Items where Division is "Bath School of Music and Performing Arts" and Year is 2011

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Number of items: 85.


Atkinson, N (2011) For those in peril: music, Melville and Charles Olson. In: Dominion, 10 January 2011, University of Plymouth, Plymouth, UK.

Atkinson, N and Cockayne, A (2011) Rachel's orphan.


Bayley, A (2011) 'Ethnographic research into contemporary string quartet rehearsal.' Ethnomusicology Forum, 20 (3). pp. 385-411. ISSN 1741-1912

Bayley, A (2011) Evolution and collaboration in string quartet composition, rehearsal and performance. In: Tracking the Creative Process in Music International Conference, 29 September - 1 October 2011, Communauté d'Universités et d'Etablissements Lille Nord de France, Lille, France.

Bayley, A (2011) Rehearsal analysis of Finnissey's Third String Quartet. In: CMPCP Performance Studies Network International Conference, 14-17 July 2011, University of Cambridge, Cambridge, UK.

Bennett, J (2011) 'Collaborative songwriting – the ontology of negotiated creativity in popular music studio practice.' Journal on the Art of Record Production, July (5). ISSN 1754-9892

Bennett, J (2011) 'If you build it, they will come.' Total Guitar (216). p. 40. ISSN 1355-5049

Bennett, J (2011) 'Put some rhythm in your rhythm.' Total Guitar (214). p. 40. ISSN 1355-5049

Bennett, J (2011) 'Rhythm guitar: a bad habit?' Total Guitar (220). p. 42. ISSN 1355-5049

Bennett, J (2011) 'Six rules of (fingers and) thumb.' Total Guitar (215). p. 40. ISSN 1355-5049

Bennett, J (2011) 'Song meaning... it makes me wonder.' Total Guitar (218). p. 40. ISSN 1355-5049

Bennett, J (2011) 'Song vs track - picture or frame.' Total Guitar (219). p. 40. ISSN 1355-5049

Bennett, J (2011) 'Writing riffs - by hook or by crook.' Total Guitar (217). p. 42. ISSN 1355-5049


Cheetham, D, Browning, D and Karantonis, P (2011) ''Pecan summer': the process of making new indigenous opera in Australia.' In: Karantonis, P and Robinson, D, eds. Opera indigene: re/presenting first nations and indigenous cultures. Ashgate, Farnham, pp. 325-336. ISBN 9780754669890

Clayden, P (2011) Chimp juice. In: Maker Festival, Cornwall, UK, 2011.

Clayden, P (2011) Familia (Bureau of Random Acts). In: Maker Festival, Rame, UK, 1-3 July 2011.

Clayden, P (2011) Granthology (The Bureau of Random Acts). In: Larmer Tree Festival, Salisbury, UK, 11-15 July 2012.


Dickinson, J (2011) Infinite Process From Finite Form. In: Seeing Sound: Practice-led Research Symposium, 29-30 October 2011, Bath Spa University, Bath, UK.

Dickinson, J (2011) Infinite Process in Finite Form. In: Sound, Sight, Space and Play, 8-10 June 2011, Music, Technology and Innovation Research Centre, De Montford University, Leicester UK.

Duddell, J and Nero, (2011) Dubstep Symphony. BBC Media City, Saltford, UK, 6 June 2011.


Ehrenberg, S and Wood, K (2011) 'Kinaesthetic empathy: concepts and contexts, University of Manchester, England, April 22-23, 2010.' Dance Research Journal, 43 (2). pp. 114-117. ISSN 0149-7677

Enright, H (2011) ''Letting it breathe': writing and performing the words of others.' Studies in Theatre and Performance, 31 (2). pp. 181-192. ISSN 1468-2761


Hooper, E (2011) Albertosaurus. .

Hugill, A (2011) Animal stories. In: Animal Stories, New Walk Museum & Art Gallery, Leicester, UK, 25th June 2011 – 26th February 2012.

Hugill, A (2011) City soundings. In: International Radiophonic Creation Day, 4 June 2011.

Hugill, A (2011) Digital musicianship. In: The Seventh Biennial International Conference on Music Since 1900, 28-31 July 2011, Lancaster University, Lancaster, UK.

Hugill, A (2011) Four interludes.

Hugill, A and Hendler, J (2011) Creatively abusing the semantic web. In: ACM Web Science Conference 2011, 14-17 June 2011, Koblenz, Germany.

Hyde, J (2011) Anatomica #3. Korzo Theater, Den Haag, The Netherlands, 27 May 2011.

Hyde, J (2011) Seven waves. In: BEAST Rumours series, Midlands Arts Centre, Birmingham, UK, May 2011.

Hyde, J (2011) Visual Disassociation and Audiovisual Acousmatics: noise and silence in visual music. In: Understanding Visual Music 2011, 26-27 August 2011, Concordia University, Montreal, Canada.



Kampe, T (2011) 'Interview with Thomas Kampe: tanzvermittlung.' In: Klein, G, Barthel, G and Wagner, E, eds. Choreografische baukasten. Transcript Verlag, Bielefeld. ISBN 9783837617887

Kampe, T (2011) 'Recreating histories: transcultural and transdisciplinary perspectives on performance making.' Korean Journal of Dance, 67 (6). pp. 253-274. ISSN 1598-4672

Kampe, T (2011) The secret consul. Limehouse Town Hall, London, UK, 2011.

