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Number of items at this level: 451.

A

Arthurs, Y (2015) 'Psychophysical and psychological approaches to consonance and dissonance.' In: Ruggiero, G and Bruni, D, eds. Il ritmo della mente : la musica tra scienza cognitiva e psicoterapia. Mimesis, Milan, pp. 49-72. ISBN 9788857525464

Arthurs, Y and Timmers, R (2016) 'On the fluidity of consonance and dissonance: the influence of musical context.' Psychomusicology: Brain, Mind and Music, 26 (1). pp. 1-14. ISSN 0275-3987

Atkinson, N (1998) Wintersnight. [Composition]

Atkinson, N and Cockayne, A (2011) Rachel's orphan. [Composition]

Atkinson, N and Fearns, R (2005) Beautiful place. [Film/video]

Atkinson, N and Fearns, R (1994) Galleries. [Film/video]

Atkinson, N and Fearns, R (1993) Jacob's ladders. [Film/video]

Atkinson, N and Fearns, R (2008) Off the map. [Composition]

Atkinson, N and Fearns, R (1996) Perfect worlds. [Film/video]

Atkinson, N and Gross, P (1999) Hollow hill. Michael Tippett Centre, Bath Spa University, Bath, UK. [Performance]

Atkinson, N, Hoare, P and Cockayne, A (2010) Dominion. [Composition]

B

Bayley, A (2017) 'Cross-cultural collaborations with the Kronos Quartet.' In: Clarke, E and Doffman, M, eds. Distributed creativity: collaboration and improvisation in contemporary music. Oxford University Press, New York. (Forthcoming)

Bayley, A (2007) Documenting the creative process: recordings as research tools. In: CHARM/RMA annual conference on Musicology and Recordings, 13-15 September 2007, University of London, London, UK.

Bayley, A (2011) 'Ethnographic research into contemporary string quartet rehearsal.' Ethnomusicology Forum, 20 (3). pp. 385-411. ISSN 1741-1912

Bayley, A (2009) Ethnographic research into string quartet rehearsal and performance. In: Twenty-fifth European Seminar in Ethnomusicology: Performance, 18-22 September 2009, Milton Keynes, UK.

Bayley, A (2011) Evolution and collaboration in string quartet composition, rehearsal and performance. In: Tracking the Creative Process in Music International Conference, 29 September - 1 October 2011, Communauté d'Universités et d'Etablissements Lille Nord de France, Lille, France.

Bayley, A (2009) Investigating the interpretative space between notation and performance. In: IAMS Symposium, Music: Notation and Sound, 5-10 July 2009, Amsterdam, The Netherlands.

Bayley, A (2012) Mapping a composer's intentions from composition to performance. In: New Music in Britain Conference, 10-12 May 2012, Canterbury Christ Church University, Canterbury, UK.

Bayley, A (2011) Rehearsal analysis of Finnissey's Third String Quartet. In: CMPCP Performance Studies Network International Conference, 14-17 July 2011, University of Cambridge, Cambridge, UK.

Bayley, A (2007) 'The nature of expressivity in Berio’s Sequenza VI for viola.' In: Halfyard, J, ed. Berio's Sequenzas: essays on performance, composition and analysis. Ashgate, Aldershot ; Burlington, VT, pp. 233-254. ISBN 9780754654452

Bayley, A (2007) The relationship between notation and performance practice in Michael Finnissy’s Second String Quartet. In: Sixth European Music Analysis Conference on Interpretation, 11-14 October 2007, Hochschule für Musik and the Albert-Ludwigs-Universität, Freiburg, Germany.

Bayley, A and Clarke, M (2010) 'Analysing Michael Finnissy’s Second String Quartet: a multimedia interactive approach.' In: Utz, C, ed. Music theory and interdisciplinarity: 8th Congress of the Gesellschaft für Musiktheorie Graz 2008. Musik theorien der gegenwart (4). Pfau, Saarbrücken. ISBN 9783897274488

Bayley, A and Clarke, M (2009) 'Analytical representations of creative processes in Michael Finnissy’s Second String Quartet.' Journal of Interdisciplinary Music Studies, 3 (1&2). pp. 139-157. ISSN 1307-0401

Bayley, A and Clarke, M (2008) Interactive strategies for analysing music. In: Eighth Congress of the Gesellschaft für Musiktheorie (GMTH), Music Theory and Interdisciplinarity, 9-12 October 2008, University of Music and the Dramatic Arts, Graz, Austria.

Bayley, A and Clarke, M (2008) Interactive strategies for analysing musical structure. In: Fourth International Conference on Interdisciplinary Musicology, 2-6 July 2008, Aristotle University of Thessaloniki, Thessaloniki, Greece.

Bayley, A and Dutiro, C (2015) Creating new music across cultural boundaries: mbira and string quartet. In: Tracking the Creative Process in Music: Third International Conference, 8-10 October 2015, Institut de Recherche et Coordination Acoustique/Musique, Paris, France.

Bayley, A and Heyde, N (2009) Interpreting indeterminancy: performing Lutosławski’s String Quartet. In: Polish Music Since 1945, 30 April - 2 May 2009, Canterbury Christ Church University, Canterbury, UK.

Beaham-Powell, N (2006) 'Bridging a gap between music and technology.' New Statesman. ISSN 1364-7431

Beaham-Powell, N (2007) The economic challenges facing European collecting societies. In: CIAM (Confederation Internation des Auteurs), September 2007, Warsaw.

Bennett, J (2012) 'All you gotta do is sing.' Total Guitar (225). p. 38. ISSN 1355-5049

Bennett, J (2011) 'Collaborative songwriting – the ontology of negotiated creativity in popular music studio practice.' Journal on the Art of Record Production, July (5). ISSN 1754-9892

Bennett, J (2012) 'Come to steal your song away?' Total Guitar (229). p. 36. ISSN 1355-5049

Bennett, J (2014) 'Conference review: popMAC 2013.' Popular Music, 33 (2). pp. 341-342. ISSN 0261-1430

Bennett, J (2012) 'Constraint, collaboration and creativity in popular songwriting teams.' In: Collins, D, ed. The act of musical composition: studies in the creative process. SEMPRE Studies in the Psychology of Music . Ashgate, Farnham, pp. 139-169. ISBN 9781409434252

Bennett, J (2014) Constraint, creativity, copyright and collaboration in popular songwriting teams. PhD thesis, University of Surrey.

Bennett, J (2015) 'Creativities in popular songwriting curricula: teaching or learning?' In: Burnard, P and Haddon, E, eds. Activating diverse musical creativities: teaching and learning in higher education. Bloomsbury, London. ISBN 9781472589132

Bennett, J (2013) Documenting collaborative songwriters' creativity using Linear Event Analysis. In: RMA Study Day: Researching music as process: methods and approaches, 13 November 2013, Faculty of Music, Oxford University, Oxford.

Bennett, J (2012) 'Don't bore us...write a chorus!' Total Guitar (227). p. 38. ISSN 1355-5049

Bennett, J (2013) Forensic musicology: approaches and challenges (in The Timeline Never Lies: Audio Engineers Aiding Forensic Investigators in Cases of Suspected Music Piracy). In: International Audio Engineering Society Convention, 17-20 October 2013, Jacob Javits Centre, New York City.

