Items where Subject is "N Visual arts (General) For photography, see TR"

Library of Congress Subject Areas (451)
- N Fine Arts (451)
  - N Visual arts (General) For photography, see TR (451)

Group by: Creators | Item Type

Number of items at this level: 451.

Book

Dunseath, J and Wilsher, M, eds. (2016) Artist boss: Anthony Caro's studio assistants and issues of legacy in British sculpture. Wunderkammer Press, Bath. ISBN 9780993551109 Please click the title to check availability.

Becket, F and Gifford, T, eds. (2007) Culture, creativity and environment: new environmentalist criticism. Rodopi, Amsterdam. ISBN 9789042022508

Tooby, M and Shalgosky, S, eds. (2015) Imagining a university: fifty years of the University of Warwick Art collection. University of Warwick, Warwick. ISBN 9780957040472

Cockayne, A, ed. (2010) Provenance: exhibition and symposium. Wunderkammer Press, Bath. ISBN 9780956646200

Bradley, S (1986) Stitches in time. Orbis UK, Henry Holt USA. ISBN 9780856139192

Curtis, D, Turk, G and Marlow, T (2003) Gavin Turk in the house: a reader. Open House, London.

Dalwood, D (2010) Dexter Dalwood: Monograph. JRP Ringier, Zurich. ISBN 9783037641262

Dalwood, D (2019) What is really happening. Dostoyevsky Wannabe / Simon Lee Gallery, London. ISBN 978199996562

Jenkins, C (2013) Home movies: the American family in contemporary Hollywood cinema. IB Tauris, London; New York. ISBN 9781780761831

Moss, S and Simons, P (1992) BBC weather watch. BBC Books, London. ISBN 9780563364863

Oddie, B and Moss, S (1997) Birding with Bill Oddie. BBC Books, London. ISBN 9780563387480

Tooby, M (1993) Tate Gallery St. Ives, Barbara Hepworth Museum and Sculpture Garden : an illustrated companion. Tate Gallery Publications, London. ISBN 9781854371188

Turk, G and Barrett, B (2004) Gavin Turk. New art up-close . Royal Jelly Factory, London. ISBN 0954636511

Turk, G, Curtis, D, Collins, J and Sinclair, I (2013) Gavin Turk. Prestel, London. ISBN 9783791348346

Turk, G and Newsome, R (2011) This is not a book about Gavin Turk. Trolley Books, London. ISBN 9781907112270

Wood, J and Harrison, P (2006) 124 minutes. Ffotogallery, Cardiff. ISBN 1872771645

Book Chapter or Section

Brien, P (2023) 'Incendiary: curating art protest in the toxic airs of Stroud’s rural green idyll.' In: Pigott, A, Jones, O and Parry, B, eds. Art and creativity in an era of ecocide: embodiment, performance and practice. Bloomsbury, London, pp. 203-220. ISBN 9781350237223

Dahn, J (2011) 'Elastic/expanding: contemporary conceptual ceramics.' In: Buszek, M.E, ed. Extra/ordinary: craft and contemporary art. Duke University Press, London, pp. 153-174. ISBN 9780822347620

Dahn, J (2011) 'A far cry from throwing a pot.' In: Livingstone, A, ed. Parallax view. Learning Development Services, University of Sunderland, pp. 62-67. ISBN 9781906832056

Dalwood, D (2012) 'Dexter Dalwood on Robert Rauschenberg.' In: Grant, S, ed. In My View: Personal Reflections on Art by Today's Leading Artists. Thames & Hudson, London, pp. 68-69. ISBN 9780500238967

Dalwood, D (2019) 'What is the history in contemporary history painting?' In: Phillips, M.S and Bear, J, eds. What was history painting and what is it now? McGill-Queens University Press, Montreal, Canada, pp. 204-214. ISBN 9780773558960

Dunseath, J and Wilsher, M (2016) 'Artist boss.' In: Dunseath, J and Wilsher, M, eds. Artist boss: Anthony Caro's studio assistants and issues of legacy in British sculpture. Wunderkammer Press, Bath, pp. 19-27. ISBN 9780993551109

Ghosh, S (2024) 'Our nation, their nation: Premchand, Satyajit Ray and the Indian state.' In: Dattaray, D, Halder, E and Das, S, eds. Literature and the other arts. Jadavpur University, Kolkata, India. (Forthcoming) Please click the title to check availability.

Gifford, T (1996) 'Dialogues.' In: Real : an exhibition by three of Cumbria's leading figurative painters. Tullie House Museum and Art Gallery, Carlisle, p. 4.

Gifford, T (2001) ''Fiber': a post-pastoral Georgic.' In: Weltzien, O.A, ed. The literary art and activism of Rick Bass. University of Utah Press, Salt Lake City, UT, pp. 248-263. ISBN 9780874806977

Gifford, T (2016) 'John Ruskin, John Muir and the Anthropocene: modern painters IV and studies in the Sierra.' In: Hutchings, K and Miller, J, eds. Transatlantic literary ecologies: nature and culture in the nineteenth-century anglophone Atlantic world. Routledge, London, pp. 136-149. ISBN 9781472450203

Gifford, T (1999) 'Muir's Ruskin: John Muir's reservations about John Ruskin reviewed.' In: Miller, S.M, ed. John Muir in historical perspective. Peter Lang Publishing, New York, NY, pp. 137-150. ISBN 9780820440088

Gifford, T (2001) 'Muir's Ruskin: John Muir's reservations about Ruskin reviewed.' In: Gamble, C, ed. John Ruskin: the Brantwood Years - symposium papers. The Ruskin Programme, Lancaster University, Lancaster, pp. 1-14.

Gifford, T and Brown, J (1983) 'Creative responses in the sixth form.' In: Harrison, B.T, ed. English studies 11-18: an arts based approach. Hodder and Stoughton, London, pp. 139-153. ISBN 9780340331576

Jenkins, C (2011) 'Drama.' In: Geraghty, L, ed. Directory of world cinema: American Hollywood. Directory of world cinema, 5 . Intellect, Bristol, pp. 208-210. ISBN 9781841504155

Jenkins, C (2013) ''I'm saving the world, I need a decent shirt': masculinity and sexuality in the new Doctor Who.' In: Bruzzi, S and Church Gibson, P, eds. Fashion cultures revisited: theories, explorations and analysis. 2nd ed. Routledge, London, pp. 377-389. ISBN 9780415680059

Jenkins, C (2012) 'Not too old for sex? Mamma Mia! and the 'older bird' chick flick.' In: FitzGerald, L and Williams, M, eds. Mamma Mia! the Movie : exploring a cultural phenomenon. I.B. Taurus, London, pp. 163-176. ISBN 9781848859418

Jenkins, C (2013) 'Splitting the nuclear family?: the superhero family in The Incredibles and Sky High.' In: Chambliss, J, Donaldson, T and Svitavsky, W, eds. Ages of heroes, eras of men: superheroes and the American experience. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 214-228. ISBN 9781443848039

Jose, N (2013) 'Angela and Hossein Valamanesh.' In: Cumpston, N and Slade, L, eds. Heartland: contemporary art from South Australia. Art Gallery of South Australia, Adelaide. ISBN 9781921668142

Jose, N (2009) 'My China project.' In: Xiaogang, Z and Yang, W, eds. The China project. Queensland Art Gallery, South Brisbane, Qld. ISBN 9781876509934

Jose, N (2012) 'On the way.' In: Jose, N and Morrell, T, eds. Stewart MacFarlane: Paintings. Wei-Ling Gallery, Kuala Lumpur, pp. 13-26. ISBN 9789670147185

Jose, N (2013) 'Stewart MacFarlane.' In: Cumpston, N and Slade, L, eds. Heartland: contemporary art from South Australia. Art Gallery of South Australia, Adelaide. ISBN 9781921668142

Lewis-Smith, C (2016) 'The dancer camera pas de deux.' In: Payri, B and Arnal, R, eds. Proceedings of the International Screendance Meeting: Valencia 2016. Editorial Universitat Politècnica de València, Valencia, pp. 29-37. ISBN 9788490485453 Please click the title to check availability.

Luzar, R (2018) 'Points performatifs: dessiner le désir = Performative points: drawing desire.' In: de Mévius, I, ed. Ed Pien. Les Éditions de Mévius, Montreal, pp. 44-89. ISBN 9782981665720 Please click the title to check availability.

McGuinness, M (2001) 'Are you afraid of the dark?' In: Howes, N, ed. We are no longer ourselves: Rut Blees Luxemburg, Effie Paleologou, Sophy Rickett. The Gallery/Site Gallery/Turnpike Gallery, Stratford-upon-Avon/Sheffield/Leigh. ISBN 9781899926909

Parry, B (2017) 'The Climate Games: space, politics and resistance at the COP21 Paris.' In: Luger, J and Ren, J, eds. Art and the city: worlding the discussion through a critical artscape. Routledge, Abingdon, pp. 147-167. ISBN 9781138346437 Please click the title to check availability.