Karantonis, P (2011) A 21st century festival of indigenous opera? Dismantling the hierarchies of opera-making to build new audiences. In: Building Reconciliation and Social Cohesion through Indigenous Festival Performance: European Research Council Symposium, 18 November 2011, University College London Institute, Paris, France.

Karantonis, P (2011) Opera as masterful nation building – the case of early 20th century Greece. In: Performance Studies International PSi #17, 27 May 2011, University of Utrecht, Utrecht, Netherlands.

Karantonis, P (2011) 'Performativity, mimesis and indigenous opera.' In: Karantonis, P and Robinson, D, eds. Opera indigene: re/presenting first nations and indigenous cultures. Ashgate, Farnham, pp. 73-91. ISBN 9780754669890

Karantonis, P (2011) The global science of voice and the vocal school of nationhood – towards a model of understanding or refuting ‘national schools of singing’ in opera. In: Tradition, Innovation, Community: International Federation for Theatre Research Annual Conference, 9 August 2011, University of Osaka, Osaka, Japan.

Karantonis, P and Robinson, D (2011) 'Introduction.' In: Karantonis, P and Robinson, D, eds. Opera indigene: re/presenting first nations and indigenous cultures. Ashgate, Farnham, pp. 1-14. ISBN 9780754669890

Keep, A (2011) LYSN. In: Rumor Festival 65: "Breaking the Waves", Utrecht, The Netherlands, May 2011.


Lewis-Smith, C (2011) Box. .

Lewis-Smith, C (2011) Built to Last. .

Lewis-Smith, C (2011) The Navigator. .


Mathers, K (2011) Provoking sound: notation in the work of the Grúpat artists. In Context 3 Public Art Programme.

Melia, N and Saunders, J (2011) 'Introduction: what is Wandelweiser?' Contemporary Music Review, 30 (6). pp. 445-448. ISSN 1477-2256


Parfitt, R (2011) Music and the Mythic Image. In: Sŵn Arts Festival, 20-23 October 2011, Cardiff, UK.

Parry, B and Bardsley, G (2011) The Christ child is born.

Parry, B and Bardsley, G (2011) Gabriel's news.

Parry, B and Bardsley, G (2011) Sun and moon.

Power, T (2011) Lear 1864: Trail of Tears (Shakespeare performance). University Theatre, Bath Spa University, 19-21 January 2011.

Power, T (2011) 'Sexual politics: the gay person in America today.' Archives of Sexual Behavior, 40 (5). pp. 1063-1064. ISSN 1573-2800

Power, T (2011) ShakesQueer: bearded women, men in tights. In: Performance remains, global presence: memory, legacy, and imagined futures. ATHE's 25th anniversary, 11-14 August 2011, Chicago, Illinois.

Power, T (2011) Shakespeare (Re)visioned: Drag King Richard III and Possession Macbeth. Lulu Publications, Raleigh, NC. ISBN 9781447752882

Power, T (2011) Shakesqueer.

Purcell-Gates, L (2011) 'Locating the self: narratives and practices of authenticity in French clown training.' Theatre, Dance and Performance Training, 2 (2). pp. 231-242. ISSN 1944-3927

Purcell-Gates, L (2011) Tout bouge [Everything moves]: the (re)construction of the body in Lecoq‐based pedagogy. PhD thesis, University of Minnesota.


Ramsay, B (2011) 'Tools, techniques and composition: bridging acousmatic and IDM.' eContact!, 14 (4). ISSN 1910-4650

Rugman, K and Coe, K (2011) Examining the use of tactile aid in somatic teaching: a practical paper in contact unwinding. In: Dance and Somatic Practice Conference: Fostering Trans-Disciplinary Perspectives in Embodied Process and Performance, 8 - 10 July 2011, Coventry University, Coventry, UK.


Saunders, J (2011) 'Testing the consequences–multipart series in the work of the Wandelweiser composers.' Contemporary Music Review, 30 (6). pp. 497-524. ISSN 0749-4467

Saunders, J (2011) ''Zeit ist niemandes Eigentum'. Interview mit Beuger.' MusikTexte, 130. pp. 44-50. ISSN 0178-8884

Saunders, J (2011) distribution study #1-12.

Saunders, J (2011) each will appear or not appear.

Saunders, J (2011) location composites.

Saunders, J (2011) things whole and not whole.

Saunders, J (2011) things whole and not whole.

Spring, M (2011) 18th-century music in Bath. In: CHOMBEC lectures & the Music Research Seminar Series, 3 May 2011, Victoria's Room, Victoria Rooms, Bristol, England.

Spring, M (2011) Sounding the universe: six centuries of music and space. In: Peninsula Arts Chamber Music Series, Sherwell Centre, Plymouth University, Plymouth, UK, 8 October 2011.

Spring, M (2011) The provision of outside music in the walks and gardens of Georgian Bath. In: Conference on Cosmopolitanism and Culture, 21 October - 22 October 2011.

Spring, M and Sayce, L (2011) Music from a Tudor court.

Steadman, M (2011) Fugitive Songs. In: Houston Fringe Festival, Houston TX, USA, August-September 2011.


Turnbull, O (2011) Jane Austen's Bath time! In: Bath Comedy Festival, Bath.

Turnbull, O (2011) 'dreamthinkspeak: a new vision for theatre.' In: Paterson, R, ed. Stages to performance: in the rehearsal room. McNidder & Grace, Carmarthen. ISBN 9781904794301 Please click the title to check availability.


Welsh, P (2011) Comedy Academy stand up night. In: Chairman's Ball, Pump Rooms, Bath, UK, April 2011.

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