Items where Division is "Bath School of Music and Performing Arts" and Year is 2016

Alexander, S (2016) Inauguration ceremony dance [choreographer]. Bath Abbey, Bath, UK, 4 November 2016.

Arthurs, Y and Timmers, R (2016) 'On the fluidity of consonance and dissonance: the influence of musical context.' Psychomusicology: Brain, Mind and Music, 26 (1). pp. 1-14.

Bayley, A (2016) On composer-performer collaboration. In: Michael Finnissy: Dialogues, 17 November 2016, University of Huddersfield, Huddersfield, UK.

Bayley, A and Dutiro, C (2016) 'Developing dialogues in intercultural music-making.' In: Burnard, P, Mackinlay, E and Powell, K, eds. The Routledge international handbook of intercultural arts research. Routledge, Abingdon, pp. 391-403. ISBN 9781138909939

Bayley, A and Lizée, N (2016) 'Creative layers and continuities: a case study of Nicole Lizée and the Kronos Quartet.' Musicae Scientiae, 20 (3). pp. 392-412. Please click the title to check availability.

Beale, R (2016) A study in terms: definitions of ‘professional’ and ‘amateur’ in Western art music. In: British Forum for Ethnomusicology and Royal Musical Association Research Students’ Conference, 6 - 8 January 2016, University of Bangor, UK.

Beynon, A and Enright, H (2016) The teachers’ story – listening to educators. In: The 10th Anniversary Keele Counselling Qualitative Research Conference: The Creative Researcher, 7 - 8 May 2016, Keele University, Keele, UK.

Boehm, J.D (2016) Letters home.

Boehm, J.D (2016) Ovid's dream (performed by Dr. James Zingara).

Boehm, J.D (2016) 'Riots.' In: Kot, A, Williams, R and Cooper, S.E, eds. Find another Bath. ArtWorks, Bath, UK. ISBN 9781906662189

Boehm, J.D (2016) Riots. In: Find Another Bath, Fringe Arts Bath, 44AD Art Gallery, Bath, UK, 15 - 20 November 2016.

Boehm, J.D (2016) 'Riots' performance at 'Find another Bath' book launch. In: Fringe Arts Bath, Gallery 44 A.D., Bath, UK, 19 November 2016.

Boehm, J.D and Glen, N (2016) Converging lines: Apple's iPad and active learning in Higher Education. In: ihe2016, 16 -18 March 2016, University of San Francisco, California, USA.

Burgers, J, Crawford, T and Spring, M (2016) 'Introduction: the lute in the Netherlands in the 17th century.' In: Burgers, J.W.J, Crawford, T and Spring, M, eds. The lute in the Netherlands in the seventeenth century: proceedings of the International Lute Symposium, Utrecht, 30 August 2013. Cambridge Scholars Publishing, Cambridge, ix. ISBN 9781443890755

Demetriou, P.A (2016) Crossing contested borders: Quid Pro Quo (2011) – a performance act embodying the conceptual and material significance of women’s experience of the divide. In: Utopia at the Border: The Fourth Symposium of the Imaginaries of the Future International Research Network, 20 - 22 September 2016, University of Regensburg, Regensburg, Germany.

Demetriou, P.A (2016) The Dress from Love Letters: Wearing the Stories Told. In: i-Docs 2016, Watershed, Bristol, UK, 2 - 4 March 2016.

Demetriou, P.A (2016) Remembering performance through oral history. In: TaPRA Conference, 5 - 7 September 2016, University of Bristol, Bristol, UK.

Dickinson, J (2016) Distortions of space and time in Harrison Birtwistle’s Carmen Arcadiae Mechanicae Perpetuum (1977). In: Music, Art and Philosophy in Dialogue, 20 - 21 May 2016, Paul Klee Centre & University of Bern, Switzerland.

Dickinson, J (2016) Musical-pictorial symbiosis: an intermedial approach to the analysis of selected musical readings of Paul Klee's art. PhD thesis, Bath Spa University.

Enright, H (2016) Rising. Dublin Youth Theatre, Dublin, Ireland, 17 – 20 August 2016.

Enright, H (2016) We're not apathetic, we just don't like you!: making verbatim theatre with & for young people. In: Changemakers: Youth Theatre Practice Symposium, 23 November 2016, Mary Immaculate College, Limerick, Ireland.

Heaton, R (2016) 'Reflections on consonance and dissonance: Christopher Fox's early works for clarinet.' In: Dodd, R, ed. Perspectives on the music of Christopher Fox: straight lines in broken times. Routledge, Abingdon, pp. 52-60. ISBN 9781472428240

Heyde, N, Heaton, R, Finnissy, M and Bamon, L (2016) Inventing an ensemble identity. In: Performance Studies Network: Fourth International Conference, 14 -17 July 2016, Bath Spa University, Bath, UK.