Parry, B (2018) 'Peripatopolis – performance methods of the International Peripatetic Sculptors Society.' In: Davis, S and Snepvangers, K, eds. Embodied and walking pedagogies engaging the visual domain: research, creation and practice. Transformative Pedagogy in the Visual Domain Series, 8 . Common Ground Research Networks, Champaign, IL, USA. ISBN 9781863351300 Please click the title to check availability.

Slade, C (1999) 'Reason to buy: teaching reasoning through television.' In: van Eemeren, F.H., Grootendorst, R, Blair, J.A. and Willard, C.A., eds. Proceedings of the fourth international conference of the International Society for the Study of Argumentation. SIC SAT, Amsterdam, pp. 746-750. ISBN 9789074049047

Slade, C (1998) 'Reasoning about television on the net.' In: 1998 Communications Research Forum: papers. Communications Research Unit, Canberra, pp. 55-69.

Stewart, R (2014) 'Down where on a visit?: Isherwood’s mythology of self.' In: Berg, J and Freeman, C, eds. The American Isherwood. University of Minnesota Press, Minneapolis, Minnesota. ISBN 9780816683635

Taylor, A (2011) 'Cleanse, Disclosure and Containing.' In: Drawing Projects. Black Dog Publications, London. ISBN 978-1907317255

Taylor, A (2008) 'Foreword - Re: Positioning Drawing.' In: Garner, S, ed. Writing on Drawing: Essays of Drawing Practice and Research. Intellect Books, Bristol, pp. 9-12. ISBN 9781841502540

Taylor, A (2012) 'Introduction.' In: Taylor, A and Harris, P, eds. Jerwood Drawing Prize 2012. Jerwood Visual Arts, London.

Tooby, M (2000) 'Light the blue touch paper.' In: Gage, J and Tooby, M, eds. Blue: borrowed and new. The New Art Gallery, Walsall, pp. 10-12. ISBN 9780946652525

Tooby, M (2014) 'Many-roomed mansion to theatre of memories: thoughts on artists and museums.' In: Nicol, G, ed. Inspired by: your guide to art and the museum. Shrewsbury Museum and Art Gallery, pp. 54-57. ISBN 9780993014208

Tooby, M (2007) 'St Ives - is it worth saving?' In: The St Ives school 1997-2007. Howard Gardens Gallery, Cardiff, pp. 7-12. ISBN 9780955477805

Tweed, C (2021) 'Fictioning the third space.' In: Barranha, H and Henriques, J.S, eds. Art, museums and digital cultures: rethinking change. IHA/NOVA FCSH and maat, Lisbon, pp. 123-135. ISBN 9789895440542

Vyner, T (2012) 'Case study: Tim Vyner.' In: Zeegen, L, ed. The Fundamentals of Illustration (second edition). AVA, Lausanne. ISBN 9782940411481

Whittaker, E (2012) 'Notes not (re) iterating Lawrence Weiner.' In: Whittaker, E and Landrum, A, eds. Painting with Architecture in Mind. Wunderkammer, Bath. ISBN 9780956646217

Withers, R (2016) 'Bringing things down to Earth.' In: Giusti, L, ed. Roman Signer : a step towards the sea = un passo verso il mare. Humboldt Books, Milan, pp. 121-135. ISBN 9788899385132 Please click the title to check availability.

Withers, R (2015) 'Slow movement.' In: Roman Signer: slow movement. Ridinghouse, London, pp. 13-19. ISBN 9781909932081

Withers, R (2015) 'Why talk to artists?' In: Jones, N.J and Liotchev, I, eds. COLLABORATE! JKL Books, London.

Withers, R (2015) 'A matter of life and death.' In: Neudecker, M, Lambert, S and McClean, V, eds. Plastic vanitas: Mariele Neudecker. text + work, Bournemouth, pp. 22-28. ISBN 9780901196675 Please click the title to check availability.

Article

Bodman, S and Sowden, T (2015) 'Artists’ books at the Centre for Fine Print Research.' The New Bookbinder, 35. pp. 73-80. Please click the title to check availability.

Cresswell, M and Karimova, Z (2017) 'Ken Loach, 'Family life' and socialist realism: some historical and theoretical aspects.' Journal of British Cinema and Television, 14 (1). pp. 19-38.

Gifford, T (2001) 'Interview with Fay Godwin.' Thumbscrew, 18. pp. 114-117.

Gifford, T (2007) 'State of the art: Alpine Club artists.' Summit, 45. pp. 30-34.

Gifford, T (1978) 'A return to 'The wound' by Ted Hughes.' Kingfisher, 1 (2). pp. 46-53.

Hugill, A (2013) 'Opposition and sister squares: Marcel Duchamp and Samuel Beckett.' toutfait.com: The Online Marcel Duchamp Studies Journal. Please click the title to check availability.

Hugill, A and Rieser, M (2013) 'Secret garden.' Digital Creativity, 24 (3). pp. 264-267.

Hyde, J (2014) 'Editorial [guest editor].' eContact!, 15 (4).

Jenkins, C (2010) 'New doctor, new man.' Specs: Journal of Arts and Culture, 3. pp. 242-244.

Jose, N (2008) 'Penumbra: contemporary art from Taiwan.' Art Monthly Australia, 209. pp. 9-11.

Luzar, R (2020) 'Performative problems.' Drawing: Research, Theory, Practice, 5 (1). pp. 29-41.

Luzar, R (2017) 'Rethinking the graphic trace in performative drawing.' Theatre and Performance Design, 3 (1-2). pp. 50-67.

Medjesi-Jones, A (2013) 'Mediated image.' Journal of Visual Art Practice, 12 (1). pp. 101-107.

Re Manning, R (2014) 'The arts leading theology: the case of Anselm Keiefer.' ARTS: The Arts in Religious and Theological Studies, 25 (2).

Rigby, K (2008) 'Art, animals and sustainability [guest editor].' PAN: Philosophy, Activism, Nature (5). pp. 1-2.

Rigby, K and Williams, L (2013) 'Regarding the Earth: ecological vision in word and image [guest editors].' Australasian Journal of Ecocriticism and Cultural Ecology, 3. i-iii.

Slade, C (1998) 'Find the poles in "Blue poles".' Analytic Teaching, 17 (2). pp. 49-56.

Slade, C (2001) 'Global media generation memories: Australia and Mexico.' Media International Australia, 101. pp. 111-126.

Slade, C (2002) 'Reasons to buy: the logic of advertisements.' Argumentation, 16 (2). pp. 157-178.

Slade, C (2003) 'Seeing reasons: visual argumentation in advertisement.' Argumentation, 17 (2). pp. 145-160.

Slade, C (2001) 'What is real? Ontology and the media.' Spiel, 19. pp. 218-237.

Slade, C (2000) 'Why not lie? Television talk and moral debate.' Television and New Media, 1 (4). pp. 419-430.

Slade, C, Lewis, G, Schaap, R and Wei, J.H. (1994) 'Television globalisation in Taiwan and Australia.' Media Asia, 21 (4). pp. 183-189.

Slade, C and van der Mensbruggh, J (1996) 'In the wake of Muroroa: changes in European press images of Australia.' Australian Journal of Communication, 23 (3). pp. 23-38.

Sowden, T (2014) 'Click, swipe, download, share - digital artists’ publishing.' So Multiples, 6. pp. 37-51. Please click the title to check availability.

Taylor, A (2012) 'What is a good drawing? - Responses.' The Good Drawing. pp. 81-82.

Tooby, M (2014) 'Interpreting and learning.' Engage (35). pp. 34-40.

Withers, R and Channer, A (2024) 'Alice Channer.' Burlington Contemporary, 22 Feb. Please click the title to check availability.

Conference or Workshop Item

Binckes, F (2016) ‘I am for this particular ghost’: the medium and the editor in Wyndham Lewis’s later art writings. In: Editing Modernism/Modernist Editing, 12-13 May 2016, Edinburgh Napier University, Edinburgh, UK.

Binckes, F (2015) Making faces: caricature, tradition & periodical culture from Victorian to Modern. In: Making It New: Victorian and Modernist Literature and Periodicals 1875-1935, 28 February 2015, De Montfort University.

Dahn, J (2012) Space Place Practice. In: Symposium and Show of Work, 12 September 2012, University of the West of England, Bristol.

Dalwood, D, Bickers, P, Philp, S and Popova, Y (2015) In an increasingly competitive and professionalised art world, what mechanisms need to be put in place to ensure that artists continue to be supported? In: New Contemporaries 1949 to Now, 26 November 2015, Institute of Contemporary Arts, London, UK.

Dunseath, J (2015) About making. In: Artist's Talk, 15 September 2015, Spike Island, Bristol, UK.

Dunseath, J (2023) Making immersive technology accessible for art and design teaching. In: Accelerate Multiplier Event, 18 May 2023, UK / Ireland / Poland / Ukraine [online].

Dunseath, J (2017) What is a studio and how do we use one? In: What Is A Studio And How Do We Use One? A One Day Symposium In Conjunction With Inventory Of Behaviours, 6 February 2017, blip blip blip, East Street Arts Patrick Studios, Leeds, UK.

Dunseath, J and Squires, K (2023) Chew. In: On Not Knowing: How Artists Teach, 9 - 10 June 2023, Glasgow School of Art, Glasgow, UK.

