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Number of items at this level: 443.

A

Akram, S (2011) ARCO OKAY [group exhibition]. The Garage Gallery, London, UK, 17-25 September 2011.

Akram, S and Haythornwaite, A (2010) How's the weather: exploring ordinary objects in unordinary contexts - a umbrella full of sunshine. In: Hit the nail on the head, Novalis Fine Arts, Turin.

Allen, D (2009) Artist - Object Project. Curated exhibition and artist residency programme. In: Artist Object Project, Brecknock Museum & Gallery, Sep 5 - Oct 31 2009.

Allen, D (2009) International Ceramics Festival. Aberystwyth Arts Centre, Aberystwyth, UK, July 2009.

Allen, D (2005) Something borrowed. Contemporary Applied Arts, London, 7 January – 26 February 2005.

Allen, D (2010) Spor Los. Bojcaada Island, Turkey.

Arscott, C, Pettitt, C, Newland, C, Hume, N and Chapman, A (2016) Victorians Decoded: Art & Telegraphy [curators]. The Guildhall Art Gallery, London, UK, 19 September 2016 - 22 January 2017. ISBN 9871907485053

B

Bianchi, J and Cooke, C (2005) More than a body's work. The Arc, Stockton, 16 May - 29 July 2005. ISBN 0954748727

Binckes, F (2016) ‘I am for this particular ghost’: the medium and the editor in Wyndham Lewis’s later art writings. In: Editing Modernism/Modernist Editing, 12-13 May 2016, Edinburgh Napier University, Edinburgh, UK.

Binckes, F (2015) Making faces: caricature, tradition & periodical culture from Victorian to Modern. In: Making It New: Victorian and Modernist Literature and Periodicals 1875-1935, 28 February 2015, De Montfort University.

Bodman, S and Sowden, T (2015) 'Artists’ books at the Centre for Fine Print Research.' The New Bookbinder, 35. pp. 73-80. ISSN 0261-5363 Please click the title to check availability.

Bonnell, M (2009) On the fractured stage of the book. The Eagle Gallery, London, 2009.

Bonnell, M (2011) Print! The Exchange Gallery, Cornwall, UK, 9 April - 2 July 2011.

Bradley, S (1986) Stitches in time. Orbis UK, Henry Holt USA. ISBN 9780856139192

Bray, S, Foxcroft, L, Shiraishi, Y and Lalic, M (1992) A sense of purpose: new work by Sarah Bray, Lesley Foxcroft, Maria Lalic, Yuko Shiraishi. Mappin Art Gallery, Sheffield. ISBN 0863211593

Brien, P (2023) 'Incendiary: curating art protest in the toxic airs of Stroud’s rural green idyll.' In: Pigott, A, Jones, O and Parry, B, eds. Art and creativity in an era of ecocide: embodiment, performance and practice. Bloomsbury, London, pp. 203-220. ISBN 9781350237223

C

Clarke, R (2014) Accidents will happen. In: We Could Not Agree, QPark, Cavendish Square, London, 13 -19 October 2014.

Clarke, R (2014) Neighbourhood Watch [group exhibition]. JW3, London, 26 May 2014.

Clarke, R (2015) Pearl necklace. In: The Fall Of The Rebel Angels, Castello 1610/A, Venice, Italy, 9 May - 23 June 2015.

Clarke, R (2017) Performance of the record player orchestra. In: Roja Art Lab, Roja Cultural Centre, Roja, Latvia, 22 July 2017.

Clarke, R (2014) The Record Player Orchestra at Supernormal Festival. In: Supernormal, Braziers Park, Oxfordshire, UK, 8 -10 August 2014.

Clarke, R (2014) The Record Player Orchestra. In: The London Analogue Festival, Oxo Bargehouse, London, 12 -14 September 2014.

Clarke, R (2018) The Roja Rolling Top.

Clarke, R (2015) Silent Movies [group exhibition]. Q PARK, Level -3, Cavendish Square, London, 16-18 October 2015.

Clarke, R (2014) 'Untitled' and 'The Record Player Orchestra'. In: Chinese Open 2014, QPark Soho, London, 9 - 10 February 2014.

Clarke, R (2014) The deadliest toxins (2009). In: The Big Deal Marvellous MixUps x1, Loud and Western, London, 10 - 25 July 2014.

Clarke, R and Chamberlain, S (2014) The Record Player Orchestra and Sellotape Cinema. Vivid Projects, Birmingham, 4 July 2014.

Clarke, R and Fillingham, P (2016) DRIVE THRU [curators]. QPark, Cavendish Square, London, UK, 6 - 9 October 2016.

Cockayne, A (2014) Angela Cockayne: solo exhibition. In: Bournemouth Arts by the Sea Festival, Bournemouth Natural Science Society (BNSS) & Museum, 11-12 October 2014.

Cockayne, A (2011) Solo exhibition. In: Dominion, Peninsula Arts, University of Plymouth, Plymouth, UK, 21 January - 5 March 2011.

Cresswell, M and Karimova, Z (2017) 'Ken Loach, 'Family life' and socialist realism: some historical and theoretical aspects.' Journal of British Cinema and Television, 14 (1). pp. 19-38. ISSN 1743-4521

Curtis, D, Turk, G and Marlow, T (2003) Gavin Turk in the house: a reader. Open House, London.

Curtis, K (2018) Imagining neutopia - dressing for evacuation. In: TentWorks - Feverish World, University of Vermont, Burlington, Vermont, USA, 20 - 22 October 2018.

D

Dahn, J (2011) 'Elastic/expanding: contemporary conceptual ceramics.' In: Buszek, M.E, ed. Extra/ordinary: craft and contemporary art. Duke University Press, London, pp. 153-174. ISBN 9780822347620

Dahn, J (2008) Shards [group exhibition]. Bath Spa University, Bath, UK, 27 July - 29 August 2008.

Dahn, J (2012) Space Place Practice. In: Symposium and Show of Work, 12 September 2012, University of the West of England, Bristol.

Dahn, J (2011) 'A far cry from throwing a pot.' In: Livingstone, A, ed. Parallax view. Learning Development Services, University of Sunderland, pp. 62-67. ISBN 9781906832056

Dalwood, D (2011) "De Kooning, De Kooning, De Kooning...". David Risley Gallery, Copenhagen, Denmark, 15 January - 26 February 2011.

Dalwood, D (2010) Dexter Dalwood. FRAC Champagne-Ardenne, Reims, France, 11 June - 15 August 2010.

Dalwood, D (2012) 'Dexter Dalwood on Robert Rauschenberg.' In: Grant, S, ed. In My View: Personal Reflections on Art by Today's Leading Artists. Thames & Hudson, London, pp. 68-69. ISBN 9780500238967

Dalwood, D (2010) Dexter Dalwood: Monograph. JRP Ringier, Zurich. ISBN 9783037641262

Dalwood, D (2010) Dexter Dalwood: a solo exhibition accompanied by works from the Tate Collection. Tate, St Ives, UK, 23 January - 3 May 2010. ISBN 9781854379177

Dalwood, D (2011) Dichter und Drogen. Gallery Judin, Berlin, Germany, 10 September - 17 December 2011.

Dalwood, D (2013) Disaster / The End of Days [group exhibition]. Galerie Thaddaeus Ropac, Paris, France, 3 March - 29 June 2013. ISBN 9782910055547

Dalwood, D (2009) Endless Night. Gagosian Gallery, Beverley Hills CA, USA, 17 September - 7 November 2009.