Hooper, E (2016) Blue notes: in true tone deafness, an answer to why we sing [book review]. Literary Review of Canada, 24 (7).

Hooper, E (2016) Phasmida (by Waitress for the Bees).

Hooper, E and Honan, N (2016) The world is listening: panel discussion, interviews and workshops. In: Shambala Festival, 25 – 28 August 2016, Northamptonshire, UK.

Hugill, A (2016) Adventures in creative computing. In: Professorial Lecture Series 2016-17, 19 October 2016, Bath Spa University, Bath, UK.

Hugill, A (2016) 'On style in electroacoustic music.' Organised Sound, 21 (1). pp. 4-14.

Hugill, A and Amelides, P (2016) 'Audio-only computer games: 'Papa Sangre'.' In: Emmerson, S and Landy, L, eds. Expanding the horizon of electroacoustic music analysis. Cambridge University Press, Cambridge, pp. 355-375. ISBN 9781107118324

Hunter, V (2016) 'Radicalizing institutional space: revealing the site through phenomenological movement inquiry.' In: Shaw, D.B and Humm, M, eds. Radical space: exploring politics and practice. Rowman & Littlefield, London, pp. 65-84. ISBN 9781783481521

Hyde, J (2016) Collective reality. In: FutureFest, Tobacco Dock, London, UK, 17 -18 September 2016.

Hyde, J (2016) 'It’s not an instrument, it’s an ensemble: a parallel approach to modular synthesizer design.' eContact!, 17 (4).

Jebanasam, P (2016) Continuum.

Kampe, T (2016) 'Vorsicht, Schönheit!' Feldenkrais Zeit; Journal für somatisches Lernen, 16. pp. 21-25.

Kampe, T (2016) 'Whispering secrets.' Journal of Dance & Somatic Practices, 8 (2). pp. 165-177.

Kampe, T (2016) '‘crossing/weaving’: somatic interventions in choreographic practices.' Feldenkrais Research Journal, 5. Please click the title to check availability.

Karantonis, P (2016) La Voix Humaine [staging and acting consultant]. Renehan Hall, Maynooth University, Ireland, 21 July 2016.

Lewis-Smith, C (2016) 'A brief history of the dancer/camera relationship.' Moving Image Review & Art Journal (MIRAJ), 5 (1-2). pp. 142-157.

Lewis-Smith, C (2016) 'The dancer camera pas de deux.' In: Payri, B and Arnal, R, eds. Proceedings of the International Screendance Meeting: Valencia 2016. Editorial Universitat Politècnica de València, Valencia, pp. 29-37. ISBN 9788490485453 Please click the title to check availability.

Lewis-Smith, C (2016) The dancer camera pas de deux. In: III International Meeting of Screendance, 9 - 10 September 2016, Polytechnic University of Valencia, Valencia, Spain.

Lewis-Smith, C (2016) The glasshouse.

Lovett, M ORCID: 0000-0003-3599-7886 (2016) Twelve drummers drumming. In: Islet album launch, Clwb Ifor Bach, Cardiff, UK, 10 December 2016.

Lundskaer-Nielsen, M (2016) An unlikely diva - Imelda Staunton as Mrs. Lovett and Mama Rose. In: Song Stage and Screen XI, 27 - 30 June 2016, City University of New York, New York, USA.

Meinema, J (2016) Day of the people.

Meinema, J (2016) Final call animation [co-producer].

Meinema, J (2016) A special guest.

Mitchell, T, Hyde, J, Tew, P and Glowacki, D.R (2016) ''danceroom Spectroscopy': at the frontiers of physics, performance, interactive art and technology.' Leonardo, 49 (2). pp. 138-147.

Moor, D and McKahey, L (2016) CousteauX 4-track EP on Edel Italy.

Moor, D and McKahey, L (2016) CousteauX Live at The Blue Note. The Blue Note, Milan, Italy, 31 May 2016.

Nixon, E (2016) 'La Mancha Theatre Company and School, Chile.' In: Evans, M and Kemp, R, eds. The Routledge companion to Jacques Lecoq. Routledge, Abingdon, pp. 372-379. ISBN 9781138818422

Porfyriadis, A (2016) Collective thoughts: a collaborative approach to preparation and performance of open form compositions for groups. PhD thesis, Bath Spa University.

Purcell-Gates, L (2016) Leaky boundaries: transversing the abject through puppetry performance. In: American Society for Theatre Research Conference 'Trans', 3-6 November 2016, Minneapolis, MN, US.