Dunseath, J and Squires, K (2023) Touch Type. In: CreaTech, 22 September 2023, Fabrication Lab and Ambika P3, University of Westminster, London, UK.

Farrar, R (2017) The secret ingredient for sustainable growth in public engagement. In: Engage 2017, 6 - 7 December 2017, Arnolfini, Bristol, UK.

Farrar, R, Heywood, B and Telling, L (2017) Utilising technology to unlock the past. In: The Asian Conference on Arts and Humanities, 30 March - 2 April 2017, Art Center, Kobe, Japan.

Head, A (2016) Defining elastic space. In: Elastic 3D Space International Colloquium, 24 - 27 February 2016, Concordia University, Montreal, Canada.

Head, A (2014) Stories on walls. In: ISEA 2014, 30 October - 8 November 2014, Dubai, UAE.

Howard, R (2014) Artist talk. In: Bluecoat Display Centre Artist Talks, 23 September 2014, Athenaeum Club, Liverpool, UK.

Howard, R (2014) Artist's talk on Red Work. In: Red Work, Rachael Howard, 27 November 2014, Waterside Arts Centre, Manchester, UK.

Howard, R (2014) PSS workshop. In: Making an Impact, 28 March 2014, PSS, Liverpool, UK.

Hyde, J and Stamp, R (2014) Seeing Sound salon: McLaren the musician. In: McClaren the Musician, 20 September 2014, Arnolfini, Bristol.

Jeune, N (2013) Stephen Woolley interview. In: From page to screen : Bridport's film festival, April 2013, Bridport Arts Centre.

Kidd, N, Dunseath, J, Addison, J and Large, K (2024) Pauses - Inventory of Behaviours. In: Doing Together 2024, 4 - 5 April 2024, Bath Spa University, Bath, UK.

Lewis-Smith, C (2016) The dancer camera pas de deux. In: III International Meeting of Screendance, 9 - 10 September 2016, Polytechnic University of Valencia, Valencia, Spain.

Luzar, R (2016) Facing/Faceless. In: About Face Symposium, 21 January 2016, Hauser & Wirth Somerset, Bruton, UK.

Luzar, R (2016) Objectless faith through inaesthetics. In: Knowledge, Reality, Transcendence: A Dialogue Between East & West, 31 October - 6 November 2016, Constanta, Sinaia, Vatra Dornei, Romania.

Marcinkowski, M, Zhang, B and Choi, Y (2012) The impact of navigability on flow-like experiences and user enjoyment of online art exhibitions. In: The Pennsylvania State University 2012 Graduate Research Exhibition, 25 March 2012, Pennsylvania State University, PA, USA.

McNish, I (2010) Shut-yer face theatre: the silence of Peter Brook. In: International Federation for Theatre Research 2010 World Congress, 25 − 31 July 2010, Munich.

Medjesi-Jones, A (2011) A shock to thought – conditions of the emerging image. In: Tableau: painting photo object, 28 - 29 October 2011, Tate Modern, London.

Scott, L (2017) Finding Lucy yesterday: temporal dislocation via binaural sound in the mobile opera, 'Fragments'. In: Elastic Spaces Third International Symposium, 11 -13 October 2017, Bath Spa University, Bath, UK.

Slade, C (2000) Australian global media generations. In: 12th Medienforum NRW Conference: Cross Over Media and Trade Fair, 6 - 12 June 2000, KölnMesse, Cologne.

Slade, C (2001) Cartoons and educating. In: The Fifth Congress of the Americas, 18 - 20 October 2001, University of the Americas, Cholula, Mexico.

Slade, C (2001) Créativité. In: CIRADE 2001 Conference, 21 May 2001, Université de Québec, Montréal.

Slade, C (2004) Global and local in Arab media: recasting the face of war. In: Media Communities, 15 - 17 April 2004, University of Innsbruck, Austria.

Slade, C (2000) Global media generations 2000. In: ICA: 50 Years of Research in Communication, Culture, and Cognition, 1 - 5 June 2000, Acapulco Princess Hotel, Acapulco, Mexico.

Slade, C (2013) Media and citizenship. In: Pre-Conference of the 63rd Annual ICA Conference - Global Communications and National Policies: The Return of the State, Hilton London Metropole Hotel, London, 14 - 16 June 2013.

Slade, C (2007) Media and citizenship. In: Media and Citizenship (?), 1 - 7 May 2007, Utrecht, The Netherlands.

Slade, C (2008) Media and citizenship: Arabic speakers in the EU. In: Media, Communication and Humanity, 22 - 23 September 2008, London School of Economics and Political Science, London.

Slade, C (2011) Media and citizenship: ontologies of transnational media. In: 61st Annual ICA Conference 2011: Communication @ the Center, 26 - 30 May 2011, Westin Boston Waterfront Hotel, Boston.

Slade, C (2009) Media and citizenship: overview of project. In: Media and Citizenship, 7 December 2009, City University, London.

Slade, C (2007) Methodologies of comparative media research in a global sphere: paradigms-critique-methods, researching citizenship. In: 57th Annual ICA Conference - Creating Communication: Content, Control & Critique, 24 - 28 May 2007, Hilton, San Francisco.

Slade, C (2002) Perceptions of media: global media memories. In: Media in Transition 2: Globalization and Convergence, 10 - 12 May 2002, MIT, Cambridge, Massachusetts.

Slade, C (2010) Religious broadcasting on mainstream channels: Al-Jazeera, MBC and Dubai. In: Religious Broadcasting in the Middle East, 30 - 31 January 2010, Møller Centre, Cambridge.

Slade, C (2000) Seeing reasons: Bond’s Cottontails and Sabrina. In: Television: Past, Present and Futures, 1 - 3 December 2000, University of Queensland, St Lucia.

Slade, C (2002) Telenovelas and moral realism. In: Telenovelas & Soap Opera: Negotiating Reality, 19 March 2002, Humanities Research Centre, Australian National University, Canberra.

Slade, C (2003) Telenovelas and soap operas: crossing borders. In: 53rd Annual ICA Conference: Communication in Borderland, 23 - 27 May 2003, San Diego, California.

Slade, C (2010) Transcribing transnational television cultures. In: Transcultural Communication: Intercultural Comparisons, 12 -15 October 2010, University of Hamburg, Hamburg.

Slade, C (2009) Transnational television. In: Journalism in the 21st Century: Between Globalization and National Identity, 16 - 17 July 2009, University of Melbourne, Australia.

Slade, C (2001) Visual argumentation. In: 4th OSSA Conference 2001: Argumentation and It's Applications, 17 - 19 May 2001, University of Windsor, Toronto.

Slade, C (2007) The mediatic turn. In: 57th Annual ICA Conference - Creating Communication: Content, Control & Critique, 24 - 28 May 2007, Hilton, San Francisco.

Slade, C (2002) The paradoxes of popular culture. In: Confederation of Australasian Teachers of Media Conference: Joining the Dots, 19 April 2002, University of Canberra, Australia.

Slade, C, Schoenbach, K and Volkmer, I (2005) New spheres of political communication: the role of news media among Arabic communities in Europe. In: 50 Years of Communication Research: Past & Future, 24 - 26 November 2005, Amsterdam, The Netherlands.

Slade, C and Volkmer, I (2011) Behind the veil. In: IAMCR Conference: Cities, Creativity, Connectivity, 13 - 17 July 2011, Kadir Has University, Istanbul.

Slade, C, Volkmer, I, Camauër, L, Georgiou, M, Najab, F and Ghanjaoui, C (2009) Media and citizenship: transnational television cultures, reshaping political identities in the European Union. In: EU Panel 2009, April 2009, Ultrecht, Holland.

Sowden, T (2014) Click, swipe, download, share. In: Beyond the Book Symposium, 15 May 2014, Exeter University, UK.

Sowden, T (2018) Exploring appropriation as a creative practice. In: Turn the Page: Artists Book Symposium, 24 May 2018, The Forum, Norwich, UK. Please click the title to check availability.

Sowden, T, Mason, D and Rintoul, J (2016) Make and think: the tacit knowledge of practice. In: UWE Bristol Talks, 24th November 2016, Arnolfini.

Taylor, A (2013) The Jerwood Drawing Prize. In: The Legacy of the Cleveland International Drawing Biennale, 27 June 2013, mima, Middlesbrough.

Taylor, A (2013) The insistence of drawing. In: The Insistence of Drawing: A Symposium, 11 July 2013, The School of Arts, University of Northampton.

Taylor, A (2014) A place for drawing. In: Art School Educated, 11-12 September 2014, Tate Britain, London.

Taylor, A, Cockayne, A, Kidd, N and Nicol, G (2014) Artists, makers, and museums in the 21st century. In: Futurkammer, 7 - 15 June 2014, The Holburne Museum, Bath.

Taylor, A, Skipper, S and Neudecker, M (2014) In visible nature – a conversation. In: Contemporary Artists in the Environment, 16 May 2014, The Gallery at The Sidney Nolan Trust, Presteigne, Powys.

Tweed, C (2016) Artist's talk: Charlie Tweed. In: LifeSpace Science Art Research Gallery Artist Talks Series, 30 September 2016, LifeSpace Science Art Research Gallery, Dundee, UK.

