.

Luzar, R (2016) Re-tracing post, stance, paper. In: Draw to Perform 3, OCAD University, Toronto, Canada, 10 February 2016.

Luzar, R (2016) Screened page & Posts retraced. In: Line, Point, Plane: Minimalism in Architectural Space, Nunnery Gallery, London, UK, 20 – 25 September 2016.

Luzar, R (2016) Screened page / screened window. In: Drawing Upon Experience, Basement Gallery, Bath Spa University, Corsham, UK, 16 May - 23 July 2016.

Luzar, R (2017) Untitled & A-lighting steps, balls and chords. In: Gesture, Trace, Performance, Herbert Read Gallery, London, UK, 18 November - 15 December 2017.

Medjesi-Jones, A (2009) Exiled lines. Ruskin Gallery, Cambridge, 05 - 12 November 2009.

Medjesi-Jones, A (2012) What will the community think? BSU Gallery, Bath School of Art and Design & CASS Gallery, London Metropolitan University, 23 October 2012 - 14 November 2012 & 11 January - 02 February 2013.

Minott, P (2014) BLAST: a mural and sonic cone. In: BLAST, Bath School of Art and Design, Sion Hill, Bath, 24 - 26 July 2014.

Sowden, T (2014) Fortynine coach seats travelling along the M4 (2003). In: RUKSSIAN Artists’ Books: Artists’ Books from the UK and Russia, Tsaritsyno State Historical, Architectural, Art and Landscape Museum-Reserve, Moscow, Russia, March - May 2014 & August – September 2014.

Sowden, T (2017) Panacea. In: Redesigning the Medieval Book, University of Oxford, Oxford, UK, 1 December 2017 - 11 March 2018.

Sowden, T and Pichler, M (2015) Re: Follow-ed (after hokusai) [curators]. Cabinet du Livre d'Artiste, Rennes, France, 28 September 2015 - 3 December 2015. Please click the title to check availability.

Steadman, M, Bowes, V and Kelly, C (2016) Borderland exhibition. 44AD Gallery, Bath, UK, 26 - 30 January 2016.

Taylor, A (2004) Anita Taylor: seeing something else - recent drawings. Drawing Gallery, London, 2 - 27 November 2004.

Taylor, A (2014) Caesura. William Wright Artists Projects, Sydney, Australia, 31 July - 21 August 2014.

Taylor, A (2014) Drawn together: artist as selector [curator]. Jerwood Gallery, Hastings, 18 July - 15 October 2014.

Taylor, A (2017) Elisa Alaluusua - Sketchbooks: An Obsession [curator]. Drawing Projects UK, Trowbridge, UK, 3 February - 4 March 2017.

Taylor, A (2017) Flood story: Gerry Davis [curator and exhibition catalogue author]. Drawing Projects UK, Trowbridge, UK, 4 March - 1 April 2017. ISBN 97818622033

Vyner, T (2002) Buddhist temples football shrines. New Academy Gallery, London, December 2002.

Vyner, T (2004) Football dreams. New Academy Gallery, London, December 2004.

Vyner, T (2006) Street life. New Academy Gallery, London, September 2006.

Withers, R (2015) Roman Signer's Library of Marvels. The Rose Lipman Building, London, UK, 4 March - 31 May 2015.

Performance

Luzar, R (2016) Four steps for lighting balls and chords. In: Draw to Perform 3, Crows Nest Gallery, London, UK, 30 - 31 July 2016.

Luzar, R (2018) Sanded steps, standing over stones. In: Resting, Walking, Place-Making, McGill University, Montreal, Canada, 24 March 2018.

Luzar, R and Gagliardi, F (2016) Two seen, one un-seeing. In: Duration and Dialogue: Performance Art Festival/Symposium, Katzman Contemporary, Toronto, Canada, 29 - 31 January 2016.

Audio

Taylor, A, Dyke, A and Courtney, C (2009) Anita Taylor interviewed by Anna Dyke and Cathy Courtney.

Taylor, A, Gooding, M and Courtney, C (2010) Connecting lines: artists talk about drawing.

Other

Dunseath, J (2015) Today the studio is my laptop. Ambit, 221 (Summer). pp. 41-49.

Dunseath, J (2015) An image, I’m pleased, I’m sad. Ambit, 221 (Summer). pp. 50-51.

Sowden, T (2014) Tom Sowden: on book arts [blog post]. Artquest.

Withers, R (2016) Line, Point and Plane: Minimalism in Architectural Space [ exhibition essay]. Please click the title to check availability.

This list was generated from ResearchSPAce on Thu Mar 28 09:04:17 2024 UTC.