Items where Subject is "M Music"

Library of Congress Subject Areas (535)
- M Music and Books on Music (535)
  - M Music (535)

Group by: Creators | Item Type

Number of items at this level: 535.

Book

Goodman, H, Russo, B.V and Zózimo, J, eds. (2013) Beyond these walls: confronting madness in society, literature and art. Inter-Disciplinary Press, Oxford. ISBN 9781848882034 Please click the title to check availability.

Karantonis, P, Placanica, F, Sivuoja-Kauppala, A and Verstraete, P, eds. (2014) Cathy Berberian: pioneer of contemporary vocality. Ashgate, Farnham. ISBN 9781409469834 Please click the title to check availability.

Brown, A.R, Spracklen, K, Kahn-Harris, K and Scott, N.W.R, eds. (2016) Global metal music and culture: current directions in metal studies. Routledge, New York, NY. ISBN 9781138822382

Brown, A.R and Fellezs, K, eds. (2012) Heavy metal generations: (re)generating the politics of age, race, and identity in metal music culture. Inter-Disciplinary Press, Oxford. ISBN 9781848881471

Symonds, D and Karantonis, P, eds. (2013) The legacy of opera: reading music theatre as experience and performance. Rodopi Press, Amsterdam/New York. ISBN 9789042036918

Burgers, J.W.J, Crawford, T and Spring, M, eds. (2016) The lute in the Netherlands in the seventeenth century: proceedings of the International Lute Symposium, Utrecht, 30 August 2013. Cambridge Scholars Publishing, Cambridge, ix. ISBN 9781443890755

Heaton, R (2002) Performance and Xenakis's echange. Unknown Public. ISBN 9780954154806

Newman, J (2024) x0x: a history of Roland's early drum machines and synthesizers. Routledge, Abingdon. (Forthcoming)

Saunders, J and Lely, J (2012) Word events: perspectives on verbal notation. Continuum, London. ISBN 9781441173102

Spencer, A

(2008) DIY: the rise of lo-fi culture. Marion Boyars Publishers, London. ISBN 9780714531618

Wiffen, C and Burrows, J (2005) Eyewitness companions: classical music. Eyewitness companions . Dorling Kindersley, London. ISBN 9781405306102

Book Chapter or Section

Arthurs, Y (2015) 'Psychophysical and psychological approaches to consonance and dissonance.' In: Ruggiero, G and Bruni, D, eds. Il ritmo della mente : la musica tra scienza cognitiva e psicoterapia. Mimesis, Milan, pp. 49-72. ISBN 9788857525464

Bayley, A (2018) 'Cross-cultural collaborations with the Kronos Quartet.' In: Clarke, E and Doffman, M, eds. Distributed creativity: collaboration and improvisation in contemporary music. Oxford University Press, New York, NY, pp. 93-113. ISBN 9780199355914

Bayley, A (2007) 'The nature of expressivity in Berio’s Sequenza VI for viola.' In: Halfyard, J, ed. Berio's Sequenzas: essays on performance, composition and analysis. Ashgate, Aldershot ; Burlington, VT, pp. 233-254. ISBN 9780754654452

Bayley, A and Clarke, M (2010) 'Analysing Michael Finnissy’s Second String Quartet: a multimedia interactive approach.' In: Utz, C, ed. Music theory and interdisciplinarity: 8th Congress of the Gesellschaft für Musiktheorie Graz 2008. Musik theorien der gegenwart (4). Pfau, Saarbrücken. ISBN 9783897274488

Bennett, J (2012) 'Constraint, collaboration and creativity in popular songwriting teams.' In: Collins, D, ed. The act of musical composition: studies in the creative process. Ashgate, Farnham, pp. 139-169. ISBN 9781409434252

Bennett, J (2015) 'Creativities in popular songwriting curricula: teaching or learning?' In: Burnard, P and Haddon, E, eds. Activating diverse musical creativities: teaching and learning in higher education. Bloomsbury, London. ISBN 9781472589132

Bennett, J (2017) 'Towards a framework for creativity in popular music degrees.' In: Smith, G.D, Moir, Z, Brennan, M, Kirkman, P and Rambarran, S, eds. The Routledge research companion to popular music education. Routledge, Abingdon, pp. 285-297. ISBN 9781472464989

Brown, A.R (2015) 'Everything louder than everyone else: the origins and persistence of heavy metal music and its global cultural impact.' In: Bennett, A and Wacksman, S, eds. The SAGE handbook of popular music. SAGE, London, pp. 261-277. ISBN 9781446210857

Brown, A.R (2016) '“Girls like metal, too!”: female reader’s engagement with the masculinist culture of the tabloid metal magazine.' In: Heesch, F and Scott, N, eds. Heavy metal, gender and sexuality: interdisciplinary approaches. Routledge, Abingdon, pp. 163-181. ISBN 9781472424792

Brown, A.R (2007) 'Rethinking the subcultural commodity: the case of heavy metal t-shirt culture(s).' In: Hodkinson, P and Deicke, W, eds. Youth cultures : scenes, subcultures and tribes. Routledge advances in sociology . Routledge, New York, pp. 63-78. ISBN 9780415376129

Brown, A.R (2013) 'Suicide solutions? Or, how the emo class of 2008 were able to contest their media demonization, whereas the headbangers, burnouts or 'children of ZoSo' generation were not.' In: Hjelm, T, Kahn-Harris, K and Levine, M, eds. Heavy metal: controversies and countercultures. Equinox, London. ISBN 9781845539412

Burgers, J, Crawford, T and Spring, M (2016) 'Introduction: the lute in the Netherlands in the 17th century.' In: Burgers, J.W.J, Crawford, T and Spring, M, eds. The lute in the Netherlands in the seventeenth century: proceedings of the International Lute Symposium, Utrecht, 30 August 2013. Cambridge Scholars Publishing, Cambridge, ix. ISBN 9781443890755

Dupras, M (2000) 'Using global Csound instruments for meta-parameter control.' In: Boulanger, R, ed. The Csound book: perspectives in software synthesis, sound design, signal processing and programming. MIT Press, Cambridge, MA, pp. 353-368. ISBN 9780262522618

Goodman, H (2013) 'The "green-eyed monster": jealousy and erotic monomania in 'He Knew He Was Right' and 'The Forsyte Saga'.' In: Goodman, H, Russo, B.V and Zózimo, J, eds. Beyond these walls: confronting madness in society, literature and art. Inter-Disciplinary Press, Oxford, pp. 81-92. ISBN 9781848882034

Hooper, E (2017) 'Do the stars know why they shine? An argument for including cultural theory on popular music programmes.' In: Smith, G.D, Moir, Z, Brennan, M, Rambarran, S and Kirkman, P, eds. The Routledge research companion to popular music education. Routledge, Abingdon, pp. 153-165. ISBN 9781472464989

Hooper, E (2017) 'How to (almost) never play a bad gig again: a simple way to approach performing professionally.' In: Williams, J and Williams, K, eds. The singer-songwriter handbook. Bloomsbury, London. ISBN 9781628920291

Hooper, E (2019) 'The gatekeeper gap: searching for solutions to the UK’s ongoing gender imbalance in music creation.' In: Raine, S and Strong, C, eds. Towards gender equality in the music industry: education, practice and strategies for change. Bloomsbury Academic, London. ISBN 9781501345500

Hugill, A (2015) 'Percy Grainger: pioneer of electronic music.' In: Robinson, S and Dreyfus, K, eds. Grainger the modernist. Ashgate, Farnham, pp. 231-254. ISBN 9781472420220

Karantonis, P (2014) 'Cathy Berberian and the performative art of voice.' In: Karantonis, P, Placanica, F, Sivuoja-Kauppala, A and Verstraete, P, eds. Cathy Berberian: pioneer of contemporary vocality. Ashgate, Farnham, pp. 151-168. ISBN 9781409469834

Karantonis, P (2014) 'Introduction/overture.' In: Karantonis, P, Placanica, F, Sivuoja-Kauppala, A and Verstraete, P, eds. Cathy Berberian: pioneer of contemporary vocality. Ashgate, Farnham. ISBN 9781409469834

Karantonis, P (2014) 'Special transcript - Cathy’s solo talk show.' In: Karantonis, P, Placanica, F, Sivuoja-Kauppala, A and Verstraete, P, eds. Cathy Berberian: pioneer of contemporary vocality. Ashgate, Farnham. ISBN 9781409469834

Karantonis, P (2013) 'The tenor in decline? Narratives of nostalgia and the performativity of the operatic tenor.' In: Symonds, D and Karantonis, P, eds. The legacy of opera: reading music theatre as experience and performance. Rodopi Press, Amsterdam/New York, pp. 119-130. ISBN 9789042036918

Parry, B (2016) 'Beyond aesthetics: poetics of Autoconstruccion in Mexico City.' In: Kosmala, K and Imas, M, eds. Precarious spaces: the arts, social and organisational change. Intellect, Bristol, pp. 87-111. ISBN 9781783205936 Please click the title to check availability.