Tweed, C (2014) Charlie Tweed. In: Art in the City Talks, 12 November 2014, Arnolfini, Bristol.

Tweed, C (2013) I am the tantalum. In: Geologies of Value and Vestige Symposium, 10 July 2013, Centre for Useless Splendour, Kingston University, UK.

Tweed, C (2016) Oporavak. In: Cold Bodies, Warm Machines: Art, Technology and the Posthuman, 9 - 11 September 2016, NRW-Forum, Düsseldorf, Germany.

Tweed, C (2013) Re-writing the overcode. In: Trans – what? Across and Beyond (Artistic) Research: Symposium, 28 July 2013, Supermarkt Creative Resource Centre, Berlin, Germany.

Tweed, C (2012) Solutionising the overcode: artistic methods of escape from the electronic super-panopticon. In: Space and Place: 3rd Global Conference, 3 - 5 September 2012, Mansfield College, Oxford.

Tweed, C (2016) The signal and the noise. In: Silent Signal Symposium, 26 February 2016, College of Arts, University of Derby, UK.

Tweed, C (2016) The signal and the rock. In: STRATA: Art and Science Collaborations in the Anthropocene, 15 January 2016, Aberystwyth Arts Centre, Aberystwyth, Wales.

Wood, J, Harrison, P and De Wachter, E.M (2021) We don't like each other: John Wood and Paul Harrison in conversation with Ellen Mara De Wachter. In: Design and Artists Copyright Society: DACS Meets Series, 3 June 2021, London, UK [online].

Zhang, B, Marcinkowski, M and Choi, Y (2013) The impact of navigability on flow-like experiences and user enjoyment of online art exhibitions. In: AEJMC Annual Conference, 8 - 11 August 2013, Renaissance Washington Hotel, Washington, DC, USA.

Thesis

Puzey, J M (2014) Hybrid dialogues, situational strategies: producing postcolonial visual culture. PhD thesis, Bath Spa University.

Commissioned Report

Farrar, R (2016) Women in adventure. Factory Media.

Artefact

Clarke, R (2018) The Roja Rolling Top.

Dutton, S (2017) Only Numbers Count.

Fearns, R and Cockayne, A (2010) 2 Public sculptures as part of 'Forge Projects' (Icon Development, Street; Old Sarum, Salisbury).

Herrema, R, Armitage, G, Kirves, M and Clark, G (2014) $echo.

Hogg, A (2012) Be Here Now.

Kampe, T, Pascal, J, Goldstein, S, Kozokaro, R, Kraft Levene, S, Mijit, S, Emeny, M, Beech, N, Sassoon, A and Morris, F (2020) ONE LOST STONE.

Pennie, M (2014) Sculpture making and teaching, or How I became such a peculiar person.

Robinson, N (2011) Télérama magazine.

Robinson, N (2012) Wallpaper front cover.

Robinson, N (2011) Wallpaper front cover (The Handmade Issue).

Robinson, N (2011) Wallpaper front cover for Milan issue.

Robinson, N (2009) Wallpaper magazine front cover (Design Awards issue).

Scott, L (2017) Silk River [web app].

Sowden, T (2017) Panacea.

Turk, G (2011) Nail: a sculpture.

Exhibition

Akram, S (2011) ARCO OKAY [group exhibition]. The Garage Gallery, London, UK, 17-25 September 2011.

Akram, S and Haythornwaite, A (2010) How's the weather: exploring ordinary objects in unordinary contexts - a umbrella full of sunshine. In: Hit the nail on the head, Novalis Fine Arts, Turin.

Allen, D (2009) Artist - Object Project. Curated exhibition and artist residency programme. In: Artist Object Project, Brecknock Museum & Gallery, Sep 5 - Oct 31 2009.

Allen, D (2009) International Ceramics Festival. Aberystwyth Arts Centre, Aberystwyth, UK, July 2009.

Allen, D (2005) Something borrowed. Contemporary Applied Arts, London, 7 January – 26 February 2005.

Allen, D (2010) Spor Los. Bojcaada Island, Turkey.

Arscott, C, Pettitt, C, Newland, C, Hume, N and Chapman, A (2016) Victorians Decoded: Art & Telegraphy [curators]. The Guildhall Art Gallery, London, UK, 19 September 2016 - 22 January 2017. ISBN 9871907485053

Bianchi, J and Cooke, C (2005) More than a body's work. The Arc, Stockton, 16 May - 29 July 2005. ISBN 0954748727

Bonnell, M (2009) On the fractured stage of the book. The Eagle Gallery, London, 2009.

Bonnell, M (2011) Print! The Exchange Gallery, Cornwall, UK, 9 April - 2 July 2011.

Bray, S, Foxcroft, L, Shiraishi, Y and Lalic, M (1992) A sense of purpose: new work by Sarah Bray, Lesley Foxcroft, Maria Lalic, Yuko Shiraishi. Mappin Art Gallery, Sheffield. ISBN 0863211593

Clarke, R (2014) Accidents will happen. In: We Could Not Agree, QPark, Cavendish Square, London, 13 -19 October 2014.

Clarke, R (2014) Neighbourhood Watch [group exhibition]. JW3, London, 26 May 2014.

Clarke, R (2015) Pearl necklace. In: The Fall Of The Rebel Angels, Castello 1610/A, Venice, Italy, 9 May - 23 June 2015.

Clarke, R (2017) Performance of the record player orchestra. In: Roja Art Lab, Roja Cultural Centre, Roja, Latvia, 22 July 2017.

Clarke, R (2014) The Record Player Orchestra at Supernormal Festival. In: Supernormal, Braziers Park, Oxfordshire, UK, 8 -10 August 2014.

Clarke, R (2014) The Record Player Orchestra. In: The London Analogue Festival, Oxo Bargehouse, London, 12 -14 September 2014.

Clarke, R (2015) Silent Movies [group exhibition]. Q PARK, Level -3, Cavendish Square, London, 16-18 October 2015.

Clarke, R (2014) 'Untitled' and 'The Record Player Orchestra'. In: Chinese Open 2014, QPark Soho, London, 9 - 10 February 2014.

Clarke, R (2014) The deadliest toxins (2009). In: The Big Deal Marvellous MixUps x1, Loud and Western, London, 10 - 25 July 2014.

Clarke, R and Chamberlain, S (2014) The Record Player Orchestra and Sellotape Cinema. Vivid Projects, Birmingham, 4 July 2014.

Clarke, R and Fillingham, P (2016) DRIVE THRU [curators]. QPark, Cavendish Square, London, UK, 6 - 9 October 2016.

Cockayne, A (2014) Angela Cockayne: solo exhibition. In: Bournemouth Arts by the Sea Festival, Bournemouth Natural Science Society (BNSS) & Museum, 11-12 October 2014.

Cockayne, A (2011) Solo exhibition. In: Dominion, Peninsula Arts, University of Plymouth, Plymouth, UK, 21 January - 5 March 2011.

Curtis, K (2018) Imagining neutopia - dressing for evacuation. In: TentWorks - Feverish World, University of Vermont, Burlington, Vermont, USA, 20 - 22 October 2018.

Dahn, J (2008) Shards [group exhibition]. Bath Spa University, Bath, UK, 27 July - 29 August 2008.

Dalwood, D (2011) "De Kooning, De Kooning, De Kooning...". David Risley Gallery, Copenhagen, Denmark, 15 January - 26 February 2011.

Dalwood, D (2010) Dexter Dalwood. FRAC Champagne-Ardenne, Reims, France, 11 June - 15 August 2010.

Dalwood, D (2010) Dexter Dalwood: a solo exhibition accompanied by works from the Tate Collection. Tate, St Ives, UK, 23 January - 3 May 2010. ISBN 9781854379177

Dalwood, D (2011) Dichter und Drogen. Gallery Judin, Berlin, Germany, 10 September - 17 December 2011.

Dalwood, D (2013) Disaster / The End of Days [group exhibition]. Galerie Thaddaeus Ropac, Paris, France, 3 March - 29 June 2013. ISBN 9782910055547

Dalwood, D (2009) Endless Night. Gagosian Gallery, Beverley Hills CA, USA, 17 September - 7 November 2009.

Dalwood, D (2012) Orientalism. David Risley Gallery, Copenhagen, Denmark, 12 May - 23 June 2012.

Dalwood, D (2013) Solo exhibition. Kunsthaus CentrePasquArt, Biel, Switzerland, 21 April - 16 June 2013. ISBN 978869844268

Dalwood, D (2010) Turner Prize 2010. Tate Britain, London, UK, 5 October 2010 - 3 January 2011.

Dalwood, D (2019) What is Really Happening. Simon Lee Gallery, London, 1 March - 30 March 2019.

Dick, I, Willis, M and Lalic, M (1996) Inge Dick, Maria Lalic, Marylin Willis. März Galerien, Mannheim, October - December 1996.

Dunseath, J (2018) Hard hard hat hat & Cosmetic.wished.explorer. In: On Repeat, GiG Gallery, Munich, Germany, 22 September - 26 October 2018. Please click the title to check availability.

