Items where Division is "Bath School of Music and Performing Arts" and Year is 2015

Arthurs, Y (2015) 'Psychophysical and psychological approaches to consonance and dissonance.' In: Ruggiero, G and Bruni, D, eds. Il ritmo della mente : la musica tra scienza cognitiva e psicoterapia. Mimesis, Milan, pp. 49-72. ISBN 9788857525464

Arthurs, Y (2015) The creation of consonance: how musical context influences chord perception. PhD thesis, University of Sheffield.

Bayley, A ORCID: 0000-0002-2114-5917 (2015) Women and analysis. In: KeeleMAC 2015: The Keele Music Analysis Conference, 8-10 July 2015, Keele Hall, Keele University, UK.

Bayley, A ORCID: 0000-0002-2114-5917 and Dutiro, C (2015) Creating new music across cultural boundaries: mbira and string quartet. In: Tracking the Creative Process in Music: Third International Conference, 8-10 October 2015, Institut de Recherche et Coordination Acoustique/Musique, Paris, France.

Bennett, J (2015) 'Creativities in popular songwriting curricula: teaching or learning?' In: Burnard, P and Haddon, E, eds. Activating diverse musical creativities: teaching and learning in higher education. Bloomsbury, London. ISBN 9781472589132

Bernard, P (2015) Colour.

Boehm, J.D (2015) Circe's palace (for orchestra and backing track).

Boehm, J.D (2015) Sonata for three.

Breel, A ORCID: 0000-0001-6262-7413 (2015) 'Aesthetic relationships and ethics in 'The Oh Fuck Moment'.' Research in Drama Education: The Journal of Applied Theatre and Performance, 20 (1). pp. 39-49. Please click the title to check availability.

Breel, A ORCID: 0000-0001-6262-7413 (2015) 'Audience agency in participatory performance: a methodology for examining aesthetic experience.' Participations: Journal of Audience & Reception Studies, 12 (1). pp. 368-387. Please click the title to check availability.

Calvert-Ennals, S (2015) The Depraved Appetite of Tarrare the Freak: an investigation into the dramaturgy of puppetry, music and historical archive material in live performance. In: Bristol Festival of Puppetry, Tobacco Factory Theatre, Bristol, UK, 2-3 September 2015.

Clayden, P (2015) Lords of lightning. The Venetian Macau, MSAR, 14 April 2014.

Demetriou, P.A (2015) An Exhibition of Hidden Stories: investigating methods of staging and performing oral history archives. PhD thesis, University of Bristol.

Demetriou, P.A (2015) Love Letters. In: Latitude Festival, Henham Park, Suffolk, UK, 16 - 19 July 2015.

Dickinson, J (2015) Pastorale-mechanical: imagined landscapes, between determinate systems and poetic fantasy. In: INTIME Symposium : Landscapes and Environments: Experimentation and Transformation in Sound and Music, 24 -25 October 2015, Coventry University, UK.

Enright, H (2015) Theatre of testimony: turning qualitative enquiry into theatre. In: Public Engagement & Performance Conference, 20 - 21 March 2015, The Early Music Centre, University of York, York, UK.

Glen, N and Alexander, S (2015) Illuminated umbrella dance. In: Illuminate 2015, Bath, UK, 3-10 January 2015.

Hooper, E (2015) CICADANTHEM.

Hooper, E (2015) Etta and Otto and Russell and James. Penguin, London. ISBN 9780241003329

Hooper, E (2015) Music while you write. In: Bath Literature Festival, 27 February - 8 March, 2015, Bath, UK.

Hooper, E, Honan, N, Painter, K and Lynch, R (2015) Where are all the women? [panel discussion]. In: Where Are All The Women?, 8 March 2015, Rise Records, Bristol.

Hugill, A (2015) Boring formless nonsense: experimental music and the aesthetics of failure, by eldritch Priest [book review]. Tempo, 69 (271). pp. 98-99.