Re Manning, R (2015) 'Unwritten theology: notes towards a natural theology of music.' In: Stone-Davis, F.J, ed. Music and transcendence. Ashgate, Aldershot, pp. 65-74. ISBN 9781472415950

Saunders, J (2007) '#110605 (ensemble recherché, Freiburg) [sketch].' In: Waterman, A, Singer, D and Lyons, M, eds. Between thought and sound : graphic notation in contemporary music. The Kitchen, New York, p. 48.

Saunders, J (2007) '#271102 (apartment house, Huddersfield) [sketch].' In: Waterman, A, Singer, D and Lyons, M, eds. Between thought and sound : graphic notation in contemporary music. The Kitchen, New York, p. 49.

Saunders, J (2015) 'Heuristic models for decision making in rule-based compositions.' In: Ginsborg, J, Lamont, A, Phillips, M and Bramley, S, eds. Proceedings of the Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music, 17 - 22 August 2015, Manchester, UK. Royal Northern College of Music, Manchester, pp. 715-719.

Saunders, J (2024) 'Perfect information: scores as self-evident processes.' In: Kocher, P, ed. TENOR: Ninth International Conference on Technologies for Music Notation and Representation, Zurich, Switzerland 4–6 April 2024. University of the Arts, Zurich, pp. 53-57.

Saunders, J (2012) 'Rebecca Saunders, Still.' In: Dvorák, Rebecca Saunders, Tchaikovsky. BBC, London, pp. 6-8.

Sorensen, N (2016) 'The music: extracts from The Eleonora Diary.' In: Oddey, A and White, C, eds. A gift for Eleonora. Eleonora Press, pp. 35-39. ISBN 97809935552007

Sorensen, N and Fisher, L (2009) 'Listening to vegetables.' In: Friedland, S.R, ed. Vegetables: proceedings of the Oxford Symposium on Food and Cookery 2008. Prospect, Totnes. ISBN 9781903018668

Spring, M (2015) 'The Fleming Family’s dance school at Bath 1750-1800.' In: Segal, B and Tuck, W, eds. Ballroom, stage and village green:  contexts for early dance. Early Dance Circle, Orcheston. ISBN 9870955353260

Spring, M (1996) 'Jenkin's lute music: an approach to reconstructing the lost multitudes of lute lessons.' In: Ashbee, A and Holman, P, eds. John Jenkins and his time: studies in English consort music. Clarendon Press, Oxford, pp. 309-324. ISBN 9780198164616

Spring, M (1994) ''Lutes' and 'Viols'.' In: The golden age. Hoogsteder and Hoogsteder, The Hague. ISBN 9066304707

Spring, M (2004) ''Robert Johnson', 'Cuthbert Hely', 'Thomas Mace', 'John Rogers' and 'Robert Kindersley'.' In: The new grove dictionary of music and musicians, 2nd ed. Oxford University Press, New York, NY. ISBN 9780195170672

Spring, M (1992) 'Solo music for tablature instruments.' In: Spink, I, ed. The Blackwell history of music in Britain: the seventeenth century. Blackwell History of Music . Blackwell's, Oxford, pp. 367-406. ISBN 9780631165187

Spring, M (2016) '"A goose among swans": the connections and correspondence between Jacques Gaultier and Constantijn Huygens.' In: Burgers, J.W.J, Crawford, T and Spring, M, eds. The lute in the Netherlands in the seventeenth century: proceedings of the International Lute Symposium, Utrecht, 30 August 2013. Cambridge Scholars Publishing, Cambridge, pp. 120-141. ISBN 9781443890755

Stakelum, M (2019) 'James Cooksey Culwick: the rudiments of music (1882).' In: Houston, K, McHale, M and Murphy, M, eds. Documents of Irish music history in the long nineteenth century. Irish Musical Studies (12). Four Courts Press, Dublin, pp. 75-84. ISBN 9781846827242 Please click the title to check availability.

Stakelum, M (2013) ''James Culwick', 'Victor Herbert', 'Kodály Method', 'Suzuki Method', 'Association of Irish Choirs', 'Culwick Choral Society' and 'St James Gate Choir'.' In: White, H and Boydell, B, eds. The encyclopaedia of music in Ireland. University College Dublin Press, Dublin. ISBN 9781906359782

Stakelum, M (2010) 'A commentary on assessment practices in music education at primary level in England: are there lessons to learn from the past?' In: Kalyoncu, N, Erice, D and Akyüz, M, eds. Music and music education within the context of socio-cultural changes. Series of Culture Books (5). Müsik Eğitimi Publications, Ankara, pp. 443-450. ISBN 9786056155727

Stakelum, M (2008) 'A piece for music educators and thinking musicians.' In: Flynn, P, ed. Teaching the unteachable: the role of composition in higher education. Orpheus Publications, Waterford Institute of Technology, Waterford, Ireland. ISBN 9780955971709

Stakelum, M (2004) 'A song to sweeten Ireland's wrong: music education and the celtic revival.' In: Murphy, J and Taylor-Fitzsimon, B, eds. The Irish revival reappraised. Nineteenth-century Ireland . Four Courts Press, Dublin, pp. 71-82. ISBN 9781851827572

Stakelum, M and Baker, D (2013) 'The MaPS project: mapping teacher conceptions of musical development.' In: Stakelum, M, ed. Developing the musician: perspectives on practice in contemporary settings. SEMPRE Studies in the Psychology of Music . Ashgate, Aldershot, pp. 135-154. ISBN 9781409450177

Symonds, D and Karantonis, P (2013) 'Empty houses, booming voices.' In: Symonds, D and Karantonis, P, eds. The legacy of opera: reading music theatre as experience and performance. Rodopi Press, Amsterdam/New York, pp. 11-24. ISBN 9789042036918

Article

Arthurs, Y and Timmers, R (2016) 'On the fluidity of consonance and dissonance: the influence of musical context.' Psychomusicology: Brain, Mind and Music, 26 (1). pp. 1-14.

Bayley, A (2011) 'Ethnographic research into contemporary string quartet rehearsal.' Ethnomusicology Forum, 20 (3). pp. 385-411.

Bayley, A and Clarke, M (2009) 'Analytical representations of creative processes in Michael Finnissy’s Second String Quartet.' Journal of Interdisciplinary Music Studies, 3 (1&2). pp. 139-157.

Beaham-Powell, N (2006) 'Bridging a gap between music and technology.' New Statesman.

Bennett, J (2012) 'All you gotta do is sing.' Total Guitar (225). p. 38.

Bennett, J (2011) 'Collaborative songwriting – the ontology of negotiated creativity in popular music studio practice.' Journal on the Art of Record Production, July (5).

Bennett, J (2012) 'Come to steal your song away?' Total Guitar (229). p. 36.

Bennett, J (2014) 'Conference review: popMAC 2013.' Popular Music, 33 (2). pp. 341-342.

Bennett, J (2012) 'Don't bore us...write a chorus!' Total Guitar (227). p. 38.

Bennett, J (2012) 'Getting started with intros.' Total Guitar (223). p. 38.

Bennett, J (2011) 'If you build it, they will come.' Total Guitar (216). p. 40.

Bennett, J (2012) 'Melody - getting in shape.' Total Guitar (224). p. 40.

Bennett, J (2011) 'Put some rhythm in your rhythm.' Total Guitar (214). p. 40.

Bennett, J (2011) 'Rhythm guitar: a bad habit?' Total Guitar (220). p. 42.

Bennett, J (2011) 'Six rules of (fingers and) thumb.' Total Guitar (215). p. 40.

Bennett, J (2011) 'Song meaning... it makes me wonder.' Total Guitar (218). p. 40.

Bennett, J (2011) 'Song vs track - picture or frame.' Total Guitar (219). p. 40.

Bennett, J (2012) 'What's in a name?' Total Guitar (222). p. 34.

Bennett, J (2011) 'Writing riffs - by hook or by crook.' Total Guitar (217). p. 42.