Dunseath, J (2012) Minit 4: Change-of-state. Kinetic and movie, or what is generally meant by event and movement. In: Peckham Artist Moving Image, Flat Time House, The John Latham Foundation and Archive, London, 20 -23 September 2012.

Dunseath, J (2023) Mouseclick. In: Moving Image 2023, Southwark Park Galleries, London, UK, 11 November - 9 December 2023.

Dunseath, J (2017) Pasta real. In: Work Work, Tintype Gallery, London, UK, 2 November - 2 December 2017.

Dunseath, J (2017) SWAP AD HOC [group exhibition]. Castor Projects, London, UK, 31 March - 29 September 2017.

Dunseath, J and Squires, K (2021) As seen. In: In Touch, CICA Museum, Gimpo, South Korea, 24 November – 12 December 2021.

Dunseath, J and Squires, K (2024) Touch Type. In: Ludic Territories, Das LOT, Vienna, Austria, 30 May - 2 June 2024.

Dutton, S, Xu, A, Liu, C, Xu, F, Xiaohong, Z and Hongtao, Z (2019) A Share of a Future [curators]. China University of Mining and Technology, Beijing, China, 9 March - 30 April 2019. Please click the title to check availability.

Fehr, M, Winzer, I, Schmieder, P and Lalic, M (2000) Die farbe hat mich: positionen zur nicht-gegenständlichen malerei. Kuenstlerhaus Dortmund. ISBN 3884749277

Goode, A, Johnson, S, Curtis, K, Akram, S, Cappello, F, Chambers, J, Kendall, T, Loder, C, Miles, J and Nicol, K (2011) The Mantelpiece. Bath, UK, 7 - 20 November 2011.

Harrison, K (2013) Blanks in between. In: London Design Festival, Paper Tiger, London, 14 - 22 September 2013.

Harrison, K (2009) Brother. In: Possibilities and Losses: Transitions in Clay, Middlesbrough Institute of Modern Art, Middlesbrough, UK, 22 May - 16 August 2009.

Harrison, K (2012) Disruption Series: installations and performances. Victoria and Albert Museum, London, UK, October 2012 - March 2013.

Harrison, K (2011) Float: a clay sound system. In: Jerwood Makers Open, Jerwood Space, London, UK, 13 July - 28 August 2011.

Harrison, K (2015) Moon: a public demonstration. In: Super Woofer, Matt's Gallery, London, 1 August 2015.

Harrison, K (2006) Sensory material. Bonhams Auctioneers, London, September 2006.

Harrison, K (2008) Superfluid. Brighton, 2 February - 2 March 2008.

Head, A (2013) The Digitrope. Roman Baths, Stall Street, Bath, 15 - 16 March 2013.

Head, A (2009) Jurassic Light Years. Imaginalis, Chelsea Art Museum, New York, USA, 5 March - 4 April 2009.

Head, A (2015) Marvellous marble machine. Bath Spa University, Bath, UK, 18- 26 June 2015.

Head, A (2014) Text and Texture. In: Shakespeare's Birthplace Lightshow, Stratford upon Avon, UK, 27 November-14 December 2014.

Head, A (2013) You, me & everyone in Portsmouth. Portsmouth Guildhall, 25 - 26 October 2013.

Heijnen, J, Charalambou, S, Brea, J and Lalic, M (1998) De leugenaars: helder en verzadigd. Arti et Amicitiae, Amsterdam, 14 March - 12 April 1998. ISBN 9072612256

Henley, S (2009) Analog Catalog: investigating the permanent collection. Samuel Dorsky Museum of Art. State University of New York, New Paltz NY, USA, 14 February - 14 June 2009.

Henley, S (2009) Museums, shops, ladders and lights. Samuel Dorsky Museum of Art, New Paltz, New York USA, February 2009.

Hogg, A (2008) Hidden: Xian University Collaborative project. Bath Spa University, Bath, UK.

Hogg, A (2011) The Magic Theatre: new works by contemporary illustrators. Touring exhibtion.

Hong, Y (2014) '5100: Pentagon' & 'Silent drum'. In: Burning Down the House - Gwangju Biennale 2014, Gwangju, South Korea, 5 September - 9 November 2014.

Hong, Y (2016) Drawing flowers. In: Making is Thinking is Making: La Nouva Arte Coreana - XXI La Triennale di Milano, Milan, Italy, 2 April - 12 September 2016.

Hong, Y (2024) Five Acts. Spike Island, Bristol, UK, 3 February - 5 May 2024.

Hong, Y (2014) Let us dance. In: Spectrum Spectrum, Plateau Museum, Seoul, Korea, 4 July - 12 October 2014.

Hong, Y (2017) The Moon's Trick. Korean Cultural Centre, London, UK, 21 November - 29 December 2017.

Hong, Y (2017) Rethinking craft: between studio craft and contemporary art [group exhibition]. Seoul Museum of Art, Seoul, South Korea, 6 June - 24 September 2017.

Hong, Y (2019) Sadang B. In: Korea Artist Prize 2019, National Museum of Modern and Contemporary Art, Seoul, South Korea, 11 Oct 2019 - 1 March 2020.

Hong, Y (2019) Silent drum (2014) & Still life parade (2015). In: What is Contemporary Art?, Daegu Art Factory, Daegu, South Korea, 20 March - 6 September 2019. ISBN 9791195767083

Hong, Y (2019) Theater without sound, without actors, without anything (2007). In: Pick Me, Gyeonggi Museum of Modern Art, Ansan, South Korea, 8 October 2019 - 2 February 2020.

Hong, Y and Bow, S (2015) Parallel voices. In: [ana] please keep your eyes closed for a moment, Maraya Art Centre, Sharjah, UAE, 21 October 2015 – 2 January 2016.

Howard, R (2015) 62 Group NOW [group exhibition]. Upfront Gallery, Cumbria, UK, 14 March - 3 May 2015.

Howard, R (2015) Craft goes pop [group exhibition]. Bluecoat Display Centre, Liverpool UK, 23 January - 7 March 2015.

Howard, R (2014) Ebb and flow 62 [group exhibition]. In: Ebb and Flow, Heritage Centre, Grimsby, UK, 9 September - 2 November 2014.

Howard, R (2014) Found friends. CIT Crawford College of Art, Cork, Ireland, 7 - 14 April 2014.

Howard, R (2014) Music makers [group exhibition]. Bluecoat Display Centre, Liverpool, UK, 20 March - 3 May 2014.

Howard, R (2014) Red work. Waterside Arts Centre, Sale, Manchester, 11 October 2014 - 31 January 2015.

Howard, R (2015) Red work. Williamson Art Gallery, Wirral UK, 14 February - 29 March 2015.

Hyde, J (2000) Periphery. Watershed Media Centre, Bristol, UK, 2000.

Hyde, J and Rubidge, S (2001) Hidden histories. The Atrium, Theatre Royal, Winchester, UK, November 2001.

Kidd, N (2012) Bag trails. In: The Devil Finds Work for Idle Hands, Toomey Tourell Fine Art, San Francisco, CA, 1 November – 15 December 2012.

Kidd, N (2006) Overflow. In: A Machine Aesthetic, TheGallery, Arts University Bournemouth; Transition Gallery, London; Gallery North, Newcastle, 31 January - 27 February 2014.

Kidd, N (2005) Wunderkammer: the artificial kingdom [group exhibition]. Usher Art Gallery, Lincoln, UK, 1 October 2005 - 8 January 2006. ISBN 0953923843

Lalic, M (2000) Blue: borrowed and new. New Art Gallery, Walsall, February - May 2000. ISBN 094665252X

Lalic, M (2014) Bohemian green landscape painting (2011) & Sevres blue landscape painting (2004). In: Conversations around Marlow Moss, &Model, Leeds, UK, 12 June - 18 July 2014.

Lalic, M (2011) Colour and metal: three commissioned paintings. Royal Albert Museum & Art Gallery, Exeter, UK, 2011.

Lalic, M (2014) Heavy metal? Galerie Renate Bender, Munich, 14 November 2014 - 17 January 2015.

Lalic, M (2009) The History Paintings. Madison Contemporary Art, London, UK, 18 March - 18 April 2009.

Lalic, M (2014) History painting. Purple (2013). In: Faszination farbe: monochrom, minimal, konkret. Internationale positionen, Kunsthaus Furstenfeldbruck, Germany, 3 October - 16 November 2014.

Lalic, M (2011) Landscape Paintings. Galerie Renate Bender, Munich, Germany, 30 June – 30 July 2011.

Lalic, M (1996) Maria Lalic. Todd Gallery, London, 21 February - 30 March 1996. ISBN 1873043112

Lalic, M (1997) Maria Lalic: history paintings 1996. Galerie Renate Bender, Munich, March - April 1997.

Luzar, R (2016) Demonstrations. Skelf SITE [online], 1 October - 3 November 2016.

Luzar, R (2016) Re-tracing post, stance, paper. In: Draw to Perform 3, OCAD University, Toronto, Canada, 10 February 2016.

Luzar, R (2016) Screened page & Posts retraced. In: Line, Point, Plane: Minimalism in Architectural Space, Nunnery Gallery, London, UK, 20 – 25 September 2016.

