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Number of items at this level: 529.

A

Arthurs, Y (2015) 'Psychophysical and psychological approaches to consonance and dissonance.' In: Ruggiero, G and Bruni, D, eds. Il ritmo della mente : la musica tra scienza cognitiva e psicoterapia. Mimesis, Milan, pp. 49-72. ISBN 9788857525464

Arthurs, Y and Timmers, R (2016) 'On the fluidity of consonance and dissonance: the influence of musical context.' Psychomusicology: Brain, Mind and Music, 26 (1). pp. 1-14.

Atkinson, N (1998) Wintersnight.

Atkinson, N and Cockayne, A (2011) Rachel's orphan.

Atkinson, N and Fearns, R (2005) Beautiful place.

Atkinson, N and Fearns, R (1994) Galleries.

Atkinson, N and Fearns, R (1993) Jacob's ladders.

Atkinson, N and Fearns, R (2008) Off the map.

Atkinson, N and Fearns, R (1996) Perfect worlds.

Atkinson, N and Gross, P (1999) Hollow hill. Michael Tippett Centre, Bath Spa University, Bath, UK.

Atkinson, N, Hoare, P and Cockayne, A (2010) Dominion.

B

Bayley, A (2018) 'Cross-cultural collaborations with the Kronos Quartet.' In: Clarke, E and Doffman, M, eds. Distributed creativity: collaboration and improvisation in contemporary music. Oxford University Press, New York, NY, pp. 93-113. ISBN 9780199355914

Bayley, A (2007) Documenting the creative process: recordings as research tools. In: CHARM/RMA annual conference on Musicology and Recordings, 13-15 September 2007, University of London, London, UK.

Bayley, A (2011) 'Ethnographic research into contemporary string quartet rehearsal.' Ethnomusicology Forum, 20 (3). pp. 385-411.

Bayley, A (2009) Ethnographic research into string quartet rehearsal and performance. In: Twenty-fifth European Seminar in Ethnomusicology: Performance, 18-22 September 2009, Milton Keynes, UK.

Bayley, A (2011) Evolution and collaboration in string quartet composition, rehearsal and performance. In: Tracking the Creative Process in Music International Conference, 29 September - 1 October 2011, Communauté d'Universités et d'Etablissements Lille Nord de France, Lille, France.

Bayley, A (2009) Investigating the interpretative space between notation and performance. In: IAMS Symposium, Music: Notation and Sound, 5-10 July 2009, Amsterdam, The Netherlands.

Bayley, A (2012) Mapping a composer's intentions from composition to performance. In: New Music in Britain Conference, 10-12 May 2012, Canterbury Christ Church University, Canterbury, UK.

Bayley, A (2011) Rehearsal analysis of Finnissey's Third String Quartet. In: CMPCP Performance Studies Network International Conference, 14-17 July 2011, University of Cambridge, Cambridge, UK.

Bayley, A (2007) 'The nature of expressivity in Berio’s Sequenza VI for viola.' In: Halfyard, J, ed. Berio's Sequenzas: essays on performance, composition and analysis. Ashgate, Aldershot ; Burlington, VT, pp. 233-254. ISBN 9780754654452

Bayley, A (2007) The relationship between notation and performance practice in Michael Finnissy’s Second String Quartet. In: Sixth European Music Analysis Conference on Interpretation, 11-14 October 2007, Hochschule für Musik and the Albert-Ludwigs-Universität, Freiburg, Germany.

Bayley, A and Clarke, M (2010) 'Analysing Michael Finnissy’s Second String Quartet: a multimedia interactive approach.' In: Utz, C, ed. Music theory and interdisciplinarity: 8th Congress of the Gesellschaft für Musiktheorie Graz 2008. Musik theorien der gegenwart (4). Pfau, Saarbrücken. ISBN 9783897274488

Bayley, A and Clarke, M (2009) 'Analytical representations of creative processes in Michael Finnissy’s Second String Quartet.' Journal of Interdisciplinary Music Studies, 3 (1&2). pp. 139-157.

Bayley, A and Clarke, M (2011) Evolution and collaboration: the composition, rehearsal and performance of Finnissy’s Second String Quartet [DVD]. doi: 97809056020444

Bayley, A and Clarke, M (2008) Interactive strategies for analysing music. In: Eighth Congress of the Gesellschaft für Musiktheorie (GMTH), Music Theory and Interdisciplinarity, 9-12 October 2008, University of Music and the Dramatic Arts, Graz, Austria.

Bayley, A and Clarke, M (2008) Interactive strategies for analysing musical structure. In: Fourth International Conference on Interdisciplinary Musicology, 2-6 July 2008, Aristotle University of Thessaloniki, Thessaloniki, Greece.

Bayley, A and Dutiro, C (2015) Creating new music across cultural boundaries: mbira and string quartet. In: Tracking the Creative Process in Music: Third International Conference, 8-10 October 2015, Institut de Recherche et Coordination Acoustique/Musique, Paris, France.

Bayley, A and Heyde, N (2009) Interpreting indeterminancy: performing Lutosławski’s String Quartet. In: Polish Music Since 1945, 30 April - 2 May 2009, Canterbury Christ Church University, Canterbury, UK.

Beaham-Powell, N (2006) 'Bridging a gap between music and technology.' New Statesman.

Beaham-Powell, N (2007) The economic challenges facing European collecting societies. In: CIAM (Confederation Internation des Auteurs), September 2007, Warsaw.

Bennett, J (2012) 'All you gotta do is sing.' Total Guitar (225). p. 38.