Hugill, A (2015) 'Percy Grainger: pioneer of electronic music.' In: Robinson, S and Dreyfus, K, eds. Grainger the modernist. Ashgate, Farnham, pp. 231-254. ISBN 9781472420220

Hunter, V ORCID: 0000-0002-9835-3853 (2015) 'Embodying the site: the here and now in site-specific dance performance.' In: Hunter, V, ed. Moving sites: investigating site-specific dance performance. Routledge, Abingdon, pp. 95-114. ISBN 9780415713252

Hunter, V ORCID: 0000-0002-9835-3853 (2015) 'Experiencing space: the implications for site-specific dance performance.' In: Hunter, V, ed. Moving sites: investigating site-specific dance performance. Routledge, Abingdon, pp. 25-39. ISBN 9780415713252

Hunter, V ORCID: 0000-0002-9835-3853 (2015) 'Introduction.' In: Hunter, V, ed. Moving sites: investigating site-specific dance performance. Routledge, Abingdon, pp. 1-22. ISBN 9780415713252

Hunter, V ORCID: 0000-0002-9835-3853 (2015) 'Moving sites: transformation and re-location in site-specific dance performance.' In: Hunter, V, ed. Moving sites: investigating site-specific dance performance. Routledge, Abingdon, pp. 459-476. ISBN 9780415713252

Hunter, V ORCID: 0000-0002-9835-3853 (2015) 'Spatial translation, embodiment and the site-specific event.' In: Hunter, V, ed. Moving sites: investigating site-specific dance performance. Routledge, Abingdon, pp. 178-198. ISBN 9780415713252

Kampe, T (2015) 'Eros and inquiry: the Feldenkrais Method® as a complex resource.' Theatre, Dance and Performance Training, 6 (2). pp. 200-218.

Kampe, T (2015) 'The art of making choices: the Feldenkrais Method as a soma-critique.' In: Whatley, S, Garrett Brown, N and Alexander, K, eds. Attending to movement: somatic perspectives on living in this world. Triarchy Press, Axminster, pp. 77-90. ISBN 9781909470637

Kampe, T and Klein, G (2015) 'Choreografievermittlung ein gespräch mit Thomas Kampe.' In: Klein, G, ed. Choreografischer baukasten: das buch. Transcript, Bielefeld, pp. 238-244. ISBN 9783839431863

Karantonis, P (2015) '"Punk’s dead, Michael": artifice, independence and authenticity in Leigh Bowery’s self-fashioned post-punk performative.' Punk & Post Punk, 4 (2-3). pp. 205-222.

Karantonis, P (2015) 'Transcribing vocality: voice at the border of music after modernism.' In: Thomaidis, K and Macpherson, B, eds. Voice studies: critical approaches to process, performance and experience. Routledge, Abingdon, pp. 162-176. ISBN 9781138809345 Please click the title to check availability.

Lewis-Smith, C (2015) The looking boxes. In: Symposium on Teaching Screendance, 8-10 July 2015, Duke University, Durham, NC, USA.

Lewis-Smith, C and Nicoli, C (2015) To be watched while eating an orange.

Lloyd, O (2015) Building Materials: an installed composition. PhD thesis, Bath Spa University. doi: 10.17870/bathspa.00006884

Lowe, R (2015) The light princess [actor]. The Tobacco Factory Theatre, Bristol, UK, 26 November 2015 - 10 January 2016.

Lundskaer-Nielsen, M (2015) 'Musical theatre writer training in Britain: contexts, developments and opportunities.' Studies in Musical Theatre, 9 (2). pp. 129-141.

Meinema, J (2015) Italian miracle.

Meinema, J (2015) Things of the aimless wanderer.

Moor, D (2015) We want more & The gears (by Carl Barat and The Jackals).

Moor, D and Barat, C (2015) Beginning to see.

Moor, D and Barat, C (2015) For this is my body [soundtrack].