Bennett, J (2012) 'Getting started with intros.' Total Guitar (223). p. 38. ISSN 1355-5049

Bennett, J (2011) 'If you build it, they will come.' Total Guitar (216). p. 40. ISSN 1355-5049

Bennett, J (2012) 'Melody - getting in shape.' Total Guitar (224). p. 40. ISSN 1355-5049

Bennett, J (2011) 'Put some rhythm in your rhythm.' Total Guitar (214). p. 40. ISSN 1355-5049

Bennett, J (2011) 'Rhythm guitar: a bad habit?' Total Guitar (220). p. 42. ISSN 1355-5049

Bennett, J (2011) 'Six rules of (fingers and) thumb.' Total Guitar (215). p. 40. ISSN 1355-5049

Bennett, J (2011) 'Song meaning... it makes me wonder.' Total Guitar (218). p. 40. ISSN 1355-5049

Bennett, J (2011) 'Song vs track - picture or frame.' Total Guitar (219). p. 40. ISSN 1355-5049

Bennett, J (2006) Songwriting in Higher Education: a National Teaching Fellowship Project. In: Higher Education Academy Annual Conference, July 2006, University of Nottingham, Nottingham.

Bennett, J (2013) The State vs John Hayes. [Composition]

Bennett, J (2017) 'Towards a framework for creativity in popular music degrees.' In: Smith, G.D, Moir, Z, Brennan, M, Kirkman, P and Rambarran, S, eds. The Routledge research companion to popular music education. Routledge, Abingdon, pp. 285-297. ISBN 9781472464989 Please click the title to check availability.

Bennett, J (2012) 'What's in a name?' Total Guitar (222). p. 34. ISSN 1355-5049

Bennett, J (2014) Where is creativity? Locating intellectual property in collaborative songwriting and production processes. In: International Association for the Study of Popular Music (IASPM) UK & Ireland Biennial Conference, 12-14 September 2014, Cork, Ireland.

Bennett, J (2014) Who writes the songs? Creative practice and intellectual property in popular music’s digital production chain. In: Creativity, Circulation and Copyright: Sonic and Visual Media in the Digital Age, 28­‐29 March 2014, Cambridge, United Kingdom.

Bennett, J (2011) 'Writing riffs - by hook or by crook.' Total Guitar (217). p. 42. ISSN 1355-5049

Bennett, J (2012) 'You can’t teach songwriting...!' Total Guitar (231). p. 34. ISSN 1355-5049

Bennett, J (2012) 'You got a friend? Co-write a song!' Total Guitar (230). p. 36. ISSN 1355-5049

Bennett, J (2012) 'Your lyrics - reason for rhyme.' Total Guitar (226). p. 38. ISSN 1355-5049

Bennett, J (2014) The death of the songwriter: attribution of creative ownership in popular music production. In: The 9th Art of Record Production Conference: Record Production in the Internet Age, 4-6 December 2014, University of Oslo, Norway.

Bennett, J (2006) iTunes and OSX widgets in the teaching of songwriting. In: Podagogy PALATINE conference, 19-20 June 2006, University of Wolverhampton.

Bennett, J (2010) The ontology of collaborative songwriting in popular music studio practice. In: Art of Record Production Conference, 3–5 December 2010, Leeds Metropolitan University, Leeds.

Bennett, J (2012) 'The song remains the same - why?' Total Guitar (228). p. 34. ISSN 1355-5049

Biggs, A, Groenevelt, B and Brian, R (2009) Be still. [Audio]

Biggs, A, Groenevelt, B and Brian, R (2007) Love unknown. [Audio]

Brown, A.R (2012) 'Black Sabbath and the rise of heavy metal music.' Volume ! The French Journal of Popular Music Studies, 9 (2). pp. 206-208.

Brown, A.R (2015) 'Everything louder than everyone else: the origins and persistence of heavy metal music and its global cultural impact.' In: Bennett, A and Wacksman, S, eds. The SAGE handbook of popular music. SAGE, London, pp. 261-277. ISBN 9781446210857

Brown, A.R (2009) Girls like metal, too!: female readers engagement with the masculinist ethos of the tabloid metal magazine. In: Heavy Metal and Gender Congress, 8 - 10 October 2009, University of Music and Dance, Cologne / Hochschule für Musik Köln, Germany.

Brown, A.R (2016) '“Girls like metal, too!”: female reader’s engagement with the masculinist culture of the tabloid metal magazine.' In: Heesch, F and Scott, N, eds. Heavy metal, gender and sexuality: interdisciplinary approaches. Routledge, Abingdon, pp. 163-181. ISBN 9781472424792

Brown, A.R (2011) 'Heavy genealogy: mapping the currents, contraflows and conflicts of the emergent field of metal studies, 1978-2010.' Journal for Cultural Research, 15 (3). pp. 213-242. ISSN 1479-7585

Brown, A.R (2012) 'Heavy metal music in Britain.' Volume ! The French Journal of Popular Music Studies, 9 (2). pp. 220-223.

Brown, A.R (2007) 'Rethinking the subcultural commodity: the case of heavy metal t-shirt culture(s).' In: Hodkinson, P and Deicke, W, eds. Youth cultures : scenes, subcultures and tribes. Routledge advances in sociology . Routledge, New York, pp. 63-78. ISBN 9780415376129

Brown, A.R (2013) 'Suicide solutions? Or, how the emo class of 2008 were able to contest their media demonization, whereas the headbangers, burnouts or 'children of ZoSo' generation were not.' In: Hjelm, T, Kahn-Harris, K and Levine, M, eds. Heavy metal: controversies and countercultures. Studies in popular music . Equinox Publishing Ltd, London. ISBN 9781845539412

Brown, A.R (2011) Un(su)stained class: the enigma of class consciousness in the origins and development of heavy metal music in Great Britain. In: Home of Metal conference, 1 - 4 September 2011, University of Wolverhampton and Lighthouse Media Centre, Wolverhampton.

Brown, A.R (2013) A league of extraordinary djentlemen? Geekdom, virtuosity and the relative un-marking of race in on-line progressive-metal fandom threads. In: The Heavy Metal and Popular Culture Conference, 4 - 7 April 2013, Bowling Green State University, Bowling Green, Ohio, USA.

Brown, A.R (2012) The speeding bullet, the smoking gun: tracing metal trajectories, from Sabbath to Satyricon ... and beyond. In: 4th Global Conference: Heavy Fundamentalisms: Music, Metal and Politics, 9 – 11 May 2012, Prague, Czech Republic.

Brown, A.R, Dawes, L and Fellezs, K (2013) Race with the devil: the racial politics of heavy metal music and fandom or, who gets to play with heavy metal, anyway? In: Popular Culture Association of Canada (PCAC), 3rd Annual Conference, 9 - 11 May 2013, Calgary, Alberta, Canada.

Brown, A.R and Griffin, C (2009) Inscribing the abhorred space: the significance of class in critics' representations of heavy metal music and its fans. In: BSA (British Sociological Association) Annual Conference 2009 - The Challenge of Global Social Inquiry, 16 - 19 April 2009, Cardiff City Hall, Cardiff, UK.