Bennett, J (2012) 'You can’t teach songwriting...!' Total Guitar (231). p. 34.

Bennett, J (2012) 'You got a friend? Co-write a song!' Total Guitar (230). p. 36.

Bennett, J (2012) 'Your lyrics - reason for rhyme.' Total Guitar (226). p. 38.

Bennett, J (2012) 'The song remains the same - why?' Total Guitar (228). p. 34.

Brown, A.R (2011) 'Heavy genealogy: mapping the currents, contraflows and conflicts of the emergent field of metal studies, 1978-2010.' Journal for Cultural Research, 15 (3). pp. 213-242.

Caulfield, L.S, Henley, J, Wilson, D and Wilkinson, D (2012) 'Good Vibrations: Positive change through social music-making.' Music Education Research, 14 (4). pp. 499-520.

Heaton, R (2012) 'Contemporary performance practice and tradition.' Music Performance Research, 5 (Spec). pp. 96-104.

Herrema, R (2020) 'Code as Prosthesis.' The International Journal of Creative Media Research, 3.

Herrema, R (2006) 'Composing along continuums of technology and purpose.' Digital Creativity, 17 (1). pp. 3-10. Please click the title to check availability.

Herrema, R and Alarcón, X (2017) 'Pauline Oliveros: a shared resonance.' Organised Sound, 22 (1). pp. 7-10. Please click the title to check availability.

Hooper, E (2014) 'My superbrain is all binary: nostalgic futurism as Robyn's feminist super-persona.' Journal of Popular Music Studies, 26 (4). pp. 445-464.

Hooper, E (2013) 'Somewhere a place for us: how intratextual music-association conveys characteral identity in "The Time of Our Singing" by Richard Powers.' Journal of Music and Meaning (JMM), 11.

Hooper, E (2014) 'Why are novelists obsessed with music?' Publishers Weekly, 261 (42). p. 28.

Hugill, A (2005) 'From online symphonies to MusiMOO: Some creative uses of the internet in music and education.' Contemporary Music Review, 24 (6). pp. 527-540.

Hugill, A (2016) 'On style in electroacoustic music.' Organised Sound, 21 (1). pp. 4-14.

Hugill, A, Graves, A and Hand, C (1999) 'MidiVisualiser: interactive music visualisation using VRML.' Organised Sound, 4 (1). pp. 15-23.

Hugill, A and Rieser, M (2013) 'Secret garden.' Digital Creativity, 24 (3). pp. 264-267.

Hyde, J (2014) 'Editorial [guest editor].' eContact!, 15 (4).

Karantonis, P (2007) 'Takarazuka is burning: music theatre and the performance of sexual and gender identities in modern Japan.' Studies in Musical Theatre, 1 (2). pp. 153-165.

Keep, A (2007) 'Audio Y connectors: my secret to instant guerrilla oscillators, raw synthesis and dirty cross modulations.' Leonardo Music Journal, 17.

Melia, N and Saunders, J (2011) 'Introduction: what is Wandelweiser?' Contemporary Music Review, 30 (6). pp. 445-448.

Newman, J (2017) 'Driving the SID chip: assembly language, composition and sound design for the C64.' GAME: The Italian Journal of Game Studies, 6. Please click the title to check availability.

Newman, J (2018) 'The music of microswitches: preserving videogame sound — a proposal.' The Computer Games Journal, 7. pp. 261-278.

Ramsay, B (2011) 'Tools, techniques and composition: bridging acousmatic and IDM.' eContact!, 14 (4).

Saunders, J (2007) 'The Dictaphone in my life.' Leonardo Music Journal, 17. pp. 33-34.

Saunders, J (2016) 'No mapping.' MusikTexte, 149.

Saunders, J (2013) 'Specific objects? Distributed approaches to sourcing sonic materials in open form compositions.' Contemporary Music Review, 32 (5). pp. 473-484.

Saunders, J and Sergeant, M (2022) 'What do composers do all day?' MusikTexte, 173. pp. 15-24. Please click the title to check availability.

Saunders, J and Sergeant, M (2023) 'What do composers do all day? (2).' MusikTexte, 177/8. pp. 57-66. Please click the title to check availability.

Scott, L (2017) 'Creating opera for mobile media: artistic opportunities and technical limitations.' The 2017 14th International Symposium on Pervasive Systems, Algorithms and Networks & 2017 11th International Conference on Frontier of Computer Science and Technology & 2017 Third International Symposium of Creative Computing (ISPAN-FCST-ISCC), 2017. pp. 477-484.

Sorensen, N (2013) 'The metaphor of 'the jazz band': ethical issues for leadership.' Critical Studies in Improvisation, 9 (1).

Spring, M (2011) 'The Balcarres lute book, a modern edition and some new biographical information.' Lute News (97).

Spring, M (1992) 'The Balcarres manuscript.' The Lute, 32.

Spring, M (1996) 'The English lute 'fantasia-style' and the music of Cuthbert Hely.' Chelys, 25. pp. 65-77.

Spring, M (2006) 'Musical instruments in the Horniman Museum.' NEMA Yearbook. pp. 30-35.

Spring, M (2012) 'The music and musicians of Bath’s eighteenth-century Proprietary Chapels.' CHOMBEC News (13).

Spring, M (2010) 'The vihuela songs of Alonso Mudarra.' Lute News (96).

Stakelum, M (2014) 'Boundaries and bridges: the influence of James Cooksey Culwick on the development of the teaching and learning of music in nineteenth century Ireland.' International Journal of Music Education, 32 (4). pp. 409-421.

Stakelum, M (2008) 'Creating a musical world in the classroom: application of a Bourdieuan approach towards understanding teacher practice.' British Journal of Music Education, 25 (1). pp. 91-102.

Stakelum, M (2008) 'Primary music education: the misrepresentation of the ideals of curricula in research.' Irish Educational Studies, 27 (3). pp. 281-293.

Stakelum, M (2011) 'An analysis of adult non-specialist responses to recorded music.' Music Education Research, 13 (2). pp. 173-197.

Conference or Workshop Item

Bayley, A (2007) Documenting the creative process: recordings as research tools. In: CHARM/RMA annual conference on Musicology and Recordings, 13-15 September 2007, University of London, London, UK.

Bayley, A (2009) Ethnographic research into string quartet rehearsal and performance. In: Twenty-fifth European Seminar in Ethnomusicology: Performance, 18-22 September 2009, Milton Keynes, UK.

Bayley, A (2011) Evolution and collaboration in string quartet composition, rehearsal and performance. In: Tracking the Creative Process in Music International Conference, 29 September - 1 October 2011, Communauté d'Universités et d'Etablissements Lille Nord de France, Lille, France.

Bayley, A (2009) Investigating the interpretative space between notation and performance. In: IAMS Symposium, Music: Notation and Sound, 5-10 July 2009, Amsterdam, The Netherlands.

Bayley, A (2012) Mapping a composer's intentions from composition to performance. In: New Music in Britain Conference, 10-12 May 2012, Canterbury Christ Church University, Canterbury, UK.

Bayley, A (2011) Rehearsal analysis of Finnissey's Third String Quartet. In: CMPCP Performance Studies Network International Conference, 14-17 July 2011, University of Cambridge, Cambridge, UK.

Bayley, A (2007) The relationship between notation and performance practice in Michael Finnissy’s Second String Quartet. In: Sixth European Music Analysis Conference on Interpretation, 11-14 October 2007, Hochschule für Musik and the Albert-Ludwigs-Universität, Freiburg, Germany.

Bayley, A and Clarke, M (2008) Interactive strategies for analysing music. In: Eighth Congress of the Gesellschaft für Musiktheorie (GMTH), Music Theory and Interdisciplinarity, 9-12 October 2008, University of Music and the Dramatic Arts, Graz, Austria.

Bayley, A and Clarke, M (2008) Interactive strategies for analysing musical structure. In: Fourth International Conference on Interdisciplinary Musicology, 2-6 July 2008, Aristotle University of Thessaloniki, Thessaloniki, Greece.

Bayley, A and Dutiro, C (2015) Creating new music across cultural boundaries: mbira and string quartet. In: Tracking the Creative Process in Music: Third International Conference, 8-10 October 2015, Institut de Recherche et Coordination Acoustique/Musique, Paris, France.

Bayley, A and Heyde, N (2009) Interpreting indeterminancy: performing Lutosławski’s String Quartet. In: Polish Music Since 1945, 30 April - 2 May 2009, Canterbury Christ Church University, Canterbury, UK.