Bennett, J (2009) Co-written songs for Andi Neate album 'Crows Rooks and Ravens'.

Bennett, J (2011) 'Collaborative songwriting – the ontology of negotiated creativity in popular music studio practice.' Journal on the Art of Record Production, July (5).

Bennett, J (2012) 'Come to steal your song away?' Total Guitar (229). p. 36.

Bennett, J (2014) 'Conference review: popMAC 2013.' Popular Music, 33 (2). pp. 341-342.

Bennett, J (2012) 'Constraint, collaboration and creativity in popular songwriting teams.' In: Collins, D, ed. The act of musical composition: studies in the creative process. Ashgate, Farnham, pp. 139-169. ISBN 9781409434252

Bennett, J (2014) Constraint, creativity, copyright and collaboration in popular songwriting teams. PhD thesis, University of Surrey.

Bennett, J (2015) 'Creativities in popular songwriting curricula: teaching or learning?' In: Burnard, P and Haddon, E, eds. Activating diverse musical creativities: teaching and learning in higher education. Bloomsbury, London. ISBN 9781472589132

Bennett, J (2013) Documenting collaborative songwriters' creativity using Linear Event Analysis. In: RMA Study Day: Researching music as process: methods and approaches, 13 November 2013, Faculty of Music, Oxford University, Oxford.

Bennett, J (2012) 'Don't bore us...write a chorus!' Total Guitar (227). p. 38.

Bennett, J (2010) Forensic Musicology reports (song comparison and analysis) for music industry clients. (eg) Universal Music Publishing.

Bennett, J (2013) Forensic musicology: approaches and challenges (in The Timeline Never Lies: Audio Engineers Aiding Forensic Investigators in Cases of Suspected Music Piracy). In: International Audio Engineering Society Convention, 17-20 October 2013, Jacob Javits Centre, New York City.

Bennett, J (2012) 'Getting started with intros.' Total Guitar (223). p. 38.

Bennett, J (2011) 'If you build it, they will come.' Total Guitar (216). p. 40.

Bennett, J (2007) Joe Bennett: musicology, songwriting, teaching, writing & research [website].

Bennett, J (2012) 'Melody - getting in shape.' Total Guitar (224). p. 40.

Bennett, J (2011) 'Put some rhythm in your rhythm.' Total Guitar (214). p. 40.

Bennett, J (2011) 'Rhythm guitar: a bad habit?' Total Guitar (220). p. 42.

Bennett, J (2011) 'Six rules of (fingers and) thumb.' Total Guitar (215). p. 40.

Bennett, J (2011) 'Song meaning... it makes me wonder.' Total Guitar (218). p. 40.

Bennett, J (2011) 'Song vs track - picture or frame.' Total Guitar (219). p. 40.

Bennett, J (2006) Songwriting in Higher Education: a National Teaching Fellowship Project. In: Higher Education Academy Annual Conference, July 2006, University of Nottingham, Nottingham.

Bennett, J (2013) The State vs John Hayes.

Bennett, J (2017) 'Towards a framework for creativity in popular music degrees.' In: Smith, G.D, Moir, Z, Brennan, M, Kirkman, P and Rambarran, S, eds. The Routledge research companion to popular music education. Routledge, Abingdon, pp. 285-297. ISBN 9781472464989

Bennett, J (2012) 'What's in a name?' Total Guitar (222). p. 34.

Bennett, J (2014) Where is creativity? Locating intellectual property in collaborative songwriting and production processes. In: International Association for the Study of Popular Music (IASPM) UK & Ireland Biennial Conference, 12-14 September 2014, Cork, Ireland.

Bennett, J (2014) Who writes the songs? Creative practice and intellectual property in popular music’s digital production chain. In: Creativity, Circulation and Copyright: Sonic and Visual Media in the Digital Age, 28­‐29 March 2014, Cambridge, United Kingdom.

Bennett, J (2011) 'Writing riffs - by hook or by crook.' Total Guitar (217). p. 42.

Bennett, J (2012) 'You can’t teach songwriting...!' Total Guitar (231). p. 34.

Bennett, J (2012) 'You got a friend? Co-write a song!' Total Guitar (230). p. 36.

Bennett, J (2012) 'Your lyrics - reason for rhyme.' Total Guitar (226). p. 38.

Bennett, J (2014) The death of the songwriter: attribution of creative ownership in popular music production. In: The 9th Art of Record Production Conference: Record Production in the Internet Age, 4-6 December 2014, University of Oslo, Norway.

Bennett, J (2006) iTunes and OSX widgets in the teaching of songwriting. In: Podagogy PALATINE conference, 19-20 June 2006, University of Wolverhampton.

Bennett, J (2010) The ontology of collaborative songwriting in popular music studio practice. In: Art of Record Production Conference, 3–5 December 2010, Leeds Metropolitan University, Leeds.

Bennett, J (2012) 'The song remains the same - why?' Total Guitar (228). p. 34.

Biggs, A, Groenevelt, B and Brian, R (2009) Be still.

Biggs, A, Groenevelt, B and Brian, R (2007) Love unknown.

Boehm, J.D (2018) Henrietta Park [composer and conductor]. In: International Trumpet Guild Conference 2018, San Antonio, TX, USA, 31 May 2018. Please click the title to check availability.

Boehm, J.D (2018) Ovid's Dream. In: Alabama School of Fine Arts Faculty Recital, University of Alabama at Birmingham, Birmingham, AL, USA, 26 February 2018. Please click the title to check availability.

Boehm, J.D (2016) Riots. In: Find Another Bath, Fringe Arts Bath, 44AD Art Gallery, Bath, UK, 15 - 20 November 2016.