Nixon, E (2015) Towards an "embodied poetics": an exploration of devising processes based on the work of Jacques Lecoq and Gaston Bachelard. PhD thesis, University of Exeter.

Parry, B and Bardsley, G (2015) 7 goodly reasons to sing.

Purcell-Gates, L (2015) The Depraved Appetite of Tarrare the Freak: an investigation into puppetry as an analytic to deepen understanding of ethical and historical issues within the medical humanities. In: Bristol Festival of Puppetry (2-3 Sep 2015), Tobacco Factory Theatres, Bristol, 2-3 September 2015, 2-3 November 2015, 25-28 January 2017, 30 January - 18 February 2017, 8-9 March 2017, 10 March 2017. Please click the title to check availability.

Ramsay, B (2015) Waypoints.

Reading, K (2015) Re-placing the archive: a performative paper. In: Performing Place 3 Symposium, 19 - 20 June 2015, University of Chichester, UK.

Reading, K (2015) Whispers, echoes and tall tales. Aberystwyth University, UK, June 2015.

Roosna, K, Flak, K, Lisauskas, P and Hyde, J (2015) Wild places: mountain. In: CaDance Festival, Spui Theatre, The Hague, Netherlands, 06 February 2015.

Rugman, K (2015) 'Contact unwinding.' In: Fraleigh, S, ed. Moving consciously : somatic transformations through dance, yoga, and touch. University of Illinois Press, Illinois. ISBN 9780252039409

Saunders, J (2015) 'Heuristic models for decision making in rule-based compositions.' In: Ginsborg, J, Lamont, A, Phillips, M and Bramley, S, eds. Proceedings of the Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music, 17 - 22 August 2015, Manchester, UK. Royal Northern College of Music, Manchester, pp. 715-719.

Saunders, J (2015) I tell you what to do: autonomy, control and play in game compositions. In: Authorship in Music, 6-7 March 2015, University of Oxford.

Saunders, J (2015) Playing, music. In: Gaminomics, 11 June 2015, Cavendish Conference Centre, Tower Hill, London.

Saunders, J (2015) all voices are heard.

Saunders, J (2015) assigned # 15.

Saunders, J (2015) different water environments.

Saunders, J (2015) like you and like you.

Saunders, J (2015) space with sounding floor.

Saunders, J (2015) we gradually have more things to do and fewer things to say.

Semerciyan, S (2015) I and the village. Theatre503, London, UK, 9 June - 4 July 2015.

Semerciyan, S (2015) I and the village. Methuen Drama, London. ISBN 9781474248419

Semerciyan, S (2015) Turning tricks. In: ReOrient Festival, Z Below, San Francisco, SF, USA, 10 September - 4 October 2015.

Semerciyan, S (2015) The light burns blue. Bristol Old Vic Theatre, Bristol, UK, 15-18 April 2015.

Semerciyan, S (2015) The light burns blue. Nick Hern Books, London. ISBN 9781848425026

Sergeant, M (2015) Place (for ensemble).

Sergeant, M (2015) betê gabriel-rufael (for saxophone, percussion and computer-controlled click track).

Spring, M (2015) 'The Fleming Family’s dance school at Bath 1750-1800.' In: Segal, B and Tuck, W, eds. Ballroom, stage and village green:
 contexts for early dance. Early Dance Circle, Orcheston. ISBN 9870955353260

Spring, M (2015) 'Signor Humbuggo Scrapissimo', the ‘little Adventurer of the day’: the career of Guiseppe and Christina Passerini in Bath and Bristol 1753-1758. In: Thirty-First Annual Conference on Music in Eighteenth Century Britain, 27 November 2015, The Foundling Museum, London, UK.

Spring, M (2015) The transformation of Bath's music trade 1780-1830. In: Muzio Clementi and the British Musical Scene: 1780-1830, 24 - 26 November 2015, Centro Studi Opera Omnia Luigi Boccherini, Lucca, Italy.