Dalwood, D (2012) Orientalism. David Risley Gallery, Copenhagen, Denmark, 12 May - 23 June 2012.

Dalwood, D (2013) Solo exhibition. Kunsthaus CentrePasquArt, Biel, Switzerland, 21 April - 16 June 2013. ISBN 978869844268

Dalwood, D (2010) Turner Prize 2010. Tate Britain, London, UK, 5 October 2010 - 3 January 2011.

Dalwood, D (2019) What is Really Happening. Simon Lee Gallery, London, 1 March - 30 March 2019.

Dalwood, D (2019) What is really happening. Dostoyevsky Wannabe / Simon Lee Gallery, London. ISBN 978199996562

Dalwood, D (2019) 'What is the history in contemporary history painting?' In: Phillips, M.S and Bear, J, eds. What was history painting and what is it now? McGill-Queens University Press, Montreal, Canada, pp. 204-214. ISBN 9780773558960

Dalwood, D, Bickers, P, Philp, S and Popova, Y (2015) In an increasingly competitive and professionalised art world, what mechanisms need to be put in place to ensure that artists continue to be supported? In: New Contemporaries 1949 to Now, 26 November 2015, Institute of Contemporary Arts, London, UK.

Dick, I, Willis, M and Lalic, M (1996) Inge Dick, Maria Lalic, Marylin Willis. März Galerien, Mannheim, October - December 1996.

Dunseath, J (2015) About making. In: Artist's Talk, 15 September 2015, Spike Island, Bristol, UK.

Dunseath, J (2023) Accelerate [website]. Accelerate.

Dunseath, J (2018) Hard hard hat hat & Cosmetic.wished.explorer. In: On Repeat, GiG Gallery, Munich, Germany, 22 September - 26 October 2018. Please click the title to check availability.

Dunseath, J (2023) Making immersive technology accessible for art and design teaching. In: Accelerate Multiplier Event, 18 May 2023, UK / Ireland / Poland / Ukraine [online].

Dunseath, J (2012) Minit 4: Change-of-state. Kinetic and movie, or what is generally meant by event and movement. In: Peckham Artist Moving Image, Flat Time House, The John Latham Foundation and Archive, London, 20 -23 September 2012.

Dunseath, J (2023) Mouseclick. In: Moving Image 2023, Southwark Park Galleries, London, UK, 11 November - 9 December 2023.

Dunseath, J (2017) Pasta real. In: Work Work, Tintype Gallery, London, UK, 2 November - 2 December 2017.

Dunseath, J (2017) SWAP AD HOC [group exhibition]. Castor Projects, London, UK, 31 March - 29 September 2017.

Dunseath, J (2017) What is a studio and how do we use one? In: What Is A Studio And How Do We Use One? A One Day Symposium In Conjunction With Inventory Of Behaviours, 6 February 2017, blip blip blip, East Street Arts Patrick Studios, Leeds, UK.

Dunseath, J and Squires, K (2021) As seen. In: In Touch, CICA Museum, Gimpo, South Korea, 24 November – 12 December 2021.

Dunseath, J and Squires, K (2023) Chew. In: On Not Knowing: How Artists Teach, 9 - 10 June 2023, Glasgow School of Art, Glasgow, UK.

Dunseath, J and Squires, K (2023) Touch Type. In: CreaTech, 22 September 2023, Fabrication Lab and Ambika P3, University of Westminster, London, UK.

Dunseath, J and Wilsher, M (2016) 'Artist boss.' In: Dunseath, J and Wilsher, M, eds. Artist boss: Anthony Caro's studio assistants and issues of legacy in British sculpture. Wunderkammer Press, Bath, pp. 19-27. ISBN 9780993551109

Dutton, S (2017) Only Numbers Count.

Dutton, S, Xu, A, Liu, C, Xu, F, Xiaohong, Z and Hongtao, Z (2019) A Share of a Future [curators]. China University of Mining and Technology, Beijing, China, 9 March - 30 April 2019. Please click the title to check availability.

F

Farrar, R (2017) Strong.

Farrar, R (2016) Women in adventure. Factory Media.

Farrar, R (2017) The secret ingredient for sustainable growth in public engagement. In: Engage 2017, 6 - 7 December 2017, Arnolfini, Bristol, UK.

Farrar, R, Heywood, B and Telling, L (2017) Utilising technology to unlock the past. In: The Asian Conference on Arts and Humanities, 30 March - 2 April 2017, Art Center, Kobe, Japan.

Fearns, R (2010) Illuminate Bath: light projections. In: Illuminate Bath, Bath, UK, 25-28 January 2012.

Fehr, M, Winzer, I, Schmieder, P and Lalic, M (2000) Die farbe hat mich: positionen zur nicht-gegenständlichen malerei. Kuenstlerhaus Dortmund. ISBN 3884749277

G

Ghosh, S (2024) 'Our nation, their nation: Premchand, Satyajit Ray and the Indian state.' In: Dattaray, D, Halder, E and Das, S, eds. Literature and the other arts. Jadavpur University, Kolkata, India. (Forthcoming) Please click the title to check availability.

Gifford, T (2015) 'D. H. Lawrence: nature, narrative, art, identity' by John Beer [book review]. Journal of D.H. Lawrence Studies, 4 (1). pp. 172-174. ISSN 0308-7662

Gifford, T (1996) 'Dialogues.' In: Real : an exhibition by three of Cumbria's leading figurative painters. Tullie House Museum and Art Gallery, Carlisle, p. 4.

Gifford, T (2001) ''Fiber': a post-pastoral Georgic.' In: Weltzien, O.A, ed. The literary art and activism of Rick Bass. University of Utah Press, Salt Lake City, UT, pp. 248-263. ISBN 9780874806977

Gifford, T (2005) Green screen: environmentalism and Hollywood cinema [book review]. Journal of American Studies, 40 (1). pp. 176-177. ISSN 1469-5154

Gifford, T (2001) 'Interview with Fay Godwin.' Thumbscrew, 18. pp. 114-117. ISSN 1369-5371

Gifford, T (2016) 'John Ruskin, John Muir and the Anthropocene: modern painters IV and studies in the Sierra.' In: Hutchings, K and Miller, J, eds. Transatlantic literary ecologies: nature and culture in the nineteenth-century anglophone Atlantic world. Routledge, London, pp. 136-149. ISBN 9781472450203

Gifford, T (2013) Keith Sagar, ‘Art for life’s sake': essays on D.H. Lawrence [book review]. Journal of D.H. Lawrence Studies, 3 (2). pp. 189-191. ISSN 0308-7662

Gifford, T (1999) 'Muir's Ruskin: John Muir's reservations about John Ruskin reviewed.' In: Miller, S.M, ed. John Muir in historical perspective. Peter Lang Publishing, New York, NY, pp. 137-150. ISBN 9780820440088

Gifford, T (2001) 'Muir's Ruskin: John Muir's reservations about Ruskin reviewed.' In: Gamble, C, ed. John Ruskin: the Brantwood Years - symposium papers. The Ruskin Programme, Lancaster University, Lancaster, pp. 1-14.

Gifford, T (2010) New D.H. Lawrence [book review]. Green Letters: Studies in Ecocriticism, 13 (1). pp. 110-112. ISSN 1468-8417

Gifford, T (2007) 'State of the art: Alpine Club artists.' Summit, 45. pp. 30-34.