Burgers, J, Crawford, T and Spring, M (2016) 'Introduction: the lute in the Netherlands in the 17th century.' In: Burgers, J.W.J, Crawford, T and Spring, M, eds. The lute in the Netherlands in the seventeenth century: proceedings of the International Lute Symposium, Utrecht, 30 August 2013. Cambridge Scholars Publishing, Cambridge, ix. ISBN 9781443890755

C

Caulfield, L.S, Henley, J, Wilson, D and Wilkinson, D (2012) 'Good Vibrations: Positive change through social music-making.' Music Education Research, 14 (4). pp. 499-520. ISSN 1461-3808

Clayden, P (1988) Rubberneck. Touring production, 1988. [Performance]

D

Dickinson, J (2012) Building the Imperfect Beast. In: Leeds International Songwriting Conference (LISC 2012), 8-9 March 2012, Leeds College of Music, Leeds, UK.

Dickinson, J (2016) Distortions of space and time in Harrison Birtwistle’s Carmen Arcadiae Mechanicae Perpetuum (1977). In: Music, Art and Philosophy in Dialogue, 20 - 21 May 2016, Paul Klee Centre & University of Bern, Switzerland.

Dickinson, J (2013) Dynamic process in static form. In: The Noises of Art: Audiovisual Practice in History, Theory and Culture. Aberystwyth University in collaboration with the Courtauld Institute of Art, 4-6 September 2013, Aberystwyth University, Aberystwyth, UK.

Dickinson, J (2008) Kane Cunningham and Jim Dickinson collaboration. Triton Gallery, Sledmere House, Driffield, UK, 2008. [Exhibition]

Dickinson, J (2012) Little Angels Live at Download 2012. [Film/video]

Dickinson, J (2015) Pastorale-mechanical: imagined landscapes, between determinate systems and poetic fantasy. In: INTIME Symposium : Landscapes and Environments: Experimentation and Transformation in Sound and Music, 24 -25 October 2015, Coventry University, UK.

Dickinson, J (2013) System vs. self. In: International Conference On Analysing Popular Music, 2 - 4 July 2013, University of Liverpool, Liverpool, UK.

Dickinson, J, Dickinson, B, Jepson, T, Plunkett, M and Richardson, M (2013) Little Angels. . [Performance]

Duddell, J (2010) All stars aligned. [Composition]

Duddell, J (2004) Arbor low. [Composition]

Duddell, J (2008) Azalea Fragments. [Composition]

Duddell, J (2012) The BBC Philharmonic presents Richard Hawley. Magna, Sheffield, UK, 8 September 2012. [Performance]

Duddell, J (2009) Catch for trumpet and marimba. [Composition]

Duddell, J (2009) Cease sorrow now. [Composition]

Duddell, J (1999) Circle square. [Composition]

Duddell, J (1999) Computation. [Composition]

Duddell, J (2001) Endgame. [Composition]

Duddell, J (2007) Four (mere) bagatelles. [Composition]

Duddell, J (1999) Fracture. [Composition]

Duddell, J (2003) Freaky dancer. [Composition]

Duddell, J (2001) Generation. [Composition]

Duddell, J (2007) Grace under pressure. [Composition]

Duddell, J (2006) Hyper-ballad. [Composition]

Duddell, J (2006) Isolation. [Composition]

Duddell, J (2004) Leave this city. [Composition]

Duddell, J (2011) Magnificat and Nunc Dimittis. [Composition]

Duddell, J (2004) Mnemonic. [Composition]

Duddell, J (2004) New dawn fades. [Composition]

Duddell, J (2008) Nightswimming, for piano trio. [Composition]

Duddell, J (2002) Not waving but drowning. [Composition]

Duddell, J (2002) Ode to English. [Composition]

Duddell, J (1999) Parallel lines. [Composition]

Duddell, J (2006) Protection. [Composition]

Duddell, J (2014) Radio 1's Clean Bandit Symphony. In: Clean Bandit LIVE on BBC Radio 1, BBC Philharmonic Studio, Salford, 10 September 2014. [Performance]

Duddell, J (2008) The Redwood Tree. [Composition]

Duddell, J (2003) Ruby. [Composition]

Duddell, J (2003) Scattered black and whites. [Composition]

Duddell, J (2003) Shadowplay. [Composition]

Duddell, J (2002) Snowblind. [Composition]

Duddell, J (2003) Temporal keys. [Composition]

Duddell, J (2001) Tree carving. [Composition]

Duddell, J (2002) Two men hugging. [Composition]

Duddell, J (2000) Vaporise. [Composition]

Duddell, J (2011) An evening with James. In: UK tour. [Performance]

Duddell, J (1999) The realside. [Composition]

Duddell, J (2001) still life. [Composition]

Duddell, J and Elbow, (2009) Elbow and the Halle Orchestra. In: Manchester International Festival, The Bridgewater Hall, Manchester, UK, 8-9 July 2009. [Performance]

Duddell, J and Garry, M (2015) St Anthony: an ode to Anthony H. Wilson. [Audio]

Duddell, J and Goodwin, J (2011) Ghost of gone birds. In: The Bird Effect, Liverpool School of Art & Design, Liverpool, UK, 12 May 2011. [Performance]

Duddell, J and Nero [band], (2011) Dubstep Symphony, for orchestra and live electronics. BBC Media City, Saltford, UK, 6 June 2011. [Performance]

Dupras, M (2000) 'Using global Csound instruments for meta-parameter control.' In: Boulanger, R, ed. The Csound book: perspectives in software synthesis, sound design, signal processing and programming. MIT Press, Cambridge, MA, pp. 353-368. ISBN 9780262522618

Dupras, M (2012) Voyage of oblivion (by Jim Johnston). [Audio]

Dupras, M and Bates-Brkljac, N (2001) The virtual forest: virtual reality and generative music. In: 8th International Conference and Exhibition on Generative Art, 11-13 December 2001, Politecnico di Milano, Milan, Italy.

Dupras, M, Hattosh-Nemeth, J and Verity Smith, P (2003) Beyond the mechanical stage-hand: towards an aesthetic of real-time interaction between musicians, dancers and performers and generative art in live performance. In: 6th International Conference and Exhibition on Generative Art, 10-13 December 2003, Politecnico di Milano, Milan, Italy.

F

Farrar, R, Heywood, B and Telling, L (2015) Dear Carnegie Hall [app].

Fenby-Hulse, K (2013) Musical temporality and the dramatic tableaux: Gluck’s overture to Iphigénie en Aulide. In: International Conference on Narrative 2013, 27 - 29 June 2013, Manchester Metropolitan University.

Fenby-Hulse, K (2013) 'The birth of the “dramatic” overture in the Eighteenth Century.' The Opera Journal, XLVI (4). pp. 3-24. ISSN 0030-3585

Fenby-Hulse, K (2013) The impact of digital music platforms on music listening and experience. In: Digital Transformers Symposium, 23 May 2013, Manchester Metropolitan University, Manchester.