Beaham-Powell, N (2007) The economic challenges facing European collecting societies. In: CIAM (Confederation Internation des Auteurs), September 2007, Warsaw.

Bennett, J (2013) Documenting collaborative songwriters' creativity using Linear Event Analysis. In: RMA Study Day: Researching music as process: methods and approaches, 13 November 2013, Faculty of Music, Oxford University, Oxford.

Bennett, J (2013) Forensic musicology: approaches and challenges (in The Timeline Never Lies: Audio Engineers Aiding Forensic Investigators in Cases of Suspected Music Piracy). In: International Audio Engineering Society Convention, 17-20 October 2013, Jacob Javits Centre, New York City.

Bennett, J (2006) Songwriting in Higher Education: a National Teaching Fellowship Project. In: Higher Education Academy Annual Conference, July 2006, University of Nottingham, Nottingham.

Bennett, J (2014) Where is creativity? Locating intellectual property in collaborative songwriting and production processes. In: International Association for the Study of Popular Music (IASPM) UK & Ireland Biennial Conference, 12-14 September 2014, Cork, Ireland.

Bennett, J (2014) Who writes the songs? Creative practice and intellectual property in popular music’s digital production chain. In: Creativity, Circulation and Copyright: Sonic and Visual Media in the Digital Age, 28‐29 March 2014, Cambridge, United Kingdom.

Bennett, J (2014) The death of the songwriter: attribution of creative ownership in popular music production. In: The 9th Art of Record Production Conference: Record Production in the Internet Age, 4-6 December 2014, University of Oslo, Norway.

Bennett, J (2006) iTunes and OSX widgets in the teaching of songwriting. In: Podagogy PALATINE conference, 19-20 June 2006, University of Wolverhampton.

Bennett, J (2010) The ontology of collaborative songwriting in popular music studio practice. In: Art of Record Production Conference, 3–5 December 2010, Leeds Metropolitan University, Leeds.

Brown, A.R (2009) Girls like metal, too!: female readers engagement with the masculinist ethos of the tabloid metal magazine. In: Heavy Metal and Gender Congress, 8 - 10 October 2009, Hochschule für Musik Köln / Cologne University of Music, Germany.

Brown, A.R (2011) Un(su)stained class: the enigma of class consciousness in the origins and development of heavy metal music in Great Britain. In: Home of Metal conference, 1 - 4 September 2011, University of Wolverhampton and Lighthouse Media Centre, Wolverhampton.

Brown, A.R (2013) A league of extraordinary djentlemen? Geekdom, virtuosity and the relative un-marking of race in on-line progressive-metal fandom threads. In: The Heavy Metal and Popular Culture Conference, 4 - 7 April 2013, Bowling Green State University, Bowling Green, OH, USA.

Brown, A.R (2012) The speeding bullet, the smoking gun: tracing metal trajectories, from Sabbath to Satyricon ... and beyond. In: 4th Global Conference: Heavy Fundamentalisms: Music, Metal and Politics, 9 – 11 May 2012, Prague, Czech Republic.

Brown, A.R, Dawes, L and Fellezs, K (2013) Race with the devil: the racial politics of heavy metal music and fandom or, who gets to play with heavy metal, anyway? In: Popular Culture Association of Canada (PCAC), 3rd Annual Conference, 9 - 11 May 2013, Calgary, Alberta, Canada.

Dickinson, J (2012) Building the Imperfect Beast. In: Leeds International Songwriting Conference (LISC 2012), 8-9 March 2012, Leeds College of Music, Leeds, UK.

Dickinson, J (2016) Distortions of space and time in Harrison Birtwistle’s Carmen Arcadiae Mechanicae Perpetuum (1977). In: Music, Art and Philosophy in Dialogue, 20 - 21 May 2016, Paul Klee Centre & University of Bern, Switzerland.

Dickinson, J (2013) Dynamic process in static form. In: The Noises of Art: Audiovisual Practice in History, Theory and Culture. Aberystwyth University in collaboration with the Courtauld Institute of Art, 4-6 September 2013, Aberystwyth University, Aberystwyth, UK.

Dickinson, J (2015) Pastorale-mechanical: imagined landscapes, between determinate systems and poetic fantasy. In: INTIME Symposium : Landscapes and Environments: Experimentation and Transformation in Sound and Music, 24 -25 October 2015, Coventry University, UK.

Dickinson, J (2013) System vs. self. In: International Conference On Analysing Popular Music, 2 - 4 July 2013, University of Liverpool, Liverpool, UK.

Dupras, M and Bates-Brkljac, N (2001) The virtual forest: virtual reality and generative music. In: 8th International Conference and Exhibition on Generative Art, 11-13 December 2001, Politecnico di Milano, Milan, Italy.

Dupras, M, Hattosh-Nemeth, J and Verity Smith, P (2003) Beyond the mechanical stage-hand: towards an aesthetic of real-time interaction between musicians, dancers and performers and generative art in live performance. In: 6th International Conference and Exhibition on Generative Art, 10-13 December 2003, Politecnico di Milano, Milan, Italy.

Farrar, R (2013) 'Point of Audition' app showcase. In: Hack the Quarter: Bristol Proms, 30 - 31 July 2013, Bristol Old Vic, Bristol, UK.

Hooper, E (2009) Instrumental portraiture: the use of Elgar’s "Variations on an original theme" in my creative process as novelist. In: Word and Music Studies: Seventh International Conference, 10 June - 13 June 2009, University of Music and Performing Arts, Vienna.

Hooper, E (2013) Looking back to looking forward to looking forward: a very short introduction to retro-futurism. In: QTalks Lecture Series 2013, August 2013, London.

Hooper, E (2015) Music while you write. In: Bath Literature Festival, 27 February - 8 March, 2015, Bath, UK.

Hooper, E (2014) My superbrain is all binary: nostalgic futurism as Robyn's feminist super-persona. In: IASPM UK & Ireland Conference, 11-14 September 2014, Cork, Ireland.

Hooper, E (2013) Who is the lark?: Vaughan Williams’ 'The lark ascending' as characterization in 'An equal music' by Vikram Seth. In: RMA Study Day: Twentieth-Century British Poets in Music, 28 June 2013, University of Hull, Hull, UK.

Hooper, E (2013) Who's afraid of who's afraid of Virginia Woolf?: a very short introduction to cultural theory. In: QTalks Lecture Series 2013, Febraury 2013, London.

Hooper, E and Honan, N (2016) The world is listening: panel discussion, interviews and workshops. In: Shambala Festival, 25 – 28 August 2016, Northamptonshire, UK.

Hooper, E and Honan, N (2017) The world is listening: panel discussion, interviews and workshops. In: Shambala Festival, 25 - 27 August 2017, Northamptonshire, UK.

Hooper, E, Honan, N, Painter, K and Lynch, R (2015) Where are all the women? [panel discussion]. In: Where Are All The Women?, 8 March 2015, Rise Records, Bristol.

Hugill, A (2011) Digital musicianship. In: The Seventh Biennial International Conference on Music Since 1900, 28-31 July 2011, Lancaster University, Lancaster, UK.

Hugill, A (2010) Music and pataphysics. In: Digital Arts Week, 2010, Xian Academy of Music, Xian, China.

Hyde, J (2012) The Scores of Oskar Fischinger: a musical approach to a visual music pioneer. In: Third International Symposium on Music/Sonic Art: Practices and Theories (MuSA 2012), 7-8 July 2012, Institut für Musikwissenschaft und Musikinformatik (IMWI), Karlsruhe, Germany.

Hyde, J (2011) Visual Disassociation and Audiovisual Acousmatics: noise and silence in visual music. In: Understanding Visual Music 2011, 26-27 August 2011, Concordia University, Montreal, Canada.

Hyde, J and Stamp, R (2014) Seeing Sound salon: McLaren the musician. In: McClaren the Musician, 20 September 2014, Arnolfini, Bristol.

Karantonis, P (2014) The land of Oz – lost and found in the colonial imaginarium of 'The Wizard of Oz'. In: The Wizard of Oz and the Cultural Imagination, 21-22 November 2014, University of Brighton.

Keep, A (2004) All music technology is equal, but some is more equal than others. In: Taming the Beast: Learning & Teaching in Music Technology. PALATINE conference, 21 June 2004, De Montfort University, Leicester, UK.

Keep, A (2007) Behaviour - teaching electroacoustic improvisation through referent strategies. In: Improvisation Continuums Conference, 12-14 April 2007, Royal Welsh College of Music and Drama, Cardiff, UK.