Gifford, T (1978) 'A return to 'The wound' by Ted Hughes.' Kingfisher, 1 (2). pp. 46-53.

Gifford, T and Brown, J (1983) 'Creative responses in the sixth form.' In: Harrison, B.T, ed. English studies 11-18: an arts based approach. Hodder and Stoughton, London, pp. 139-153. ISBN 9780340331576

Goode, A, Johnson, S, Curtis, K, Akram, S, Cappello, F, Chambers, J, Kendall, T, Loder, C, Miles, J and Nicol, K (2011) The Mantelpiece. Bath, UK, 7 - 20 November 2011.

H

Harrison, K (2013) Blanks in between. In: London Design Festival, Paper Tiger, London, 14 - 22 September 2013.

Harrison, K (2009) Brother. In: Possibilities and Losses: Transitions in Clay, Middlesbrough Institute of Modern Art, Middlesbrough, UK, 22 May - 16 August 2009.

Harrison, K (2012) Disruption Series: installations and performances. Victoria and Albert Museum, London, UK, October 2012 - March 2013.

Harrison, K (2011) Float: a clay sound system. In: Jerwood Makers Open, Jerwood Space, London, UK, 13 July - 28 August 2011.

Harrison, K (2013) Moon: a public demonstration. V&A Hochauser Auditorium, London, UK, 21 April 2013.

Harrison, K (2015) Moon: a public demonstration. In: Super Woofer, Matt's Gallery, London, 1 August 2015.

Harrison, K (2006) Sensory material. Bonhams Auctioneers, London, September 2006.

Harrison, K (2008) Superfluid. Brighton, 2 February - 2 March 2008.

Head, A (2016) Defining elastic space. In: Elastic 3D Space International Colloquium, 24 - 27 February 2016, Concordia University, Montreal, Canada.

Head, A (2013) The Digitrope. Roman Baths, Stall Street, Bath, 15 - 16 March 2013.

Head, A (2009) Jurassic Light Years. Imaginalis, Chelsea Art Museum, New York, USA, 5 March - 4 April 2009.

Head, A (2015) Marvellous marble machine. Bath Spa University, Bath, UK, 18- 26 June 2015.

Head, A (2014) Stories on walls. In: ISEA 2014, 30 October - 8 November 2014, Dubai, UAE.

Head, A (2014) Text and Texture. In: Shakespeare's Birthplace Lightshow, Stratford upon Avon, UK, 27 November-14 December 2014.

Head, A (2013) You, me & everyone in Portsmouth. Portsmouth Guildhall, 25 - 26 October 2013.

Heijnen, J, Charalambou, S, Brea, J and Lalic, M (1998) De leugenaars: helder en verzadigd. Arti et Amicitiae, Amsterdam, 14 March - 12 April 1998. ISBN 9072612256

Henley, S (2009) Analog Catalog: investigating the permanent collection. Samuel Dorsky Museum of Art. State University of New York, New Paltz NY, USA, 14 February - 14 June 2009.

Henley, S (2009) Museums, shops, ladders and lights. Samuel Dorsky Museum of Art, New Paltz, New York USA, February 2009.

Herrema, R, Alarcón, X, Hardie-Bick, T and Chirimini, S (2014) 4 4 Flow. In: 4 4 Flow, Chisenhale Dance Space, London, 28 March, 2014.

Herrema, R, Armitage, G, Kirves, M and Clark, G (2014) $echo.

Hogg, A (2012) Be Here Now.

Hogg, A (2008) Hidden: Xian University Collaborative project. Bath Spa University, Bath, UK.

Hogg, A (2011) Suicide Fields.

Hong, Y (2014) '5100: Pentagon' & 'Silent drum'. In: Burning Down the House - Gwangju Biennale 2014, Gwangju, South Korea, 5 September - 9 November 2014.

Hong, Y (2016) Drawing flowers. In: Making is Thinking is Making: La Nouva Arte Coreana - XXI La Triennale di Milano, Milan, Italy, 2 April - 12 September 2016.

Hong, Y (2017) Echoes. In: Venice Agendas 2017: The Contract, Campo Santa Margherita, Venice, Italy (and touring), 10 -12 May 2017.

Hong, Y (2014) Let us dance. In: Spectrum Spectrum, Plateau Museum, Seoul, Korea, 4 July - 12 October 2014.

Hong, Y (2019) Let us dance. In: Still I Rise, Arnolfini, Bristol, UK, 14 September - 15 December 2019.

Hong, Y (2017) The Moon's Trick. Korean Cultural Centre, London, UK, 21 November - 29 December 2017.

Hong, Y (2017) Rethinking craft: between studio craft and contemporary art [group exhibition]. Seoul Museum of Art, Seoul, South Korea, 6 June - 24 September 2017.

Hong, Y (2019) Sadang B. In: Korea Artist Prize 2019, National Museum of Modern and Contemporary Art, Seoul, South Korea, 11 Oct 2019 - 1 March 2020.

Hong, Y (2019) Silent drum (2014) & Still life parade (2015). In: What is Contemporary Art?, Daegu Art Factory, Daegu, South Korea, 20 March - 6 September 2019. ISBN 9791195767083

Hong, Y (2019) Theater without sound, without actors, without anything (2007). In: Pick Me, Gyeonggi Museum of Modern Art, Ansan, South Korea, 8 October 2019 - 2 February 2020.

Hong, Y and Bow, S (2015) Parallel voices. In: [ana] please keep your eyes closed for a moment, Maraya Art Centre, Sharjah, UAE, 21 October 2015 – 2 January 2016.

Howard, R (2015) 62 Group NOW [group exhibition]. Upfront Gallery, Cumbria, UK, 14 March - 3 May 2015.

Howard, R (2014) Artist talk. In: Bluecoat Display Centre Artist Talks, 23 September 2014, Athenaeum Club, Liverpool, UK.

Howard, R (2014) Artist's talk on Red Work. In: Red Work, Rachael Howard, 27 November 2014, Waterside Arts Centre, Manchester, UK.

Howard, R (2015) Craft goes pop [group exhibition]. Bluecoat Display Centre, Liverpool UK, 23 January - 7 March 2015.

Howard, R (2014) Ebb and flow 62 [group exhibition]. In: Ebb and Flow, Heritage Centre, Grimsby, UK, 9 September - 2 November 2014.

Howard, R (2014) Found friends. CIT Crawford College of Art, Cork, Ireland, 7 - 14 April 2014.

Howard, R (2014) Music makers [group exhibition]. Bluecoat Display Centre, Liverpool, UK, 20 March - 3 May 2014.

Howard, R (2014) PSS workshop. In: Making an Impact, 28 March 2014, PSS, Liverpool, UK.

Howard, R (2014) Red work. Waterside Arts Centre, Sale, Manchester, 11 October 2014 - 31 January 2015.

Howard, R (2015) Red work. Williamson Art Gallery, Wirral UK, 14 February - 29 March 2015.

Hugill, A (2013) 'Opposition and sister squares: Marcel Duchamp and Samuel Beckett.' toutfait.com: The Online Marcel Duchamp Studies Journal. Please click the title to check availability.

Hugill, A and Rieser, M (2013) 'Secret garden.' Digital Creativity, 24 (3). pp. 264-267. ISSN 1462-6268

Hyde, J (2014) 'Editorial [guest editor].' eContact!, 15 (4). ISSN 1910-4650

Hyde, J (2000) Periphery. Watershed Media Centre, Bristol, UK, 2000.