Boehm, J.D (2016) 'Riots' performance at 'Find another Bath' book launch. In: Fringe Arts Bath, Gallery 44 A.D., Bath, UK, 19 November 2016.

Boehm, J.D (2015) Sonata for three.

Brown, A.R (2012) Black Sabbath and the rise of heavy metal music [book review]. Volume ! The French Journal of Popular Music Studies, 9 (2). pp. 206-208.

Brown, A.R (2015) 'Everything louder than everyone else: the origins and persistence of heavy metal music and its global cultural impact.' In: Bennett, A and Wacksman, S, eds. The SAGE handbook of popular music. SAGE, London, pp. 261-277. ISBN 9781446210857

Brown, A.R (2009) Girls like metal, too!: female readers engagement with the masculinist ethos of the tabloid metal magazine. In: Heavy Metal and Gender Congress, 8 - 10 October 2009, Hochschule für Musik Köln / Cologne University of Music, Germany.

Brown, A.R (2016) '“Girls like metal, too!”: female reader’s engagement with the masculinist culture of the tabloid metal magazine.' In: Heesch, F and Scott, N, eds. Heavy metal, gender and sexuality: interdisciplinary approaches. Routledge, Abingdon, pp. 163-181. ISBN 9781472424792

Brown, A.R (2011) 'Heavy genealogy: mapping the currents, contraflows and conflicts of the emergent field of metal studies, 1978-2010.' Journal for Cultural Research, 15 (3). pp. 213-242.

Brown, A.R (2012) Heavy metal music in Britain [book review]. Volume ! The French Journal of Popular Music Studies, 9 (2). pp. 220-223.

Brown, A.R (2007) 'Rethinking the subcultural commodity: the case of heavy metal t-shirt culture(s).' In: Hodkinson, P and Deicke, W, eds. Youth cultures : scenes, subcultures and tribes. Routledge advances in sociology . Routledge, New York, pp. 63-78. ISBN 9780415376129

Brown, A.R (2013) 'Suicide solutions? Or, how the emo class of 2008 were able to contest their media demonization, whereas the headbangers, burnouts or 'children of ZoSo' generation were not.' In: Hjelm, T, Kahn-Harris, K and Levine, M, eds. Heavy metal: controversies and countercultures. Equinox, London. ISBN 9781845539412

Brown, A.R (2011) Un(su)stained class: the enigma of class consciousness in the origins and development of heavy metal music in Great Britain. In: Home of Metal conference, 1 - 4 September 2011, University of Wolverhampton and Lighthouse Media Centre, Wolverhampton.

Brown, A.R (2013) A league of extraordinary djentlemen? Geekdom, virtuosity and the relative un-marking of race in on-line progressive-metal fandom threads. In: The Heavy Metal and Popular Culture Conference, 4 - 7 April 2013, Bowling Green State University, Bowling Green, OH, USA.

Brown, A.R (2012) The speeding bullet, the smoking gun: tracing metal trajectories, from Sabbath to Satyricon ... and beyond. In: 4th Global Conference: Heavy Fundamentalisms: Music, Metal and Politics, 9 – 11 May 2012, Prague, Czech Republic.

Brown, A.R, Dawes, L and Fellezs, K (2013) Race with the devil: the racial politics of heavy metal music and fandom or, who gets to play with heavy metal, anyway? In: Popular Culture Association of Canada (PCAC), 3rd Annual Conference, 9 - 11 May 2013, Calgary, Alberta, Canada.

Burgers, J, Crawford, T and Spring, M (2016) 'Introduction: the lute in the Netherlands in the 17th century.' In: Burgers, J.W.J, Crawford, T and Spring, M, eds. The lute in the Netherlands in the seventeenth century: proceedings of the International Lute Symposium, Utrecht, 30 August 2013. Cambridge Scholars Publishing, Cambridge, ix. ISBN 9781443890755

C

Callear, S (2012) Audiovisual particles: parameter mapping as a framework for audiovisual composition. PhD thesis, Bath Spa University. doi: 10.17870/bathspa.00001878

Caulfield, L.S, Henley, J, Wilson, D and Wilkinson, D (2012) 'Good Vibrations: Positive change through social music-making.' Music Education Research, 14 (4). pp. 499-520.

Clayden, P (1988) Rubberneck. Touring production, 1988.

D

Dickinson, J (2012) Building the Imperfect Beast. In: Leeds International Songwriting Conference (LISC 2012), 8-9 March 2012, Leeds College of Music, Leeds, UK.

Dickinson, J (2016) Distortions of space and time in Harrison Birtwistle’s Carmen Arcadiae Mechanicae Perpetuum (1977). In: Music, Art and Philosophy in Dialogue, 20 - 21 May 2016, Paul Klee Centre & University of Bern, Switzerland.

Dickinson, J (2013) Dynamic process in static form. In: The Noises of Art: Audiovisual Practice in History, Theory and Culture. Aberystwyth University in collaboration with the Courtauld Institute of Art, 4-6 September 2013, Aberystwyth University, Aberystwyth, UK.

Dickinson, J (2008) Kane Cunningham and Jim Dickinson collaboration. Triton Gallery, Sledmere House, Driffield, UK, 2008.

Dickinson, J (2012) Little Angels Live at Download 2012.

Dickinson, J (2015) Pastorale-mechanical: imagined landscapes, between determinate systems and poetic fantasy. In: INTIME Symposium : Landscapes and Environments: Experimentation and Transformation in Sound and Music, 24 -25 October 2015, Coventry University, UK.