H

Heaton, R (2012) 'Contemporary performance practice and tradition.' Music Performance Research, 5 (Spec). pp. 96-104. ISSN 1755-9219

Heaton, R (2004) Feldman and Fox clarinet quintets. [Audio]

Heaton, R (2003) Gavin Bryars: a portrait. [Audio]

Heaton, R (2002) Giacinto Scelsi clarinet concerto kya. [Audio]

Heaton, R (2002) Performance and Xenakis's echange. Unknown Public. ISBN 9780954154806

Heaton, R (2008) Small ensemble a. . [Performance]

Heaton, R (2012) Titanic (forma). In: The Sinking of the Titanic - Centenary Project, Birmingham Town Hall, 13 April 2012. [Performance]

Heaton, R and Grange, P (1999) Dark labyrinths. [Audio]

Heaton, R and Grosskopf, E (2000) Sound pool - adagio. [Audio]

Heaton, R, King, C, Potter, J and Friday, G (2009) Nothing like the sun. University of Lancaster, 26 November 2009. [Performance]

Heaton, R, Woodrow, J and Riley, A (2012) The sinking of the Titanic and ensemble works. . [Performance]

Honan, N, Wescott, E, Burgess, R, Martin, H, MacDonald, J, Hooper, E and Abel, S (2014) Death, treason, rhyme and reason. Bristol Old Vic, Bristol, 7-10 May 2014. [Performance]

Hooper, E (2011) Albertosaurus. . [Performance]

Hooper, E (2012) Ankylosaur. [Film/video]

Hooper, E (2015) CICADANTHEM. [Audio]

Hooper, E (2017) 'Do the stars know why they shine? An argument for including cultural theory on popular music programmes.' In: Smith, G.D, Moir, Z, Brennan, M, Rambarran, S and Kirkman, P, eds. The Routledge research companion to popular music education. Routledge, Abingdon, pp. 153-165. ISBN 9781472464989

Hooper, E (2017) 'How to (almost) never play a bad gig again: a simple way to approach performing professionally.' In: Williams, J and Williams, K, eds. The singer-songwriter handbook. Bloomsbury, London. ISBN 9781628920291

Hooper, E (2009) Instrumental portraiture: the use of Elgar’s "Variations on an original theme" in my creative process as novelist. In: Word and Music Studies: Seventh International Conference, 10 June - 13 June 2009, University of Music and Performing Arts, Vienna.

Hooper, E (2013) Looking back to looking forward to looking forward: a very short introduction to retro-futurism. In: QTalks Lecture Series 2013, August 2013, London.

Hooper, E (2015) Music while you write. In: Bath Literature Festival, 27 February - 8 March, 2015, Bath, UK.

Hooper, E (2014) 'My superbrain is all binary: nostalgic futurism as Robyn's feminist super-persona.' Journal of Popular Music Studies, 26 (4). pp. 445-464. ISSN 1524-2226

Hooper, E (2014) My superbrain is all binary: nostalgic futurism as Robyn's feminist super-persona. In: IASPM UK & Ireland Conference, 11-14 September 2014, Cork, Ireland.

Hooper, E (2013) Who is the lark?: Vaughan Williams’ The Lark Ascending as characterization in An Equal Music by Vikram Seth. In: RMA Study Day: Twentieth-Century British Poets in Music, 28 June 2013, University of Hull.

Hooper, E (2013) Who's afraid of who's afraid of Virginia Woolf?: a very short introduction to cultural theory. In: QTalks Lecture Series 2013, Febraury 2013, London.

Hooper, E (2014) 'Why are novelists obsessed with music?' Publishers Weekly, 261 (42). p. 28. ISSN 0000-0019

Hooper, E, Honan, N, Painter, K and Lynch, R (2015) Where are all the women? [panel discussion]. In: Where Are All The Women?, 8 March 2015, Rise Records, Bristol.

Hooper, E and Williams, C (2013) SingSmash.

Hugill, A (2011) Animal stories. In: Animal Stories, New Walk Museum & Art Gallery, Leicester, UK, 25th June 2011 – 26th February 2012. [Performance]

Hugill, A (2004) Another slight list. [Composition]

Hugill, A (2002) Clinamen. [Audio]

Hugill, A (2011) Digital musicianship. In: The Seventh Biennial International Conference on Music Since 1900, 28-31 July 2011, Lancaster University, Lancaster, UK.

Hugill, A (2011) Four interludes. [Composition]

Hugill, A (2005) 'From online symphonies to MusiMOO: Some creative uses of the internet in music and education.' Contemporary Music Review, 24 (6). pp. 527-540. ISSN 0749-4467

Hugill, A (2010) Music and pataphysics. In: Digital Arts Week, 2010, Xian Academy of Music, Xian, China.

Hugill, A (2003) Nicholas through the mist. [Composition]

Hugill, A (2003) On hundred thousand billion songs. French Institute, London, UK. [Performance]

Hugill, A (2016) 'On style in electroacoustic music.' Organised Sound, 21 (1). pp. 4-14. ISSN 1355-7718

Hugill, A (2015) 'Percy Grainger: pioneer of electronic music.' In: Robinson, S and Dreyfus, K, eds. Grainger the modernist. Ashgate, Farnham, pp. 231-254. ISBN 9781472420220

Hugill, A (2003) Pianolith. [Composition]

Hugill, A (2000) Sonneries parfumes. [Composition]

Hugill, A (2004) The Sound Exchange.

Hugill, A (1999) Symphony for Cornwall. [Composition]

Hugill, A (2001) Timestretch. [Composition]

Hugill, A (2010) The lion and the eagle. [Composition]

Hugill, A, Graves, A and Hand, C (1999) 'MidiVisualiser: interactive music visualisation using VRML.' Organised Sound, 4 (1). pp. 15-23. ISSN 1355-7718

Hugill, A and Rieser, M (2014) RUR (Rossum's universal replicants).

Hugill, A and Rieser, M (2013) 'Secret garden.' Digital Creativity, 24 (3). pp. 264-267. ISSN 1462-6268

Hyde, J (1995) Burnt out. [Composition]

Hyde, J (1997) GoldGlow. [Composition]

Hyde, J (1993) In sunlight. [Composition]

Hyde, J (1999) Manic. [Audio]

Hyde, J (2012) The Scores of Oskar Fischinger: a musical approach to a visual music pioneer. In: Third International Symposium on Music/Sonic Art: Practices and Theories (MuSA 2012), 7-8 July 2012, Institut für Musikwissenschaft und Musikinformatik (IMWI), Karlsruhe, Germany.

Hyde, J (2011) Seven waves. In: BEAST Rumours series, Midlands Arts Centre, Birmingham, UK, May 2011. [Performance]

Hyde, J (1994) Songlines. [Film/video]

Hyde, J (2011) Visual Disassociation and Audiovisual Acousmatics: noise and silence in visual music. In: Understanding Visual Music 2011, 26-27 August 2011, Concordia University, Montreal, Canada.