Keep, A (2005) Does creative abuse drive developments in music production? In: The Art of Record Production, 17-18 September 2005, University of Westminster, London, UK.

Lundskaer-Nielsen, M (2014) Cameron Mackintosh – control, collaboration and the creative producer. In: Song, Stage and Screen IX: The Art of Collaboration in Musical Theatre, 24-26 June 2014, Sheridan College, Oakville, Canada.

Lundskaer-Nielsen, M (2009) Introduction and 'what next?'. In: Putting it together: Teaching musical theatre in UK higher education, 27-28 March 2009, Newton Park, Bath Spa University..

Lundskaer-Nielsen, M (2005) Stephen Sondheim and the notion of the auteur. In: Stephen Sondheim: Collaborator and Auteur, 25-27 November 2005, Goldsmiths College, London.

Lundskaer-Nielsen, M (2013) Teaching writers and musical theatre in industry and higher education. In: Song, stage and screen VIII conference 2013 : what we do when we do what we do: process and performance in musical theatre, 2-4 July 2013, Central school of speech and drama. London.

Lundskaer-Nielsen, M (2012) The curse of global success? An exploration of new musical theatre development in Britain. In: Song, stage and screen VII: The musical's global conquest, 2-5 July 2012, University of Groningen, Holland..

Newman, J (2018) The music of microswitches: archiving videogame sound. In: Ludomusicology 2018, 13 - 15 April 2018, Zentrum für Musikwissenschaft, Leipzig, Germany.

Parfitt, R (2012) Free Your Mind and Your Verse Will Follow. In: Leeds International Songwriting Conference (LISC 2012), 8-9 March 2012, Leeds College of Music, Leeds, UK.

Parfitt, R (2013) Into the mythic. In: International Conference on Analyzing Popular Music, 2-4 July 2013, University of Liverpool, Liverpool, UK.

Parfitt, R (2011) Music and the Mythic Image. In: Sŵn Arts Festival, 20-23 October 2011, Cardiff, UK.

Parfitt, R (2012) Sleepless in the New Seattle. In: International Association for the Study of Popular Music (UK & Ireland) 2012 conference. Imagining Communities Musically: Putting Popular Music in its Place, 5-7 September 2012, University of Salford, Manchester, UK.

Parfitt, R (2014) Songwriter as seeker. In: International Association for the Study of Popular Music (UK & Ireland) Biennial Conference, 12-14 September 2014, University College Cork , Cork, Ireland.

Parfitt, R and Shade, R (2013) Passing the parcel – a comparative exploration of training for stand-up comedy and popular music performance. In: Theatre and Performance Research Association (TaPRA) Conference, 4-6 September 2013, University of Glasgow and Royal Conservatoire of Scotland, Glasgow, UK.

Purcell-Gates, L (2008) Pedagogy of proposals: devising as a tactic for individual and group identity reconciliation. In: Researching Applied Drama, Theatre and Performance Conference, 2-5 April 2008, University of Exeter.

Sargent, N (2004) Identification, capture and development of academic frameworks for technology based composition. In: Taming the Beast: learning and teaching in music technology, 21 June 2004, De Montfort University.

Saunders, J (2015) I tell you what to do: autonomy, control and play in game compositions. In: Authorship in Music, 6-7 March 2015, University of Oxford.

Saunders, J (2015) Playing, music. In: Gaminomics, 11 June 2015, Cavendish Conference Centre, Tower Hill, London.

Scott, L (2016) The mediated voice: Autonomous Sensory Meridian Response (ASMR) as a new mode of operatic expression. In: Performance Studies Network: Fourth International Conference, 14 -17 July 2016, Bath Spa University, Bath, UK.

Spring, M (2011) 18th-century music in Bath. In: CHOMBEC lectures & the Music Research Seminar Series, 3 May 2011, Victoria's Room, Victoria Rooms, Bristol, England.

Spring, M (2013) Bath's grand gala concerts, a combination of pleasure 'after the manner of Vauxhall'. In: Georgian Pleasures, 12 September - 13 September 2013, Bath Royal Literary and Scientific Institute & The Holburne Museum, Bath.

Spring, M (2013) New insight on the Huygens/Gaultier correspondence. In: Utrecht Early Music Festival, 23 September - 1 August 2013, Utrecht.

Spring, M (2012) The composition of the songs of Alonso Mudarra in the third book of 'Tres libros de musica en cifras para vihuela' (1546). In: Medren 2012, 8 July - 11 July 2012, University of Nottingham, Nottingham, England.

Spring, M (1997) The medieval gittern. In: Lute Society Day.

Spring, M (2013) The pipe and tabor tradition in Mallorca. In: International Pipe and Tabor Festival, 6 September - 8 September 2013, Gloucester.

Spring, M (2011) The provision of outside music in the walks and gardens of Georgian Bath. In: Conference on Cosmopolitanism and Culture, 21 October - 22 October 2011.

Stakelum, M (2010) Assessment practices at primary school: lessons from the past. In: 18th EAS Congress, 26-29 April 2010, Abant Ýzzet Baysal University, Turkey.

Stakelum, M (2007) Creativity and the young musician. In: 11th Post Primary Music Teachers Association of Ireland Annual Conference, October 2007, Cork, Ireland.

Stakelum, M (2012) James Cooksey Culwick and the development of the teaching and learning of music in nineteenth-century Ireland. In: Documents of Irish Music History in the Long Nineteenth Century: National and International Contexts, 27 April 2012, University of Limerick, Ireland.

Stakelum, M (2007) Music education in UK and Japan: a comparative study on teacher practice in music at primary level. In: 5th International Research in Music Education (RIME) Conference, 10 - 14 April 2007, University of Exeter, Exeter, UK.

Stakelum, M (2005) Some observations on research in music education in the primary school. In: 30th Annual ESAI Conference, 10 - 12 March 2005, University College Cork, Ireland.

Stakelum, M (2006) Transmission, transformation and replication in teacher practice: report of a case study. In: 27th World Conference of the International Society for Music Education, 16 - 21 July 2006, Kuala Lumpur Convention Centre, Malaysia.

Stakelum, M (2008) The impact of music technology on the teaching and learning of music - an exploratory study. In: 13th International Creativity Conference: Creatology as a Complex Research on Creativity, 7 - 8 November 2008, Riga Teacher Training and Educational Management Academy, Riga, Latvia.

Stakelum, M (2010) A language for practice: studying the impact of music technology on teaching and learning music. In: 29th ISME World Conference :Harmony and the World Future, 1 - 6 August 2010, China National Convention Centre, Beijing, China.

Stakelum, M (2007) The relationship between the discursive and the non-discursive in response to recorded music. In: 5th International Research in Music Education (RIME) Conference, 10 - 14 April 2007, University of Exeter, Exeter, UK.

Wiffen, C (2000) "Anarchic glee" : issues of virtuosity and operal identity in Glenn Gould's transcription of the Prelude from Die Meistersinger. In: 34th Royal Musical Association Research Students' Conference, 13 - 16 December 2000, University of Exeter, UK.

Wiffen, C (2013) Anatomy of a festival: programming, reception and impact of the Bath International Music Festival (1948-2012). In: Kingston University Research Seminar, 25 April 2013, Kingston University, Kingston-upon-Thames, London, England.

Wiffen, C (2004) Capturing life and selling the mix: the simulation of live performance in the music video. In: Representing Performance: Musical Recordings in Culture, 30 October 2004, Royal Holloway, University of London, London, UK.

Wiffen, C (2004) Composing at the coal face: music's role in the erosion of social idealism in the documentary films of the GPO Film Unit. In: Royal Musical Association 40th Annual Conference, 12 November - 14 November 2004, University of Birmingham, Birmingham, England.

Wiffen, C (2005) From realism to utopia: Britain expressed in the soundtracks of the GPO Films. In: 2005 Bradford Film Festival Film Music Conference, March 2005, University of Leeds, Leeds, England.

Wiffen, C (2000) Interpreting Gershwin: Grainger, Wild, Finnissy and himself. In: Performance 2000, 26 April - 29 April 2000, University of Southampton, Southampton, England.

Wiffen, C (2008) Strauss’s Ständchen: pianistic response and legacy. In: Performing Romantic Music, 10-13 July 2008, University of Durham, Durham, UK.

Wiffen, C (2013) Towards an understanding of four hands: Joe Duddell’s Vaporize. In: With Four Hands, 17 September - 19 September 2013, Senate House, Camden, London, England.