Luzar, R (2016) Screened page / screened window. In: Drawing Upon Experience, Basement Gallery, Bath Spa University, Corsham, UK, 16 May - 23 July 2016.

Luzar, R (2017) Untitled & A-lighting steps, balls and chords. In: Gesture, Trace, Performance, Herbert Read Gallery, London, UK, 18 November - 15 December 2017.

McLaren, G (2011) BathByMobile. In: BathByMobile, Stuff Bath, Milsom Street, 7 - 11 November 2011.

Medjesi-Jones, A (2011) Correspondences. Backestrasse 4 Gallery, Vienna, Austria, February 2011.

Medjesi-Jones, A (2012) Hallogallo. Sir John Cass Gallery, London, UK, 10 February - 9 March 2012.

Minott, P (2010) Obsession Hitchcock. BSAD Gallery, Bath, UK, March 2010.

Neudecker, M (1999) Mariele Neudecker. FirstSite, Colchester. ISBN 0952907097

Neudecker, M (2003) Mariele Neudecker: Between Us. Chapter/Howard Gardens Gallery, Cardiff, February 2003 - September 2004. ISBN 19000290703

Neudecker, M (2001) Mariele Neudecker: Until Now. Künstlerhaus Bethanien, Berlin, 3 October - 4 November 2001. ISBN 1870282329

Neudecker, M (2004) Over and over, again and again. In: Elemental Insight: A Met Office Exhibition Featuring 27 Artists from the South West, Met Office, Exeter, UK, 17 May - 12 September 2004.

Neudecker, M (2015) Plastic Vanitas. The Gallery, Arts University Bournemouth, UK, 10 September 2015 - 26 November 2016. ISBN 9780901196675

Parry-Williams, T (2011) Bite size. Touring exhibition, 2011-2012.

Parry-Williams, T (2010) Warp & Weft: from hand loom to production. Touring exhibition UK, September 2010 - April 2011.

Robinson, N (2008) A joyful bewilderment (group show). Rough Trade, London; HERE Gallery, Bristol; Here and Now, Falmouth, October 2008 - February 2010.

Robinson, N (2012) wallpaper Handmade Covers. KK Outlet, London, UK, 5-24 July 2012.

Sanders, H (2015) On brevity. Undegun, Wrexham, UK, 21 November - 14 December 2015.

Sheridan, J, De Ville, N, Foster, S and Lalic, M (1997) Small truths: repetition and the obsessional in contemporary art. John Hansard Gallery, University of Southampton, 19 November 1996 - 11 January 1997. ISBN 0854326189

Snell, R (2008) Back to the Future. Berwick Gymnasium Gallery, Berwick-upon-Tweed, UK.

Snell, R (2008) Command and Control [group exhibition]. Standpoint Gallery, London, UK, 11 July - 9 August 2008.

Snell, R (2012) The Mechanical Hand: 25 Years of Artist's Projects at Paupers Press [group exhibition]. Kings Place Gallery, London, UK, 27 April - 22 June 2012. ISBN 9781907317583

Southall, A (2009) Electrically charged & insulated sculpture. In: Multiples, King Square Avenue, Bristol, UK, 12 June 2009.

Southall, A (2014) Optical projection (experimental). In: Ashburton Art Festival 2014, British Legion Hut, Ashburton, Devon, 26 - 27 September 2014.

Southall, A and Cockayne, A (2008) Bristol Contemporary Open 2008 [group exhibition]. Paintworks, Bristol, 8-17 October 2008.

Sowden, T (2015) Ed Ruscha: Books & Co. [group exhibition]. Gagosian Gallery, Paris, France, 12 March - 7 May 2015 & 28 July - 9 September 2016. ISBN 9780262018777

Sowden, T (2014) Fortynine coach seats travelling along the M4 (2003). In: RUKSSIAN Artists’ Books: Artists’ Books from the UK and Russia, Tsaritsyno State Historical, Architectural, Art and Landscape Museum-Reserve, Moscow, Russia, March - May 2014 & August – September 2014.

Sowden, T (2014) PAGE.PRINT.POST: 50 Years of Artist Books [group exhibition]. The Post Office Gallery, Federation University, Ballarat, Australia, 16 July - 9 August 2014.

Sowden, T (2016) Pagination: the Book as Object [group exhibition]. The University Gallery, University of Newcastle, Australia, 30 March - 30 April 2016.

Sowden, T (2017) Panacea. In: Redesigning the Medieval Book, University of Oxford, Oxford, UK, 1 December 2017 - 11 March 2018.

Sowden, T (2016) Shelfware [group exhibition]. Line Gallery, Stroud, UK, 5 - 27 August 2016.

Sowden, T and Pichler, M (2015) Re: Follow-ed (after hokusai) [curators]. Cabinet du Livre d'Artiste, Rennes, France, 28 September 2015 - 3 December 2015. Please click the title to check availability.

Steadman, M, Bowes, V and Kelly, C (2016) Borderland exhibition. 44AD Gallery, Bath, UK, 26 - 30 January 2016.

Taylor, A (2014) Caesura. William Wright Artists Projects, Sydney, Australia, 31 July - 21 August 2014.

Taylor, A (2009) Drawing Inferences. Peter Pinson Gallery, Sydney, Australia, 28 October - 14 November 2009.

Taylor, A (2014) Drawn together: artist as selector [curator]. Jerwood Gallery, Hastings, 18 July - 15 October 2014.

Taylor, A (2017) Elisa Alaluusua - Sketchbooks: An Obsession [curator]. Drawing Projects UK, Trowbridge, UK, 3 February - 4 March 2017.

Taylor, A (2017) Flood story: Gerry Davis [curator and exhibition catalogue author]. Drawing Projects UK, Trowbridge, UK, 4 March - 1 April 2017. ISBN 97818622033

Taylor, A (2009) Jerwood Drawing Prize 2009. Jerwood Space, London (then touring), 16 September 2009 - 7 May 2010. ISBN 9780956357007

Taylor, A (2010) Jerwood Drawing Prize 2010. Jerwood Space, London (then touring), 29 September 2010 - 12 June 2011. ISBN 9780956357014

Taylor, A (2011) Jerwood Drawing Prize 2011. JVA at Jerwood Space, London (then touring), 14 September - 30 October 2011. ISBN 9781908331014

Taylor, A (2013) Residue. The Drawing Room, Sydney, Australia, 4 August - 16 September 2012.

Taylor, A (2009) A mon seul desir: the tapestry paintings. The Drawing Gallery, Shropshire, UK, 10 June - 1 August 2009.

Tooby, M (2013) At the mad shepherdess. In: Diffusion: Cardiff International Festival of Photography., Chapter, Cardiff, 12 - 19 May 2013.

Tooby, M (2011) Kelvin Road mantelpiece. In: Made in Roath, Cardiff, 2011.

Tooby, M (1997) A Quality Of Light: A Collaborative Visual Arts Event. Tate Gallery St Ives, May - July 1997. ISBN 095307000X

Tooby, M (2008) Re-display of art galleries, natural history gallery and learning spaces [curator]. National Museum Wales, Cardiff, UK, 2008.

Tooby, M (2014) Storio - store. In: Settlement, Spit and Sawdust Skatepark, Cafe and Artspace, Roath, Cardiff, 17 October 2014.

Turk, G (2002) Copper Jubilee. New Art Gallery, Walsall, UK, 28 June - 1 September 2002. ISBN 0946652643

Turk, G (2006) The Font Project. Fine Art Society, London, UK, 4 October - 2 November 2006.

Turk, G (1998) Gavin Turk: Collected Works 1994-1998. South London Gallery, London, 9 September - 18 October 1998. ISBN 0952269031

Turk, G (2015) Geometric surface (2014). In: The Fall Of The Rebel Angels, Castello 1610/A, Venice, Italy, 9 May - 23 June 2015.

Turk, G (2006) Last Year in Eggenberg (The Paradise Show). Landesmuseum Joanneum, Schloss Eggenberg, Graz, 22 June - 17 September 2006. ISBN 9783902095060

Turk, G (2010) Les bikes du bois rond. In: Fleet: Art in the Haven Ports, Suffolk, UK, July 2010.

Turk, G (2007) Me as Him. Riflemaker, London, 3 July - 1 September 2007. ISBN 9780955372810

Turk, G (2014) Pense Bête. LARM Galleri, Copenhagen, Denmark, 11 April - 17 May 2014.

Turk, G (2012) Rotor rings. In: What Marcel Duchamp Taught Me, The Fine Art Society Contemporary, New Bond Street, London, 10 October-5 November 2014.

Turk, G (2010) Something Like This. Park Ryu Sook Gallery, Seoul, 18 November - 12 December 2010.

Turk, G (2003) Subsistence. Galleri Veggerby, Copenhagen, 2003.

Turk, G (2014) Vestige. Fondation Frances, Senlis, France, 7 February - 17 May 2014.

Tweed, C (2016) Archimeters (2011). In: Both Sides Now 3: Screenings in East Asia, Woolloomooloo, Taipei, 19 August - 9 December 2016.

Tweed, C (2010) Notes I, II and III. Spike Island, Bristol, UK, 9 October - 5 September 2010.