Hyde, J (2003) Vox mecanix. In: 20/20 Re:Vision, City of Birmingham Symphony Orchestra Centre, Birmingham, UK, 7 March 2003. [Performance]

Hyde, J (1998) Zoetrope. [Film/video]

Hyde, J and Gingras, A (2005) Ecstatic second body smile. Lucent Theatre, Den Haag, The Netherlands, 2005. [Performance]

Hyde, J and Gingras, A (2005) The sweet flesh room. Diverse Works Art Space, Houston TX, USA, March 2005. [Performance]

Hyde, J, Palazhy, J and Ziegler, C (2002) Trans avatar. Touring production, October - November 2002. [Performance]

Hyde, J and Stamp, R (2014) Seeing Sound salon: McLaren the musician. In: McClaren the Musician, 20 September 2014, Arnolfini, Bristol.

K

Karantonis, P (2014) 'Cathy Berberian and the performative art of voice.' In: Karantonis, P, Placanica, F, Sivuoja-Kauppala, A and Verstraete, P, eds. Cathy Berberian: pioneer of contemporary vocality. Ashgate, Farnham, pp. 151-168. ISBN 9781409469834

Karantonis, P (2014) 'Introduction/overture.' In: Karantonis, P, Placanica, F, Sivuoja-Kauppala, A and Verstraete, P, eds. Cathy Berberian: pioneer of contemporary vocality. Ashgate, Farnham. ISBN 9781409469834

Karantonis, P (2014) 'Special transcript - Cathy’s solo talk show.' In: Karantonis, P, Placanica, F, Sivuoja-Kauppala, A and Verstraete, P, eds. Cathy Berberian: pioneer of contemporary vocality. Ashgate, Farnham. ISBN 9781409469834

Karantonis, P (2007) 'Takarazuka is burning: music theatre and the performance of sexual and gender identities in modern Japan.' Studies in Musical Theatre, 1 (2). pp. 153-165. ISSN 1750-3159

Karantonis, P (2014) The land of Oz – lost and found in the colonial imaginarium of 'The Wizard of Oz'. In: The Wizard of Oz and the Cultural Imagination, 21-22 November 2014, University of Brighton.

Karantonis, P (2013) The legacy of opera: reading music theatre as experience and performance under contract. Themes in Theatre: Collective Approaches to Theatre & Performance . Rodopi Press, New York. ISBN 9789042036918

Keep, A (2004) All music technology is equal, but some is more equal than others. In: Taming the Beast: Learning & Teaching in Music Technology. PALATINE conference, 21 June 2004, De Montfort University, Leicester, UK.

Keep, A (2007) Behaviour - teaching electroacoustic improvisation through referent strategies. In: Improvisation Continuums Conference, 12-14 April 2007, Royal Welsh College of Music and Drama, Cardiff, UK.

Keep, A (2010) Criminal Mind (Duck Projects/Magpie Umbrella). In: Festival Luoghi Comuni Parola, Immagine, Movimento 2010, Milan, Italy, 6 June 2010. [Performance]

Keep, A (1999) Critical moments (by Ultrasound). [Audio]

Keep, A (2005) Does creative abuse drive developments in music production? In: The Art of Record Production, 17-18 September 2005, University of Westminster, London, UK.

Keep, A (1998) Dumbec. [Audio]

Keep, A (2011) LYSN. In: Rumor Festival 65: "Breaking the Waves", Utrecht, The Netherlands, May 2011. [Performance]

Keep, A (1995) Radar (by Earthling). [Audio]

Keep, A (2000) Red (by Ming). [Audio]

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Lundskaer-Nielsen, M (2014) Cameron Mackintosh – control, collaboration and the creative producer. In: Song, Stage and Screen IX: The Art of Collaboration in Musical Theatre, 24-26 June 2014, Sheridan College, Oakville, Canada.

Lundskaer-Nielsen, M (2009) Introduction and 'what next?'. In: Putting it together: Teaching musical theatre in UK higher education, 27-28 March 2009, Newton Park, Bath Spa University..

Lundskaer-Nielsen, M (2005) Stephen Sondheim and the notion of the auteur. In: Stephen Sondheim: Collaborator and Auteur, 25-27 November 2005, Goldsmiths College, London.

Lundskaer-Nielsen, M (2013) Teaching writers and musical theatre in industry and higher education. In: Song, stage and screen VIII conference 2013 : what we do when we do what we do: process and performance in musical theatre, 2-4 July 2013, Central school of speech and drama. London.

Lundskaer-Nielsen, M (2012) The curse of global success? An exploration of new musical theatre development in Britain. In: Song, stage and screen VII: The musical's global conquest, 2-5 July 2012, University of Groningen, Holland..

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Manley, S (1998) Bloom (Crustation). [Audio]

Manley, S (2005) Chelsea Flower Show. [Composition]

Manley, S (2004) Death row bride (Hazel Winter). [Audio]

Manley, S (2012) Performance as guitarist in Adrian Utley’s Guitar Orchestra. In: Mail Maps and Motion, Bristol Temple Meads station, Bristol, UK, July 2012. [Performance]

Manley, S (2012) Performance of 'In C' (Terry Riley) with Adrian Utley's Guitar Orchestra. In: Orchestra in a Field festival, Glastonbury, UK, 30 June - 1 July. [Performance]

Manley, S (2012) Performance with Adrian Utley’s Guitar Orchestra. St George's, Bristol, UK, 16 November 2012. [Performance]

Manley, S (2007) Ray Mears' Wild food. [Composition]

Manley, S (2005) Ray Mears' heroes of Telemark. [Composition]

Manley, S (2006) A miner's tale. [Audio]

Mathers, K (2011) Provoking sound: notation in the work of the Grúpat artists. In Context 3 Public Art Programme.

Melia, N and Saunders, J (2011) 'Introduction: what is Wandelweiser?' Contemporary Music Review, 30 (6). pp. 445-448. ISSN 1477-2256

Moor, D (2006) Britain’s healthcare lottery. [Composition]

Moor, D (1999) Cousteau (by Cousteau). [Audio]

Moor, D (1998) Inside the ALF. [Composition]

Moor, D (2012) My brother the serial killer. [Composition]

Moor, D (2004) Sex bomb. [Composition]

Moor, D (2006) Sex in the 90's. [Composition]

Moor, D (2002) Sirena (by Cousteau). [Audio]

Moor, D (2012) Swarovski. [Composition]

Moor, D (1995) Talking the sex of angels. The Place, London, UK, 17 June 1995. [Performance]

Moor, D (2004) Telepathy. [Audio]

Moor, D and Barat, C (2015) Beginning to see. [Composition]

Moor, D and Barat, C (2015) For this is my body [soundtrack]. [Composition]

Moor, D and McKahey, L (2016) CousteauX 4-track EP on Edel Italy. [Composition]

Moor, D and McKahey, L CousteauX Live at The Blue Note. The Blue Note, Milan, Italy, 31 May 2016. [Performance]

Moor, D, McKahey, L and Barat, C (2016) The innermost light (by CousteauX). [Film/video]

N

Newman, J (2017) 'Driving the SID chip: assembly language, composition and sound design for the C64.' GAME: The Italian Journal of Game Studies, 6. ISSN 2280-7705 (Forthcoming) Please click the title to check availability.