Wiffen, C (2003) A pianist's Bach book. In: Grove Forum, 2003, Royal College of Music, South Kensington, London, England.

Wiffen, C (2006) The reflective conservatoire: teaching, learning, research. In: The Reflective Conservatorie Conference, 16 February - 18 February 2006, Guildhall School of Music & Drama, Barbican, London, England.

Wiffen, C and Vallois, N (2006) Enesco and the class of 1896. In: Music and Ideas, 2 March 2006, Royal College of Music, South Kensington, London, England.

Thesis

Bennett, J (2014) Constraint, creativity, copyright and collaboration in popular songwriting teams. PhD thesis, University of Surrey.

Callear, S (2012) Audiovisual particles: parameter mapping as a framework for audiovisual composition. PhD thesis, Bath Spa University. doi: 10.17870/bathspa.00001878

Ramsay, B (2014) Exploring compositional relationships between acousmatic music and electronica. PhD thesis, De Montfort University.

Commissioned Report

Bennett, J (2010) Forensic Musicology reports (song comparison and analysis) for music industry clients. (eg) Universal Music Publishing.

Artefact

Herrema, R (2021) Cornflower.

Herrema, R, Armitage, G, Kirves, M and Clark, G (2014) $echo.

Exhibition

Boehm, J.D (2016) Riots. In: Find Another Bath, Fringe Arts Bath, 44AD Art Gallery, Bath, UK, 15 - 20 November 2016.

Dickinson, J (2008) Kane Cunningham and Jim Dickinson collaboration. Triton Gallery, Sledmere House, Driffield, UK, 2008.

White, R and Boehm, J.D (2017) Sweet Waters: Soundings. Saltford Brass Mill, Saltford, UK, 21 October 1017.

Composition

Atkinson, N (1998) Wintersnight.

Atkinson, N and Cockayne, A (2011) Rachel's orphan.

Atkinson, N and Fearns, R (2008) Off the map.

Atkinson, N, Hoare, P and Cockayne, A (2010) Dominion.

Bennett, J (2009) Co-written songs for Andi Neate album 'Crows Rooks and Ravens'.

Bennett, J (2013) The State vs John Hayes.

Boehm, J.D (2015) Sonata for three.

Duddell, J (2010) All stars aligned.

Duddell, J (2004) Arbor low.

Duddell, J (2008) Azalea Fragments.

Duddell, J (2009) Catch for trumpet and marimba.

Duddell, J (2009) Cease sorrow now.

Duddell, J (1999) Circle square.

Duddell, J (1999) Computation.

Duddell, J (2001) Endgame.

Duddell, J (2007) Four (mere) bagatelles.

Duddell, J (1999) Fracture.

Duddell, J (2003) Freaky dancer.

Duddell, J (2001) Generation.

Duddell, J (2007) Grace under pressure.

Duddell, J (2006) Hyper-ballad.

Duddell, J (2006) Isolation.

Duddell, J (2004) Leave this city.

Duddell, J (2011) Magnificat and Nunc Dimittis.

Duddell, J (2004) Mnemonic.

Duddell, J (2004) New dawn fades.

Duddell, J (2008) Nightswimming, for piano trio.

Duddell, J (2002) Not waving but drowning.

Duddell, J (2002) Ode to English.

Duddell, J (1999) Parallel lines.

Duddell, J (2006) Protection.

Duddell, J (2008) The Redwood Tree.

Duddell, J (2003) Ruby.

Duddell, J (2003) Scattered black and whites.

Duddell, J (2003) Shadowplay.

Duddell, J (2002) Snowblind.

Duddell, J (2003) Temporal keys.

Duddell, J (2001) Tree carving.

Duddell, J (2002) Two men hugging.

Duddell, J (2000) Vaporise.

Duddell, J (1999) The realside.

Duddell, J (2001) still life.

Hugill, A (2004) Another slight list.

Hugill, A (2011) Four interludes.

Hugill, A (2003) Nicholas through the mist.

Hugill, A (2003) Pianolith.

Hugill, A (2000) Sonneries parfumes.

Hugill, A (1999) Symphony for Cornwall.

Hugill, A (2001) Timestretch.

Hugill, A (2010) The lion and the eagle.

Hyde, J (1995) Burnt out.

Hyde, J (1997) GoldGlow.

Hyde, J (1993) In sunlight.

Manley, S (2005) Chelsea Flower Show.

Manley, S (2007) Ray Mears' Wild food.

Manley, S (2005) Ray Mears' heroes of Telemark.

Moor, D (2006) Britain’s healthcare lottery.

Moor, D (1998) Inside the ALF.

Moor, D (2012) My brother the serial killer.

Moor, D (2004) Sex bomb.

Moor, D (2006) Sex in the 90's.

Moor, D (2010) Shadow's fall; Run with the boys; Carve my name (by Carl Barât).

Moor, D (2012) Swarovski.

Moor, D and Barat, C (2015) Beginning to see.

Moor, D and Barat, C (2015) For this is my body [soundtrack].

Moor, D and McKahey, L (2016) CousteauX 4-track EP on Edel Italy.

Ramsay, B and Dolphin, A (2019) Crizzle.

Saunders, J (2001) #010201.

Saunders, J (2001) #010401.

Saunders, J (2001) #030501 [1-2] / #200501 [1-3].

Saunders, J (2000) #051000.

Saunders, J (2001) #080401 / #300501 / #310501.

Saunders, J (2001) #120501.

Saunders, J (2001) #280101.

Saunders, J (1999) 511 possible mosaics.

Saunders, J (2012) AT LEAST ONE HUNDRED DEVICES BEING TURNED ON AND OFF.

Saunders, J (1996) Changing rings.

Saunders, J (1999) Compatibility hides itself.

Saunders, J (2000) Fingers barely touching.

Saunders, J (1996) Floating poles.

Saunders, J (2014) I decide what it is I am going to do.

Saunders, J (2014) I tell you what to do.

Saunders, J (1998) Like wool.

Saunders, J (2009) PART OF IT MAY ALSO BE PART OF SOMETHING ELSE.

Saunders, J (1998) Preventing fluidity.

Saunders, J (1999) Scanning trees.

Saunders, J (1997) Six pieces.

Saunders, J (1996) Those birds.

Saunders, J (1998) Two pieces.

Saunders, J (2017) all the things we make you do.

Saunders, J (2010) although it may appear to vary by the way in which units are joined.

Saunders, J (2023) amongst it all, some occasional moments of respite.

Saunders, J (2010) any one part can replace any other part.

Saunders, J (2002) assigned.

Saunders, J (2015) assigned # 15.

Saunders, J (2021) canons.

Saunders, J (2011) certain elements within that situation remained constant.

Saunders, J (2014) choose who tells you what to do.

Saunders, J (2009) components derive their value solely through their assigned context.

Saunders, J (2016) constant interchange of the most various kinds.

Saunders, J (2020) conversation with activities.

Saunders, J (2015) different water environments.

Saunders, J (2011) distribution study #1-12.

Saunders, J (2011) each will appear or not appear.

Saunders, J (2012) eight panels.

Saunders, J (2009) either/or.

Saunders, J (2014) everybody do this.

Saunders, J (2013) everybody doing what everybody else is doing.

Saunders, J (2010) geometria situs.

Saunders, J (2021) guided sequences.

Saunders, J (2009) imperfections on the surface are occasionally apparent.

Saunders, J (2016) in which one thing depends on another.

Saunders, J (2012) instruments with recordings.

Saunders, J (2013) interspersed sometimes with weeds and brambles.

Saunders, J (2023) it is difficult to find the right way to proceed.

Saunders, J (2018) it is impossible for everyone to achieve everything they want.

Saunders, J (2023) it is really hard to focus when there are too many things to do.

Saunders, J (2021) it is the behaviour that a system tends towards and encourages that needs to be understood.

Saunders, J (2011) it may exist for a few seconds or it may go on indefinitely.

Saunders, J (2017) know that your actions reflect within the group.

Saunders, J (2015) like you and like you.

Saunders, J (2011) location composites.

Saunders, J (2023) looking forwards, looking backwards.

Saunders, J (2014) lots and lots for us to do.

Saunders, J (2021) making a choice and then making another choice.

Saunders, J (2010) materials vary greatly and are simply materials.

Saunders, J (2021) nine labyrinths.

Saunders, J (2011) nothing reveals itself without at the same time concealing something else.

Saunders, J (2012) object network.

Saunders, J (2014) on bare trees.

Saunders, J (2011) opposition between the two spaces and their common mediation.