Hyde, J and Rubidge, S (2001) Hidden histories. The Atrium, Theatre Royal, Winchester, UK, November 2001.

Hyde, J and Stamp, R (2014) Seeing Sound salon: McLaren the musician. In: McClaren the Musician, 20 September 2014, Arnolfini, Bristol.

Hyde, J, Stamp, R, Dickinson, J and Head, A (2018) Seeing Sound [organisers].

J

Jenkins, C (2011) 'Drama.' In: Geraghty, L, ed. Directory of world cinema: American Hollywood. Directory of world cinema, 5 . Intellect, Bristol, pp. 208-210. ISBN 9781841504155

Jenkins, C (2013) Home movies: the American family in contemporary Hollywood cinema. IB Tauris, London; New York. ISBN 9781780761831

Jenkins, C (2013) ''I'm saving the world, I need a decent shirt': masculinity and sexuality in the new Doctor Who.' In: Bruzzi, S and Church Gibson, P, eds. Fashion cultures revisited: theories, explorations and analysis. 2nd ed. Routledge, London, pp. 377-389. ISBN 9780415680059

Jenkins, C (2010) 'New doctor, new man.' Specs: Journal of Arts and Culture, 3. pp. 242-244.

Jenkins, C (2012) 'Not too old for sex? Mamma Mia! and the 'older bird' chick flick.' In: FitzGerald, L and Williams, M, eds. Mamma Mia! the Movie : exploring a cultural phenomenon. I.B. Taurus, London, pp. 163-176. ISBN 9781848859418

Jenkins, C (2013) 'Splitting the nuclear family?: the superhero family in The Incredibles and Sky High.' In: Chambliss, J, Donaldson, T and Svitavsky, W, eds. Ages of heroes, eras of men: superheroes and the American experience. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 214-228. ISBN 9781443848039

Jeune, N (2013) Stephen Woolley interview. In: From page to screen : Bridport's film festival, April 2013, Bridport Arts Centre.

Jose, N (2013) 'Angela and Hossein Valamanesh.' In: Cumpston, N and Slade, L, eds. Heartland: contemporary art from South Australia. Art Gallery of South Australia, Adelaide. ISBN 9781921668142

Jose, N (2009) 'My China project.' In: Xiaogang, Z and Yang, W, eds. The China project. Queensland Art Gallery, South Brisbane, Qld. ISBN 9781876509934

Jose, N (2012) 'On the way.' In: Jose, N and Morrell, T, eds. Stewart MacFarlane: Paintings. Wei-Ling Gallery, Kuala Lumpur, pp. 13-26. ISBN 9789670147185

Jose, N (2008) 'Penumbra: contemporary art from Taiwan.' Art Monthly Australia, 209. pp. 9-11. ISSN 1033-4025

Jose, N (2013) 'Stewart MacFarlane.' In: Cumpston, N and Slade, L, eds. Heartland: contemporary art from South Australia. Art Gallery of South Australia, Adelaide. ISBN 9781921668142

Jury, C (2008) Poppy’s present.

Jury, C (1994) To baldly go.

K

Kampe, T (2017) Releasing Her Archive.

Kampe, T, Pascal, J, Goldstein, S, Kozokaro, R, Kraft Levene, S, Mijit, S, Emeny, M, Beech, N, Sassoon, A and Morris, F (2020) ONE LOST STONE.

Kidd, N (2012) Bag trails. In: The Devil Finds Work for Idle Hands, Toomey Tourell Fine Art, San Francisco, CA, 1 November – 15 December 2012.

Kidd, N (2006) Overflow. In: A Machine Aesthetic, TheGallery, Arts University Bournemouth; Transition Gallery, London; Gallery North, Newcastle, 31 January - 27 February 2014.

Kidd, N (2005) Wunderkammer: the artificial kingdom [group exhibition]. Usher Art Gallery, Lincoln, UK, 1 October 2005 - 8 January 2006. ISBN 0953923843

Kidd, N and Addison, J (2012) Two-day live participatory performance event. Tate Modern, London, UK, 13-14 December 2012.

L

Lalic, M (2000) Blue: borrowed and new. New Art Gallery, Walsall, February - May 2000. ISBN 094665252X

Lalic, M (2014) Bohemian green landscape painting (2011) & Sevres blue landscape painting (2004). In: Conversations around Marlow Moss, &Model, Leeds, UK, 12 June - 18 July 2014.

Lalic, M (2011) Colour and metal: three commissioned paintings. Royal Albert Museum & Art Gallery, Exeter, UK, 2011.

Lalic, M (2014) Heavy metal? Galerie Renate Bender, Munich, 14 November 2014 - 17 January 2015.

Lalic, M (2009) The History Paintings. Madison Contemporary Art, London, UK, 18 March - 18 April 2009.

Lalic, M (2014) History painting. Purple (2013). In: Faszination farbe: monochrom, minimal, konkret. Internationale positionen, Kunsthaus Furstenfeldbruck, Germany, 3 October - 16 November 2014.

Lalic, M (2011) Landscape Paintings. Galerie Renate Bender, Munich, Germany, 30 June – 30 July 2011.

Lalic, M (1996) Maria Lalic. Todd Gallery, London, 21 February - 30 March 1996. ISBN 1873043112

Lalic, M (1997) Maria Lalic: history paintings 1996. Galerie Renate Bender, Munich, March - April 1997.

Lewis-Smith, C (2016) 'The dancer camera pas de deux.' In: Payri, B and Arnal, R, eds. Proceedings of the International Screendance Meeting: Valencia 2016. Editorial Universitat Politècnica de València, Valencia, pp. 29-37. ISBN 9788490485453 Please click the title to check availability.

Lewis-Smith, C (2016) The dancer camera pas de deux. In: III International Meeting of Screendance, 9 - 10 September 2016, Polytechnic University of Valencia, Valencia, Spain.

Lewis-Smith, C (2016) The glasshouse.

Luzar, R (2016) Demonstrations. Skelf SITE [online], 1 October - 3 November 2016.

Luzar, R (2016) Facing/Faceless. In: About Face Symposium, 21 January 2016, Hauser & Wirth Somerset, Bruton, UK.

Luzar, R (2016) Four steps for lighting balls and chords. In: Draw to Perform 3, Crows Nest Gallery, London, UK, 30 - 31 July 2016.

Luzar, R (2016) Objectless faith through inaesthetics. In: Knowledge, Reality, Transcendence: A Dialogue Between East & West, 31 October - 6 November 2016, Constanta, Sinaia, Vatra Dornei, Romania.

Luzar, R (2020) 'Performative problems.' Drawing: Research, Theory, Practice, 5 (1). pp. 29-41. ISSN 2057-0384

Luzar, R (2018) 'Points performatifs: dessiner le désir = Performative points: drawing desire.' In: de Mévius, I, ed. Ed Pien. Les Éditions de Mévius, Montreal, pp. 44-89. ISBN 9782981665720 Please click the title to check availability.

Luzar, R (2016) Re-tracing post, stance, paper. In: Draw to Perform 3, OCAD University, Toronto, Canada, 10 February 2016.

Luzar, R (2017) 'Rethinking the graphic trace in performative drawing.' Theatre and Performance Design, 3 (1-2). pp. 50-67. ISSN 2332-2578

Luzar, R (2018) Sanded steps, standing over stones. In: Resting, Walking, Place-Making, McGill University, Montreal, Canada, 24 March 2018.