Nicolas Méhul, E and Fenby-Hulse, K (2012) 'Preface.' In: Le trésor supposé: overture to the play by François-Benoît Hoffman. Repertoire explorer . Musikproduktion Höflich, Munich.

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Parfitt, R (2008) Enough love, Oh boy. [Audio]

Parfitt, R (2012) Free Your Mind and Your Verse Will Follow. In: Leeds International Songwriting Conference (LISC 2012), 8-9 March 2012, Leeds College of Music, Leeds, UK.

Parfitt, R (2002) Highlights in slow motion. [Audio]

Parfitt, R (2013) Into the mythic. In: International Conference on Analyzing Popular Music, 2-4 July 2013, University of Liverpool, Liverpool, UK.

Parfitt, R (2011) Music and the Mythic Image. In: Sŵn Arts Festival, 20-23 October 2011, Cardiff, UK.

Parfitt, R (2009) Privileged. [Film/video]

Parfitt, R (2012) Sleepless in the New Seattle. In: International Association for the Study of Popular Music (UK & Ireland) 2012 conference. Imagining Communities Musically: Putting Popular Music in its Place, 5-7 September 2012, University of Salford, Manchester, UK.

Parfitt, R (2014) Songwriter as seeker. In: International Association for the Study of Popular Music (UK & Ireland) Biennial Conference, 12-14 September 2014, University College Cork , Cork, Ireland.

Parfitt, R and Cole, M (1998) Joya magica (as 60ft Dolls). [Audio]

Parfitt, R and Cole, M (1996) Supernatural joy (as 60ft Dolls). [Audio]

Parfitt, R and Cole, M (1996) The big 3 (as 60ft Dolls). [Audio]

Parfitt, R and Shade, R (2013) Passing the parcel – a comparative exploration of training for stand-up comedy and popular music performance. In: Theatre and Performance Research Association (TaPRA) Conference, 4-6 September 2013, University of Glasgow and Royal Conservatoire of Scotland, Glasgow, UK.

Petry, M, Powell, J and Nakayama, K (1995) An Englishman, Irishman and Frenchman. Kunst und Ausstellungshalle der Bundersrepublik Deutschland, Bonn. [Performance]

Purcell-Gates, L (2008) Pedagogy of proposals: devising as a tactic for individual and group identity reconciliation. In: Researching Applied Drama, Theatre and Performance Conference, 2-5 April 2008, University of Exeter.

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Ramsay, B (2012) Analysis of ‘Internal Clock’ by Monolake. The Online Repository for Electroacoustic Analysis. Please click the title to check availability.

Ramsay, B (2014) Exploring compositional relationships between acousmatic music and electronica. PhD thesis, De Montfort University.

Ramsay, B (2011) 'Tools, techniques and composition: bridging acousmatic and IDM.' eContact!, 14 (4). ISSN 1910-4650

Re Manning, R (2015) 'Unwritten theology: notes towards a natural theology of music.' In: Stone-Davis, F.J, ed. Music and transcendence. Ashgate, Aldershot, pp. 65-74. ISBN 9781472415950

Robertson, M, Upton, L and Apak, A (2012) ess/ata/tte. Writers Forum Workshop, 5 May 2012. [Performance]

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Sargent, N (1985) Descriptive themes. [Audio]

Sargent, N (2004) Identification, capture and development of academic frameworks for technology based composition. In: Taming the Beast: learning and teaching in music technology, 21 June 2004, De Montfort University.

Sargent, N (2009) Leisure. [Audio]

Sargent, N (2013) A space between things. [Audio]

Sargent, N and Birtwistle, H (2009) Two tides. [Film/video]

Saunders, J (2001) #010201. [Composition]

Saunders, J (2001) #010401. [Composition]

Saunders, J (2001) #030501 [1-2] / #200501 [1-3]. [Composition]

Saunders, J (2000) #051000. [Composition]

Saunders, J (2001) #080401 / #300501 / #310501. [Composition]

Saunders, J (2007) '#110605 (ensemble recherché, Freiburg) [sketch].' In: Waterman, A, Singer, D and Lyons, M, eds. Between thought and sound : graphic notation in contemporary music. The Kitchen, New York, p. 48.

Saunders, J (2001) #120501. [Composition]

Saunders, J (2004) #160304-[r]. [Audio]

Saunders, J (2008) #211007. [Audio]

Saunders, J (2009) #250904. [Audio]

Saunders, J (2007) '#271102 (apartment house, Huddersfield) [sketch].' In: Waterman, A, Singer, D and Lyons, M, eds. Between thought and sound : graphic notation in contemporary music. The Kitchen, New York, p. 49.

Saunders, J (2001) #280101. [Composition]

Saunders, J (1999) 511 possible mosaics. [Composition]

Saunders, J (1996) Changing rings. [Composition]

Saunders, J (1999) Compatibility hides itself. [Composition]

Saunders, J (2007) 'The Dictaphone in my life.' Leonardo Music Journal, 17. pp. 33-34. ISSN 0961-1215

Saunders, J (2000) Fingers barely touching. [Composition]

Saunders, J (1996) Floating poles. [Composition]

Saunders, J (2010) Geometria Situs. [Composition]

Saunders, J (2015) 'Heuristic models for decision making in rule-based compositions.' In: Ginsborg, J, Lamont, A, Phillips, M and Bramley, S, eds. Proceedings of the Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music, 17 - 22 August 2015, Manchester, UK. Royal Northern College of Music, Manchester, pp. 715-719.

Saunders, J (2014) I decide what it is I am going to do. [Composition]

Saunders, J (2014) I tell you what to do. [Composition]

Saunders, J (2015) I tell you what to do: autonomy, control and play in game compositions. In: Authorship in Music, 6-7 March 2015, University of Oxford.

Saunders, J (1998) Like wool. [Composition]

Saunders, J (2016) 'No mapping.' MusikTexte, 149. ISSN 0178-8884

Saunders, J (2009) PART OF IT MAY ALSO BE PART OF SOMETHING ELSE. [Composition]

Saunders, J (2015) Playing, music. In: Gaminomics, 11 June 2015, Cavendish Conference Centre, Tower Hill, London.

Saunders, J (1998) Preventing fluidity. [Composition]

Saunders, J (2012) 'Rebecca Saunders, Still.' In: Dvorák, Rebecca Saunders, Tchaikovsky. BBC, London, pp. 6-8.