Saunders, J (2012) overlay.

Saunders, J (2014) overlay (with transience).

Saunders, J (2023) performing tasks they secretly believe do not really need to be performed.

Saunders, J (2014) positions in the sequence correctly recalled.

Saunders, J (2013) the range of outside factors influencing it, as well as its own radius of action.

Saunders, J (2018) reaching an acceptable and stable solution.

Saunders, J (2016) reassigned #1.

Saunders, J (2016) reassigned #2.

Saunders, J (2020) sequence studies.

Saunders, J (2022) show us what to do.

Saunders, J (2012) small template.

Saunders, J (2014) so many territories.

Saunders, J (2021) social studies.

Saunders, J (2018) solutions must be sought which everyone can accept.

Saunders, J (2017) sometimes we do what you say, but occasionally we don't.

Saunders, J (2015) space with sounding floor.

Saunders, J (2010) surfaces.

Saunders, J (2010) template with alterations.

Saunders, J (2016) they are always different, they are always the same.

Saunders, J (2019) they should report on the underlying causes of the input.

Saunders, J (2020) things to do.

Saunders, J (2011) things whole and not whole.

Saunders, J (2023) trying to make things fit together.

Saunders, J (2000) #[unassigned].

Saunders, J (2011) various distinct spatial and temporal locations.

Saunders, J (2023) waiting for someone to do the thing you need them to do.

Saunders, J (2015) we gradually have more things to do and fewer things to say.

Saunders, J (2017) we tell each other what to do but always listen to you.

Saunders, J (2012) what you must do, rather than must not do.

Saunders, J (2023) with or without interruption.

Saunders, J (2006) with paper.

Saunders, J (2011) with the same material or still, to vary the material.

Saunders, J (2018) you are required to split your attention between multiple sources of information.

Saunders, J (2014) you say what to do.

Saunders, J and Adkins, M (2001) #160301.

Sergeant, M (2014) Kiss (for solo violin with twine bow).

Sergeant, M (2016) Lichen (for solo electric lap-steel guitar).

Sergeant, M (2018) Meeting the Universe Halfway (for instruments and three custom-made apparatuses).

Sergeant, M (2015) Place (for ensemble).

Sergeant, M (2014) Shell (for unspecified voice).

Sergeant, M (2016) Terrains (for solo quarter-tone flugelhorn).

Sergeant, M (2015) betê gabriel-rufael (for saxophone, percussion and computer-controlled click track).

Sergeant, M (2017) The velvet rage (for flute, voice, cello and electronics).

Performance

Atkinson, N and Gross, P (1999) Hollow hill. Michael Tippett Centre, Bath Spa University, Bath, UK.

Boehm, J.D (2018) Henrietta Park [composer and conductor]. In: International Trumpet Guild Conference 2018, San Antonio, TX, USA, 31 May 2018. Please click the title to check availability.

Boehm, J.D (2018) Ovid's Dream. In: Alabama School of Fine Arts Faculty Recital, University of Alabama at Birmingham, Birmingham, AL, USA, 26 February 2018. Please click the title to check availability.

Boehm, J.D (2016) 'Riots' performance at 'Find another Bath' book launch. In: Fringe Arts Bath, Gallery 44 A.D., Bath, UK, 19 November 2016.

Clayden, P (1988) Rubberneck. Touring production, 1988.

Dickinson, J, Dickinson, B, Jepson, T, Plunkett, M and Richardson, M (2013) Little Angels. .

Duddell, J (2012) The BBC Philharmonic presents Richard Hawley. Magna, Sheffield, UK, 8 September 2012.

Duddell, J (2014) Radio 1's Clean Bandit Symphony. In: Clean Bandit LIVE on BBC Radio 1, BBC Philharmonic Studio, Salford, 10 September 2014.

Duddell, J (2011) An evening with James. In: UK tour.

Duddell, J and Elbow, (2009) Elbow and the Halle Orchestra. In: Manchester International Festival, The Bridgewater Hall, Manchester, UK, 8-9 July 2009.

Duddell, J and Goodwin, J (2011) Ghost of gone birds. In: The Bird Effect, Liverpool School of Art & Design, Liverpool, UK, 12 May 2011.

Duddell, J and Nero, (2011) Dubstep Symphony. BBC Media City, Saltford, UK, 6 June 2011.

Heaton, R (2011) Mihailo Trandafilovski Clarinet Quintet: magnets, lava, crystals. .

Heaton, R (2008) Small ensemble a. .

Heaton, R (2012) Titanic (forma). In: The Sinking of the Titanic - Centenary Project, Birmingham Town Hall, 13 April 2012.

Heaton, R, King, C, Potter, J and Friday, G (2009) Nothing like the sun. University of Lancaster, 26 November 2009.

Heaton, R, Woodrow, J and Riley, A (2012) The sinking of the Titanic and ensemble works. .

Herrema, R, Alarcón, X, Hardie-Bick, T and Chirimini, S (2014) 4 4 Flow. In: 4 4 Flow, Chisenhale Dance Space, London, 28 March, 2014.

Honan, N, Wescott, E, Burgess, R, Martin, H, MacDonald, J, Hooper, E and Abel, S (2014) Death, treason, rhyme and reason. Bristol Old Vic, Bristol, 7-10 May 2014.

Hooper, E (2011) Albertosaurus. .

Hugill, A (2011) Animal stories. In: Animal Stories, New Walk Museum & Art Gallery, Leicester, UK, 25th June 2011 – 26th February 2012.

Hugill, A (2003) On hundred thousand billion songs. French Institute, London, UK.

Hyde, J (2011) Seven waves. In: BEAST Rumours series, Midlands Arts Centre, Birmingham, UK, May 2011.

Hyde, J (2003) Vox mecanix. In: 20/20 Re:Vision, City of Birmingham Symphony Orchestra Centre, Birmingham, UK, 7 March 2003.

Hyde, J and Gingras, A (2005) Ecstatic second body smile. Lucent Theatre, Den Haag, The Netherlands, 2005.

Hyde, J and Gingras, A (2005) The sweet flesh room. Diverse Works Art Space, Houston TX, USA, March 2005.

Hyde, J, Mitchell, T and Thom, J (2013) Alchemy of Chaos. In: 'Tourette's syndrome -- why it doesn’t define me' as part of TEDxAlbertopolis, Royal Albert Hall, London, UK, 23 September 2013.

Hyde, J, Palazhy, J and Ziegler, C (2002) Trans avatar. Touring production, October - November 2002.

Keep, A (2010) Criminal Mind (Duck Projects/Magpie Umbrella). In: Festival Luoghi Comuni Parola, Immagine, Movimento 2010, Milan, Italy, 6 June 2010.

Keep, A (2011) LYSN. In: Rumor Festival 65: "Breaking the Waves", Utrecht, The Netherlands, May 2011.

Manley, S (2012) Performance as guitarist in Adrian Utley’s Guitar Orchestra. In: Mail Maps and Motion, Bristol Temple Meads station, Bristol, UK, July 2012.

Manley, S (2012) Performance of 'In C' (Terry Riley) with Adrian Utley's Guitar Orchestra. In: Orchestra in a Field festival, Glastonbury, UK, 30 June - 1 July.

Manley, S (2012) Performance with Adrian Utley’s Guitar Orchestra. St George's, Bristol, UK, 16 November 2012.

Moor, D (1995) Talking the sex of angels. The Place, London, UK, 17 June 1995.

Moor, D and McKahey, L (2016) CousteauX Live at The Blue Note. The Blue Note, Milan, Italy, 31 May 2016.

Moor, D and McKahey, W (2017) CousteauX Live at The 100 Club. The 100 Club, London, UK, 19 September 2017.

Moor, D and McKahey, W (2017) CousteauX live at Arcos De Valdavez, Portugal. Valdavez, Portugal, 28 October 2017.

Petry, M, Powell, J and Nakayama, K (1995) An Englishman, Irishman and Frenchman. Kunst und Ausstellungshalle der Bundersrepublik Deutschland, Bonn.

Robertson, M, Upton, L and Apak, A (2012) ess/ata/tte. Writers Forum Workshop, 5 May 2012.

Spring, M (2012) Catalan Christmas music. In: In Tune, BBC, London, 18 December 2012.

Spring, M (2011) Sounding the universe: six centuries of music and space. In: Peninsula Arts Chamber Music Series, Sherwell Centre, Plymouth University, Plymouth, UK, 8 October 2011.