Luzar, R (2016) Screened page & Posts retraced. In: Line, Point, Plane: Minimalism in Architectural Space, Nunnery Gallery, London, UK, 20 – 25 September 2016.

Luzar, R (2016) Screened page / screened window. In: Drawing Upon Experience, Basement Gallery, Bath Spa University, Corsham, UK, 16 May - 23 July 2016.

Luzar, R (2017) Untitled & A-lighting steps, balls and chords. In: Gesture, Trace, Performance, Herbert Read Gallery, London, UK, 18 November - 15 December 2017.

Luzar, R and Gagliardi, F (2016) Two seen, one un-seeing. In: Duration and Dialogue: Performance Art Festival/Symposium, Katzman Contemporary, Toronto, Canada, 29 - 31 January 2016.

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Marcinkowski, M, Zhang, B and Choi, Y (2012) The impact of navigability on flow-like experiences and user enjoyment of online art exhibitions. In: The Pennsylvania State University 2012 Graduate Research Exhibition, 25 March 2012, Pennsylvania State University, PA, USA.

McGuinness, M (2001) 'Are you afraid of the dark?' In: Howes, N, ed. We are no longer ourselves: Rut Blees Luxemburg, Effie Paleologou, Sophy Rickett. The Gallery/Site Gallery/Turnpike Gallery, Stratford-upon-Avon/Sheffield/Leigh. ISBN 9781899926909

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Neudecker, M (1999) Mariele Neudecker. FirstSite, Colchester. ISBN 0952907097

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Parry-Williams, T (2011) Bite size. Touring exhibition, 2011-2012.

Parry-Williams, T (2010) Warp & Weft: from hand loom to production. Touring exhibition UK, September 2010 - April 2011.

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Robinson, N (2008) A joyful bewilderment (group show). Rough Trade, London; HERE Gallery, Bristol; Here and Now, Falmouth, October 2008 - February 2010.

Robinson, N (2012) wallpaper Handmade Covers. KK Outlet, London, UK, 5-24 July 2012.

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Snell, R (2008) Back to the Future. Berwick Gymnasium Gallery, Berwick-upon-Tweed, UK.

Snell, R (2008) Command and Control [group exhibition]. Standpoint Gallery, London, UK, 11 July - 9 August 2008.

Snell, R (2012) The Mechanical Hand: 25 Years of Artist's Projects at Paupers Press [group exhibition]. Kings Place Gallery, London, UK, 27 April - 22 June 2012. ISBN 9781907317583

Southall, A (2009) Electrically charged & insulated sculpture. In: Multiples, King Square Avenue, Bristol, UK, 12 June 2009.

Southall, A (2014) Optical projection (experimental). In: Ashburton Art Festival 2014, British Legion Hut, Ashburton, Devon, 26 - 27 September 2014.

Southall, A and Cockayne, A (2008) Bristol Contemporary Open 2008 [group exhibition]. Paintworks, Bristol, 8-17 October 2008.

Sowden, T (2014) Click, swipe, download, share. In: Beyond the Book Symposium, 15 May 2014, Exeter University, UK.

Sowden, T (2014) 'Click, swipe, download, share - digital artists’ publishing.' So Multiples, 6. pp. 37-51. ISSN 1961-9618 Please click the title to check availability.

Sowden, T (2015) Ed Ruscha: Books & Co. [group exhibition]. Gagosian Gallery, Paris, France, 12 March - 7 May 2015 & 28 July - 9 September 2016. ISBN 9780262018777

Sowden, T (2018) Exploring appropriation as a creative practice. In: Turn the Page: Artists Book Symposium, 24 May 2018, The Forum, Norwich, UK. Please click the title to check availability.

Sowden, T (2014) Fortynine coach seats travelling along the M4 (2003). In: RUKSSIAN Artists’ Books: Artists’ Books from the UK and Russia, Tsaritsyno State Historical, Architectural, Art and Landscape Museum-Reserve, Moscow, Russia, March - May 2014 & August – September 2014.

Sowden, T (2014) PAGE.PRINT.POST: 50 Years of Artist Books [group exhibition]. The Post Office Gallery, Federation University, Ballarat, Australia, 16 July - 9 August 2014.

Sowden, T (2016) Pagination: the Book as Object [group exhibition]. The University Gallery, University of Newcastle, Australia, 30 March - 30 April 2016.

Sowden, T (2017) Panacea. In: Redesigning the Medieval Book, University of Oxford, Oxford, UK, 1 December 2017 - 11 March 2018.

Sowden, T (2017) Panacea.

Sowden, T (2016) Shelfware [group exhibition]. Line Gallery, Stroud, UK, 5 - 27 August 2016.

Sowden, T (2014) Tom Sowden: on book arts [blog post]. Artquest.

Sowden, T, Mason, D and Rintoul, J (2016) Make and think: the tacit knowledge of practice. In: UWE Bristol Talks, 24th November 2016, Arnolfini.

Sowden, T and Pichler, M (2015) Re: Follow-ed (after hokusai) [curators]. Cabinet du Livre d'Artiste, Rennes, France, 28 September 2015 - 3 December 2015. Please click the title to check availability.

Steadman, M, Bowes, V and Kelly, C (2016) Borderland exhibition. 44AD Gallery, Bath, UK, 26 - 30 January 2016.

Stewart, R (2014) 'Down where on a visit?: Isherwood’s mythology of self.' In: Berg, J and Freeman, C, eds. The American Isherwood. University of Minnesota Press, Minneapolis, Minnesota. ISBN 9780816683635

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Taylor, A (2014) Caesura. William Wright Artists Projects, Sydney, Australia, 31 July - 21 August 2014.

Taylor, A (2011) 'Cleanse, Disclosure and Containing.' In: Drawing Projects. Black Dog Publications, London. ISBN 978-1907317255

Taylor, A (2009) Drawing Inferences. Peter Pinson Gallery, Sydney, Australia, 28 October - 14 November 2009.

Taylor, A (2014) Drawn together: artist as selector [curator]. Jerwood Gallery, Hastings, 18 July - 15 October 2014.

Taylor, A (2017) Elisa Alaluusua - Sketchbooks: An Obsession [curator]. Drawing Projects UK, Trowbridge, UK, 3 February - 4 March 2017.

Taylor, A (2017) Flood story: Gerry Davis [curator and exhibition catalogue author]. Drawing Projects UK, Trowbridge, UK, 4 March - 1 April 2017. ISBN 97818622033

Taylor, A (2008) 'Foreword - Re: Positioning Drawing.' In: Garner, S, ed. Writing on Drawing: Essays of Drawing Practice and Research. Intellect Books, Bristol, pp. 9-12. ISBN 9781841502540

Taylor, A (2012) 'Introduction.' In: Taylor, A and Harris, P, eds. Jerwood Drawing Prize 2012. Jerwood Visual Arts, London.

Taylor, A (2009) Jerwood Drawing Prize 2009. Jerwood Space, London (then touring), 16 September 2009 - 7 May 2010. ISBN 9780956357007

Taylor, A (2010) Jerwood Drawing Prize 2010. Jerwood Space, London (then touring), 29 September 2010 - 12 June 2011. ISBN 9780956357014

Taylor, A (2011) Jerwood Drawing Prize 2011. JVA at Jerwood Space, London (then touring), 14 September - 30 October 2011. ISBN 9781908331014

Taylor, A (2013) The Jerwood Drawing Prize. In: The Legacy of the Cleveland International Drawing Biennale, 27 June 2013, mima, Middlesbrough.