Saunders, J (1999) Scanning trees. [Composition]

Saunders, J (1997) Six pieces. [Composition]

Saunders, J (2013) 'Specific objects? Distributed approaches to sourcing sonic materials in open form compositions.' Contemporary Music Review, 32 (5). pp. 473-484. ISSN 0749-4467

Saunders, J (1996) Those birds. [Composition]

Saunders, J (1998) Two pieces. [Composition]

Saunders, J (2017) all the things we make you do. [Composition]

Saunders, J (2010) any one part can replace any other part. [Composition]

Saunders, J (2002) assigned. [Composition]

Saunders, J (2015) assigned # 15. [Composition]

Saunders, J (2014) choose who tells you what to do. [Composition]

Saunders, J (2016) constant interchange of the most various kinds. [Composition]

Saunders, J (2015) different water environments. [Composition]

Saunders, J (2011) distribution study #1-12. [Composition]

Saunders, J (2011) each will appear or not appear. [Composition]

Saunders, J (2012) eight panels. [Composition]

Saunders, J (2009) either/or. [Composition]

Saunders, J (2014) everybody do this. [Composition]

Saunders, J (2013) everybody doing what everybody else is doing. [Composition]

Saunders, J (2016) in which one thing depends on another. [Composition]

Saunders, J (2012) instruments with recordings. [Composition]

Saunders, J (2013) interspersed sometimes with weeds and brambles. [Composition]

Saunders, J (2015) like you and like you. [Composition]

Saunders, J (2011) location composites. [Composition]

Saunders, J (2014) lots and lots for us to do. [Composition]

Saunders, J (2010) materials vary greatly and are simply materials. [Composition]

Saunders, J (2012) object network. [Composition]

Saunders, J (2014) on bare trees. [Composition]

Saunders, J (2012) overlay. [Composition]

Saunders, J (2014) overlay (with transience). [Composition]

Saunders, J (2014) positions in the sequence correctly recalled. [Composition]

Saunders, J (2016) reassigned #1. [Composition]

Saunders, J (2016) reassigned #2. [Composition]

Saunders, J (2012) small template. [Composition]

Saunders, J (2014) so many territories. [Composition]

Saunders, J (2015) space with sounding floor. [Composition]

Saunders, J (2010) surfaces. [Composition]

Saunders, J (2010) template with alterations. [Composition]

Saunders, J (2016) they are always different, they are always the same. [Composition]

Saunders, J (2011) things whole and not whole. [Composition]

Saunders, J (2007) #[unassigned]. [Audio]

Saunders, J (2000) #[unassigned]. [Composition]

Saunders, J (2011) various distinct spatial and temporal locations. [Composition]

Saunders, J (2012) what you must do, rather than must not do. [Composition]

Saunders, J (2006) with paper. [Composition]

Saunders, J (2014) you say what to do. [Composition]

Saunders, J and Adkins, M (2001) #160301. [Composition]

Saunders, J and Lely, J (2012) Word Events: perspectives on verbal notation. Continuum, London. ISBN 9781441173102

Scott, L (2016) The mediated voice: Autonomous Sensory Meridian Response (ASMR) as a new mode of operatic expression. In: Performance Studies Network: Fourth International Conference, 14 -17 July 2016, Bath Spa University, Bath, UK.

Scott, L and Richard, C (2015) Creative researcher merges ASMR with opera [blog interview]. ASMR University Blog.

Sorensen, N (2013) 'The metaphor of 'the jazz band': ethical issues for leadership.' Critical Studies in Improvisation, 9 (1). ISSN 1712-0624

Sorensen, N (2016) 'The music: extracts from The Eleonora Diary.' In: Oddey, A and White, C, eds. A gift for Eleonora. Eleonora Press, pp. 35-39. ISBN 97809935552007

Sorensen, N and Fisher, L (2009) 'Listening to vegetables.' In: Friedland, S.R, ed. Vegetables: proceedings of the Oxford Symposium on Food and Cookery 2008. Prospect, Totnes. ISBN 9781903018668

Sorensen, N and Law, J (2010) The journey home. [Audio]

Spring, M (2011) 18th-century music in Bath. In: CHOMBEC lectures & the Music Research Seminar Series, 3 May 2011, Victoria's Room, Victoria Rooms, Bristol, England.

Spring, M (1992) 'The Balcarres manuscript.' The Lute, 32. ISSN 0952-0759

Spring, M (2013) Bath's grand gala concerts, a combination of pleasure 'after the manner of Vauxhall'. In: Georgian Pleasures, 12 September - 13 September 2013, Bath Royal Literary and Scientific Institute & The Holburne Museum, Bath.

Spring, M (2012) Catalan Christmas music. In: In Tune, BBC, London, 18 December 2012. [Performance]

Spring, M (1996) 'The English lute 'fantasia-style' and the music of Cuthbert Hely.' Chelys, 25. pp. 65-77. ISSN 0952-8407

Spring, M (2015) 'The Fleming Family’s dance school at Bath 1750-1800.' In: Segal, B and Tuck, W, eds. Ballroom, stage and village green:
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Spring, M (1996) 'Jenkin's lute music: an approach to reconstructing the lost multitudes of lute lessons.' In: Ashbee, A and Holman, P, eds. John Jenkins and his time: studies in English consort music. Clarendon Press, Oxford, pp. 309-324. ISBN 9780198164616

Spring, M (1994) ''Lutes' and 'Viols'.' In: The golden age. Hoogsteder and Hoogsteder, The Hague. ISBN 9066304707

Spring, M (2006) 'Musical instruments in the Horniman Museum.' NEMA Yearbook. pp. 30-35.

Spring, M (2013) New insight on the Huygens/Gaultier correspondence. In: Utrecht Early Music Festival, 23 September - 1 August 2013, Utrecht.

Spring, M (2004) Out of the Orient. [Audio]

Spring, M (2004) ''Robert Johnson', 'Cuthbert Hely', 'Thomas Mace', 'John Rogers' and 'Robert Kindersley'.' In: The new grove dictionary of music and musicians, 2nd ed. Oxford University Press, New York, NY. ISBN 9780195170672

Spring, M (1992) 'Solo music for tablature instruments.' In: Spink, I, ed. The Blackwell history of music in Britain: the seventeenth century. Blackwell History of Music . Blackwell's, Oxford, pp. 367-406. ISBN 9780631165187

Spring, M (2011) Sounding the universe: six centuries of music and space. In: Peninsula Arts Chamber Music Series, Sherwell Centre, Plymouth University, Plymouth, UK, 8 October 2011. [Performance]

Spring, M (1993) Spanish & Portuguese vihuela songs. [Audio]

Spring, M (2012) The composition of the songs of Alonso Mudarra in the third book of 'Tres libros de musica en cifras para vihuela' (1546). In: Medren 2012, 8 July - 11 July 2012, University of Nottingham, Nottingham, England.

Spring, M (2016) '"A goose among swans": the connections and correspondence between Jacques Gaultier and Constantijn Huygens.' In: Burgers, J.W.J, Crawford, T and Spring, M, eds. The lute in the Netherlands in the seventeenth century: proceedings of the International Lute Symposium, Utrecht, 30 August 2013. Cambridge Scholars Publishing, Cambridge, pp. 120-141. ISBN 9781443890755

Spring, M (1997) The medieval gittern. In: Lute Society Day.

Spring, M (2003) A minstrel's musicke. [Audio]

Spring, M (2012) 'The music and musicians of Bath’s eighteenth-century Proprietary Chapels.' CHOMBEC News (13). ISSN 1751-3308

Spring, M (2009) A pageant of medieval music. [Audio]

Spring, M (2013) The pipe and tabor tradition in Mallorca. In: International Pipe and Tabor Festival, 6 September - 8 September 2013, Gloucester.

Spring, M (2011) The provision of outside music in the walks and gardens of Georgian Bath. In: Conference on Cosmopolitanism and Culture, 21 October - 22 October 2011.