Tweed, C (2017) Oporavak. In: WRO 2017 Biennale: Draft Systems, WRO Art Center, Wroclaw, Poland, 17 - 21 May 2017.

Tweed, C (2017) Soon we will become output. Stanley Picker Gallery, London, UK, 13 - 20 December 2017. ISBN 9781527217836

Tweed, C (2013) i am algorithm. Aspex Gallery, Portsmouth, UK, 26 April - 7 July 2013.

Tweed, C (2016) The signal and the noise. In: Silent Signal, Quad, Derby, UK, 6 February - 6 March 2016 and 18 March - 23 April 2016.

Vaughan, S (2018) Kourion: Earthquake House. In: Ar(t)chaeology: Intersections of Photography and Archaeology, NiMAC (The Nicosia Municipal Art Centre), Nicosia, Cyprus, 19/10/2018 to 12/01/2019.

Vyner, T (2009) ARWS: World Games. Bankside Gallery, London, UK, 25 - 29 November 2009.

Whiting, M (2016) The Art of Research. Royal United Hospital, Bath, UK, Permanent Installation.

Wilson, C.J.R

(2015) A cup is a. In: Many a Slip: Invited Artists Juggle with the Domestic Symbol of ‘The Cup’, Marsden Woo Gallery, London, UK, 22 July - 4 September 2015.

Withers, R (2015) Roman Signer's Library of Marvels. The Rose Lipman Building, London, UK, 4 March - 31 May 2015.

Wood, J and Harrison, P (2018) 10 X 10 (2011). In: KRASJ4, RTT, Graanmarkt 38, Ninove, Belgium, 8 - 29 September 2018.

Wood, J and Harrison, P (2011) 10 x 10. Von Bartha Gallery, Chesa, Switzerland, 26 August - 4 September 2011.

Wood, J and Harrison, P (2014) 10 x 10 (2011) & Hundredweight (2003). In: Moving Space, OK Centre for Contemporary Art, Linz, Austria, 27 June-19 October 2014.

Wood, J and Harrison, P (2017) 10 × 10 (2011) & Tall buildings (2011). In: Jeu et Diversion: Festival d'Art Contemporain - 9th Edition, Art Souterrain, Montreal, Canada, 4 - 26 March 2017.

Wood, J and Harrison, P (2016) 100 falls (2013) & One more kilometre (2009). In: A Laborious Dedication to Useless Tasks, The Deptford Project, London, UK, 26 - 27 November 2016.

Wood, J and Harrison, P (2014) 1000 songs. In: Conversations Sur L’Invisible, Galerie Martine Aboucaya, Paris, 31 January-11 April 2015.

Wood, J and Harrison, P (2015) 360 points (2011). In: Thirty Shades of White, Praz-Delavallade, Paris, France, 28 November 2015 - 23 January 2016.

Wood, J and Harrison, P (2014) 66.86m (2003). In: A Book Between Two Stools, Boghossian Foundation, Villa Empain, Brussels, 1 March-7 September 2014.

Wood, J and Harrison, P (2015) An Almost Identical Copy. Carroll/Fletcher, London, 24 April - 30 May 2015.

Wood, J and Harrison, P (2006) Another Pair. Davidson House, Reading, UK, 6 - 13 October 2006.

Wood, J and Harrison, P (2019) Blind/Spot (2007). In: Deep Deep Down, Far Far In (and Out), Fundação Leal Rios, Lisbon, Portugal, 15 May - 15 December 2019.

Wood, J and Harrison, P (2017) Board (1993) + others. In: Body Media II, Power Station of Art, Shanghai, China, 29 April - 30 July 2017.

Wood, J and Harrison, P (2017) Boat (1991) & Board (1993) & 3 Legged (1997) & Device (1996). In: Do Not Disturb, Palais de Tokyo, Paris, France, 21 - 23 April 2017.

Wood, J and Harrison, P (2011) Bored astronauts on the moon. In: Le Voyage dans la Lune, The Centre D’Arts Plastiques Albert Chanot, Paris, France, 26 January - 30 March 2013.

Wood, J and Harrison, P (2010) Deadpan: The Videos of John Wood and Paul Harrison. Pacific Design Center, West Hollywood, CA, 18 November 2010 - 12 January 2011.

Wood, J and Harrison, P (2017) Device (1996) & Six boxes (1997). In: [Re]construct: An Arts Council Collection National Partners Exhibition, Yorkshire Sculpture Park, Wakefield, UK, 1 April - 25 June 2017.

Wood, J and Harrison, P (2020) Erased clocks (2019) & 100 boxes (2009). In: Quarantine Quotidian, Cristin Tierney Gallery, New York, NY, USA, 15 September – 23 November 2020.

Wood, J and Harrison, P (2016) Erdkunde (2015). In: Looking at One Thing and Thinking of Something Else - Part One: Dialogues with Art History, Carroll/Fletcher Gallery, London, UK, 11 November 2016 – 25 February 2017.

Wood, J and Harrison, P (2017) An Eyeful of Wry: Government Art Collection [group exhibition]. Brynmor Jones Library Gallery at the University of Hull, Hull, UK, 20 October - 26 November 2017.

Wood, J and Harrison, P (2006) Five Rooms. Ludwig Museum, Budapest, Hungary, 09 March - 30 April 2006.

Wood, J and Harrison, P (2008) From One Thing to Another. Picture This, Bristol, 19 January – 23 February 2008.

Wood, J and Harrison, P (2019) Harry Houdini (1994). In: Being Human: An Exhibition of Modern Sculpture, Bristol Museum & Art Gallery, Bristol, UK, 5 October 2019 — 4 October 2020.

Wood, J and Harrison, P (2018) Harry Houdini (there’s no escape that I can see) (1994). In: On Struggling to Remain Present When You Want to Disappear, OCAT Shanghai, Shanghai, China, 8 April – 10 June 2018.

Wood, J and Harrison, P (2016) I Didn't Know I Didn't Know It. The Contemporary Art Gallery, Vancouver, Canada, 12 February - 24 April 2016.

Wood, J and Harrison, P (2014) In some film. In: Site Festival, SVA (Stroud Valleys Artspace), Stroud, 10-25 May 2014.

Wood, J and Harrison, P (2005) John Wood & Paul Harrison: The Only Other Point. European House of Art in Upper Bavaria - Schafhof, Germany, 5 July-3 August 2014.

Wood, J and Harrison, P (2007) John Wood and Paul Harrison. Mori Art Museum, Tokyo, Japan, 28 February - 6 May 2007.

Wood, J and Harrison, P (2014) John Wood and Paul Harrison – Some Things are Measured. Galerie Martine Aboucaya, Paris, 30 October-20 December 2014.

Wood, J and Harrison, P (2013) John Wood and Paul Harrison: Dreams and Broken Things. Von Bartha Gallery, Basel, Switzerland, 2 February-23 March 2013.

Wood, J and Harrison, P (2013) [Manoeuvres]. Voorkamer Gallery, Lier, Belgium, 13 October - 17 November 2013.

Wood, J and Harrison, P (2016) Night and day (2008). In: Ascents: Light Art Festival, Stuttgart, Germany, 17 September - 9 October 2016.

Wood, J and Harrison, P (2010) No Beginning - No Middle - No End. Kunstmuseum Thun, Thun, Switzerland, 25 September - 28 November 2010.

Wood, J and Harrison, P (2009) No Time. Vera Cortês, Art Agency, Lisbon, Portugal, 29 May - 25 July 2009.

Wood, J and Harrison, P (2008) Notebook. PICA, Perth, Australia, 4 December 2008 - 1 February 2009.

Wood, J and Harrison, P (1999) Obstacle Course and Other Works. John Hansard Gallery, Southampton, 24 August - 02 October 1999. ISBN 9781841660264

Wood, J and Harrison, P (2005) The Only Other Point. f a projects, London, 11 October - 19 November 2005.

Wood, J and Harrison, P (2017) Other Plans. Galeria Vera Cortês, Lisbon, Portugal, 27 January – 11 March 2017.

Wood, J and Harrison, P (2014) Pencil/line/eraser (2010) & Photocopier (2007) & 500 pieces of paper (2008). In: Pencil/Line/Eraser, Carroll / Fletcher, London, 1 August-13 September 2014.

Wood, J and Harrison, P (2005) Selected Works. Ffotogallery, Cardiff, 19 May - 2 July 2006. ISBN 9781872771649

Wood, J and Harrison, P (2010) Selected Works. Gallerie Ho, Marseille, France, 8 September - 16 November 2010.

Wood, J and Harrison, P (2006) Selected Works. Villa du Parc, Annemasse, France, 2006.

Wood, J and Harrison, P (2005) Selected Works. SPACE/Gallery Priestor for Contemporary Arts, Bratislava, Slovakia, March 2005.

Wood, J and Harrison, P (2004) Selected Works. MOMA, New York, NY, USA, 2004.

Wood, J and Harrison, P (1998) Selected Works. Gallerie Articule, Montreal, Canada, 1998.

Wood, J and Harrison, P (1996) Selected Works. Crawford Art Gallery, Cork, 1996.