Taylor, A (2013) Residue. The Drawing Room, Sydney, Australia, 4 August - 16 September 2012.

Taylor, A (2012) 'What is a good drawing? - Responses.' The Good Drawing. pp. 81-82.

Taylor, A (2013) The insistence of drawing. In: The Insistence of Drawing: A Symposium, 11 July 2013, The School of Arts, University of Northampton.

Taylor, A (2009) A mon seul desir: the tapestry paintings. The Drawing Gallery, Shropshire, UK, 10 June - 1 August 2009.

Taylor, A (2014) A place for drawing. In: Art School Educated, 11-12 September 2014, Tate Britain, London.

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Taylor, A, Skipper, S and Neudecker, M (2014) In visible nature – a conversation. In: Contemporary Artists in the Environment, 16 May 2014, The Gallery at The Sidney Nolan Trust, Presteigne, Powys.

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Tooby, M (2011) Kelvin Road mantelpiece. In: Made in Roath, Cardiff, 2011.

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Tooby, M (2008) Re-display of art galleries, natural history gallery and learning spaces [curator]. National Museum Wales, Cardiff, UK, 2008.

Tooby, M (2007) 'St Ives - is it worth saving?' In: The St Ives school 1997-2007. Howard Gardens Gallery, Cardiff, pp. 7-12. ISBN 9780955477805

Tooby, M (2014) Storio - store. In: Settlement, Spit and Sawdust Skatepark, Cafe and Artspace, Roath, Cardiff, 17 October 2014.

Tooby, M (1993) Tate Gallery St. Ives, Barbara Hepworth Museum and Sculpture Garden : an illustrated companion. Tate Gallery Publications, London. ISBN 9781854371188

Turk, G (2002) Copper Jubilee. New Art Gallery, Walsall, UK, 28 June - 1 September 2002. ISBN 0946652643

Turk, G (2006) The Font Project. Fine Art Society, London, UK, 4 October - 2 November 2006.

Turk, G (2006) Gavin Turk.

Turk, G (1998) Gavin Turk: Collected Works 1994-1998. South London Gallery, London, 9 September - 18 October 1998. ISBN 0952269031

Turk, G (2015) Geometric surface (2014). In: The Fall Of The Rebel Angels, Castello 1610/A, Venice, Italy, 9 May - 23 June 2015.

Turk, G (2006) Last Year in Eggenberg (The Paradise Show). Landesmuseum Joanneum, Schloss Eggenberg, Graz, 22 June - 17 September 2006. ISBN 9783902095060

Turk, G (2010) Les bikes du bois rond. In: Fleet: Art in the Haven Ports, Suffolk, UK, July 2010.

Turk, G (2007) Me as Him. Riflemaker, London, 3 July - 1 September 2007. ISBN 9780955372810

Turk, G (2011) Nail: a sculpture.

Turk, G (2014) Pense Bête. LARM Galleri, Copenhagen, Denmark, 11 April - 17 May 2014.

Turk, G (2012) Rotor rings. In: What Marcel Duchamp Taught Me, The Fine Art Society Contemporary, New Bond Street, London, 10 October-5 November 2014.

Turk, G (2010) Something Like This. Park Ryu Sook Gallery, Seoul, 18 November - 12 December 2010.

Turk, G (2003) Subsistence. Galleri Veggerby, Copenhagen, 2003.

Turk, G (2014) Vestige. Fondation Frances, Senlis, France, 7 February - 17 May 2014.

Turk, G and Barrett, B (2004) Gavin Turk. New art up-close . Royal Jelly Factory, London. ISBN 0954636511

Turk, G, Curtis, D, Collins, J and Sinclair, I (2013) Gavin Turk. Prestel, London. ISBN 9783791348346

Turk, G and Newsome, R (2011) This is not a book about Gavin Turk. Trolley Books, London. ISBN 9781907112270

Tweed, C (2016) Archimeters (2011). In: Both Sides Now 3: Screenings in East Asia, Woolloomooloo, Taipei, 19 August - 9 December 2016.

Tweed, C (2016) Artist's talk: Charlie Tweed. In: LifeSpace Science Art Research Gallery Artist Talks Series, 30 September 2016, LifeSpace Science Art Research Gallery, Dundee, UK.

Tweed, C (2014) Charlie Tweed. In: Art in the City Talks, 12 November 2014, Arnolfini, Bristol.

Tweed, C (2021) 'Fictioning the third space.' In: Barranha, H and Henriques, J.S, eds. Art, museums and digital cultures: rethinking change. IHA/NOVA FCSH and maat, Lisbon, pp. 123-135. ISBN 9789895440542

Tweed, C (2013) I am the tantalum. In: Geologies of Value and Vestige Symposium, 10 July 2013, Centre for Useless Splendour, Kingston University, UK.

Tweed, C (2010) Notes I, II and III. Spike Island, Bristol, UK, 9 October - 5 September 2010.

Tweed, C (2017) Oporavak. In: WRO 2017 Biennale: Draft Systems, WRO Art Center, Wroclaw, Poland, 17 - 21 May 2017.

Tweed, C (2016) Oporavak. In: Cold Bodies, Warm Machines: Art, Technology and the Posthuman, 9 - 11 September 2016, NRW-Forum, Düsseldorf, Germany.

Tweed, C (2013) Re-writing the overcode. In: Trans – what? Across and Beyond (Artistic) Research: Symposium, 28 July 2013, Supermarkt Creative Resource Centre, Berlin, Germany.

Tweed, C (2012) Solutionising the overcode: artistic methods of escape from the electronic super-panopticon. In: Space and Place: 3rd Global Conference, 3 - 5 September 2012, Mansfield College, Oxford.

Tweed, C (2017) Soon we will become output. Stanley Picker Gallery, London, UK, 13 - 20 December 2017. ISBN 9781527217836

Tweed, C (2013) i am algorithm. Aspex Gallery, Portsmouth, UK, 26 April - 7 July 2013.

Tweed, C (2016) The signal and the noise. In: Silent Signal Symposium, 26 February 2016, College of Arts, University of Derby, UK.

Tweed, C (2016) The signal and the noise. In: Silent Signal, Quad, Derby, UK, 6 February - 6 March 2016 and 18 March - 23 April 2016.

Tweed, C (2016) The signal and the noise.

Tweed, C (2016) The signal and the rock. In: STRATA: Art and Science Collaborations in the Anthropocene, 15 January 2016, Aberystwyth Arts Centre, Aberystwyth, Wales.

Tweed, C (2015) The signal and the rock: performative lecture. In: Charlie Tweed at CAFA, Central Academy of Fine Art, Beijing, 14 December 2015.

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Vaughan, S (2018) Kourion: Earthquake House. In: Ar(t)chaeology: Intersections of Photography and Archaeology, NiMAC (The Nicosia Municipal Art Centre), Nicosia, Cyprus, 19/10/2018 to 12/01/2019.

Vyner, T (2009) ARWS: World Games. Bankside Gallery, London, UK, 25 - 29 November 2009.

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Whiting, M (2016) The Art of Research. Royal United Hospital, Bath, UK, Permanent Installation.