Dickinson, J (2013) System vs. self. In: International Conference On Analysing Popular Music, 2 - 4 July 2013, University of Liverpool, Liverpool, UK.

Dickinson, J, Dickinson, B, Jepson, T, Plunkett, M and Richardson, M (2013) Little Angels. .

Duddell, J (2010) All stars aligned.

Duddell, J (2004) Arbor low.

Duddell, J (2008) Azalea Fragments.

Duddell, J (2012) The BBC Philharmonic presents Richard Hawley. Magna, Sheffield, UK, 8 September 2012.

Duddell, J (2009) Catch for trumpet and marimba.

Duddell, J (2009) Cease sorrow now.

Duddell, J (1999) Circle square.

Duddell, J (1999) Computation.

Duddell, J (2001) Endgame.

Duddell, J (2007) Four (mere) bagatelles.

Duddell, J (1999) Fracture.

Duddell, J (2003) Freaky dancer.

Duddell, J (2001) Generation.

Duddell, J (2007) Grace under pressure.

Duddell, J (2006) Hyper-ballad.

Duddell, J (2006) Isolation.

Duddell, J (2004) Leave this city.

Duddell, J (2011) Magnificat and Nunc Dimittis.

Duddell, J (2004) Mnemonic.

Duddell, J (2004) New dawn fades.

Duddell, J (2008) Nightswimming, for piano trio.

Duddell, J (2002) Not waving but drowning.

Duddell, J (2002) Ode to English.

Duddell, J (1999) Parallel lines.

Duddell, J (2006) Protection.

Duddell, J (2014) Radio 1's Clean Bandit Symphony. In: Clean Bandit LIVE on BBC Radio 1, BBC Philharmonic Studio, Salford, 10 September 2014.

Duddell, J (2008) The Redwood Tree.

Duddell, J (2003) Ruby.

Duddell, J (2003) Scattered black and whites.

Duddell, J (2003) Shadowplay.

Duddell, J (2002) Snowblind.

Duddell, J (2003) Temporal keys.

Duddell, J (2001) Tree carving.

Duddell, J (2002) Two men hugging.

Duddell, J (2000) Vaporise.

Duddell, J (2011) An evening with James. In: UK tour.

Duddell, J (1999) The realside.

Duddell, J (2001) still life.

Duddell, J and Elbow, (2009) Elbow and the Halle Orchestra. In: Manchester International Festival, The Bridgewater Hall, Manchester, UK, 8-9 July 2009.

Duddell, J and Garry, M (2015) St Anthony: an ode to Anthony H. Wilson.

Duddell, J and Goodwin, J (2011) Ghost of gone birds. In: The Bird Effect, Liverpool School of Art & Design, Liverpool, UK, 12 May 2011.

Duddell, J and Nero, (2011) Dubstep Symphony. BBC Media City, Saltford, UK, 6 June 2011.

Dupras, M (2000) 'Using global Csound instruments for meta-parameter control.' In: Boulanger, R, ed. The Csound book: perspectives in software synthesis, sound design, signal processing and programming. MIT Press, Cambridge, MA, pp. 353-368. ISBN 9780262522618

Dupras, M (2012) Voyage of oblivion (by Jim Johnston).

Dupras, M and Bates-Brkljac, N (2001) The virtual forest: virtual reality and generative music. In: 8th International Conference and Exhibition on Generative Art, 11-13 December 2001, Politecnico di Milano, Milan, Italy.

Dupras, M, Hattosh-Nemeth, J and Verity Smith, P (2003) Beyond the mechanical stage-hand: towards an aesthetic of real-time interaction between musicians, dancers and performers and generative art in live performance. In: 6th International Conference and Exhibition on Generative Art, 10-13 December 2003, Politecnico di Milano, Milan, Italy.

F

Farrar, R (2013) 'Point of Audition' app showcase. In: Hack the Quarter: Bristol Proms, 30 - 31 July 2013, Bristol Old Vic, Bristol, UK.

Farrar, R, Heywood, B and Telling, L (2015) Dear Carnegie Hall [app]. Please click the title to check availability.

G

Goodman, H (2013) 'The "green-eyed monster": jealousy and erotic monomania in 'He Knew He Was Right' and 'The Forsyte Saga'.' In: Goodman, H, Russo, B.V and Zózimo, J, eds. Beyond these walls: confronting madness in society, literature and art. Inter-Disciplinary Press, Oxford, pp. 81-92. ISBN 9781848882034

H

Heaton, R (2012) 'Contemporary performance practice and tradition.' Music Performance Research, 5 (Spec). pp. 96-104.

Heaton, R (2004) Feldman and Fox clarinet quintets.

Heaton, R (2003) Gavin Bryars: a portrait.

Heaton, R (2002) Giacinto Scelsi clarinet concerto kya.

Heaton, R (2011) Mihailo Trandafilovski Clarinet Quintet: magnets, lava, crystals. .

Heaton, R (2002) Performance and Xenakis's echange. Unknown Public. ISBN 9780954154806

Heaton, R (2008) Small ensemble a. .

Heaton, R (2012) Titanic (forma). In: The Sinking of the Titanic - Centenary Project, Birmingham Town Hall, 13 April 2012.

Heaton, R (2006) Tom Johnson: Rational melodies / Bedtime stories.

Heaton, R (2013) The inner time: contemporary music for clarinet.

Heaton, R and Grange, P (1999) Dark labyrinths.

Heaton, R and Grosskopf, E (2000) Sound pool - adagio.