Villierezz, P (2024) Day of the Dead ceremony / live music from Panther Panther. In: Letters To My Dead Mother (part of PAPAYA Fest), The Wardrobe Theatre, Bristol, UK, 17 October 2024.

Villierezz, P and Gutarra, S (2024) Panther Panther live performance. In: Allen Valleys Folk Festival, Village Hall, Allendale, UK, 28 September 2024. Please click the title to check availability.

Villierezz, P, Gutarra, S and Zubieta, M (2024) Panther Panther live at The Jam Jar. In: Worm 'Valentines' Club: Pachyman // Miss Mash // Panther Panther, The Jam Jar, Bristol, 14 February 2024.

Villierezz, P, Lapes, J, Gutarra, S and Zubieta, M (2024) Xaman X live at The Jam Jar. Bristol, UK, 15 April 2024.

Wiffen, C (2008) World premiere of John Woolrich's Dramolet. In: Stratford-upon-Avon Festival: The Contemporary Consort, Stratford-upon-Avon, Warwickshire, England, 13 October 2008.

Wiffen, C (2011) World premiere of new work by Jim Aitchison. The Barbican Centre, London, UK, 15 June 2011.

Film/video

Atkinson, N and Fearns, R (2005) Beautiful place.

Atkinson, N and Fearns, R (1994) Galleries.

Atkinson, N and Fearns, R (1993) Jacob's ladders.

Atkinson, N and Fearns, R (1996) Perfect worlds.

Dickinson, J (2012) Little Angels Live at Download 2012.

Hooper, E (2012) Ankylosaur.

Hooper, E, Moure, E, Pato, C, Panforreteiro, M and Veres Gesto, A (2020) Almorfe Ottawa.

Hyde, J (1994) Songlines.

Hyde, J (1998) Zoetrope.

Moor, D and McKahey, W (2017) The Innermost Light, CousteauX.

Moor, D, McKahey, W, Lewis-Smith, C and Haughian, E (2017) BURMA by CousteauX.

Parfitt, R (2009) Privileged.

Regan, J and Bricheno, T (2019) PALE BLUE EARTH.

Regan, J and Bricheno, T (2019) SEANCE.

Sargent, N and Birtwistle, H (2009) Two tides.

Audio

Biggs, A, Groenevelt, B and Brian, R (2009) Be still.

Biggs, A, Groenevelt, B and Brian, R (2007) Love unknown.

Duddell, J and Garry, M (2015) St Anthony: an ode to Anthony H. Wilson.

Dupras, M (2012) Voyage of oblivion (by Jim Johnston).

Heaton, R (2004) Feldman and Fox clarinet quintets.

Heaton, R (2003) Gavin Bryars: a portrait.

Heaton, R (2002) Giacinto Scelsi clarinet concerto kya.

Heaton, R (2006) Tom Johnson: Rational melodies / Bedtime stories.

Heaton, R (2013) The inner time: contemporary music for clarinet.

Heaton, R and Grange, P (1999) Dark labyrinths.

Heaton, R and Grosskopf, E (2000) Sound pool - adagio.

Heaton, R and Kreutzer String Quartet, (2013) Magnets, lava, crystals: clarinet quintet by Mihailo Trandafilovski.

Hooper, E (2015) CICADANTHEM.

Hooper, E (2020) Quartet for the end of time.

Hugill, A (2002) Clinamen.

Hyde, J (1999) Manic.

Keep, A (1999) Critical moments (by Ultrasound).

Keep, A (1998) Dumbec.

Keep, A (2009) My Laptop Colony - Colony In My Laptop.

Keep, A (1995) Radar (by Earthling).

Keep, A (2000) Red (by Ming).

Manley, S (1998) Bloom (Crustation).

Manley, S (2004) Death row bride (Hazel Winter).

Manley, S (2006) A miner's tale.

Meinema, J (1997) Samba gaye (by Sekou Bembeya Diabate/Djanka Diabate).

Moor, D (1999) Cousteau (by Cousteau).

Moor, D (2002) Sirena (by Cousteau).

Moor, D (2004) Telepathy.

Moor, D and McKahey, W (2017) Spoiler EP by CousteauX.

Moor, D and McKahey, W. (2017) CousteauX.

Parfitt, R (2008) Enough love, Oh boy.

Parfitt, R (2002) Highlights in slow motion.

Parfitt, R and Cole, M (1998) Joya magica (as 60ft Dolls).

Parfitt, R and Cole, M (1996) Supernatural joy (as 60ft Dolls).

Parfitt, R and Cole, M (1996) The big 3 (as 60ft Dolls).

Ramsay, B (2015) Waypoints.

Regan, J (2019) Stertaline & Opiates.

Regan, J and Hussey, W (2014) Madam G.

Regan, J and Lederman, J-M (2019) Triskaidekaphobia.

Sargent, N (1985) Descriptive themes.

Sargent, N (2009) Leisure.

Sargent, N (2013) A space between things.

Saunders, J (2004) #160304-[r].

Saunders, J (2008) #211007.

Saunders, J (2009) #250904.

Saunders, J (2011) Divisions that could be autonomous but that comprise the whole.

Saunders, J (2007) #[unassigned].

Saunders, J (2012) 'various distinct spatial or temporal locations' and 'with the same material or still, to vary the material'.

Sorensen, N and Law, J (2010) The journey home.

Spring, M (1994) Bold, fearless and rash: music from the courts of Burgundy 1363-1477.

Spring, M (1996) Court jesters: music from the court of Henry VIII.

Spring, M (2006) Gentile spiritus: lute trios and Spanish songs from the Segovia Codex.

Spring, M (2011) Music from the Balcarres Manuscript, Scottish lute music c.1700.

Spring, M (2004) Out of the Orient.

Spring, M (1994) Pastorales: French court and peasant music from 1650-1750.

Spring, M (1993) Spanish & Portuguese vihuela songs.

Spring, M (1996) Stuart age music: tunes from troubled times.

Spring, M (1998) The complete music of Henry VIII: all goodly sports.

Spring, M (1995) The cradle of the Renaissance: Italian music from the time of Leonardo da Vinci.

Spring, M (2003) A minstrel's musicke.

Spring, M (2009) A pageant of medieval music.

Spring, M and Sayce, L (2011) Music from a Tudor court.

Wiffen, C (2009) Hugh Wood: Chamber Music.

Other

Bayley, A and Clarke, M (2011) Evolution and collaboration: the composition, rehearsal and performance of Finnissy’s Second String Quartet [DVD]. doi: 97809056020444

Bennett, J (2007) Joe Bennett: musicology, songwriting, teaching, writing & research [website].

Brown, A.R (2012) Black Sabbath and the rise of heavy metal music [book review]. Volume ! The French Journal of Popular Music Studies, 9 (2). pp. 206-208.

Brown, A.R (2012) Heavy metal music in Britain [book review]. Volume ! The French Journal of Popular Music Studies, 9 (2). pp. 220-223.

Farrar, R, Heywood, B and Telling, L (2015) Dear Carnegie Hall [app]. Please click the title to check availability.

Hooper, E (2016) Blue notes: in true tone deafness, an answer to why we sing [book review]. Literary Review of Canada, 24 (7).

Hooper, E and Williams, C (2013) SingSmash.

Hugill, A (2004) The Sound Exchange.

Hugill, A (2004) The orchestra: a user's manual.

Hugill, A and Rieser, M (2014) RUR (Rossum's universal replicants).

Hyde, J, Stamp, R, Dickinson, J and Head, A (2018) Seeing Sound [organisers].

Mathers, K (2011) Provoking sound: notation in the work of the Grúpat artists. In Context 3 Public Art Programme.

Ramsay, B (2012) Analysis of ‘Internal Clock’ by Monolake. The Online Repository for Electroacoustic Analysis. Please click the title to check availability.

Saunders, J (2008) Rebecca Saunders' piano music [Liner notes for 'Rebecca Saunders: Choler; Crimson; Miniata'].

Scott, L and Richard, C (2015) Creative researcher merges ASMR with opera [blog interview]. ASMR University Blog.

Spring, M (2004) Vincenzo Galilei, 'Le gagliarde dal Libro d'intavo-latura de liuto' and Giovanni Terzi, 'The Lute Fantasias' [book review]. Music and Letters, 85 (1). pp. 152-153.

Wright, E.H (2015) Virginia Woolf and music [book review]. Women: A Cultural Review, 26 (1-2). pp. 185-188.

This list was generated from ResearchSPAce on Sat Dec 21 21:18:06 2024 UTC.

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