Purcell-Gates, L (2016) Puppetry and object theatre as intervention with teenage refugees. In: Theatre, Youth, Trauma and Europe in Crisis, 25 June 2016, Bath Spa University, Bath, UK.

Purcell-Gates, L (2016) Staging corpses: disrupting progressive historical narrative through puppetry. In: International Federation for Theatre Research Conference Presenting the Theatrical Past: Interplays of Artefacts, Discourses and Practices, 13-17 June 2016, Stockholm University, Sweden.

Purcell-Gates, L (2016) What world does this body create? Puppetry as intervention in medical approaches to the disabled body. In: Annual American Society for Theatre Research (ASTR) Conference: Trans-, 3-6 November 2016, Minneapolis, MN, US.

Purcell-Gates, L (2016) The challenge of disciplinary instrumentalism within cross-disciplinary applied theatre research. In: Theatre and Performance Research Association (TaPRA) Conference, 5-7 September 2016, University of Bristol, Bristol, UK.

Purcell-Gates, L (2016) '‘The terrible things I’ve done’: undisciplined subjectivity of the cyborg within intermedial performance practice.' Research in Drama Education: The Journal of Applied Theatre and Performance, 21 (3). pp. 413-417.

Ramsay, B (2016) 'Analysis of 'Foil' by Autechre (from 'Amber'(1994)).' In: Emmerson, S and Landy, L, eds. Expanding the horizon of electroacoustic music analysis. Cambridge University Press, Cambridge, pp. 209-230. ISBN 9781107118324

Reading, K (2016) 'A performatic archive.' In: Reason, M and Molle Lindelof, A, eds. Experiencing liveness in contemporary performance: interdisciplinary perspectives. Routledge, Abingdon, pp. 143-148. ISBN 9781138961593

Saunders, J (2016) 'No mapping.' MusikTexte, 149.

Saunders, J (2016) constant interchange of the most various kinds.

Saunders, J (2016) in which one thing depends on another.

Saunders, J (2016) reassigned #1.

Saunders, J (2016) reassigned #2.

Saunders, J (2016) they are always different, they are always the same.

Semerciyan, S (2016) Under a cardboard sea. Bristol Old Vic Theatre, Bristol, UK, 4 - 6 August 2016.

Sergeant, M (2016) Lichen (for solo electric lap-steel guitar).

Sergeant, M (2016) Terrains (for solo quarter-tone flugelhorn).

Spring, M (2016) Lecture recital for the 250th anniversary of the death of Nicolas Lanier, 'First Master of the King’s Musick'. In: The Lutes Society 60th Birthday Meeting, 10 September 2016, London Art Workers Guild, London, UK.

Spring, M (2016) Shakespeare in Georgian Bath. In: Bath Music Festival, Old Theatre Royal, Bath, UK, 22 May 2016.

Spring, M (2016) Thomas Linley the Elder’s struggle for musical hegemony in Bath 1756-76. In: NABMSA Biennial Conference, 4 -7 August 2016, Syracuse University, NY, USA.

Spring, M (2016) '"A goose among swans": the connections and correspondence between Jacques Gaultier and Constantijn Huygens.' In: Burgers, J.W.J, Crawford, T and Spring, M, eds. The lute in the Netherlands in the seventeenth century: proceedings of the International Lute Symposium, Utrecht, 30 August 2013. Cambridge Scholars Publishing, Cambridge, pp. 120-141. ISBN 9781443890755

Spring, M (2016) 'The musical life of Bath, 1800-1850.' In: Temperley, N, ed. The musicians of Bath and beyond: Edward Loder (1809-1865) and his family. Boydell & Brewer, Martlesham, pp. 24-41. ISBN 9781783270781

Spring, M (2016) The retail music trade in Victorian Bath. In: BAVS 2016: Consuming (the) Victorians, 31 August - 2 September 2016, Cardiff University, Cardiff, Wales.

Spring, M (2016) The social and economic transformation of concert life in Bath in the decade of the 1750s – the socio-economic background of music professionals in the 18th century. In: British Society for Eighteenth Century Studies (BSECS) 45th Annual Conference, 5 - 6 January 2016, St Hugh’s College, Oxford University, Oxford, UK.

Steadman, M (2016) Borderland. In: Borderland, University Theatre, Bath Spa University, Bath. UK, 28 - 30 January 2016.

Steadman, M, Bowes, V and Kelly, C (2016) Borderland exhibition. 44AD Gallery, Bath, UK, 26 - 30 January 2016.

Turnbull, O (2016) 'It’s all about you: immersive theatre and social networking.' Journal of Contemporary Drama in English, 4 (1). pp. 150-163.