Heaton, R, King, C, Potter, J and Friday, G (2009) Nothing like the sun. University of Lancaster, 26 November 2009.

Heaton, R and Kreutzer String Quartet, (2013) Magnets, lava, crystals: clarinet quintet by Mihailo Trandafilovski.

Heaton, R, Woodrow, J and Riley, A (2012) The sinking of the Titanic and ensemble works. .

Herrema, R (2020) 'Code as Prosthesis.' The International Journal of Creative Media Research, 3.

Herrema, R (2006) 'Composing along continuums of technology and purpose.' Digital Creativity, 17 (1). pp. 3-10. Please click the title to check availability.

Herrema, R (2021) Cornflower.

Herrema, R and Alarcón, X (2017) 'Pauline Oliveros: a shared resonance.' Organised Sound, 22 (1). pp. 7-10. Please click the title to check availability.

Herrema, R, Alarcón, X, Hardie-Bick, T and Chirimini, S (2014) 4 4 Flow. In: 4 4 Flow, Chisenhale Dance Space, London, 28 March, 2014.

Herrema, R, Armitage, G, Kirves, M and Clark, G (2014) $echo.

Honan, N, Wescott, E, Burgess, R, Martin, H, MacDonald, J, Hooper, E and Abel, S (2014) Death, treason, rhyme and reason. Bristol Old Vic, Bristol, 7-10 May 2014.

Hooper, E (2011) Albertosaurus. .

Hooper, E (2012) Ankylosaur.

Hooper, E (2016) Blue notes: in true tone deafness, an answer to why we sing [book review]. Literary Review of Canada, 24 (7).

Hooper, E (2015) CICADANTHEM.

Hooper, E (2017) 'Do the stars know why they shine? An argument for including cultural theory on popular music programmes.' In: Smith, G.D, Moir, Z, Brennan, M, Rambarran, S and Kirkman, P, eds. The Routledge research companion to popular music education. Routledge, Abingdon, pp. 153-165. ISBN 9781472464989

Hooper, E (2017) 'How to (almost) never play a bad gig again: a simple way to approach performing professionally.' In: Williams, J and Williams, K, eds. The singer-songwriter handbook. Bloomsbury, London. ISBN 9781628920291

Hooper, E (2009) Instrumental portraiture: the use of Elgar’s "Variations on an original theme" in my creative process as novelist. In: Word and Music Studies: Seventh International Conference, 10 June - 13 June 2009, University of Music and Performing Arts, Vienna.

Hooper, E (2013) Looking back to looking forward to looking forward: a very short introduction to retro-futurism. In: QTalks Lecture Series 2013, August 2013, London.

Hooper, E (2015) Music while you write. In: Bath Literature Festival, 27 February - 8 March, 2015, Bath, UK.

Hooper, E (2014) 'My superbrain is all binary: nostalgic futurism as Robyn's feminist super-persona.' Journal of Popular Music Studies, 26 (4). pp. 445-464.

Hooper, E (2014) My superbrain is all binary: nostalgic futurism as Robyn's feminist super-persona. In: IASPM UK & Ireland Conference, 11-14 September 2014, Cork, Ireland.

Hooper, E (2020) Quartet for the end of time.

Hooper, E (2013) 'Somewhere a place for us: how intratextual music-association conveys characteral identity in "The Time of Our Singing" by Richard Powers.' Journal of Music and Meaning (JMM), 11.

Hooper, E (2013) Who is the lark?: Vaughan Williams’ 'The lark ascending' as characterization in 'An equal music' by Vikram Seth. In: RMA Study Day: Twentieth-Century British Poets in Music, 28 June 2013, University of Hull, Hull, UK.

Hooper, E (2013) Who's afraid of who's afraid of Virginia Woolf?: a very short introduction to cultural theory. In: QTalks Lecture Series 2013, Febraury 2013, London.

Hooper, E (2014) 'Why are novelists obsessed with music?' Publishers Weekly, 261 (42). p. 28.

Hooper, E (2019) 'The gatekeeper gap: searching for solutions to the UK’s ongoing gender imbalance in music creation.' In: Raine, S and Strong, C, eds. Towards gender equality in the music industry: education, practice and strategies for change. Bloomsbury Academic, London. ISBN 9781501345500

Hooper, E and Honan, N (2016) The world is listening: panel discussion, interviews and workshops. In: Shambala Festival, 25 – 28 August 2016, Northamptonshire, UK.

Hooper, E and Honan, N (2017) The world is listening: panel discussion, interviews and workshops. In: Shambala Festival, 25 - 27 August 2017, Northamptonshire, UK.

Hooper, E, Honan, N, Painter, K and Lynch, R (2015) Where are all the women? [panel discussion]. In: Where Are All The Women?, 8 March 2015, Rise Records, Bristol.

Hooper, E, Moure, E, Pato, C, Panforreteiro, M and Veres Gesto, A (2020) Almorfe Ottawa.

Hooper, E and Williams, C (2013) SingSmash.

Hugill, A (2011) Animal stories. In: Animal Stories, New Walk Museum & Art Gallery, Leicester, UK, 25th June 2011 – 26th February 2012.

Hugill, A (2004) Another slight list.

Hugill, A (2002) Clinamen.

Hugill, A (2011) Digital musicianship. In: The Seventh Biennial International Conference on Music Since 1900, 28-31 July 2011, Lancaster University, Lancaster, UK.

Hugill, A (2011) Four interludes.

Hugill, A (2005) 'From online symphonies to MusiMOO: Some creative uses of the internet in music and education.' Contemporary Music Review, 24 (6). pp. 527-540.