Whittaker, E (2012) 'Notes not (re) iterating Lawrence Weiner.' In: Whittaker, E and Landrum, A, eds. Painting with Architecture in Mind. Wunderkammer, Bath. ISBN 9780956646217

Wilson, C.J.R ORCID: 0000-0003-0084-2198 (2015) A cup is a. In: Many a Slip: Invited Artists Juggle with the Domestic Symbol of ‘The Cup’, Marsden Woo Gallery, London, UK, 22 July - 4 September 2015.

Withers, R (2016) 'Bringing things down to Earth.' In: Giusti, L, ed. Roman Signer : a step towards the sea = un passo verso il mare. Humboldt Books, Milan, pp. 121-135. ISBN 9788899385132 Please click the title to check availability.

Withers, R (2016) Line, Point and Plane: Minimalism in Architectural Space [ exhibition essay]. Please click the title to check availability.

Withers, R (2016) Michael Stevenson, Carl Freedman Gallery [exhibition review]. Artforum, 55 (1). p. 371. ISSN 0004-3532

Withers, R (2015) Roman Signer's Library of Marvels. The Rose Lipman Building, London, UK, 4 March - 31 May 2015.

Withers, R (2015) 'Slow movement.' In: Roman Signer: slow movement. Ridinghouse, London, pp. 13-19. ISBN 9781909932081

Withers, R (2015) 'Why talk to artists?' In: Jones, N.J and Liotchev, I, eds. COLLABORATE! JKL Books, London.

Withers, R (2015) 'A matter of life and death.' In: Neudecker, M, Lambert, S and McClean, V, eds. Plastic vanitas: Mariele Neudecker. text + work, Bournemouth, pp. 22-28. ISBN 9780901196675 Please click the title to check availability.

Withers, R and Channer, A (2024) 'Alice Channer.' Burlington Contemporary, 22 Feb. ISSN 2631-5661 Please click the title to check availability.

Wood, J and Harrison, P (2018) 10 X 10 (2011). In: KRASJ4, RTT, Graanmarkt 38, Ninove, Belgium, 8 - 29 September 2018.

Wood, J and Harrison, P (2011) 10 x 10. Von Bartha Gallery, Chesa, Switzerland, 26 August - 4 September 2011.

Wood, J and Harrison, P (2014) 10 x 10 (2011) & Hundredweight (2003). In: Moving Space, OK Centre for Contemporary Art, Linz, Austria, 27 June-19 October 2014.

Wood, J and Harrison, P (2017) 10 × 10 (2011) & Tall buildings (2011). In: Jeu et Diversion: Festival d'Art Contemporain - 9th Edition, Art Souterrain, Montreal, Canada, 4 - 26 March 2017.

Wood, J and Harrison, P (2016) 100 falls (2013) & One more kilometre (2009). In: A Laborious Dedication to Useless Tasks, The Deptford Project, London, UK, 26 - 27 November 2016.

Wood, J and Harrison, P (2014) 1000 songs. In: Conversations Sur L’Invisible, Galerie Martine Aboucaya, Paris, 31 January-11 April 2015.

Wood, J and Harrison, P (2006) 124 minutes. Ffotogallery, Cardiff. ISBN 1872771645

Wood, J and Harrison, P (2015) 360 points (2011). In: Thirty Shades of White, Praz-Delavallade, Paris, France, 28 November 2015 - 23 January 2016.

Wood, J and Harrison, P (2014) 66.86m (2003). In: A Book Between Two Stools, Boghossian Foundation, Villa Empain, Brussels, 1 March-7 September 2014.

Wood, J and Harrison, P (2015) An Almost Identical Copy. Carroll/Fletcher, London, 24 April - 30 May 2015.

Wood, J and Harrison, P (2006) Another Pair. Davidson House, Reading, UK, 6 - 13 October 2006.

Wood, J and Harrison, P (2019) Blind/Spot (2007). In: Deep Deep Down, Far Far In (and Out), Fundação Leal Rios, Lisbon, Portugal, 15 May - 15 December 2019.

Wood, J and Harrison, P (2017) Board (1993) + others. In: Body Media II, Power Station of Art, Shanghai, China, 29 April - 30 July 2017.

Wood, J and Harrison, P (2017) Boat (1991) & Board (1993) & 3 Legged (1997) & Device (1996). In: Do Not Disturb, Palais de Tokyo, Paris, France, 21 - 23 April 2017.

Wood, J and Harrison, P (2011) Bored astronauts on the moon. In: Le Voyage dans la Lune, The Centre D’Arts Plastiques Albert Chanot, Paris, France, 26 January - 30 March 2013.

Wood, J and Harrison, P (2010) Deadpan: The Videos of John Wood and Paul Harrison. Pacific Design Center, West Hollywood, CA, 18 November 2010 - 12 January 2011.

Wood, J and Harrison, P (2017) Device (1996) & Six boxes (1997). In: [Re]construct: An Arts Council Collection National Partners Exhibition, Yorkshire Sculpture Park, Wakefield, UK, 1 April - 25 June 2017.

Wood, J and Harrison, P (2020) Erased clocks (2019) & 100 boxes (2009). In: Quarantine Quotidian, Cristin Tierney Gallery, New York, NY, USA, 15 September – 23 November 2020.

Wood, J and Harrison, P (2016) Erdkunde (2015). In: Looking at One Thing and Thinking of Something Else - Part One: Dialogues with Art History, Carroll/Fletcher Gallery, London, UK, 11 November 2016 – 25 February 2017.

Wood, J and Harrison, P (2017) An Eyeful of Wry: Government Art Collection [group exhibition]. Brynmor Jones Library Gallery at the University of Hull, Hull, UK, 20 October - 26 November 2017.

Wood, J and Harrison, P (2006) Five Rooms. Ludwig Museum, Budapest, Hungary, 09 March - 30 April 2006.

Wood, J and Harrison, P (2008) From One Thing to Another. Picture This, Bristol, 19 January – 23 February 2008.

Wood, J and Harrison, P (2019) Harry Houdini (1994). In: Being Human: An Exhibition of Modern Sculpture, Bristol Museum & Art Gallery, Bristol, UK, 5 October 2019 — 4 October 2020.

Wood, J and Harrison, P (2018) Harry Houdini (there’s no escape that I can see) (1994). In: On Struggling to Remain Present When You Want to Disappear, OCAT Shanghai, Shanghai, China, 8 April – 10 June 2018.

Wood, J and Harrison, P (2016) I Didn't Know I Didn't Know It. The Contemporary Art Gallery, Vancouver, Canada, 12 February - 24 April 2016.

Wood, J and Harrison, P (2004) In profile: John Wood and Paul Harrison.

Wood, J and Harrison, P (2014) In some film. In: Site Festival, SVA (Stroud Valleys Artspace), Stroud, 10-25 May 2014.

Wood, J and Harrison, P (2005) John Wood & Paul Harrison: The Only Other Point. European House of Art in Upper Bavaria - Schafhof, Germany, 5 July-3 August 2014.

Wood, J and Harrison, P (2007) John Wood and Paul Harrison. Mori Art Museum, Tokyo, Japan, 28 February - 6 May 2007.

Wood, J and Harrison, P (2014) John Wood and Paul Harrison – Some Things are Measured. Galerie Martine Aboucaya, Paris, 30 October-20 December 2014.

Wood, J and Harrison, P (2013) John Wood and Paul Harrison: Dreams and Broken Things. Von Bartha Gallery, Basel, Switzerland, 2 February-23 March 2013.