Spring, M (2010) 'The vihuela songs of Alonso Mudarra.' Lute News (96).

Spring, M and Sayce, L (2011) Music from a Tudor court. [Audio]

Stakelum, M (2010) Assessment practices at primary school: lessons from the past. In: 18th EAS Congress, 26-29 April 2010, Abant Ýzzet Baysal University, Turkey.

Stakelum, M (2008) 'Creating a musical world in the classroom: application of a Bourdieuan approach towards understanding teacher practice.' British Journal of Music Education, 25 (1). pp. 91-102. ISSN 0265-0517

Stakelum, M (2007) Creativity and the young musician. In: 11th Post Primary Music Teachers Association of Ireland Annual Conference, October 2007, Cork, Ireland.

Stakelum, M (2012) James Cooksey Culwick and the development of the teaching and learning of music in nineteenth-century Ireland. In: Documents of Irish Music History in the Long Nineteenth Century: National and International Contexts, 27 April 2012, University of Limerick, Ireland.

Stakelum, M (2013) ''James Culwick', 'Victor Herbert', 'Kodály Method', 'Suzuki Method', 'Association of Irish Choirs', 'Culwick Choral Society' and 'St James Gate Choir'.' In: White, H and Boydell, B, eds. The encyclopaedia of music in Ireland. University College Dublin Press, Dublin. ISBN 9781906359782

Stakelum, M (2007) Music education in UK and Japan: a comparative study on teacher practice in music at primary level. In: 5th International Research in Music Education (RIME) Conference, 10 - 14 April 2007, University of Exeter, Exeter, UK.

Stakelum, M (2008) 'Primary music education: the misrepresentation of the ideals of curricula in research.' Irish Educational Studies, 27 (3). pp. 281-293. ISSN 0332-3315

Stakelum, M (2005) Some observations on research in music education in the primary school. In: 30th Annual ESAI Conference, 10 - 12 March 2005, University College Cork, Ireland.

Stakelum, M (2006) Transmission, transformation and replication in teacher practice: report of a case study. In: 27th World Conference of the International Society for Music Education, 16 - 21 July 2006, Kuala Lumpur Convention Centre, Malaysia.

Stakelum, M (2011) 'An analysis of adult non-specialist responses to recorded music.' Music Education Research, 13 (2). pp. 173-197. ISSN 1461-3808

Stakelum, M (2010) 'A commentary on assessment practices in music education at primary level in England: are there lessons to learn from the past?' In: Kalyoncu, N, Erice, D and Akyüz, M, eds. Music and music education within the context of socio-cultural changes. Series of Culture Books (5). Müsik Eğitimi Publications, Ankara, pp. 443-450. ISBN 9786056155727

Stakelum, M (2008) The impact of music technology on the teaching and learning of music - an exploratory study. In: 13th International Creativity Conference: Creatology as a Complex Research on Creativity, 7 - 8 November 2008, Riga Teacher Training and Educational Management Academy, Riga, Latvia.

Stakelum, M (2010) A language for practice: studying the impact of music technology on teaching and learning music. In: 29th ISME World Conference :Harmony and the World Future, 1 - 6 August 2010, China National Convention Centre, Beijing, China.

Stakelum, M (2008) 'A piece for music educators and thinking musicians.' In: Flynn, P, ed. Teaching the unteachable: the role of composition in higher education. Orpheus Publications, Waterford Institute of Technology, Waterford, Ireland. ISBN 9780955971709

Stakelum, M (2007) The relationship between the discursive and the non-discursive in response to recorded music. In: 5th International Research in Music Education (RIME) Conference, 10 - 14 April 2007, University of Exeter, Exeter, UK.

Stakelum, M (2004) 'A song to sweeten Ireland's wrong: music education and the celtic revival.' In: Murphy, J and Taylor-Fitzsimon, B, eds. The Irish revival reappraised. Nineteenth-century Ireland . Four Courts Press, Dublin, pp. 71-82. ISBN 9781851827572

Stakelum, M and Baker, D (2013) 'The MaPS project: mapping teacher conceptions of musical development.' In: Stakelum, M, ed. Developing the musician: perspectives on practice in contemporary settings. SEMPRE Studies in the Psychology of Music . Ashgate, Aldershot, pp. 135-154. ISBN 9781409450177

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Wiffen, C (2000) "Anarchic glee" : issues of virtuosity and operal identity in Glenn Gould's transcription of the Prelude from Die Meistersinger. In: 34th Royal Musical Association Research Students' Conference, 13 - 16 December 2000, University of Exeter, UK.

Wiffen, C (2013) Anatomy of a festival: programming, reception and impact of the Bath International Music Festival (1948-2012). In: Kingston University Research Seminar, 25 April 2013, Kingston University, Kingston-upon-Thames, London, England.

Wiffen, C (2004) Capturing life and selling the mix: the simulation of live performance in the music video. In: Representing Performance: Musical Recordings in Culture, 30 October 2004, Royal Holloway, Unviersity of London.

Wiffen, C (2004) Composing at the coal face: music's role in the erosion of social idealism in the documentary films of the GPO Film Unit. In: Royal Musical Association 40th Annual Conference, 12 November - 14 November 2004, University of Birmingham, Birmingham, England.

Wiffen, C (2005) From realism to utopia: Britain expressed in the soundtracks of the GPO Films. In: 2005 Bradford Film Festival Film Music Conference, March 2005, University of Leeds, Leeds, England.

Wiffen, C (2009) Hugh Wood: Chamber Music. [Audio]

Wiffen, C (2000) Interpreting Gershwin: Grainger, Wild, Finnissy and himself. In: Performance 2000, 26 April - 29 April 2000, University of Southampton, Southampton, England.

Wiffen, C (2008) Strauss’s Ständchen: pianistic response and legacy. In: Performing Romantic Music, 10-13 July 2008, University of Durham, Durham, UK.

Wiffen, C (2013) Towards an understanding of four hands: Joe Duddell’s Vaporize. In: With Four Hands, 17 September - 19 September 2013, Senate House, Camden, London, England.

Wiffen, C (2008) World premiere of John Woolrich's Dramolet. In: Stratford-upon-Avon Festival: The Contemporary Consort, Stratford-upon-Avon, Warwickshire, England, 13 October 2008. [Performance]

Wiffen, C (2011) World premiere of new work by Jim Aitchison. The Barbican Centre, London, UK, 15 June 2011. [Performance]

Wiffen, C (2003) A pianist's Bach book. In: Grove Forum, 2003, Royal College of Music, South Kensington, London, England.

Wiffen, C (2006) The reflective conservatoire: teaching, learning, research. In: The Reflective Conservatorie Conference, 16 February - 18 February 2006, Guildhall School of Music & Drama, Barbican, London, England.

Wiffen, C and Burrows, J (2005) Eyewitness companions: classical music. Eyewitness companions . Dorling Kindersley, London. ISBN 9781405306102

Wiffen, C and Vallois, N (2006) Enesco and the class of 1896. In: Music and Ideas, 2 March 2006, Royal College of Music, South Kensington, London, England.

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