Hugill, A (2010) Music and pataphysics. In: Digital Arts Week, 2010, Xian Academy of Music, Xian, China.

Hugill, A (2003) Nicholas through the mist.

Hugill, A (2003) On hundred thousand billion songs. French Institute, London, UK.

Hugill, A (2016) 'On style in electroacoustic music.' Organised Sound, 21 (1). pp. 4-14.

Hugill, A (2015) 'Percy Grainger: pioneer of electronic music.' In: Robinson, S and Dreyfus, K, eds. Grainger the modernist. Ashgate, Farnham, pp. 231-254. ISBN 9781472420220

Hugill, A (2003) Pianolith.

Hugill, A (2000) Sonneries parfumes.

Hugill, A (2004) The Sound Exchange.

Hugill, A (1999) Symphony for Cornwall.

Hugill, A (2001) Timestretch.

Hugill, A (2010) The lion and the eagle.

Hugill, A (2004) The orchestra: a user's manual.

Hugill, A, Graves, A and Hand, C (1999) 'MidiVisualiser: interactive music visualisation using VRML.' Organised Sound, 4 (1). pp. 15-23.

Hugill, A and Rieser, M (2014) RUR (Rossum's universal replicants).

Hugill, A and Rieser, M (2013) 'Secret garden.' Digital Creativity, 24 (3). pp. 264-267.

Hyde, J (1995) Burnt out.

Hyde, J (2014) 'Editorial [guest editor].' eContact!, 15 (4).

Hyde, J (1997) GoldGlow.

Hyde, J (1993) In sunlight.

Hyde, J (1999) Manic.

Hyde, J (2012) The Scores of Oskar Fischinger: a musical approach to a visual music pioneer. In: Third International Symposium on Music/Sonic Art: Practices and Theories (MuSA 2012), 7-8 July 2012, Institut für Musikwissenschaft und Musikinformatik (IMWI), Karlsruhe, Germany.

Hyde, J (2011) Seven waves. In: BEAST Rumours series, Midlands Arts Centre, Birmingham, UK, May 2011.

Hyde, J (1994) Songlines.

Hyde, J (2011) Visual Disassociation and Audiovisual Acousmatics: noise and silence in visual music. In: Understanding Visual Music 2011, 26-27 August 2011, Concordia University, Montreal, Canada.

Hyde, J (2003) Vox mecanix. In: 20/20 Re:Vision, City of Birmingham Symphony Orchestra Centre, Birmingham, UK, 7 March 2003.

Hyde, J (1998) Zoetrope.

Hyde, J and Gingras, A (2005) Ecstatic second body smile. Lucent Theatre, Den Haag, The Netherlands, 2005.

Hyde, J and Gingras, A (2005) The sweet flesh room. Diverse Works Art Space, Houston TX, USA, March 2005.

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Moor, D (1998) Inside the ALF.

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Moor, D (2004) Sex bomb.

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Moor, D (2012) Swarovski.

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Parfitt, R (2012) Sleepless in the New Seattle. In: International Association for the Study of Popular Music (UK & Ireland) 2012 conference. Imagining Communities Musically: Putting Popular Music in its Place, 5-7 September 2012, University of Salford, Manchester, UK.

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Saunders, J (1999) 511 possible mosaics.

Saunders, J (2012) AT LEAST ONE HUNDRED DEVICES BEING TURNED ON AND OFF.

Saunders, J (1996) Changing rings.

Saunders, J (1999) Compatibility hides itself.

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Saunders, J (2011) Divisions that could be autonomous but that comprise the whole.

Saunders, J (2000) Fingers barely touching.

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Saunders, J (2014) I tell you what to do.

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Saunders, J (2009) PART OF IT MAY ALSO BE PART OF SOMETHING ELSE.

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Saunders, J (1996) Those birds.

Saunders, J (1998) Two pieces.

Saunders, J (2017) all the things we make you do.

Saunders, J (2010) although it may appear to vary by the way in which units are joined.

Saunders, J (2023) amongst it all, some occasional moments of respite.

Saunders, J (2010) any one part can replace any other part.

Saunders, J (2002) assigned.

Saunders, J (2015) assigned # 15.

Saunders, J (2021) canons.

Saunders, J (2011) certain elements within that situation remained constant.

Saunders, J (2014) choose who tells you what to do.

Saunders, J (2009) components derive their value solely through their assigned context.

Saunders, J (2016) constant interchange of the most various kinds.

Saunders, J (2020) conversation with activities.

Saunders, J (2015) different water environments.

Saunders, J (2011) distribution study #1-12.

Saunders, J (2011) each will appear or not appear.

Saunders, J (2012) eight panels.

Saunders, J (2009) either/or.

Saunders, J (2014) everybody do this.

Saunders, J (2013) everybody doing what everybody else is doing.

Saunders, J (2010) geometria situs.

Saunders, J (2021) guided sequences.

Saunders, J (2009) imperfections on the surface are occasionally apparent.

Saunders, J (2016) in which one thing depends on another.

Saunders, J (2012) instruments with recordings.

Saunders, J (2013) interspersed sometimes with weeds and brambles.

Saunders, J (2023) it is difficult to find the right way to proceed.

Saunders, J (2018) it is impossible for everyone to achieve everything they want.

Saunders, J (2023) it is really hard to focus when there are too many things to do.

Saunders, J (2021) it is the behaviour that a system tends towards and encourages that needs to be understood.

Saunders, J (2011) it may exist for a few seconds or it may go on indefinitely.

Saunders, J (2017) know that your actions reflect within the group.