Wood, J and Harrison, P (2013) [Manoeuvres]. Voorkamer Gallery, Lier, Belgium, 13 October - 17 November 2013.

Wood, J and Harrison, P (2016) Night and day (2008). In: Ascents: Light Art Festival, Stuttgart, Germany, 17 September - 9 October 2016.

Wood, J and Harrison, P (2010) No Beginning - No Middle - No End. Kunstmuseum Thun, Thun, Switzerland, 25 September - 28 November 2010.

Wood, J and Harrison, P (2009) No Time. Vera Cortês, Art Agency, Lisbon, Portugal, 29 May - 25 July 2009.

Wood, J and Harrison, P (2008) Notebook. PICA, Perth, Australia, 4 December 2008 - 1 February 2009.

Wood, J and Harrison, P (1999) Obstacle Course and Other Works. John Hansard Gallery, Southampton, 24 August - 02 October 1999. ISBN 9781841660264

Wood, J and Harrison, P (2005) The Only Other Point. f a projects, London, 11 October - 19 November 2005.

Wood, J and Harrison, P (2017) Other Plans. Galeria Vera Cortês, Lisbon, Portugal, 27 January – 11 March 2017.

Wood, J and Harrison, P (2014) Pencil/line/eraser (2010) & Photocopier (2007) & 500 pieces of paper (2008). In: Pencil/Line/Eraser, Carroll / Fletcher, London, 1 August-13 September 2014.

Wood, J and Harrison, P (2005) Selected Works. Ffotogallery, Cardiff, 19 May - 2 July 2006. ISBN 9781872771649

Wood, J and Harrison, P (2010) Selected Works. Gallerie Ho, Marseille, France, 8 September - 16 November 2010.

Wood, J and Harrison, P (2006) Selected Works. Villa du Parc, Annemasse, France, 2006.

Wood, J and Harrison, P (2005) Selected Works. SPACE/Gallery Priestor for Contemporary Arts, Bratislava, Slovakia, March 2005.

Wood, J and Harrison, P (2004) Selected Works. MOMA, New York, NY, USA, 2004.

Wood, J and Harrison, P (1998) Selected Works. Gallerie Articule, Montreal, Canada, 1998.

Wood, J and Harrison, P (1996) Selected Works. Crawford Art Gallery, Cork, 1996.

Wood, J and Harrison, P (2017) Semi automatic painting machine (2014). In: Looking at One Thing and Thinking of Something Else - Part Four: Disrupt / Disorder / Display, Carroll/Fletcher Gallery, London, UK, 17 March - 29 April 2017.

Wood, J and Harrison, P (2023) Semi automatic painting machine (2014). In: Deep Deep Down, MUDAM, Luxembourg City, Luxembourg, 30 June 2023 – 18 February 2024.

Wood, J and Harrison, P (2014) Six boxes (1997). In: Why Can’t Minimal, Justina M. Barnicke Gallery, Toronto, Canada, 2 September-19 October 2014.

Wood, J and Harrison, P (2017) Six boxes (1997). In: Why Can't Minimal, The Rooms, St. John's, NL, Canada, 14 January - 9 April 2017.

Wood, J and Harrison, P (2016) Some Things Were Recorded 1993-1998. Carroll/Fletcher, London, UK, 9 September- 29 October 2016.

Wood, J and Harrison, P (2015) Some Things are Hard to Explain. ICC, Tokyo, Japan, 21 November 2015 - 21 February 2016.

Wood, J and Harrison, P (2015) Some Things are Undesigned. Von Bartha Gallery, Basel, Switzerland, 7 November 2015  - 23 January, 2016.

Wood, J and Harrison, P (2008) Something and Something and Something Else. The Lowry, Manchester, 26 April - 21 September 2008.

Wood, J and Harrison, P (2001) Table and chairs (2001). In: Private Utopia: Contemporary Art from the British Council Collection, Tokyo Station Gallery; Itami City Museum of Art; The Museum of Art, Kochi; Okayama Prefectural Museum of Art, 18 January 2014 - 22 February 2015.

Wood, J and Harrison, P (2014) Table and chairs (2001) & 3D bucket (2001) & 66.86m (2003). In: Private Utopia: Contemporary Art from the British Council Collection, Toyko Station Gallery, Tokyo, Japan, 18 January-9 March 2014.

Wood, J and Harrison, P (2009) There or Thereabouts. Von Bartha Gallery, Basel, Switzerland, November 2009.

Wood, J and Harrison, P (2019) This is a projection (2018). In: 16th International Festival for Short Film, Animation & Music Video, Museumsplatz, Vienna, Austria, 28 May - 2 June 2019.

Wood, J and Harrison, P (2020) This is a projection (2018). In: The Backward Glance can be a Glimpse into the Future, Von Bartha Gallery, Basel, Switzerland, 5 September - 7 November 2020.

Wood, J and Harrison, P (2017) Unrealistic mountaineers (2012). In: First Star, Last Snowflake, Villa du Parc, Annemasse, France, 1 April - 10 June 2017.

Wood, J and Harrison, P (2018) Very Clear Instructions. The Polygon Gallery, Vancouver, Canada, 20 April 2018.

Wood, J and Harrison, P (2020) Volunteer (1998). In: Nuovo Cinema Galleria, Galeria Vera Cortês, Lisbon, Portugal, 23 January – 5 February 2020.

Wood, J and Harrison, P (2017) Westkunst - Ostkunst: a Selection from the Collection [group exhibition]. Ludwig Museum, Budapest, Hungary, 1 August 2017 - 31 December 2018.

Wood, J and Harrison, P (2009) White Shirt: Empty Cube. Appleton Square, Lisbon, Portugal, November 2009.

Wood, J and Harrison, P (2014) Wood y Harrison: Cual Para Tal. Museo de Antioquia, Medellin, Columbia, 16 July-5 October 2014.

Wood, J and Harrison, P (2013) Work of Fiction. Studio Trisorio, Naples, 19 April - 31 May 2013.

Wood, J and Harrison, P (2018) You’ve eaten roses, now you’ll drink the moon! [group exhibition]. In: Forum Arte Braga, Av. Dr. Francisco Pires Gonçalves, Apartado 60, 4711-909 Braga, Portugal, 12 September 2018- 12 January 2019.

Wood, J and Harrison, P (2015) A selection of works from '500 Drawings' (2011 onwards). In: Diamonds Always Come in Small Packages, Kunstmuseum Luzern, Switzerland, 4 July - 11 October 2015.

Wood, J, Harrison, P and De Wachter, E.M (2021) We don't like each other: John Wood and Paul Harrison in conversation with Ellen Mara De Wachter. In: Design and Artists Copyright Society: DACS Meets Series, 3 June 2021, London, UK [online].

Wright, E.H (2014) Virginia Woolf at the National Portrait Gallery [exhibition review]. Women: A Cultural Review, 25 (4). pp. 429-430. ISSN 0957-4042

Z

Zhang, B, Marcinkowski, M and Choi, Y (2013) The impact of navigability on flow-like experiences and user enjoyment of online art exhibitions. In: AEJMC Annual Conference, 8 - 11 August 2013, Renaissance Washington Hotel, Washington, DC, USA.

Zoderer, B, Pinelli, P and Lalic, M (1998) Material, konzept, konstrukt. Touring exhibition, 1998-1999. ISBN 3852522145

This list was generated from ResearchSPAce on Mon Mar 18 22:20:14 2024 UTC.