Wood, J and Harrison, P (2017) Semi automatic painting machine (2014). In: Looking at One Thing and Thinking of Something Else - Part Four: Disrupt / Disorder / Display, Carroll/Fletcher Gallery, London, UK, 17 March - 29 April 2017.

Wood, J and Harrison, P (2023) Semi automatic painting machine (2014). In: Deep Deep Down, MUDAM, Luxembourg City, Luxembourg, 30 June 2023 – 18 February 2024.

Wood, J and Harrison, P (2014) Six boxes (1997). In: Why Can’t Minimal, Justina M. Barnicke Gallery, Toronto, Canada, 2 September-19 October 2014.

Wood, J and Harrison, P (2017) Six boxes (1997). In: Why Can't Minimal, The Rooms, St. John's, NL, Canada, 14 January - 9 April 2017.

Wood, J and Harrison, P (2016) Some Things Were Recorded 1993-1998. Carroll/Fletcher, London, UK, 9 September- 29 October 2016.

Wood, J and Harrison, P (2015) Some Things are Hard to Explain. ICC, Tokyo, Japan, 21 November 2015 - 21 February 2016.

Wood, J and Harrison, P (2015) Some Things are Undesigned. Von Bartha Gallery, Basel, Switzerland, 7 November 2015 - 23 January, 2016.

Wood, J and Harrison, P (2008) Something and Something and Something Else. The Lowry, Manchester, 26 April - 21 September 2008.

Wood, J and Harrison, P (2001) Table and chairs (2001). In: Private Utopia: Contemporary Art from the British Council Collection, Tokyo Station Gallery; Itami City Museum of Art; The Museum of Art, Kochi; Okayama Prefectural Museum of Art, 18 January 2014 - 22 February 2015.

Wood, J and Harrison, P (2014) Table and chairs (2001) & 3D bucket (2001) & 66.86m (2003). In: Private Utopia: Contemporary Art from the British Council Collection, Toyko Station Gallery, Tokyo, Japan, 18 January-9 March 2014.

Wood, J and Harrison, P (2009) There or Thereabouts. Von Bartha Gallery, Basel, Switzerland, November 2009.

Wood, J and Harrison, P (2019) This is a projection (2018). In: 16th International Festival for Short Film, Animation & Music Video, Museumsplatz, Vienna, Austria, 28 May - 2 June 2019.

Wood, J and Harrison, P (2020) This is a projection (2018). In: The Backward Glance can be a Glimpse into the Future, Von Bartha Gallery, Basel, Switzerland, 5 September - 7 November 2020.

Wood, J and Harrison, P (2017) Unrealistic mountaineers (2012). In: First Star, Last Snowflake, Villa du Parc, Annemasse, France, 1 April - 10 June 2017.

Wood, J and Harrison, P (2020) Volunteer (1998). In: Nuovo Cinema Galleria, Galeria Vera Cortês, Lisbon, Portugal, 23 January – 5 February 2020.

Wood, J and Harrison, P (2017) Westkunst - Ostkunst: a Selection from the Collection [group exhibition]. Ludwig Museum, Budapest, Hungary, 1 August 2017 - 31 December 2018.

Wood, J and Harrison, P (2009) White Shirt: Empty Cube. Appleton Square, Lisbon, Portugal, November 2009.

Wood, J and Harrison, P (2014) Wood y Harrison: Cual Para Tal. Museo de Antioquia, Medellin, Columbia, 16 July-5 October 2014.

Wood, J and Harrison, P (2013) Work of Fiction. Studio Trisorio, Naples, 19 April - 31 May 2013.

Wood, J and Harrison, P (2018) You’ve eaten roses, now you’ll drink the moon! [group exhibition]. In: Forum Arte Braga, Av. Dr. Francisco Pires Gonçalves, Apartado 60, 4711-909 Braga, Portugal, 12 September 2018- 12 January 2019.

Wood, J and Harrison, P (2015) A selection of works from '500 Drawings' (2011 onwards). In: Diamonds Always Come in Small Packages, Kunstmuseum Luzern, Switzerland, 4 July - 11 October 2015.

Zoderer, B, Pinelli, P and Lalic, M (1998) Material, konzept, konstrukt. Touring exhibition, 1998-1999. ISBN 3852522145

Performance

Fearns, R (2010) Illuminate Bath: light projections. In: Illuminate Bath, Bath, UK, 25-28 January 2012.

Harrison, K (2013) Moon: a public demonstration. V&A Hochauser Auditorium, London, UK, 21 April 2013.

Herrema, R, Alarcón, X, Hardie-Bick, T and Chirimini, S (2014) 4 4 Flow. In: 4 4 Flow, Chisenhale Dance Space, London, 28 March, 2014.

Hong, Y (2017) Echoes. In: Venice Agendas 2017: The Contract, Campo Santa Margherita, Venice, Italy (and touring), 10 -12 May 2017.

Hong, Y (2019) Let us dance. In: Still I Rise, Arnolfini, Bristol, UK, 14 September - 15 December 2019.

Kidd, N and Addison, J (2012) Two-day live participatory performance event. Tate Modern, London, UK, 13-14 December 2012.

Luzar, R (2016) Four steps for lighting balls and chords. In: Draw to Perform 3, Crows Nest Gallery, London, UK, 30 - 31 July 2016.

Luzar, R (2018) Sanded steps, standing over stones. In: Resting, Walking, Place-Making, McGill University, Montreal, Canada, 24 March 2018.

Luzar, R and Gagliardi, F (2016) Two seen, one un-seeing. In: Duration and Dialogue: Performance Art Festival/Symposium, Katzman Contemporary, Toronto, Canada, 29 - 31 January 2016.

Tweed, C (2015) The signal and the rock: performative lecture. In: Charlie Tweed at CAFA, Central Academy of Fine Art, Beijing, 14 December 2015.

Wood, J and Harrison, P (2018) Very Clear Instructions. The Polygon Gallery, Vancouver, Canada, 20 April 2018.

Image

White, R (2018) The present is not a terminus.

Film/video

Dunseath, J (2015) An image, I'm pleased, I am sad.

Farrar, R (2017) Strong.

Jury, C (2008) Poppy’s present.

Jury, C (2008) Puke fiction (the vomit trilogy).

Jury, C (1994) To baldly go.

Kampe, T (2017) Releasing Her Archive.

Kopp, K (2023) Translations.

Lewis-Smith, C (2016) The glasshouse.

Minott, P (2014) Animating Marinetti’s ‘Zang Tumb Tumb’ (1914) as a component of a public lecture.

Neudecker, M (2006) Mariele Neudecker: image, music and text 2002-2005 (vol.2).

Regan, J and Bricheno, T (2019) PALE BLUE EARTH.

Regan, J and Bricheno, T (2019) SEANCE.

Turk, G (2006) Gavin Turk.

Tweed, C (2016) The signal and the noise.

Wood, J and Harrison, P (2004) In profile: John Wood and Paul Harrison.

Wood, J and Harrison, P (2012) Nothing special : [selected video works 1993-2011].

Audio

Taylor, A (2010) 6. Materials for Drawing.

Other

Cockayne, A and Hoare, P (2009) Dominion: a film, symposium, exhibition & publication.

Dahn, J (2008) Editorship: Interpreting Ceramics (submissions).

Dunseath, J (2023) Accelerate [website]. Accelerate.

Farrar, R (2016) Shextreme Film Festival [organiser].

Gifford, T (2015) 'D. H. Lawrence: nature, narrative, art, identity' by John Beer [book review]. Journal of D.H. Lawrence Studies, 4 (1). pp. 172-174.

Gifford, T (2005) Green screen: environmentalism and Hollywood cinema [book review]. Journal of American Studies, 40 (1). pp. 176-177.

Gifford, T (2013) Keith Sagar, ‘Art for life’s sake': essays on D.H. Lawrence [book review]. Journal of D.H. Lawrence Studies, 3 (2). pp. 189-191.

Gifford, T (2010) New D.H. Lawrence [book review]. Green Letters: Studies in Ecocriticism, 13 (1). pp. 110-112.

Hogg, A (2011) Suicide Fields.

Hyde, J, Stamp, R, Dickinson, J and Head, A (2018) Seeing Sound [organisers].

Sowden, T (2014) Tom Sowden: on book arts [blog post]. Artquest.

Tooby, M (2012) When forms become attitude: a consideration of the adoption by an artist of ceramic display as narrative device and symbolic landscape [online essay]. Ceramics in the Expanded Field: Behind the Scenes at the Museum.

Vyner, T (2010) Series of workshops, publications, and talks.

Vyner, T (2012) The Times Olympic Artist: a commission and exhibition.

Withers, R (2016) Line, Point and Plane: Minimalism in Architectural Space [ exhibition essay]. Please click the title to check availability.

Withers, R (2016) Michael Stevenson, Carl Freedman Gallery [exhibition review]. Artforum, 55 (1). p. 371.

Wright, E.H (2014) Virginia Woolf at the National Portrait Gallery [exhibition review]. Women: A Cultural Review, 25 (4). pp. 429-430.

This list was generated from ResearchSPAce on Sat Dec 21 17:14:48 2024 UTC.

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