Saunders, J (2015) like you and like you.

Saunders, J (2011) location composites.

Saunders, J (2023) looking forwards, looking backwards.

Saunders, J (2014) lots and lots for us to do.

Saunders, J (2021) making a choice and then making another choice.

Saunders, J (2010) materials vary greatly and are simply materials.

Saunders, J (2021) nine labyrinths.

Saunders, J (2011) nothing reveals itself without at the same time concealing something else.

Saunders, J (2012) object network.

Saunders, J (2014) on bare trees.

Saunders, J (2011) opposition between the two spaces and their common mediation.

Saunders, J (2012) overlay.

Saunders, J (2014) overlay (with transience).

Saunders, J (2023) performing tasks they secretly believe do not really need to be performed.

Saunders, J (2014) positions in the sequence correctly recalled.

Saunders, J (2013) the range of outside factors influencing it, as well as its own radius of action.

Saunders, J (2018) reaching an acceptable and stable solution.

Saunders, J (2016) reassigned #1.

Saunders, J (2016) reassigned #2.

Saunders, J (2020) sequence studies.

Saunders, J (2022) show us what to do.

Saunders, J (2012) small template.

Saunders, J (2014) so many territories.

Saunders, J (2021) social studies.

Saunders, J (2018) solutions must be sought which everyone can accept.

Saunders, J (2017) sometimes we do what you say, but occasionally we don't.

Saunders, J (2015) space with sounding floor.

Saunders, J (2010) surfaces.

Saunders, J (2010) template with alterations.

Saunders, J (2016) they are always different, they are always the same.

Saunders, J (2019) they should report on the underlying causes of the input.

Saunders, J (2020) things to do.

Saunders, J (2011) things whole and not whole.

Saunders, J (2023) trying to make things fit together.

Saunders, J (2007) #[unassigned].

Saunders, J (2000) #[unassigned].

Saunders, J (2011) various distinct spatial and temporal locations.

Saunders, J (2012) 'various distinct spatial or temporal locations' and 'with the same material or still, to vary the material'.

Saunders, J (2023) waiting for someone to do the thing you need them to do.

Saunders, J (2015) we gradually have more things to do and fewer things to say.

Saunders, J (2017) we tell each other what to do but always listen to you.

Saunders, J (2012) what you must do, rather than must not do.

Saunders, J (2023) with or without interruption.

Saunders, J (2006) with paper.

Saunders, J (2011) with the same material or still, to vary the material.

Saunders, J (2018) you are required to split your attention between multiple sources of information.

Saunders, J (2014) you say what to do.

Saunders, J and Adkins, M (2001) #160301.

Saunders, J and Lely, J (2012) Word events: perspectives on verbal notation. Continuum, London. ISBN 9781441173102

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Sergeant, M (2016) Lichen (for solo electric lap-steel guitar).

Sergeant, M (2018) Meeting the Universe Halfway (for instruments and three custom-made apparatuses).

Sergeant, M (2015) Place (for ensemble).

Sergeant, M (2014) Shell (for unspecified voice).

Sergeant, M (2016) Terrains (for solo quarter-tone flugelhorn).

Sergeant, M (2015) betê gabriel-rufael (for saxophone, percussion and computer-controlled click track).

Sergeant, M (2017) The velvet rage (for flute, voice, cello and electronics).

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Spring, M (2012) Catalan Christmas music. In: In Tune, BBC, London, 18 December 2012.

Spring, M (1996) Court jesters: music from the court of Henry VIII.

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 contexts for early dance. Early Dance Circle, Orcheston. ISBN 9870955353260

Spring, M (2006) Gentile spiritus: lute trios and Spanish songs from the Segovia Codex.

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Spring, M (2011) Music from the Balcarres Manuscript, Scottish lute music c.1700.

Spring, M (2006) 'Musical instruments in the Horniman Museum.' NEMA Yearbook. pp. 30-35.

Spring, M (2013) New insight on the Huygens/Gaultier correspondence. In: Utrecht Early Music Festival, 23 September - 1 August 2013, Utrecht.

Spring, M (2004) Out of the Orient.

Spring, M (1994) Pastorales: French court and peasant music from 1650-1750.

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Spring, M (2011) Sounding the universe: six centuries of music and space. In: Peninsula Arts Chamber Music Series, Sherwell Centre, Plymouth University, Plymouth, UK, 8 October 2011.

Spring, M (1993) Spanish & Portuguese vihuela songs.

Spring, M (1996) Stuart age music: tunes from troubled times.

Spring, M (2004) Vincenzo Galilei, 'Le gagliarde dal Libro d'intavo-latura de liuto' and Giovanni Terzi, 'The Lute Fantasias' [book review]. Music and Letters, 85 (1). pp. 152-153.

Spring, M (1998) The complete music of Henry VIII: all goodly sports.

Spring, M (2012) The composition of the songs of Alonso Mudarra in the third book of 'Tres libros de musica en cifras para vihuela' (1546). In: Medren 2012, 8 July - 11 July 2012, University of Nottingham, Nottingham, England.

Spring, M (1995) The cradle of the Renaissance: Italian music from the time of Leonardo da Vinci.

Spring, M (2016) '"A goose among swans": the connections and correspondence between Jacques Gaultier and Constantijn Huygens.' In: Burgers, J.W.J, Crawford, T and Spring, M, eds. The lute in the Netherlands in the seventeenth century: proceedings of the International Lute Symposium, Utrecht, 30 August 2013. Cambridge Scholars Publishing, Cambridge, pp. 120-141. ISBN 9781443890755

Spring, M (1997) The medieval gittern. In: Lute Society Day.

Spring, M (2003) A minstrel's musicke.

Spring, M (2012) 'The music and musicians of Bath’s eighteenth-century Proprietary Chapels.' CHOMBEC News (13).

Spring, M (2009) A pageant of medieval music.

Spring, M (2013) The pipe and tabor tradition in Mallorca. In: International Pipe and Tabor Festival, 6 September - 8 September 2013, Gloucester.

Spring, M (2011) The provision of outside music in the walks and gardens of Georgian Bath. In: Conference on Cosmopolitanism and Culture, 21 October - 22 October 2011.

Spring, M (2010) 'The vihuela songs of Alonso Mudarra.' Lute News (96).

Spring, M and Sayce, L (2011) Music from a Tudor court.

Stakelum, M (2010) Assessment practices at primary school: lessons from the past. In: 18th EAS Congress, 26-29 April 2010, Abant Ýzzet Baysal University, Turkey.

Stakelum, M (2014) 'Boundaries and bridges: the influence of James Cooksey Culwick on the development of the teaching and learning of music in nineteenth century Ireland.' International Journal of Music Education, 32 (4). pp. 409-421.

Stakelum, M (2008) 'Creating a musical world in the classroom: application of a Bourdieuan approach towards understanding teacher practice.' British Journal of Music Education, 25 (1). pp. 91-102.

Stakelum, M (2007) Creativity and the young musician. In: 11th Post Primary Music Teachers Association of Ireland Annual Conference, October 2007, Cork, Ireland.

Stakelum, M (2012) James Cooksey Culwick and the development of the teaching and learning of music in nineteenth-century Ireland. In: Documents of Irish Music History in the Long Nineteenth Century: National and International Contexts, 27 April 2012, University of Limerick, Ireland.

Stakelum, M (2019) 'James Cooksey Culwick: the rudiments of music (1882).' In: Houston, K, McHale, M and Murphy, M, eds. Documents of Irish music history in the long nineteenth century. Irish Musical Studies (12). Four Courts Press, Dublin, pp. 75-84. ISBN 9781846827242 Please click the title to check availability.

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Stakelum, M (2007) Music education in UK and Japan: a comparative study on teacher practice in music at primary level. In: 5th International Research in Music Education (RIME) Conference, 10 - 14 April 2007, University of Exeter, Exeter, UK.

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Stakelum, M (2006) Transmission, transformation and replication in teacher practice: report of a case study. In: 27th World Conference of the International Society for Music Education, 16 - 21 July 2006, Kuala Lumpur Convention Centre, Malaysia.

Stakelum, M (2011) 'An analysis of adult non-specialist responses to recorded music.' Music Education Research, 13 (2). pp. 173-197.

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V

Villierezz, P (2024) Day of the Dead ceremony / live music from Panther Panther. In: Letters To My Dead Mother (part of PAPAYA Fest), The Wardrobe Theatre, Bristol, UK, 17 October 2024.

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Villierezz, P, Gutarra, S and Zubieta, M (2024) Panther Panther live at The Jam Jar. In: Worm 'Valentines' Club: Pachyman // Miss Mash // Panther Panther, The Jam Jar, Bristol, 14 February 2024.

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W

White, R and Boehm, J.D (2017) Sweet Waters: Soundings. Saltford Brass Mill, Saltford, UK, 21 October 1017.

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Wiffen, C (2013) Anatomy of a festival: programming, reception and impact of the Bath International Music Festival (1948-2012). In: Kingston University Research Seminar, 25 April 2013, Kingston University, Kingston-upon-Thames, London, England.

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Wiffen, C (2004) Composing at the coal face: music's role in the erosion of social idealism in the documentary films of the GPO Film Unit. In: Royal Musical Association 40th Annual Conference, 12 November - 14 November 2004, University of Birmingham, Birmingham, England.

Wiffen, C (2005) From realism to utopia: Britain expressed in the soundtracks of the GPO Films. In: 2005 Bradford Film Festival Film Music Conference, March 2005, University of Leeds, Leeds, England.

Wiffen, C (2009) Hugh Wood: Chamber Music.

Wiffen, C (2000) Interpreting Gershwin: Grainger, Wild, Finnissy and himself. In: Performance 2000, 26 April - 29 April 2000, University of Southampton, Southampton, England.

Wiffen, C (2008) Strauss’s Ständchen: pianistic response and legacy. In: Performing Romantic Music, 10-13 July 2008, University of Durham, Durham, UK.

Wiffen, C (2013) Towards an understanding of four hands: Joe Duddell’s Vaporize. In: With Four Hands, 17 September - 19 September 2013, Senate House, Camden, London, England.

Wiffen, C (2008) World premiere of John Woolrich's Dramolet. In: Stratford-upon-Avon Festival: The Contemporary Consort, Stratford-upon-Avon, Warwickshire, England, 13 October 2008.

Wiffen, C (2011) World premiere of new work by Jim Aitchison. The Barbican Centre, London, UK, 15 June 2011.

Wiffen, C (2003) A pianist's Bach book. In: Grove Forum, 2003, Royal College of Music, South Kensington, London, England.

Wiffen, C (2006) The reflective conservatoire: teaching, learning, research. In: The Reflective Conservatorie Conference, 16 February - 18 February 2006, Guildhall School of Music & Drama, Barbican, London, England.

Wiffen, C and Burrows, J (2005) Eyewitness companions: classical music. Eyewitness companions . Dorling Kindersley, London. ISBN 9781405306102

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